Τ Λ U R U S  by Andara

Моя фигура лежала здесь, на земле,
Такая злая, что растущие рядом цветы высохли.
Мрачная душа моя лежала здесь, на земле,
Такая холодная, что вся вода обернулась в лёд.
И тени тогда пали на лес...
И когда иссохла фигура,
Ведь душа её была тенью,
Тенью могущества зла.

🌠Wer nicht leuchtet, sollte wenigstens reflektieren können! 🌠

02.04.2016   Holy HeYoka @ JK am Ende des Schleusenufers/Berlin 
                       Ravetiere 7 Insektenball 
                       https://vimeo.com/160827543

20.12.2015    Holy HeYoka @ JK am Ende des Schleusenufers/Berlin 
                      Ravetiere 6 3/4 

13.11.2015      Holy HeYoka @ Kultstätte KELLER/Berlin 
                      Ravetiere vereinigt Euch


As a shaman he is a mediator between the worlds, between his people and a hidden reality. This Heyoka Clown is therefore a mystical character, but not in that sense, such as in medieval Europe scholasticism mysticism has understood and in that period the interior of a Gothic cathedral became a mystic rapt space. This room was lit by a spiritually-acting light through the stained glass windows: that was a nice, contemplative world beyond everyday life with all its troubles and plagues. Although No, the Heyoka fool is out of this world, but in the above-mentioned intermediary role he nevertheless retains her contact and holding her from outside its fools mirror before.
It is in art since the beginning of modernity almost exactly 100 years ago, not more to the pictorial illusion, but the truth in the philosophical sense, better: truthfulness, or whatever you like to express it today with a buzzword: Art should authentically his. In this sense, it has the task to offer us a view of things that is quite different from those of the media, religion, philosophy and science. For this specific artistic vision guiding principle is: "knowledge is grounded in sensory experience"

Τ Λ U R U S by Andara

Temple Of The Down