brilliant sound, it´s poetry in your music

loving how blissful this track feels, really smooth and interesting sound

you master your concept perfectly, always in the search to make the listener travel in a perfectly coherent experiment

The Upload

This album emerges from the rediscovery of an accordion following the loss of a close relative an instrument that had been a constant companion throughout their life, weaving itself into the fabric of childhood memory. At its core lies the recognition that both human and
accordion share the same essential act: breathing.

The accordion becomes a meditation on mortality and memory, its bellows expanding and contracting like "lungs", its air valve releasing pure breath without melody—the raw pneumatic essence of life itself. Every sound originates from this single instrument, largely unprocessed, preserving the intimate relationship between human touch and mechanical response.

It’s an investigation of how an instrument can hold the memory of hands that no longer play it. The mechanical whispers, the subtle articulations of metal and leather and wood become a language of remembrance, breathed rather than spoken.

Bandcamp

Of a Distant Memory

found this one lurking in the corner of a file... & gave it a polish
Rob Bartholemew sax
Nicole bvs

Trouble

LiveCore 2020 !!!
Original Composition + Live Guitar : Chris Dargay
Live Drum Performance : Scott Tumino 
All Rights Reserved by E.O.S.

Ahnk Aten

Ahnk  Aten (Raw Instrumental)

You don't have to call it FourThreeSeven. just let me know so I can listen to it. :)
Use any or all.  
?'s the answer is, yes.

Collaborations!

FourThreeSeven - Open Collab Offer -

This is for my beautiful granddaughter Aliyah, who has just learned to crawl. 
 

Acoustic and Electric guitars: Jonathan Beckenstein @jonathan_beckenstein
Song, keys, bass and everything else, 2020 Janine Levinson

Birdwatching 

Point your eyes up to the trees and keep your ears wide open
Stand right next to me and keep your mouth closed
Stay light on your feet and hear the whip a whip a whistle
Stand right next to me and keep your mouth closed!

I promise you it’s worth your time  and now the part that matters
Is the language of the flying things, the words you can’t imagine
Telling stories from the tops of trees 
Of feathers web and worms and swarming bees!      
When we go birdwatching
            
Your binoculars are key keep them aimed up at the trees
listen carefully and keep your mouth closed!
It’s difficult at first It could be bells or wood or metal
As you open up your ears I know you heart will follow

Oh, little one, it’s worth your time and now it’s all that matters
Is the language of the flying things, the words you can’t imagine
Telling stories from the tops of trees 
And riding currents on the breeze
When we go birdwatching

Cackle caw whip and chatter           
Chip and chirrup crow and clatter
Chitter clack rush and titter             
Pip and thrill hoot and twitter
Tweet and clang flutter flap                
Chirp and hum, flicker, quack 
Whoop whoop whoop,    
Trum trum trum trum trumpet!!!

And from far off chickadee I hear a chirp and then a sizzle
I’ll stand right next to you and keep my mouth closed
We’ll listen and resist the urge to join in with a whistle
Looking up into the trees, we’ll feel the wind blow

I promise when you grow up you’ll remember understanding
The language of the flying things, you won’t have to imagine   
The stories from the tops of trees 
The questions answered only by the breeze
When we went birdwatching 

They sang Aliyah
They sang Aliyah

Birdwatching -  with Jonathan Beckenstein

Morning dew

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___

This title, very special, is entirely played on Moog Modular, "by hand", it is unique and will never be reproduced. I practically destroy my preselections as I go along with the projects...
I call it Aiko SAKURA (no reference to a person that could exist). I put in it my love for music and for your greatest pleasure.

🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork  -  Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space 

❤️Love, 🕊️Peace, 🙏Respect

Aiko Sakura

a song written by Stone X. Catcherye while riding the Thunderbolt.
recorded at Sound Construction Studios.

