Awesome warping guitar sounds! So very cool!

real sound and musical sculpture! your combined talents never cease to amaze! bravo-bravo!

Waouh !!! THE JAM 👍🎶 Congrate guys .

...as I was saying (my comment got erased!) this sounds as if  “Should I stay or should I go” , “The Relay” by The Who and Peaches in Regalia were stuffed in a vacuum packed utility box by Ween and then blown to smithereens...

Very cool jam, love the talk-boxy guitar sound

I recently re-discovered this daft song and decided to share it with you.   I first 'performed' it live aeons ago, at a very serious spiritual workshop, quite spontaneously (and a bit loudly),  after a day of intense meditation and self-discovery.  Although many appeared to enjoy the song, there was an abiding sense of disgrace at my flippancy and foolishness.  That sense of rebuke and naughtiness delights me still...

An absurd song indeed.. for absurd times :-)

**************************************


She’s fallen in love with a teapot
don’t ask me how can it be done
for I’ve watched her in action caressing
the smooth round and shine of his bum

The grip of her flesh on his handle
the knuckles sharp gleaming and white
just the way that her tongue darts and moistens
when she reaches for him in the night

I’ve studied with great fascination
for it’s novel I’m sure you’ll agree
Is she limited by saturation
or can she constantly consummate tea?

think I’m falling in love with my teapot
I  guess I can see how it’s done
for I’ve studied with great fascination
the smooth round and shine of his bum

She's fallen in love with a Teapot!

The Vociferous Mapping Of Your Unlikely Future
https://nomatesensemble.bandcamp.com/album/the-vociferous-mapping-of-your-unlikely-future

So after 18 months, 50 musicians, artists and poets, 100’s of files, several innocent bystanders and of course some beautiful dogs and cats and I am proud to announce the debut album from Then She Reaches For The Gun. 
It’s been an immense pleasure to work with all this amazing talent! 
The album is titled The Vociferous Mapping Of Your Unlikely Future and features 10 tracks with the final track featuring every single one of the contributors somewhere in its 21 minutes : ) 
Here is the full credit list:
Adam Meredith - Voice
Anita Hustas - Double Bass
Agnostura Elwar - Electronica/Guitar/Piano
Antonella Eye Porcelluzzi - Voice 
Ariad Music- Clarinet/Percussion/Piano
Axel Weiß- Guitar 
Bellai Pelegrim - Electronica
Brendan Corey Benson - Guitar
Carolyn Wigston -Voice
Chicago Word Brigade - Synth/Noise/Poetry/Voice/Voice Guitar
Dane Renshaw - Drums
Dani Kirby - Piano/Voice
Dough Factory - Electronica
ElectroTrek - Vibes Synth/Voice
Fake Stereo Machine - Field Recordings
Frank Wilke - Trombone/Trumpet/Voice
Garbage Truck Disco - Guitar/Pixies Tribute
Gary Rees - Voice
Glenn Ward - Beats/Guitar/Voice
Gonzalo Serrano - Acoustic/Electronic Drums
Holy Shitshow - Digital Strings
Hverheij - Electronica/Guitar/Nursery Rhyme Glockenspiel/Voice
Ilaria Boffa - Poetry/Voice
Juan A Miñana - Electronics/Noise
Life in The Movies - Electronic Percussion/Synths
MatVee - Beats
Martin Pozdrowicz - Organ/Pad
Muterial -Electronica
My Nocturnal Twin - Guitar
Nosensend - Synths
Paolo D’Emilio - Poetry/Voice
Paul Miller - Beats/Keyboards/Synth Bass/Voice
Phil Bywater - Tenor Saxophone
Primaloop -Drums
PuppetXeno- Guitar/Synths
Raöulfr Maganhar - Field Recordings/Voice
TexMex Shaman - Guitar/Talkbox
The Windscale Blues Experiment - Saxophones
Thomas Bergheim - Bass/Guitar/Keyboard
Timothy Korstad - Electronica/Poetry/Voice
Tuonela - Drones/Electronica
Widar’s Spiritual Front - Electronica/Percussion
W:I:L-o’ the-wisp - Double Bass/Guitar/Keyboards
Wüst - Electronica
Vartch - Disco/Noise/Synths/Voice
Yui Nikaido- Voice

Hacho, Lola, Neska, Senna, and Yoda - Barks/Hisses/Meows/Purrs/Howls and Heavy Breathing

Mat Ward - Arrangements/Beats/Bass/Digital Orchestration//Field Recordings/Intonarumori/Noise/Percussion/Piano/Voice

Mark Rothko Sex Toys Pt 2(Current Tasmanian Business Speak Mix)

In to the light

Into The Light

Lorcán ~ an Irish given name meaning " little fierce one "
Arranged and produced by Mike Hllton © 05/02/2023
Thanks for listening.

