Resonance Records are an independent underground house music label based in Manchester & London, UK.

The label is a platform for rising stars and already established artists to get their music out to the masses.

DJ W!LD, Alex Arnout, Adam Shelton, No Artificial Colours, Max Chapman, Dale Howard & so many more have helped push the Resonance sound since January 2012, and successful showcases have been thrown at Sankeys Manchester, Pacha London, Sankeys Ibiza, Egg London & more.

Beatport:
http://www.beatport.com/label/resonance-records/25958

Facebook:
https://www.facebook.com/resonancerecordsUK

Soundcloud:
http://soundcloud.com/resonancerecords

Website:
www.resonancerecords.co.uk

Resident Advisor: 
http://www.residentadvisor.net/record-label.aspx?id=7398

Bookings / Info / Enquiries:
horsey@resonancerecords.co.uk

Demo Policy:

When sending us your demo please can you do the following:

* In the subject of the email put your name followed by demo.
* Write a short description about your self e.g past releases, background bio etc.
* Demos must be a private soundcloud link with download enabled, only 320mp3 or Wav/Aif 

Due to the high volume of demos we receive any demos that do not follow this will not be considered. 

Demos: aj@resonancerecords.co.uk

Info: horsey@resonancerecords.co.uk

- HPACPR Records Co-Founder and Labelhead

- Squamata Records 

- The terrible Teratoms 

- Abstract Sound Design 

- Hole Production 

- Hirschmilch Production 

- Razzle Dazzle Records 


Somewhere between not wanting to become a DJ,
and want to enjoy the preferable sound on a respectable soundsystem, 

the Experimental Psy project 

Prestigimo 

was born in a deep, dark dungeon of the bavarian forest. 

The music project of creating heavy basslines,

blessed with as low melodic interference as necessary,

- started as underground more you could ever imagine
 
- is the higher solution of this kind of Art

- defined by his unique style, it's a perfect way to waste your time with unrelateable precision.

- pain in the neck is metaphorized in all kind of meanings 

- will bring back your will to live if needed 

Enjoy 



Juan Gabriel is one of Mexico's most successful vocalists. A six-time Grammy nominee, Gabriel has sold 30-million copies of his albums and has performed sold-out concerts throughout the world. In addition to recording numerous hits on his own, he has produced albums for Rocio Durcal, Lucha Villa, Lola Beltran, and Paul Anka. His songs have been covered by a lengthy list of Latin artists, including Ana Gabriel (no relation), Rocio Durcal, Isabel Pantoja, Raúl Di Blasio, Marc Anthony, and Son del Son, the latter group having released two albums comprised entirely of Gabriel material, Costumbres and Son de Juan. The recipient of the ASCAP Songwriter of the Year Award in 1995, Gabriel was inducted into the Billboard Latin Music Hall of Fame the following year. During an interview shortly after his induction, Gabriel said, "I compose songs with a lot of simplicity because my school has been the streets and people have been my books." The youngest of ten children, Gabriel (born Alberto Aguilera Valadez) was raised in the border town of Juarez by his mother, who worked as a housekeeper.(He now owns the mansion in which she worked.) Singing from earliest memory, Gabriel was already writing his own songs by the age of 13. Changing his name to Adam Luna, Gabriel began singing in the nightclubs of Juarez's downtown strip in his teens. One nightspot, El Noa Noa, was later immortalized in one of his most popular tunes. Gabriel later moved to Mexico City, changed his name again to Juan Gabriel, and in 1971 recorded his first hit, "No Tengo Dinero" (I Have No Money). Over the next 14 years, he rose to international recognition, appearing in such films as Nobleza Ranchera, Del Otro Lado del Puente, and Es Mi Vida. By 1985, he had sold an estimated 20 million records. Just as his career reached its peak, Gabriel had a major conflict with BMG over control of his copyrights. Over the next eight years, he refused to record any new material. He finally reached a compromise with BMG in 1994, and quickly made up for lost time. In 1995, three of his songs reached the Top 40 of Billboard's Latin radio charts. While his own recording of "El Palo" (The Stick) reached number one, cover versions of his songs -- "Como la Luna" (Like the Moon) by Banda Maguey and "No Tengo Dinero" by Ana Gabriel -- also performed well. During the next few years, he averaged a new album every year, including Querida, Por los Siglos, and Inocente de Ti, which was issued in 2010. For the next few years, Gabriel allowed his label to release several compilations while he spent his time touring and producing other artists. In 2013, he returned to the great Bellas Artes Theater in Mexico to celebrate 40 years in music. En Vivo Desde Bellas Artes was released in a number of packages in the summer of 2014. In January of 2015, Gabriel was nominated to the Latin Songwriter's Hall of Fame; in February, Los Dúo, his first studio album in five years, appeared. A collection of his hits sung in duet with a wide variety of Latin music all-stars including Juanes, the set topped the Latin charts. Los Dúo, Vol. 2 followed in December. It featured the singer with Marc Anthony, Laura Pausini, J Balvin, Alejandro Fernández, Joan Sebastian (recorded shortly before his death), and others. Los Dúo, Vol. 2 entered numerous Latin album charts in the top spot and also spawned sales of its predecessor; the two volumes alternated weeks in the number one spot at the beginning of 2016. In August, Gabriel released the double-length Vestido de Etiqueta por Eduardo Magallanes to celebrate his 45th anniversary as a recording artist. Titled for the longstanding arranger, the set contained 34 classics from the singer's catalog reimagined with a symphony orchestra as accompaniment. The songs were performed in a wide variety of rhythmic styles including milonga, Cuban son, salsa, tango, and huapango. Upon release, the album entered the Latin Albums chart at number one; it was his third such entry in a single year.

