very interesting version and vocal..great

Amazing installment, dear Jeff! Kudos to everyone involved! <3

Such a trippy diatribe and journey this wonderful melange of music and story-telling sound effects is! Story and music alike tumble down the wandering path of your retelling. Terrific production/collab! Durge

Drums - Mick Mack
Slide Guitar, keyboard, vocals - Phaggot
Bass - Dick Wartz

Who Were Fanny and Phaggot?

haven't uploaded anything in a minute so here's something short and sweet

art by LaurentSchmidt: https://pixabay.com/photos/fence-barbed-barbed-wire-fencing-3373369/

sunset city stroll

Do not drive or operate heavy machinery until you know how your body responds to this piece in a lower frequency than typical radio music recorded 440Hz.

Logic Pro X
2022 Copyright/Sound Recording/All Rights: One Stop. 
For Licensing Contact:
Rainier Daze
Rainierdaze@gmail.com

Thieves

Written and recorded close to the Avon in Stratford upon Avon, Nov 2022
Rick's drums added via the internet from just north of Finham Sewer in Dec 2022 ;-))

Guitars upon Avon

luriich feat. Annett - Not Lonely When Alone  (3.Zero)

going nowhere fast.
 "Running Around " Electronic music with guitars and vocals.

Running Around

equilibrium

The second installment of Smoking Trout's EPIC tale of adventure, love, heartache, and a bunch of other stuff, in the travels of the "Hobo Cyberpunks" and the "BUS"

Tea R Sea(Terry) Producer, Synth, percussion, artwork
Uziel - vocals,keyboards(clarinet)
TexMex Shamen (Stephen) guitar
Sonic Structures and Silent Stretches (Jo Richter) percussion, lyrics
StonerJazz(jeff) Lyrics, vocals, percussion

lyrics       

you may have heard the creaking noise and tiny footsteps n the darkened corridors
that stretch to the southern boundaries of the unpolluted parts
where souls are living with total disregard for the nature of the Holy Dumpling
floating on the cosmic stew that simmers horizontally to your soul ln your heart

Traveling with the HOBO CYBERPUNKS, l learned a thing or two from the leader of the band Cosmic Stu who ln a wild tangent and a Rant, described a different spot
a filthy plot, invaded by tribe of bots, who stank of superficiality
an opportunity that he lost

The teachers teach ln empty auditoriums to pupils lost ln 4 inch screens
sequestered ln squalid scenes, that go unnoticed as useless information ls gobbled up and gobbled down ln every home and every town
Put the monster down and walk away He sald,
lron John ls not afraid of the queen
and even though the prince ls doomed
the purpose doesn't change

let me introduce you to some members of the band
there's Sally and Roberta who play the clarinet with beauty and with Grace
who plays the violin and Viola who makes the Djembe
bounce around the brain
with subliminal referrals to her pleasure and her paln
The horns are played by the twins
Maurece and Nostradamus, their trumpeting sublime

the accordlan of course ls played by Johnny who you might remember from the land of Zed, He did eventually get out of bed and sald
This reminds me of a time when things were real, and l could feel the rope of
hope wrapped firmly around and round my throat
before l knew the truth about the Lle
before l knew the meaning of goodbye

Now Stu he claimed to know or knew the whereabouts of the holy condiment that grew only
just outside his windowsill (and was essential to the Dumpling's flavor)
where he lived ln another life with Mary-Ann his ex-wife
who left hm for a guy named Sid who was a maestro on guitar
and had a band that traveled wide and far
including Mary Ann, and Larry too

Looking for that very thing
Hoping for just one bite
of that heavenly delight
before the turning of the light

The Holy  Dumpling #2 "the Smoking Trout" (featuring Tea R Sea, Uziel, TexMex Shaman, Jo Richter)

Vocals: Nadia Selvaggi
Instrumental: Mike Polcari: https://soundcloud.com/mikepolcari
Remixed 2023

Jimi Hendrix's The Wind Cries Mary by Mike Polcari & Nadia Selvaggi

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

The Holy Dumpling #2 "the Smoking Trout" (featuring Tea R Sea, Uziel, TexMex Shaman, Jo Richter)

STONERJAZZ

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