BATHROBES ARE NOT FOR THE SUMMER

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Idematoa - Main Playlist

D-view Experience 3

Rock And More  2020 # 2

Sonidos y demos

Hello Folks!

Been quite some time, but being slow, doesn't gladly result in no productivity at all. Haha! After my Collab with @texmex-shaman (thanks again brother for this awesome experience), i was rummaging unfinished projects and thought about "whats next?". I found plenty of stuff which craves for my attention, but too close on the timeline with our first summer vacation at my parents in laws place.

So i came to the usual little drill , like "What equipment will i take with me" ,  "How will it be?" (in terms of my usual unique work and creativity flow) , and "Will i be able to do anything in the usual FY style at all?"...... turns out it was a fast super week there with a lot of various ventures, activities and wonderful weather!

I also used the possibility a few times to take the chosen stuff (i did go for the minimal setup as minimal can be) out in the garden, sat down summerstyle with a cold alc-free Radler and just worked in my DAW with self-built synths and a Studio One "Impact XT" drum preset which i manipulated and bent into the way i wanted it to be. Comparable with the first track you build in the Andrew Huang course, i went full electronic and after that week i had like 90% of it!! 

I have to thank my dear friend TexMex Shaman who did pre-listen ALOT and also encouraged me to build that intro (which took me quite a while to find the right samples, shape them and do some automations and stereo field sweeps - awesome process to push myself into this).

Going mad with the Visual was also predictable... most of you who know me by now, would've expected that, i guess? I love that process, like you have that music and it creates an audible image in your brain, but adding something as close as you want it to look like with a cover, is a complete different and somewhat relaxing process to me. 3 weeks of alot of work and manipulations. So much new stuff i did learn!

I want to thank big big time Chris Ainsworth on Flickr to give me the permission to manipulate his wonderful pic of an restorated "Tron" Arcade Machine!! (https://www.flickr.com/photos/53643381@N00/)

We're soon at the end of this summer and 2021 feels already passing way too fast and there is so much music to listen and also to continue working on. 

Love this SC community! Thanks for being out there and all this exchange!

Yours,
CMD SF

PS: If your'e interested, i start sharing the hq arts on my google drive for those who want to see more detail to the "vision" of my creation here!

https://drive.google.com/drive/folders/1IwcIXWLFPQtvPHYCKoOLpmme0Px0fzMh?usp=sharing

Thunder Runner

A new collaboration of Freddie M, Steven W. Davis and Jason Sands with the great singer and songwriter Karla Lynette. We thank Karla very much again for her great work and professionalism.
Here you can listen and see her soundcloud page: https: //soundcloud.com/karlalynette/tracks

Tonight In Gonna Wait For You- MTM (Feat. KARLA LYNETTE)

This is my second collaboration (that was actually completed in July, but this is me just getting round to uploading to SoundCloud now.) which features satosii and Rylei Nathaniel. It all started with a sequence bass guitar melody from Rylei and a beat and a guitar from satosii. Vocal chops, piano, synth  and the finished melody was done by me and we ended up with two versions.

Version one: Dial Up (https://www.instagram.com/p/CRCYnsCAZQL/)
Version two: サイバーパンクな夏の夜 (https://www.instagram.com/p/CRKIgQQA6rO/)

Videos for both versions are made by Rylei Nathaniel.
You Tube video made by Decan Usmic https://www.youtube.com/watch?v=UUNKdFYc8G0
This song is slightly different from my usual genre, but I hope you find it uplifting. Many Thanks for listening and for all your support!

Dial Up (Feat. Rylei Nathaniel and satosii)

This is an upload of WMD's Sophrosyne, which is free on his bandcamp. Go support him!
Again, this is not made by me, I do not take any credit. I just love this album.
http://wmdchiptune.bandcamp.com/album/sophrosyne
P.P.S this is going under an "all rights reserved" simply because I have no idea what WMD's preferences are. If you want the music, get it from him.

WMD - Another Song About Ruby

Brian Eno - An Ending(Ascent)(Module Module's Reimagining)

Photo : Marielle Lemaire - Ariège - France

Marcher, c'est des captures d'images, des sentiments qui se composent, se transforment, se ruminent en de douces pensées. Dans l'enlacement continu du parcours, cette source de satiété physique offre une richesse grandissante à l'esprit. La pérégrination ancre nos sens dans cette réalité.

