MEMORIES OF AN ANCIENT TIME

When you called me this morning – the sound on your end – was so deafening – I got scared –tried not to act weird – Do I run to your place – your butt dial said everything – I bet right now that you wish I wasn’t listening
But I was…. And I heard my  whole world crash down – in a second my life’s upside down and I’m holding on to last night’s love – and today – I guess it’s a brand new day – when you threw it all away – I'm still holding on to last nights love
I tried to call you that afternoon – phone rang off the hook – and my frustration – left me contemplating – do I come over your place with gun in hand so I can eliminate what killed us
And it's all because... I heard my  whole world crash down – in a second my life’s upside down and I’m holding on to last night’s love – and today – I guess it’s a brand new day – when you threw it all away – I'm still holding on to last nights love
I get one call the said when I was arrested and now it’s 2AM and my head is spinning – I grab the gun from them and point it to my head – say one last prayer in vain Oh god please numb this pain 
And there i was.. I heard my  whole world crash down – in a second my life’s upside down and I’m holding on to last night’s love – and today – I guess it’s a brand new day – when you threw it all away – I.m still holding on to last nights love,,,,,,,,

Eric Festa's Album

Last Nights Love

Here is my first music release of 2022 written and recorded jan 2022
i have also made a music video which you can watch by clicking link here https://youtu.be/W8acMV_11h4

written and produced by Jim Manser 2022
support Amnesty international and dont lose your rights for a peaceful protest
support friends of the earth 
https://act.friendsoftheearth.uk/donate/join-protect-climate-people
and help the planet to heal from climate change

Star of David

youtube

Star Of David [watch the music video on youtube]

Impulse

DO YOU REMEMBER
Melody: Over the Hills and Far Away - Led Zeppelin
Solo Guitar: Brent Mason
Vocal: Alley www.Ghosthack.de
Mix, Arrangement and Production: Lillithe
Mastering: Paploviante

DO YOU REMEMBER

High recommendation of headphones, to fully enjoy sound adds and effects.

Letra / translated lyrics:

África... África...   /   Africa... Africa...
la vieja madre...   /   the old mother...
África... África...   /   Africa... Africa...
la tierra extraña...   /   the strange land...
África... África...   /   Africa... Africa...


Son tus raíces   /   Your roots are
más profundas que el tiempo.   /   deeper than time.
Olvida tu vida   /   Forget your life
que ahora es desierto.   /   which is now a desert.

Tus raíces de sangre se han perdido,   /   Your blood roots are lost
y tu exótico mundo ha envejecido.   /   and your exotic world has got old.
La llamada de la selva ha convertido:   /   The call of the jungle has turned:

tus batallas en guerras,   /   your battles to wars,
y tus bosques en hambre,   /   and your forests to hunger,
y tus hombres en tierra.   /   and your men to soil.

África... África...   /   Africa... Africa...
tus cantos lejanos...   /   your distant singings...
África... África...   /   Africa... Africa...
ahora están muertos...   /   are dead now...
ahora están muertos.   /   are dead now.
África... África...   /   Africa... Africa...


... 1995 E-RUIZZO - 2014 FRANCÉS RECORDS

Google Play

África (Hombres de tierra)

Astronauts say that when they see the Earth from space, it changes their way of understanding life.
We will soon make a guitar version.
Photo: NASA

Beauty Blue

A Big Thank You to https://soundcloud.com/mike-krath for the music. It’s been great fun to write and sing along. Please take a listen to his version of the song: https://soundcloud.com/mike-krath/document-boo-hoo?si=1345da94ece64aa2bd256edb8905eb88&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
The picture shows a wild donkey in Death Valley, taken by an old friend of mine.


Leitmotif


Every time 					(3)
I got you on my mind
Got you on my mind
I have to smile				


All symbolism i drew
All the songs i sang
All the symbolism i drew					
I sang them only for you
I drew them only for you
Only you					
I swear it’s all true			


All the words i threw
All the letters i choose
All the words i threw
I threw them only for you
Only to you
I swear it’s all true
I have to smile
I have to…

„break“
Every word, every note	
They come back				
Every word, every note
They come back
Every word, every note,
They reflect


Also right now, this time
It’s the same clue
It’s the same clue:
This song is for you
Hope that you like it a bit, too…

Leitmotif (wt Mike Krath, raw edit)

Hey all, I thought this fun experimental piece still felt minimal with open spaces ready for further development. So I'm sharing it out as an open collab and hoping others will be interested in taking up the challenge!