When It's Over

purple skies, lovely eyes, won't you marry me?
I've come down from the clouds momentarily
smile bright for tonight, time might roll on by
don't let go, souls do glow, they glow like your eyes
some days, love, fills you up, shows you ways to be
purple skies, love is high, what it does to me

don't you take me
don't replace me
don't you wake me
don't you hate me
when it's over

autumn eyes in my mind, why we smoke these leaves
I've come down to your ground to find time to breathe
smiles shine for tonight, time, it won't rewind
don't you know of my soul, don't you know my kind?
now and then, all my friends, somehow question me
purple skies, people die, not from love, from greed

don't you take me
don't replace me
don't you wake me
don't you hate me
when it's over

don't you take me
don't replace me
don't you wake me
don't you hate me
when it's over

When It's Over

Blue Diamond Fog

New album coming soon! Support the crowdfund by pre-ordering it here - https://reinisjaunais.bandcamp.com/album/zeme

Video for this song - https://www.youtube.com/watch?v=W2vPN_qzgUw&list=PLV_oSLRa-HaKHuG3vbexCV1TGY2S3RlLd&index=1

Music by Reinis Jaunais
Mixed by Arvis Ahuns / EIII
Mastered by Kārlis Šteinmanis / KS Records

Zeme

Night Out

Here's a tribute to the great John Coltrane, entitled Trane of Thought.  I'm joined by Cologne's superb Georg Boehme on Baritone Sax. Just love what he's added to our 12/8 modal original.  Follow Georg's expansive collection of woodwind oriented jazz:  https://soundcloud.com/georg-boehme

Thanks as always for your generous time listening, for your comments and for your shares.

Trane Of Thought - Georg Boehme / Jamie Rhind

A longtime Many Years Ago , When Mark & Myself Discovered Who We Were.
Vocals & Drums By Mark Heenan,
Guitars & Bass By Martin Reed,
Produced By Martin Reed.
Originally Recorded In 2001.

When We Both Drank Colours Shapes & Lines

ICE FROM THE SKY

2020 janine levinson

I woke up this morning to ice from the sky
In my little piece of paradise
It should be warm; it should be temperate
And yet, ice from the sky

It's dry! so dry! said the ground to the sky
In my little piece of paradise
It should be flowing where I have flourished
And yet it's terribly dry

Withering and shrinking; waiting for a drink
A sprout or two will rise -- but never climb to the sky

I woke up this morning with tears in my eyes
in my little piece of paradise
I should feel warm and be contented
and yet, tears in my eyes

Muttering and sinking; watching for a cloud
A spout or two will rise -- but never a drop from the sky

A quake could shake the ground 
And if a tear were to hit it right
It would split with an awful sound
And day would turn to night

The sky could fall --be upside down
The clouds my bed  -- the stars my ground
The heavens pour and burn my toes
Ice will fly.  Still nothing grows.

I woke up this morning to ice from the sky
In my little piece of paradise
It should be warm; it should be temperate
And yet, ice from the sky

Ice From The Sky

Old school sampling in a nutshell. Using an Emu E4X dinosaur, best filters I've ever heard, but what do I know. The Emu was horrible to work with, that I do know. Bounced the lot to Ableton

a voce piena

Jousting With Toothpicks

All Piano, Keyboards, Percussion, Drums, Bass and Guitar performed by myself.

I also love recording my own soundscapes and all photos used are taken by myself unless otherwise credited.

No AI used in the making of the music or art. I like to create something from nothing myself, its a joy.

I have been passionately creating music for a considerable amount of time. My vibe is mainly Rap, Rock and Pop. My purpose in writing music goes beyond mere entertainment. I am driven to compose songs that serve as a source of encouragement, inspiration, and upliftment, carrying a message of hope deeply rooted in the truth that Jesus died for the sins of man. Through my music, I strive to share my personal journey and experiences, revealing how Jesus is an integral part of my life and the creative process.

Blue Diamond Fog

Sounds Of Europa

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Dad on the moon

Vasco Ribeiro Morais - page VII

Grikhy

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