Walking is capturing images, feelings that are composed, transformed, ruminated in sweet thoughts. In the continuous embrace of the journey, this source of physical satiety offers a growing richness to the spirit. The journey anchors our senses in this reality.

Ce projet se compose d'un prélude, d'une pièce principale, de cet interlude suivi de son postlude.

3 - Sur Le Chemin - Avec Franck Douvin

"A Love Like No Other"

Recollections of flowing memories from when you entered my life
Your long black flowing hair & those beckoning eyes that still call me
It was obvious that we were never through which is why I returned
And in this world, who could ever say they knew of romance like this?
A Love Like No Other

Am deeply sorry for the pain I caused from an addiction that destroyed me
You were always the one & I struggled to cope with all I could not say
As time slowly passes by, I know in my heart you will be back in my arms one day
A Love Like No Other, a girl that gave me a reason to smile
A Love Like No Other, the connection of two souls that become one

Shane Beck (The Last American Poet)

1 - A Love Like No Other - Shane Beck

Synesthesia is main motif for this song, first because of original lyrics, then as I felt like adding it more flavor with female vocals*, & finally when I recently watched some paintings about this matter**.

*Great vocal performance by https://soundcloud.com/maraoldfield is most notorious matter in this piece, where riffing parts toggle with bass-guided proggy ones.

**Due credits to https://soundcloud.com/wouwouandthewormling for ad hoc painting of the song’s artwork.

Letra  /  Lyrics:

QUIERO SABER SI HACE CALOR  /  I WANT TO KNOW IF IT IS HOT

En verano, insoportable,  /  In summer, unbearable,
todo está lleno de ruido.  /  everything is full of noise.
El invierno, silencioso,  /  The winter, silent,
que congela los sonidos.  /  which freezes the sounds.

No quisiera quedarme sorda  /  I don’t want to get deaf
sin saber cuándo hace frío.  /  not  knowing when it’s cold. 
No quisiera quedarme sorda  /  I don’t want to get deaf
para saber si hace frío.  /  so as to know if it’s cold.

Los días soleados  /  Sunny days
acompañan al estío  /  go along with the summer
y cuando llega el invierno  /  and when the winter comes
el cielo está oscurecido.  /  the sky is darkened.

No quisiera quedarme ciega  /  I don’t want to get blind
sin saber cuándo hace frío.  /  not  knowing when it’s cold.
No quisiera quedarme ciega  /  I don’t want to get blind
para saber si hace frío.  /  so as to know if it’s cold.

ER24CH04 ©1995 ®2015

Quiero saber si hace calor (Vocals by Mara​Oldfield)

Marco Lucchi : electric organ
Night Note : synthesizers
Jacques Lemaire : synthesizers

Marco Lucchi, Night Note & Jacques Lemaire - Spring has sprung

Hong Kong-born, Brighton-based producer Flavia Aliverti aka Foreign Skin is an audio-visual dreamboat. Manipulating the vocals of talented friends over warm synths, her sample-based ambient adventures never fail to capture our attention. With inspiration taken from the likes of Bonobo, Bjork and Purity Ring, music comes to Fla in sudden surges of creativity that often manifests itself in ethereal remixes for artists like Fickle Friends and Sun Glitters. Self-produced soaring, hypnotic visuals accompany her performance and make for a completely enchanting live show. Fresh from supporting Tei Shi, and ahead of her set tonight at Don Julio’s La Cantina Primavera, ease your mind with Foreign Skin’s Slumber Session.

TRACK LIST
Forss, Lux Aeterna
Nosaj Thing, Eclipse Blue
Sekuoia, Something We Lost
Flako, Gelis
Garden City Movement, Move On
Boom Clap Bachelors, Løb Stop Stå
Kodak To Graph, Departure
Alina Baraz & Galimatias, Pretty Thoughts
Helios, First Dream Called Ocean (Stray Remix)
Ryan Hemsworth, Snow In Newark feat. Dawn Golden
Foreign Skin, Hoi Sum
Björk, Pagan Poetry
Andrew Bayer, Let’s Hear That B Section Again!
Múm, We Have A Map Of The Piano
Tycho, Dye
Sigur Rós, Ekki Mukk
Gaps, I know It’s You (Foreign Skin Remix) 
Lapalux, Without You feat. Kerry Leatham 
Dorian Concept, Tried (Now Tired)

