Very nice guitar work! Extraordinary fascinating sound experience! Excellent quality work.. Awesome mix & recording production!

Originale la piste expérimentation sonore 💕😊😎👍

Loving this rhythm at the end! These are so much fun how you guys just go for it, 110% haha balls-to-the-wall creativity!

Always a trip to visit your musical universe...amazing experience

@user-919732565: Thanks so much my friend --we are very glad you enjoyed!!

Hey Jeff man, love what you and Jo have done here. Your poetry is excellent, as always, and this song is thrilling. Fantastic work here, both of you!

ASTRAL CATS WANNA RIVET A CAPSULE

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

With things so bleak and frightening at the moment, I thought a wee fun country number might bring a smile or two, for a moment anyway.
For the lovely Finse, Happy Birthday my dear! <3
Music, Lyrics, Vocals, Guitar, and Harmonica - Lizzie Taypen
Cover painting - Lizzie Pentland

Them Hitchin Angels

Cast of characters:
Llanpsych -- @llanpsych -- Tez – Fender Telecaster electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson cutom T electric guitar, sometimes with an ebow
J.J. Terrell– @j-j-terrell – organ and synth

This song began as an idea Tez came up with on his guitar while on holiday not far from his home in Wales. It had such a solid form, it inspired Mark to write lyrics and come up with vocal melodies within a few days of hearing it for the first time. The two of them have written several songs like this, making them a solid songwriting source for Eclectic Collective. 
  Once the song had a even more solid form, Ken took added his dynamic, bouncy-groove drums to it. As soon as Ken had the drums down, Josh took his turn, adding the fretless bass and solidifying the groove. Now that the basic framework was done, Stephen added his thrilling electric guitar. Last, but certainly not least, JJ added his dancing organ and the really cool, psych synth lead part in the bridge towards the end. Mark also added some awesome backing synth to it, as well, filling out the sound. At the very end of the process, Tez also dropped in the hot intro and outro solos, as well.
  Once we had it all in the can, it was time to turn it over to Tez for his expert production and mix. He came up with the idea of adding reverb to the drums, as well as some other compression tricks, which he employed with subtle style. 
   This, as mentioned, is a great example of what Eclectic Collective can do in house with the composition and songwriting skills of Tez and Mark. The rest of us really had fun working on this one, too, of course. We hope you enjoy listenig to this as much as we enjoyed making it.
Original lyrics by mistermark:

There’s something I’m seeking that I’ve never found
but the seed that you planted went deep in the ground 
there’s a journey that I’m on and the path is uncertain 
the magic fades when you pull back the curtain 

Wherever you go I will follow
there’s always another tomorrow 

There will never come a time when I do you harm
cause my soul is steady when I’m in your arms
and never have I heard music like your Voice 
when you call me to you I have no choice

Wherever you go I will follow
there’s always another tomorrow 

Like a puzzle on the table all the pieces fit
like I’m standing in the dark and a match is lit 
and what it all means man I just don’t know
but it’s a powerful feeling and it’s starting to grow

Wherever you go I will follow
there’s always another tomorrow

Wherever U Go - The Eclectic Collective

Arm-in-ARM, America moves on!  
www.americanrosiemovement.org  
Additionnal Vocals Barbara Browning

ROSIE THE RIVETER ROSIE THE RIVETER
RIVETING INSPECTING WELDING CONNECTING GETTING ALONG AND PULLING TOGETHER
ROSIES THE RIVETERS ROSIES THE RIVETERS ASSEMBLING PERFECTING ERECTING PROTECTING NEVER ALONE COS PULLING TOGETHER
JUNE ROBBINS ROSE SHELENGIAN GLADYS REESE BUDDIE CURNUTTE DOT FOSTER PAULINE ADKINS I COULD NAME THEM ALL
BUT THEY ALL ARE ONE
BERTHA GLAVIN NEVA REES KRISTINE VROOMAN MARY ANN DIAMOND THE GOODYEAR AIRCRAFT SQUADRON
I COULDN’T NAME THEM ALL
COS THEY ALL ARE ONE
ROSIE THE RIVETER ROSIE THE RIVETER PROTECTING COMBINING UNITING PRODUCING GETTING ALONG AND PULLING TOGETHER BELIEVING
RIVETING RIVETING
AFRICAN AMERICAN HISPANIC WHITE AND ASIAN PULLING TOGETHER THREE SHIFT ROTATION
ALL AROUND THE CLOCK COOPERATION
OH ARM IN ARM FREEDOM IS THE KEY
GETTING ALONG NEVER ALONE
ALL AROUND THE CLOCK WHATEVER THE LOCK FREEDOM IS THE KEY
ROSIE THE RIVETER ROSIE THE RIVETER RIVETING INSPECTING WELDING CONNECTING GETTING ALONG AND PULLING TOGETHER ROSIES THE RIVETERS ROSIES THE RIVETERS PULLING TOGETHER
GETTING ALONG AND PULLING TOGETHER
RIVETING INSPECTING WELDING CONNECTING ASSEMBLING PERFECTING ERECTING PROTECTING COMBINING UNITING PRODUCING
BELIEVING
COS IF YOU CAN USE AN ELECTRIC MIXER
YOU SURE CAN OPERATE A DRILL
DOING THE BEST QUALITY WORK
ARM IN ARM THE AMERICAN ROSIE MOVEMENT
FREEDOM TAKES WORK TO GET AND KEEP
RIVETING RIVETING RIVETING RIVETING
SHARING THE CHORES OF COOKING CLEANING AND BABY-SITTING DOING THE BEST
SQUARE DANCE ON THE SATURDAY NIGHTS IT WAS DIFFERENT TIMES
BELIEVING
WHATEVER THE LOCK FREEDOM IS THE KEY BELIEVING
RIVETING RIVETING RIVETING RIVETING

