Magnifique contribution à la pièce très évocatrice de Marco ! 👍🏻 😀🎶

Grazie mille 🙏 great conversation, much appreciated 🖖

Great atmosphere and soundscape. Very involving

Marco Lucchi_Soliloquy

I added Vocaloid singing to Marco Lucchi’s “Soliloquy”.
https://soundcloud.com/marcolucchi/soliloquy
I would like to thank Marco for giving me this opportunity.

濁り水のたうつ冬の雪曇りここは地獄と独り言す火

Winter. Snowy cloudy. Muddy water rushed in from the ocean and swept everything away. At night, “This is hell,” someone said to himself, staring at the fire in the distance.

Art work: Umut İzgi via Pixabay

Marco Lucchi _Soliloquy

Marco Lucchi_Soliloquy

HAIKU MUSIC CHALLENGE

Naviarhaiku 562

Through a world of sound
the only filter I have
my discerning ear
 
Jason Richardson is a Leeton-based musician and poet who’s collaborated with Naviar many times over the last few years: in 2014 his music was part of the sound installation we made for the State of Origin exhibition in London. In 2017, Jason and I curated together the exhibition Crossing Streams in Narrandera. In 2021, I interviewed Jason as part of our series of online events, Naviar Virtual. You can listen to our interview on Naviar’s YouTube channel.

Haiku by Jason Richardson

Picture by Nadiia Ploshchenko

Submission deadline: 16th October 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Edge of Sound

Edge of Sound (naviarhaiku562)

Through a world of sound
the only filter I have
my discerning ear
(Haiku by Jason Richardson)
https://naviarlab.tumblr.com/post/763864359271301121/naviarhaiku562-through-a-world-of-sound
Komposition1047 BläserTrio

blended and filtered [naviarhaiku562]

https://disquiet.com/2024/10/17/disquiet-junto-project-0668-all-right-then-keep-your-secrets/
Komposition1051 Elektronic

Spot On [disquiet0668] Too Late

a collaborative work
https://soundcloud.com/marcolucchi/soliloquy
curated by Marco Lucchi

Soliloquy, Marco Lucchi (philippe neau Rwk1)

made for the haiku challenge n. 563 https://www.naviarrecords.com/naviarhaiku563-autumn-wind/

autumn wind (naviarhaiku563)

A 'bit' conceptual this one ... You're hearing 1-bit sound at the beginning of the piece ... all the way up to 16-bits by the end ... Enjoy!

Fog clears away:
the waterfall shows up
bit by bit.
 
Undoubtedly one of the most important Japanese novelists in modern history, Natsume Sōseki began his career publishing haiku and renku poems in a number of newspapers and periodicals. Early in his career he met Masaoka Shiki, who encouraged him to become a writer and tutored him in the art of composing haiku.

Between 1900 and 1903 he studied at the UCL in London, but this proved to be quite a dramatic experience for the young Soseki. Despite this, when Soseki returned to Japan, he exploded into prolific writing activity.

Haiku by Natsume Soseki: https://www.goodreads.com/author/show/16061597.Natsume_S_seki

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF waterfalL [naviarhaiku564]

Still exploring the wonders of my favourite new instrument ... All the sounds you hear in this haiku realisation are from Sumu ... Somewhere along the line there's a wooden gate and a marimba inside that extraordinary plugin to create this soundscape ...!

Resplendent
the kite soaring up above
the shanty town

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. If you want to find out more about this prolific author I suggest you check out this database of his haiku.

Haiku by Kobayashi Issa: http://haikuguy.com/issa/

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

halF resplendenT [naviarhaiku569]

Disquiet Junto Project 0674: Cerberus Sample
The Assignment: Make a song not just with but from just one sample.

Step 1: You’re going to make a song with just one short sample as its entire sonic source material. Select your sample wisely.

Step 2: Make a song in which the sample you selected in Step 1 serves as the raw resource for all the different parts of the song. Use nothing but that solitary sample. Here is one example of a song with four parts: melody, backing chordal material, bass, and beat. Three parts may be best, but make as complex and busy a piece of music as you desire, certainly.

Tasks Upon Completion:

Label: Include “disquiet0674” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track, but if you post more than one, clarify which is the “main” rendition.

Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0674-cerberus-sample/

Lunero y yo - disquiet0674

Rov Seep_02

09 C418 - Mutation

I am an amateur musician.
I make music with "Magix Music Maker", because I can play the piano very little.
The singer in my tracks is not a human being. She is a synthesizer software named "Vocaloid Yukari".

Marco Lucchi_Soliloquy

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