Connect to i-D's world! 
www.facebook.com/iDmagazineofficial
twitter.com/i_D
http://i-d.co

Slumber Session: Foreign Skin

a track by Marco Lucchi reworked by Jacques Lemaire

Jacques Lemaire - The Golden Eternity [variation]

itwasthewires : synthesizers
Marco Lucchi : synthesizers
Jacques Lemaire : synthesizers

Jacques Lemaire - Massif du Vercors [Sustain - Marco Lucchi - itwasthewires]

Afloat

UVI, Electro Suite, Digital Synsations, Grand Piano Collection, PlugSound 

Flying Orchestral UVI Digital Synsations  By Etienne Bellon

Two Falcon patches in a rather epic track. 100% Falcon and a limiter on the output.

Image by Chris Brown/flickr - https://flic.kr/p/8x4vBi

Queens Throne - Falcon Sounds

Being originally a very short & simple song I wrote about a traumatic event (translated lyrics below), I have been working separately on verses and refrain, then trying new ways to combine and glue them.

So, aware of changing moods along, most with tambourine in hands ;)

Free download to whom decodes the morse message !!!

Letra / Lyrics:

MI ALBORNOZ HA DESAPARECIDO  /  MY BATHROBE HAS DISAPPEARED

¿Quién sabe a dónde ha ido?  /  Who knows where it has gone?
¿Quién estará conmigo  /  Who will be with me
las noches en que tenga frío?  /  the nights when I feel cold?

Mi albornoz ha desaparecido.  /  My bathrobe has disappeared.

Después de lo que hemos vivido,  /  After all that we lived,
¿quién sabe porqué se ha ido?  /  who knows why it has gone away?
Dios sabe cuánto le he querido…  /  God knows how much I have loved it …

Mi albornoz ha desaparecido.  /  My bathrobe has disappeared.

ER32FI02 - RUIZZO©1996 – FRANCÉS RECORDS®2016

Mi Albornoz (Ha desaparecido)

Official remix of Is It Love? by Chilli Hifly

If you're old enough to remember it was a #1 Billboard dance hit in 2001

Available March 3 on all digital music platforms

https://www.beatport.com/track/is-it-love-plastic-plates-remix/9003260

Chilli Hifly - Is It Love? (Plastic Plates Remix)

UVI Atmospherics for Falcon
www.uvi.net/atmospherics.html

The Atmospherics expansion for Falcon provides 130 expertly crafted patches delivering mood and texture for any modern musical style. Fill the void with ominous drones, add a delicate harmonic breeze or simply reinforce tracks with subtle gravity.

Find inspiration by quickly previewing and stacking sounds then tweak and perform patches on-the-fly with macro controls or tap into the full potential of Falcon as a sound design platform and make them your own!

Atmospherics by Dipcrusher

Atmospherics by Muzykuj

Atmospherics - The Golden Hills by Clément Belio

Atmospherics - Trailer Soundtrack by Louis Couka

Instrumental version of “I shot the sheriff”, the song written by Bob Marley (The Wailers).

Some days ago, Alphio (@alpha-roots) sent me the rhythm track of this song, and kindly asked me if I would jam with it. I said Yes... It's one of my all time favorite songs again.

His initial version sounded great to my ears as I instantly loved it, but when I started jamming along, I personally felt that it was a bit too slow for me to add the lead melody so on... and bass sounded a bit too low (despite that original key is Gm, it had -1 octave + 1 tone= Am) and worried that bass would sound less prominent and not audible through the speakers as compared with the other parts I’d first planned to add.
I also wanted to have a little more up-down accent patterns and accessory notes so on for the bass line (especially for the verse A) in this regard and chordal variations as well on the rhythm guitar as the original has more and a little more for own arrangement.  

So, I revised almost all parts on his initial track except the hand percussion by him [>> Details below ].

The initial track can be heard here, please check it out：
https://soundcloud.com/alpha-roots/i-drummed-the-sheriff

I apologize for I've destroyed Alphio’s minimalism...but I had much fun working with it and I would like to thank him again for his kind offer and for allowing me to arrange it freely. 