It's a bit of a weird one, but please feel free to use as many or as few elements as you would like. Here is a link to the stems:
https://drive.google.com/drive/folders/1THt60PCv9tYi2b6fxKciQcs-7ykBEf2b?usp=sharing

For inspiration, check out the totally different direction that E.P. Beats @lala-land-361191160 took with it on his crazy-cool phonk remix!
https://soundcloud.com/tea_are_sea/orange-mound/s-aIKH4o6kwzw?si=0ac79d337bea4ab5bb8dbca92ab28058&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

If anyone else makes their own mix I'll start a running playlist and link it here.

Sunset Circus - OPEN COLLAB

Time For A Revolution -with AnandaTuk

Cover picture: Albert Bierstadt, "Emigrants Crossing the Plains" (1869): an oil on canvas painting of emigrants on their way to Oregon, inspired by a fifty-wagon train of German emigrants who crossed Bierstadt's path during his 1863 expedition.

Although it is very difficult to estimate the total number of European emigrants, it is thought that from the beginning of the 19th century to the middle of the 20th century, around 30 million people left Europe for the United States.

I reworked in the last days on this not particularly original piece, whose first draft is from 2018.
Femal vocals courtesy by La Boutique Studios Dakar; harmonica by Dust Bowl - Vintage Country.
Composed by Michele Ansani (2018-2025).
Posted on SoundCloud: 2025, March 26

Their American dream *

The Great Awakening
I wish you all HAPPY EASTER!
  Vocals: Winkandwoo
https://soundcloud.com/winkandwoo/the-great-awakening-vocal-stem-124-bpm
Lillithe: Music, Arrangement and Production

THE GREAT AWAKENING

PHOBOS / Paploviante Open Collaboration Offer
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 88
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

PHOBOS

The axolotl named Julio Cortázar watches Julio Cortázar observing the axolotls swimming in the aquarium.
The sister tracks here: https://soundcloud.com/michele-ansani/this-is-them-last-version and https://soundcloud.com/michele-ansani/this-is-us

Here the short background story:https://ambystoma.uky.edu/teachers_materials/axolitbook/AxolotlByJulioCortazar.html
Picture is from Pietro Corrao.

------

Composed by Michele Ansani (2025)
Posted on SoundCloud: 2025, May 1

Is this you? *

Nova

voici une musique que j'ai composé en 2006 qui n'avait pas de texte à l'époque, j'ai écrit ce texte en portugais dernièrement et l'ai proposé à Julien Apelian qui avec son immense talent a fait les claviers et refait les batteries et percussions ainsi que l'arrangement, mastering.

paroles, voix et musiques : Steph Ouna
Voix : Lena https://soundcloud.com/user-262019520
Claviers, percussions et batteries, arrangement, mastering : Julien Apelian https://soundcloud.com/audio-colors

Uma mistura de culturas
Sonho com todos os países
Todas as linguas
está no meu coração
Encha-nos com canções e alegria
Através da força e da diversidade
A música nos leva a outro lugar
Um planeta sem barreiras

Refrain :
Se precisa de tempo
Quer acreditar
Precisa de esperança
Deus nos escute
Somos feitos de po
Sem fronteiras imigrantchis

O mundo é enorme, Deus o faz grande
Toda a riqueza eterna que ele nos deu
Por prazer e partilla e felicidade
E nunca conhecer o fim
Um milhão de estrelas na via láctea
O sol, o mar, o céu, os sonhos

en français

Un mélange de cultures
Je rêve de tous les pays
Toutes les langues
c'est dans mon coeur
Remplis-nous de chants et de joie
Par la force et la diversité
La musique nous emmène ailleurs
Une planète sans barrières

Refrain :
Si tu as besoin de temps
Je veux croire
Besoin d'espoir
Dieu nous entend
Nous sommes faits de poussière
Pas de frontières pour les immigrants

Le monde est immense, Dieu le rend grand
Il nous a donné toute la richesse éternelle
Pour le plaisir, le partage et le bonheur
Et ne connaît jamais la fin
Un million d'étoiles dans la voie lactée
Le soleil, la mer, le ciel, les rêves

Nova

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

Down by the sea [Viaggio di nozze] *

01 - Native Instruments  - Noire Pure
02 - Spitfire Audio - Labs - Choir

In The Shade

(Don't follow me here, best on my main page ;)

In The Shade

idematoa

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