ROSIE THE RIVETER (Lyrics) + B.Browning. Song for the Rosie Team

Original by JJ Cale 1986
Acoustik guitar & vocal: Docvet
Other instruments & mix : PJ Project

Cajun Moon

a second version with more production work 
song of "suicideJ" retrieved on looperman

painful numbness Ft SuicideJ release

SOON to move to Bandcamp as an album or you can find it as a playlist on listen in it's proper order athttps://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharinghttps://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign

instruments: Jeff Gardiner and jo richter
voice: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image (showing this very poem on sheets of paper, in voynich minds): Jeff Gardiner in collaboration with jo richter

while I was snoozing in the scalar field
i dreamed about a maple staff
with inlaid gold and bone and sacred glyphs
it began to sing in delightlful shades of blue

like sky and water and turtle shells
and peels of strings of bells, wrapped around the waists
of woman dancing veiled in skanes of silk, all red and black
and oranges from the amazon
that orange meat, so juicy sweet!

a blade already broken, a token of persuasion
lving in the last creation
the actor trying out for all the parts
better some than others
clarity is something seldom found
just like reason, overrated
turn that little voice off in your head, he said -

redeem it when you find it if you're able. then forget it
then forget it for the favor of a lover
while the mother of redemption stands at attention
did I mention the monster, he's an alien
with eyes like fire, a liar and a loner

a believer a retriever with a pagan predilection
basking and engulfed in the sunlight and the scented artificial flowers
of he valley in the meadow where she's waiting
with the golden sunlight and mountain flowers in her auburn hair
writing letters to her lovers in the air;;-

the scalar field pt 7 astral yeast- with Sonic Structures and Silent Stretches

This is what it feels like when the third eye bursts open. The textures, the pulse, the primal tension—absolutely captivating. A spiritual cyber-ritual in audio form.
(Still fine-tuning the tags for this track — apologies if it pops up in unexpected genres! 😅 Thanks for listening!)

Awakening dormant instincts (New Edit)

Hey Amigos!! Back with a fresh Instrumental.
For a new Party Responsible track coming.
Real soon. Kalimba. Glock. Bass. Beats.
Keeping it raw and spacious. For vocal.
90 Bpm. Appreciate you listening etc.
Uploaded on 30/07/2025

What you wanna do

Cuidame los Gatos

Half created in the summer of 2005 mastered & released in 2025

RythmIntoTheNight

Tim Elliot and I are delighted to offer you our latest Creation as (the harmonic,  electric One Mic- One Take power-duo) Shekinah Fire * 

As we Let Go in the moment... and improvised this Tone Poem using only Tim's Custom Atilla Guitar and my Kawai ES7 Stage Piano, the Solar Winds definitely seemed as if they were blowing thru our instruments... releasing sounds of passion, glory, and the occasional Solar Storm. 

But we'll leave it up to your Ears and Imagination to envision it. 

Again, this is an improvised electric Symphonic Composition of 7 Movements... born of our letting go of any pre-planned design, depending only upon Deep Listening and where the Music was leading us.

We can also promise you that if you stay with the unfolding flow there will be continual 'flowerings' as it radiates outwards and reveals itSelf. 

May you let Go... and enJOY!

© Gary Courtland-Miles & Tim Elliot 2023 -2025
℗  Gary Courtland-Miles & Tim Elliot 2023 -2025

The Photo of our Sun is courtesy of NASA's Solar Observatory Satellite,
as it captured one of the largest Solar Flare and Coronal Mass Ejections (CME) in October 2022.

Solar Flares & Cosmic Blessings *

slide with me

Meditation Vibration

A collaboration with my fellow musician and guitarist, Aris'e. Guitar performed by Aris'e, with arrangement and composition by yours truly, BOUYA.

Arise!

(Don't follow me here, best on my main page ;)

"more fun than i deserve" 
 stepping off the ledge with desire

the scalar field pt 7 astral yeast- with Sonic Structures and Silent Stretches

stonerjazz

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