My arrangement basically followed Hiram Bullock’s cover version (Jazz Rock version with ‘Guitar vocals’) except the rhythm guitars and the ending solo sections adding some improvised phrases of mine.
Well, I could play other versions as well - original studio version, Clapton’s cover version etc -  but, since I’m not a good singer, I decided to do like this anyway. 
Hope you enjoy. Any feedback would be appreciated.

--------------
The original music was written by Bob Marley (The Wailers) for their album “Burnin” (1973)
Hiram Bullock’s version can be heard in their album “Manny's Car Wash” (1995) and in some albums of Jaco Pastorius. 
Cover picture source : http://www.pageresource.com/wallpapers/78319/bob-marley-free-music-reggae-hd-wallpaper.html
--------------
Cover :

[Initial rhythm track by Alpha-roots]
- Drums-1 / Bass Guitar-1 / Percussion / Rhythm Guitar-1

[Revision of Initial rhythm track]
- Changed the tempo (about 11% faster than the initial one).
- Shifted up the key of whole track an octave(keeping Am) and mixed it with the initial track to have a bit more treble tone of bass (it was not able to do re EQ-ing of the bass separably as I received the single mp3 mix)
- Extended each section of main theme (intro and interludes) and altered the rhythm parts of them
- Changed some rhythm patterns (altered Hi-hat patterns, etc.) especially on verse B sections.

[Addition by me]
- Drums-2 (All fills, Addition of other Cymbals, Toms, Kicks and of Snares; the later two are mainly only for the theme and for 3rd & 4th verses solo sections)
- Bass Guitar-2(Additional phrases and high notes incl. some slaps & ghost notes overdubbed onto Bass-1)
- Lead Guitar-1 (Distortion guitar with or without pedal-wah for “guitar vocals” & solos )
- Lead Guitars-2&3( Two Clean ones for the fills and for the ending solo)
- Rhythm Guitars-2&3(Chordal brushing & wah fills overdubbed onto Rhythm Guitar-1, and some phased unison phrases onto Bass Guitars)
- Piano

All of my parts were played and recorded in the studio (live, open-mic rec) except Piano.
- Guitars:  Distortion Lead >> Fender Japan Strat (w/Dimargio DP182 ), Boss CS-2, CE-1 & Jen Crybaby Wah, Marshall-JVM (Tube Distortion, Channel Delay & Reverb) ; Clean Lead, Fills & Rhythms >> Fender USA Strat ‘58 & CS Telecaster, Maxon RTC600, MXR Phase90, AD-9 & Crybaby Wah, '65 Deluxe Reverb Amp.
- Basses:  Fender USA '66 Precision-Bass , Boss CS-2, Bassman Amps .
- Drums:  Tama Acoustic Drum Kit w/Zildjian Cymbals (6-mics rec).
- Piano & Mixing: DAW

I Shot The Sheriff  (Guitar-Vocal Version) - aerogene070 w/ Alpha-roots

The new single from Saxton out on International House of Sound 10/27.

Saxton:
Soundcloud: www.soundcloud.com/s-xton
facebook.com/iamsaxtonmusic

International House of Sound:

www.intlhouseofsound.com
facebook.com/internationalhouseofsound.com
twitter.com/ihouseofsound
instagram.com/intlhouseofsound

Saxton - "Getting Lost"

It’s been a while since we’ve heard a track capture the endless summer vibe quite like this! Images of the sun kissed coast, Venice beach, Santa Monica pier and sunset drives down PCH run through our minds instantly when we hear “Out Of My Head” by Parisian producer Douze. And if you recognize those sultry vocals that’s because they come from Moodblanc’s Magnus who was featured on that killer Medsound track from two weeks ago.

The single is lifted from an EP by the same name that features an extended and radio edit version of the title track as well as another absolutely stellar original called “Zenith.” Everything about this track captures the essence and romance of those fleeting summer months. It’s a feeling that you can never really put into words, but always lingers long after the season ends much like this song that totally lives up to its lyrics.

— 
MORE FROM DOUZE: @_douze
MORE FROM MAGNUS: @mood-blanc

Copyright 2017 Sound & Theory, Inc

http://www.media-blackout.com
http://facebook.com/media-blackout-official

BEATPORT

Douze ft Magnus - Out Of My Head (Extended Mix)

Thats Nice Mix https://soundcloud.com/thatsniceofficial

Inside You Forever (That's Nice Mix)

Bonus track from my new remix EP, thought I'd give this version a shot, let me know what you think!

