wonderful and creative orchestration//enjoying!

Nice one great music great track good job.👏😎👍🎶

une sonorité bien intrigante et cinématique ! Bravo 😊👍🎶✨

Good mysterious musical moment, great strings sound...

pièce passionnante et dramatique! superbes effets !

love this my friend - the staccato strings give this track power - the turn at 1:23 min is superb!

Available on Time Enough at Last: https://zuunzug.bandcamp.com/album/time-enough-at-last

The elements that make up this song were almost all captured live with a Zoom recorder randomly from the streets, events, concerts ... There is a shovel digging gravel, a coffee maker, a cough in a concert hall, an electric heating, a firework in the basque country, and so on!

Everything was assembled & modified on my trusty MPC before a twilight synthesizer melody (Korg Monologue) was added. All this deals with the coming insurrection ...

Les éléments qui composent ce morceau ont presque tous été capté en live avec un enregistreur Zoom aux hasards de la vie, des rues, des événements, des concerts... On y trouve un coup de pelle dans des graviers, une cafetière, un toussotement dans une salle de spectacle, un feu d'artifice au pays basque, un chauffage électrique, et j'en passe !

Le tout a été assemblé & modifié sur ma fidèle MPC avant qu'une crépusculaire mélodie de synthétiseur (Korg Monologue) ne s'y ajoute. Tout cela traite de l'insurrection qui vient...

Class War 2022

Album

Beatz By https://soundcloud.com/mzrpklps?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Funky Fresh

be sure to like listen and follow https://soundcloud.com/mzrpklps?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Happy Halloween Hate Catz

X Comune' Kato' Ft Beats By MZRPKLPS

My Beautiful Place

Debut EP from Manchester based Cartoon Vandal.

Hunger Cult

Written and performed by Josh McAlexander

I'm Coming home

I'm Coming Home (Original)

999 plays 😮 ...the thousandth may report by name 😁 
edited 08/29 at 01:23. Who was the 1000th now? 😮🤔👀

https://youtu.be/nqvqv5c9qO0 please visit 😬

The perceptron is a simplified artificial neural network first introduced by Frank Rosenblatt in 1957. In its basic version, it consists of a single artificial neuron with adjustable weights and a threshold.

Neural networks and artificial intelligences don't get "smart," they get better at recognizing patterns in data and making predictions by training with large amounts of data and using algorithms. In recent months, advances in hardware technology and algorithm development have helped neural networks and artificial intelligences become even more powerful.

Video YT 👀

P E R C E P T R O N

Psychomanteum

Composition and Sampling collage by Synline
Featured on the my new album 'Unstable"https://on.soundcloud.com/P2ewh

Edouard Manet
Olympia
1863
Huile sur toile
H. 130,5 ; L. 191 cm; pds. 120 kg. avec cadre H. 177,5 ; L. 239 cm
Offert à l'Etat par souscription publique sur l'initiative de Claude Monet, 1890
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt

Who's That Girl

This is a song that JJ came up with on the electric piano and shared with the rest of us. He's done a significant portion of the songwriting for the Eclectic Collective, and always gives us quality songs, to which are easy to add our voices. When he sent it to us, he had a rough bass on there that sounded like Lust for Life. Ken came up with a killer and appropriate beat, which, if you can picture Lust For Life, included a lot of accentuated bass kicks. So, Josh took and went with that, and came up with a funky bass line. Ken and he kicked it back and forth a few times till they linked up. Then JJ added some funky ass organ and trippy retro synth to spice it up.
  Then it was time to send it to the guitarist. Tez laid down some smoking lead solos throughout, with his signature fiery guitar tone and amazing licks. Then Stephen funked it up even more with a fonky-ass wah guitar track. 
  Ken produced and mixed this one for us, and what an excellent job he did, too. This was so much fun to create. We all hope you enjoy listening to our jam as much as we did playing it.

Tonkas and Matchbox Cars-Eclectic Collective

some instruments, including synth and the pulsating synth bed, mix: tea are sea @tea_are_sea
other instruments, narration, mix: sonic structures and silent stretches
method: some back and forth, with stonerjazz and re-evolution café orchestra sometimes listening in and edging on
narration: the thirteen canto poem finds its way into sound, a canto at a time
image: copyright jo richter, using a detail of my photo of a magazine depiction of the phaistos disc as one element among others

info: there is one more version of this canto to emerge from other collab partners. LOOK FORWARD!

poem / copyright jo richter

How long he stayed, he could not tell.
He worked ferociously, sounding all
existence that had touched upon him into
being: the smell of meadows, the curl of
ripples, the calm that centers in a storm;
the timbre of voices, the straight lines of buildings,
the aloofness of announcers on the radio.
His desk was cluttered, his mind strove clear.

When he did not write, he‘d read up on
the origins of his ancient art: Vergil and Dante,
Marlow and Shakespeare, Homer and Joyce,
Ovidus, Cervantes, Rabelais and Wieland.
He felt the linguistic seeds, blown from foreign
stems, grow filaments deep in his native soil, he
saw them ripen, flower profusely, yielding
their beauty to ever-changing mentalities.

And as his insight widened and he gained
perspective, the rows of encyclopedias
and dictionaries that lined his shelves
slimmed down, as he gave up consulting
English for French and German, these for
Latin and Greek, those for Persian and Sanskrit,
until he only referred to Indo-European roots.
His desk turned clear, his mind became uncluttered.

Eventually, he also slept and dreamt
whenever the veil sank upon him.
Guarded by the spire‘s safe walls, he would
awaken slowly, remembering outlandish
lore, scribbling notes and poems of bizarre
truthfulness and penning recollections of his
archetypal ties. Some of his realistic verse de-
rived from fragments of prolonged poetic trance.

His muse meanwhile taught him to cook, the
art of mixing individual ingredients to bring about
a taste all of its own that nourishes both mind and
physicality. The painters tend to fixate on surface
and colour, she said, the musicians on timing
the process, whereas the poets never get anything
done, enchanted by words like ‚ginger‘ or ‚yeast‘.
All of their dishes taste awful.

canto iv

Departure Canto iv with Tea Are Sea

01 - SA - ORBIS - Mamachor clean x 2
02 - SA - ASE - A Good Start
03 - Sonuscore - The Orchestra Complete _Spitfire Audio - Albion One - 9000 Piece Choir Hold Down
04 - UVI - FALCON - Cinematic Shades - India - Ice Kingdom

Orbis Orchestra

idematoa

Recent comments

FuWatt

Likewyse Productions

Electrometis

Fleursonseaux

Related tracks