// BOOKING CONTACT 
// REMIX REQUEST
// booking@stillhotberlin.com

FanPage   www.facebook.com/homm.markus


| When Markus Homm started going to his first House parties, the likes of Beatport and Myspace hadn't even been thought of. Born in 1980, Marcus was 15 years old when he became infected with electro music and subsequently got his hands on a turntable. He then began to seek out the latest releases at the record store and also by asking local DJ's the identity of the tracks that had kept him dancing late into the night. Markus Homm was born in Romania, and now lives in Nurenberg. Eventually the second turntable made it into the equation and he started to mix records. His first gig came at age 21 and proved to be the first of very many.

In 2000 Markus returned to his former homeland. In Romania he played several gigs and met his current production partner and friend Mihai Popoviciu. Impressed by the quickly developing club scene in Romania he opened a record store with fellow local DJ's in Sibiu.

It is not only his passion for techno music that has taken him to places far and wide. Since he was 18 years old, Markus has been traveling as a professional dancer to tournaments all over the world. Learning Latin American dance has definitely influenced his sense of rhythm and his training has taught him the intricate design and implementation of many forms of music. In 2006, Homm's professional career took him to Moscow, and it was there that he started to produce music. Working sometimes alone and sometimes with partner Mihai Popoviciu, he formulated his own unique style of dance music, ranging from Deep House to Tech House. Markus Homm's music is in a constant state of development, always searching for, and finding the most compelling groove.

This diverse musical direction has led Homm & Popoviciu to successful releases with various labels, including their home label Highgrade Records, and Diynamic Music. In 2009 they had a widely acknowledged summer hit with "Bis Co". Markus Homm has also released a string of solo tracks and remixes which have gained notable success and positive feedback. Markus Homm has earned himself a solid position in the international Techno scene. Legendary Berlin clubs like Panorama Bar, Watergate and Tresor, or international destinations and venues in Zurich, Bucharest, Mexico, Madrid, Tokyo and Hong Kong are his regular playrooms. But despite all the fun of the last few years, Markus Homm has continued to push his musical development. The Highgrade Disharmonic Orchestra is his latest Live project, alongside label colleagues Tom Clark, Todd Bodine, Dale und Daniel Dreier. The group made an amazing debut in the summer of 2010 at Watergate. And so it goes on. Producer and DJ Markus Homm moves consistently forward and continues his playful exploration of the tensions between music and body, while working on his own unique and very special musical success story.

Franky Rizardo 

Bookings Worldwide
bookings@futureartists.agency

Bookings Benelux:
frankyrizardo@davidlewis.nl

Tourdates:
https://www.frankyrizardo.com

Uriah Persie DJ/PRODUCER -  Generes: Tech House - Minimal / Deep Tech 
OPEN DATES: uriahpersie@outlook.com
Booking : Focus.

Labels : Habitat, Material, High Pressure, Noexcuse Limited, Nopreset, La pera records, 1994 Music ,Haliaeetus Music, Escena Local.

UK & ROW Bookings – luke@nge-booking.com

Netodelarue comenzó en el mundo de la electrónica underground a sus 17 años, muy temprana edad, su gusto por la música fue creciendo con el paso de los años y no fue hasta el año 2017 que le intereso adentrarse dentro del mundo de los decks.

A sus 22 años comenzó a tomar fuerza dentro del sur de la ciudad de México y llegó a tocar en lugares como lo son:

AM Local, Hooka condesa, pacífico, patio Roma, foro normandie, casa calavera (tepoztlan) mr chile (tepoztlan) terraza catedral, histórico, mimosa, Delirio, budda polanco, Bajo mundo, terraza nipona, japan, las peceras,  entre otros dentro de la ciudad de México y dentro de la república visitado Estados como Puebla, Morelos, edo de México y San luis Potosi

llegando a tocar con artistas de la Talla de: harvy valencia, Moreno & Prieto, Raul facio, Alex Young, Toni Varga, Oscar L, Sharam, rafa Barrios, piero pirupa, Gustavo dominguez, pinto (VL), stereotipe, Alberto hernandez (MX) por mencionar algunos.

Todo esto llegó a hacer que un label como Distrito Capital se fijará en el y ahora forme parte de su roster.
Label que hoy en día después de la pandemia en CDMX está dando mucho de que hablar trayendo excelentes eventos.

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

michel is following