UPSTAIRS (THE REMIXES) out now!

Buy / Stream: https://fanlink.to/upstairsremixes

Follow Me:
• Facebook: facebook.com/5ReasonsOfficial
• Insta: instagram.com/5reasons
• Twitter: twitter.com/5_Reasons
• Spotify: spoti.fi/2HmJ6cs

Buy / Stream

Feels Like Tonight [Off The Ground Bonus Edition]

Para Lia - 'Who Gets Fooled Again'
from the  album 'Soap Bubble Dreams'
https://paralia.bandcamp.com/

words and music by René Methner, Copyright 2018
mix and production: René Methner
mastering: Thomas Heimann-Trosien, TurnstyleMastering, Berlin

the crowd is asking questions
time to feed the brains of fools
we're on the speedway of the global news
we have a serious network
we run the big machines
we keep you quiet with bread and games
it will quench the flame
isn't the weather nice today?

who gets fooled again

in the age of populism
sweeping around the globe
we are dealing with an overdose
of phrases, bubbles, airholes
advertisement and empty shells
we guarantee your comfort zone
trust us you are not alone
so better stay at home

who gets fooled again

Soap Bubble Dreams

Who Gets Fooled Again

Para Lia - Hawk Hill

+ Bandcamp: https://paralia.bandcamp.com/track/hawk-hill
+ Spotify: spotify:track:1FOqWHvfn0zchqsLBQXmmB

Watch the music video on Youtube:
https://www.youtube.com/watch?v=YiplJ-eh2W8

Follow Para Lia on:
https://www.facebook.com/paraliamusic/
https://www.instagram.com/paralia.music/
https://twitter.com/para_lia_band
https://www.youtube.com/channel/UCNABsfHKaCDk28fOj91Dc1g

words and music by René Methner, Copyright 2019
mix and production: René Methner
mastering: Thomas Heimann-Trosien, TurnstyleMastering, Berlin
cover art: Phillip E. DAoust
Thank you so much Kevin (Mr. Cagey), Fady (Mr. The sporz), Tim (Three Photons) and JJ (Subject To Revision) for giving feedback to the song when the work was in progress!  

lyrics:

strolling down the street i knew so well
when i was a boy and made my way to
school

and the school was closed long time ago
because bleeding us dry nowadays seems to be
cool

we create new dead end towns

goodbye hawk hill lane
i don't miss you
goodbye hawk hill lane
don't let it get you

young people turned their backs on that one way street
and all the factories are rotten but you built a new town
hall

and the color of the town slowly turned into a grey
like the face of a forgotten but the cemetry is pretty
green

a field of broken dreams

goodbye hawk hill lane
i don't miss you
goodbye hawk hill lane
don't let it get you

goodbye hawk hill lane
i don't miss you
goodbye hawk hill lane
you know i still love you
don't let it get you

Hawk Hill

An instrumental Cover of the song "No Woman, No Cry" (No, Woman, Nuh Cry) by Bob Marley & The Wailers, released on their album "Live!" (1975) .
Guitar solo starts at 1:54 
----latter excursus on 16 Nov. 2019-----
A full version with Vocals by Jimmy Rivas ( @j-rivas ) is out there:
>>  https://soundcloud.com/j-rivas/no-woman-dont-cry-featuring-hiroshi-kohno
Please check it out.
----------------------------------------------------
Sorry, friends for my being out of contact for a while. 
This year I've not been so productive for music so far.
I’d lost most of music data that were in the making because of the PC trouble occurred several months ago...and since then, have had too much going on to do music. I haven't recovered the DAW and so on either. It makes me less productive, too. But finally I've got some time-off and hopefully will resolve these soon.

In the meantime, I found this one from another HDD in the rubble.
So, I put it here hoping to make up the blank...

It was played and recorded (I guess about 5 years ago) just as a diversion for a change...  Besides Bob Marly’s vocals and its lyrics, I’ve loved the guitar solo of the song (since the first time I  covered this song when I was a high school student) and played it several times.  But in fact, the song has too common chord progression, and without vocals (I cannot sing well), I thought a cover wouldn't work out...so, I added the keys to compensate a little for the vocal lines. Also added the backing guitar for all sections(for which I referred to a live version released in 1980).
For the solo and the rest of parts, I referred to the original live version (Live At The Lyceum, London /1975).  

