Jessica Hancock graduated Magna Cum Laude with a double major and Bachelor of Science degree in Communication and Art from Westminster College of Salt Lake City in 1998. Interested in the concepts of design and spatial relationships, her fine art tends to explore the idea of abstraction as it relates to aesthetic uniformity. Jessica’s illustration style is unique and focused on the particular needs of her client and the project at hand. All of Jessica’s art is executed clearly, with strong line work and bold, pure color.


Most of Jessica’s illustration work is traditionally hand-drawn then converted into high-resolution digital files. All of Jessica’s fine art is traditionally hand-drawn and painted using ink and watercolor.

 

Jessica has been the focus of many solo exhibitions and included in over 70 art shows since 2013. She is the recipient of various honors and awards, including membership with the National Association of Women Artists, sponsorship by Faber-Castell USA, a Distinguished Artist Award from ArtAscent Art & Literature Journal, and the 2015-2016 Stutz Artist Association Studio Resident Award. She was also awarded one of 12 seats at the Butler University Religion, Spirituality, and the Arts Symposium in 2016. Jessica is twice published by Westminster John Knox Press. In 2019, and again in 2020, Pearl Drums licensed Jessica’s art to embellish their Masterworks Series drum kits. The Boy Scouts of America commissioned her work in 2013, and again in 2017, to support troops from the Crossroads of America Council attending the National Jamboree in West Virginia. Jessica’s work can be found in public and private collections and in international print circulations such as Artist Talk Magazine, Studio Visit Magazine, ArtAscent Art & Literature Journal, and Artblend Gallery’s “The Art Book 2019” and “The Art Book 2020“. She is a member of many prestigious art organizations including the National Association of Women Artists, and is professionally represented by the Directory of Illustration and the Artblend Gallery. She also shares her skill as a brand ambassador and social media influencer for Faber-Castell USA.

https://jhancockart.com/

Artifice

Ep. 109: Jessica Hancock

Buy / Stream

I Remember Maine

A nuanced collection anchoring somewhere between art pop and cinematic jazz fusion (Kate Bush meets Janelle Monae), weaving playful and evocative lyrics through colorful harmonies and energetic grooves.

Inspired by her fascination with our human tendency to pose, posture, and conceal, Emily’s most recent work explores themes of disguise and disclosure: “Masks can be calculated or unconscious; liberating or constricting; subversive, strategic, coquettish, coercive, and everything is layered.” 

Masks seemed an inevitable theme for this body of work as Emily began to face the truth of her mother’s narcissistic personality disorder (and terminal brain cancer diagnosis), the limitations of socially-constructed gender norms and presentations, and the many-layered facades of the institutions of power holding up our world. 

As a concept album, “Masks” hits this thematic material head-on with discerning, if whimsical lyrics, but also takes a symbolic approach—layering bright grooves and harmonies over gloomy text, or cloaking light-hearted lyrics in harmonic depth. 

Pursuing a desire to lift this project into a physical space, Emily has curated a team of brilliant visual and performance artists to create several mixed-media companion pieces for each song. Emily is particularly thrilled to have each of her pieces brought to life as an adult-coloring-book—manifesting her belief that creativity is paramount for all. “It’s the most joyful thing to demonstrate my values in such a meaningful way, to give my listeners this immersive template to fill with their own creative expression.” 

The remaining mixed-media works are available as a Free 10-day interactive online experience at Emily's website.

Aside from writing and performing her original music, Emily puts her arts-centric values first with her original podcast, “Artifice,” wherein she interviews professional artists about the origins and development of their creativity, the logistics of life as an “artpreneur,” and their strategies for blending vulnerability with veneer as they cultivate creative resilience. And as always, Emily draws from creative philosophies and curiosity first-fostered during her time studying jazz at the world-renown University of North Texas as she seeks to break barriers of genre, theme, and medium in search of new inspiration.

Graceful & Mysterious

Described as “playing a mean guitar” (Wichita Eagle), William Flynn is a Kansas-based jazz guitarist and educator currently serving as Director of Jazz Studies at Wichita State University. William’s recent professional engagements include performances at the Overture to Overtown Jazz Festival (Miami, FL), the Charlie Parker Celebration Festival (Kansas City), The University of Central Oklahoma Jazz Lab, and The Blue Room (Kansas City). William’s recent releases can be heard on Armored Records and Artists Recording Collective.

Widely respected as a leading educator in his field, William has presented and adjudicated at conferences and universities across the country. His educational writing has been published in Just Jazz Guitar Magazine, and he is the co-author of Mel Bay’s 2016 publication Jazz Guitar Duets. Additionally, William is the founder of @thejazzwoodshed, an educational Instagram account followed by thousands of users from around the world.

William holds a Bachelor of Music degree in Jazz Studies from Capital University (Columbus, OH), and a Master of Music degree from the University of North Texas, where he taught as a Graduate Teaching Fellow. From 2011-2012, William held the guitar chair in the world-renowned and Grammy-nominated University of North Texas One O’ Clock Lab Band, and can be heard on Lab 2012.

In his position at Wichita State University, William teaches applied guitar and jazz improvisation, and directs both the Jazz Arts Ensemble 2 and the Guitar Ensemble.

http://www.williamflynnmusic.com/

Ep. 58: William Flynn

Great art almost feels like magic—it opens our minds to brand new ideas, and teaches us to see ourselves and our world more clearly. Of course, behind all great art, there are artists. And that’s where the real magic happens…

As we go beneath the art itself to explore how different artists do what they do, we see glimpses of the sorts of creativity, resilience, and bravery that lead to the art that moves our world. And maybe we can learn to borrow some of that magic for our very own thinking.

Join professional musician Emily Merrell for conversations with artists of all kinds. Together, we examine the mysteries of our own experiences, our muses and fears, our gifts and foibles, our beliefs about the origins of creativity, and the secret magic we’ve discovered in our unique creative processes. 

Mediums include: studio art, graphic design, dance, cooking, illustration, creative writing, storytelling, comedy, music composition, music performance, film making, acting, production, fashion design, photography, and more.

Visit https://emilymerrellmusic.com/artifice-podcast/  for more information.

- Theme Song "As You Are" by Emily Merrell @emilymerrellmusic
- Illustration and Graphic Design by Sarah Keele @sarahkeeleart
- Photography by Jen Palmer @jenpalmerphoto
- HMU by Shawna Turner @shawnaturnerdesigns

Ep. 109: Jessica Hancock

ARTIFICE

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