Instruments

PRS Custom 24
Takamine Acoustic Guitar
Double Bass
Bodhrán
Vocal Pads
Chimes

The Lorcan

Lorcán

Here's A collab with https://soundcloud.com/frawstakwa

Here's A link to the original vocal;

https://soundcloud.com/frawstakwa/now-that-were-here-lets-go-1

Here's A link to the art work;

https://pixabay.com/illustrations/painting-black-and-white-digital-art-219514/

Frawstakwa & RiZLiX - Now That We're Here

Call My Name

Hello… so have you ever noticed certain things about yourself that never change? This song, ‘Just Like I Always Do’ is about that very thing. I found myself  outside the other day, playing with rivulets of snow melt. Making channels with a rake, for the water to run down and I laughed… my feet were soaking wet and I was having a grand old time. Reminded me of a time in kindergarten, when I arrived late to school, soaked to the bone, as I was playing in the rain along the way. So that playful side of me has not changed at all. I also noticed, like flowing water, how vital it is for me to keep moving. A fluidity when it comes to living and learning about life. Recently, singing has been like that for me. Bear with me on this. A little backstory: As a kid, I had a brief stint in my middle school choir. I did not want to join the choir, that’s for sure. The music teacher had picked us out, after brief singing auditions. After our first performance, my mother, God rest her soul, told me I did not have to go back to choir anymore, if I did not want to. Out of the 50 kids on stage, I was the only one not singing. I just looked down so no one could see my mouth… except my eagle-eyed mom. Simple as that, I was done with it. There were other things I wanted to do as a precociously rebellious kid, running around the neighborhood, as it were. Now, half a century later, I have been learning to sing on my own. It has not been easy uncovering that latent voice of mine. Looking back, sometimes I wish I had stuck with it as a kid. So about a decade or so ago, this dude I worked with asked me if I’d show him some stuff on guitar. His mom was a musician and music teacher and he grew up with music in his life. He was always singing and playing guitar. As we hung out, he noticed I never sang and asked me why. After basically dodging his question, he told me the only thing stopping me from singing was me. Talk about a hard lesson to swallow. So now, bringing us up to speed, I had some fun exploring my nascent singing voice on this song. The image is of me and Garnet running the hills in early Spring. Hope you like it and thanks for listening. Take care, Mark

Lammbone's Album

Just Like I Always Do

Another Guitar Confabulation With TexMex Shaman whom also did the producing-
This has left me without adequate adjectives-So for those of you who are lovers of the guitar and who  care to, please have a listen--You be the judge-- The soundcloud Al dubbed lt NEUROFUNK--🕉

VELCRON (jamming with TexMex Shaman)

https://audio.com/grzegorz-kawka/audio/beware-of-everywhere
https://youtu.be/aOd0cV8ormM
Some fast stuff done with: 
Live Lite + free VST + M-Audio Keystation MINI 32
Art by:
https://www.deviantart.com/grzegorz-kawka/gallery

Beware Of Everywhere (accidentally detuned gtx ver.) //+audio.com final edit+ // +VIDEO+

A Kinsâme song with :
https://soundcloud.com/kiyotoyoshihara

1. Si l'hexagramme de Pikachu zèbre ces zombies de la raie alitée, le pilier est speed. Mare nostrum.

2. Les dix mille multi-clonages du gemme impérial lunent tes yeux mi-clos en cloque d'un sexy jutsu. Semper fidelis.

3. Quelques kicks ainsi connectés car San ku Kaï par terreur amère circule sans ceinture effaçant le centre délétère sous ses astres sismiques. Missi dominiqui.

4. Alors, l'omission du feu onde Kira qui inscrit sur son carnet d'onyx l'ode des erres érodées. Sator arepo tenet opera rotas.

5. Allez coquin, cache-moi cet arc-en-ciel dans ton cœur que je ne saurais entendre sans secret sanguin cerclé sous le sanctuaire de Shiryu. Res nullius.

6. En action, ce Vogue Merry attelé de six dragons soufflant dans des escargophones les mérites du Gum-Gum. Yo ! Yo ! Yo ! Jugula ! Ne...

7. Les super nanas singent Sailor Moon pour plaindre d'autres week-ends ascensionnistes au ping-pong des planètes. Non fui, fui, non sum, non curo.

8. Quelle roue tourne toujours ? Onizuka en perd son sombrage à l'âge sonique des perfections digitales. Dente superbo.

9. Voici que l'arène s'est suspendue distillant sa silice aphrodisiaque dans les iris de tous les tamagotchis, frères de l'écho et du mirage. Morituri te salutant

Tamagotchi - Moi - KY32 - XT444  -  Kinsâme

Nothing much to say here, as the title says it all. Hope you'll enjoy this sonic portrait of a spaceship crew saying goodbye to a few dozens Plutonian birds.
I made this out of a few recordings and experiments I had in my HD. More numbers will follow, sooner or later. I'm currently working on several tracks, aiming at putting an album together someday. 
I'd like to thank all you SC people who are still listening to my stuff even though I've spent a couple of years mostly on Pluto... I guess I'm finally taking off now, in a way or another. Hope you're all doing good, my friends.

Teth Sin : electric guitars, vocals, synthesizers, field recordings, sound design

Original composition, arrangement, mix, mastering, photo & cover artwork design by Teth Sin

VELCRON (jamming with TexMex Shaman)

STONERJAZZ

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