All instruments (Drums, Percussion, Bass Guitar and Guitars) were played and recorded in the studio (open-mic, live), except Keys and Choirs (which were created with Software Synth and midi-Keys). 

*The cover picture was borrowed from the liner notes of the Japanese version of the original album. Copyright of the original picture must belong to the original photographer, artist and the label.

No Woman, No Cry - Instrumental Cover (Excerpt)

01 - UVI - UVX670 - Mood of Sea
02 - UVI - UVX670 - Meditative
03- NI - STRAYLIGHT - Exquisite Pulse
04 - SA - HCT - In The Light [Grid]
05 - UVI - Falcon - String Quencer

With UVX 670 [UVI] - Dual ‘80s Analog Hybrid Synth

Para Lia - Mistakes

+Spotify: https://open.spotify.com/track/1CbyUXi84HBPSiG8UGcVs0?si=TqabsHtPRtGqfAB9uz8pHA

Follow Para Lia on:
www.facebook.com/paraliamusic/
www.instagram.com/paralia.music/
twitter.com/para_lia_band
www.youtube.com/channel/UCNABsfHKaCDk28fOj91Dc1g

words and music by René Methner, Copyright 2019
mix and production: René Methner
mastering: Thomas Heimann-Trosien, TurnstyleMastering, Berlin

'Mistakes' is nothing more or less than a simple love song. Melodic and a little bit edgy, just like Cindy and me. Alt rock meets dream pop. Thank you everyone for listening and supporting Para Lia!

lyrics:

i found you waiting in the backyard
of my selfmade house of cards
you are like the sunrise that breaks the dark

all my mistakes led me to you
we are riding with the past into something new

my broken road is filled with ghosts
and some of my steps left potholes in my soul
it's a fine line between love and pain
you're touching my mind, you keep me sane

all my mistakes led me to you
we are riding with the past into something new
it's long overdue

Free Download

Mistakes

Brian Eno - An Ending

Plurality for Falcon, by Simon Stockhausen
www.uvi.net/plurality

Created by a modern master of sound design, Plurality is an essential collection of evocative and expressive cinematic sounds, delivering 105 sounds ranging from atmospheric pads, haunting strings, flutes, tonal percussions, to rich electronic arps and more. Perfect for adding depth, mystery and movement to your production!

Presets used:
Lithophone Granular Glissandos
Surreal Bamboo
Zither Distinatos XT

Plurality - Desert Dreamer by Simon Stockhausen

Para Lia
Fire (My Chemical Imbalance)- with Fady on synth
from the album ‘Gone With The Flow’
paralia.bandcamp.com/album/gone-with-the-flow
Vinyl / CD / Digital

What's the story behind this  song and the album as a unit? Find it out: Visit the 3D virtual art exhibition, realized by SophisticatedApe, with the great work of Louis Renzoni and the music of Para Lia with a lot of background information here:
https://www.sophisticatedape.com/gone-with-the-flow-exhibition/
It is like an interactive visit in a gallery: Use your mouse and the left button to walk around, use the arrow keys on your keyboard or the W-A-S-D keys (forward, left, back, right, respectively). On mobile devices, touch and drag in the direction you would like to move. 


words and music by René Methner
mix and production: René Methner
mastering: Thomas Heimann-Trosien, TurnstyleMastering, Berlin
cover artwork based on Louis Renzonis '6th floor walk up'

Follow Para Lia on:
www.facebook.com/paraliamusic/
www.instagram.com/paralia.music/
twitter.com/para_lia_band

Head over to the awesome @fadysporz to listen to some wonderful indie gems! 

i don't know
where to go
where to flow
where myself has been

if i was
here with me
'now!' i'd say,
'now i'm free'
but i am somewhere else and out of reach

sometimes my mind games
keep me under control
there's nothing i could do
my chemical imbalance turns into
fire

i know the fire
it keeps me under control
it's never far away
it never takes too long, you know
one, two, here it comes
fire

everything is an up and down
everything is an up and down
all my me's are running up and down
everything is an up and down
everything is an up and down
i'm trapped by this
fire

Gone With The Flow

get the album

Fire (My Chemical Imbalance)- with Fady

ALL THE DREAMS WILL CRY WITHOUT YOU
Written & Produced by Andrew Borderick Copyright AB Music 2015/2020
Featuring MIke Gabriel (UNGUIDED EXPRESS) on all guitars.
Key, Bass & Vocals by Andrew Borderick
Mastering by Mike Gabriel
Cover Design by my Granddaughter Elke Fletcher

WE LIVE SO FAR APART
BUT THE SUN GOES DOWN IN EVERY TOWN
AND THE DAYS WE GREW
YOU WILL ALWAYS SHINE

YOUR ROCKY MOUNTAIN LAND
TAKES MY HEART AND SOUL GIVES AN ENDLESS SMILE
I COULD LIVE IN YOU
YOU GET ME ROLLING HIGH IN THE SKY WITH YOU
(chorus)
ALL THE DREAMS WILL CRY WITHOUT YOU
ALL THE DREAMS WILL CRY WITHOUT YOU

NOW THAT I KNOW YOU
THERE IS MORE TO LIFE IT MAKES YOU CRY
THERE'S SILENCE IN THE AIR
NOW WE'RE FAR APART THERE'S ONLY PICTURES OF YOU
(chorus)
ALL THE DREAMS WILL CRY WITHOUT YOU
ALL THE DREAMS WILL CRY WITHOUT YOU
(break)
WE LIVE SO FAR APART
BUT THE SUN GOES DOWN IN EVERY TOWN
AND THE DAYS WE GREW
i WILL ALWAYS SHINE AN ENDLESS LOVE FOR YOU
(chorus)
ALL THE DREAMS WILL CRY WITHOUT YOU
ALL THE DREAMS WILL CRY WITHOUT YOU

ALL THE DREAMS WILL CRY WITHOUT YOU

ALL THE DREAMS WILL CRY WITHOUT YOU - Featuring MIke Gabriel (UNGUIDED EXPRESS) on Guitar.

Love looking into websites such as LOOPERMAN for different ideas for songs. Found these awesome loops and accapella. Here's the line-up. Sorry for the late responses.
Vocals Maddy
piano MiNor2go
guitar break Isotope
beats Sinexwave
pads Mocha Jones
bass, synths Me

HANG ON ft MADDY & OTHERS

Apollo 11 / Open Collab Paploviante 2020
BPM 125
The track is downloadable as a mp3 file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!
Thanks !
free download

Apollo 11 - Paploviante

A couple of months ago, Rodolfo Planes from Tierra del Fuego sent me a wonderful piece of music (in a different key and without lead guitar) that he hoped I’d write lyrics for… 
I was so excited that the first verse popped into my head almost straightaway, and with great patience and honesty, Rodolfo lead me through the learning curve that would be the gestation of this song.
The passionate music somehow stirred in me a sense of longing and belonging, combined with the enforced isolation from loved ones during lockdown. I think Rodolfo’s music helped me express this powerfully.
His solo still continues to move me even after countless listens. I am very grateful to him for this opportunity and I sincerely hope we can work on other projects. 
Thanks for listening and please check out Rodolfo’s cloud if you can.

Composition, instrumentation, arrangement and production: https://soundcloud.com/rplanes
Lyrics and vocals: https://soundcloud.com/markjbennett
Image of Loch Maree, Scotland used with kind permission of Douglas Corrance.

https://continentalcollision.bandcamp.com/track/set-me-down-that-road

I know where I’m going,
Though I don’t know where I am.
My drive ain’t slowing,
If it’s Birmingham, Alabam.
Gotta get me on the road,
Back to where I’m coming from,
Might not have the zip code,
But I know where I belong. 
I know, I know, I know that I belong.
It might take me some time,
But I’m on my way already.
Set me down that road.

I know what I’m missing,
And where I might find it.
Without even reminiscing,
I’m right back there, I admit.
Close my eyes, and I’m there,
Though in reality,
I’m still stuck in elsewhere,
And I’m the absentee.   
I know, I know, I know that I’ve done wrong.
It might take me some time,
But I’m on my way already.
Set me down that road.

I’ve been uninvited,
Yet I felt compelled to come
A need to be reunited,
Whatever the outcome.
This prodigal believes,
In the error of his ways.
He vows that he’ll never leave,
Where his hat now he lays
I know, I know, I know that I’m back home.
It has taken some time,
But I feel at home already.
I’ve been down that road.

With UVX 670 [UVI] - Dual ‘80s Analog Hybrid Synth

idematoa