I’m gonna repost on here for just one day if you want. So DM me!



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nba youngboy
xxxtentacion
post malone
lil uzi vert
lil peep
trippie redd
playboi carti
j cole
lil baby
drake
kodak black
cardi b
bad bunny
lil pump
migos
lucid dreams
ozuna
freaky friday
bood up
nice for what
nba youngboy genie
travis scott
tay k
lil durk
future
moneybagg yo
te bote remix
kevin gates
meek mill
lil skies
japan famous dex
21 savage
juice wrld
gucci flip flops
sad
sad xxxtentacion
rich the kid
gods plan drake
young thug
nav
walk it talk it
ybn nahmir
look alive
ski mask the slump god
gunna
6ix9ine
g herbo
a boogie
pnb rock
esketit lil pump
through the storm
japan
drake nice for what
youngboy never broke again
smokepurpp
chance the rapper
kings dead
ugly god
a boogie wit da hoodie
tee grizzley
be careful cardi b
logic
chris brown
gotti
powerglide
chief keef
this is america
ric flair drip
genie nba youngboy
famous dex
nba youngboy through the storm
gotti 6ix9ine
lil yachty
medicine queen
avicii
kod
kendrick lamar
nicki minaj
nice for what drake
gods plan
lil baby freestyle
blocboy jb
te bote
sob x rbe
the weeknd
russ
lil wayne
j cole kod
suicide boys
xxxtentacion sad
shoot
eminem
rae sremmurd
rockstar
wiz khalifa
moonlight xxxtentacion
nba youngboy overdose
lil xan
joyner lucas
who run it
childish gambino
jaydayoungan
lud foe
kanye west
el de la guitarra
anuel aa
overdose nba youngboy
yung bleu
wish trippie redd
asap rocky
gummo
billy
marshmello
lil pump esketit
jacquees
moonlight
plug walk rich the kid
stir fry
gucci mane
watch travis scott
roll in peace
post malone psycho
tory lanez
look alive drake
all girls are the same
lil mosey
mozzy
banda ms
bryson tiller
shoreline mafia
yg
young dolph
fetty wap
romeo santos
outside today
nightcore
hard tay k
jay critch
fuck love
lil uzi
plug walk
dave east
bounce out with that
69
shoot blocboy jb
lucid dreams juice wrld
beyonce
love hurts
yfn lucci
physco post malone
gucci gang
psycho post malone
red roses
bts
drake gods plan
montana of 300
03 greedo
kod j cole
sold out dates
comethazine
pick it up
flatbush zombies
dark knight dummo
jocelyn flores
genie
beerbongs and bentleys
mine
candy paint
ski mask
murder on my mind
partynextdoor
ddg
tay k hard
tyler the creator
kehlani
sza
changes xxxtentacion
el fantasma
call out my name
icy girl saweetie
esskeetit lil pump
blac youngsta
the race
young pappy
joji
armon and trey
tupac
queen naija
phora
diamond teeth samurai
look at me
walk it talk it migos
yodeling walmart boy
panic at the disco
chun li nicki minaj
khalid
money man
do better lil donald
yes indeed
lil baby southside
big bootie mix
rap
jhene aiko
migos walk it talk it
hardaway
lift yourself
nf
lil dicky
instrumental
die lit
pikachu
famous dex japan
friends
glokknine
no smoke
chun li
changes
ella mai
i fall apart
g eazy
cardi b be careful
nicki minaj chun li
bruno mars
blackbear
rockstar post malone
legado 7
6ix9ine gotti
king lil g
scooby doo pa pa
booty blac youngsta
trey songz
new freezer
despacito
young ma
dej loaf
bread winners
frank ocean
justin bieber
kevins heart
barbie tingz
kid cudi
no tears left to cry
i like it cardi b
nba youngboy nicki minaj
rihanna
lil durk instigator
ariana grande
lil baby never needed help
rich homie quan
gunna drip season 3
overdose
slide fbg duck
watch
scarlxrd
hoodrich pablo juan
spm
ed sheeran
keke
mac miller
imagine dragons
love scars
2pac
pouya
pikachu lil baby
i do cardi b
through the storm nba youngboy
havana
welcome to the rodeo
50 cent
first day out
tec through the storm
bones
suicideboys
lust
atm j cole
xxxtentacion moonlight
aboogie wit da hoodie
drip or drown
blood walk
kooda
g herbo who run it
bands
narcos migos
xxxtentacion changes
jcole
ice on my baby
meek mill 1942 flows
the weekend
nba youngboy outside today
trippie redd wish
big bootie mix 13
1985 j cole
youngboy
take a step back
plain jane
bob marley
like a farmer
medicine
deep throat
los temerarios

.::SINUSOYDA::.. BASSLINE / SONIC NATION / SCREAM MUSIC

(Drum & Bass / Neurofunk / Experimental)

https://www.mixcloud.com/Sinusoyda/stream/

http://soundcloud.com/sinusoyda

www.muno.pl/dj-art/sinusoyda

Sinusoyda

Pierwsze eksperymenty z muzyką zaczął w wieku 9 lat.
Zbierał utwory od znajomych z początku były to gatunki trance & techno, łączył utwory i tworzył z nich sety z czasem zaczął prowadzić swoje imprezy na terenie Otwocka. 
Uczył się produkcji muzyki w różnych gatunkach. Jeden z kumpli posiadał sprzęt DJ-ski 2x Pioneer CDJ-100s + mixer Stanton SMX-201 i od niego zaraził się nauką mix-u na CDJ, szybko przyzwyczaił się i polubił grać na symulatorach winylea . Postanowił kupić sobie własny sprzęt i tak to zaczęła się jego historia z graniem w klubach... 
Poznawał wiele znanych twarzy w okresie gimnazjum i technikum, brał udział w konkursach i organizował swoje coraz większe imprezy na terenie Warszawy i okolic.
Nigdy nie przerwał swojej pasji do mixowania, pozytywny odbiór publiki nakręcił go do dalszego doskonalenia się w świecie muzycznym.
W wieku 19 lat zakochał się w muzyce dnb i ten świat pochłonął go na zawsze. Nie wychylając się zbytnio od towarzystwa zaczął miksować i uczyć się coraz nowszych skill-ów w muzyce Drum and Bass. W 2013 roku wziął udział w konkursie na najlepszy mix na Electronic Music Festival Cypel Trzech Kultur i zajął pierwsze miejsce, od tamtego momentu grał na eventach DnB, gdzie prezentował swój kunszt. Poznał nowe skill-e i wziął udział w konkursie Let it Roll na najlepszy mix oceniany przez Ben Settle aka Ed Rush i Optical oraz Muno.pl, który wygrał. Tak otworzyła się dla niego droga na całą Polskę i za granicę. 

2013 
Dołączył do kolektywu Scream Music

2014
Dołączył do Agencji Artystyczno-Eventowej Sonic Nation Events 

2018
 Dołączył do  Agencji Eventowa BASSLINE jako DJ/Promoter/Event Organizer 


Links:
www.facebook.com/Sinusoyda 

http://soundcloud.com/sinusoyda 

www.muno.pl/dj-art/sinusoyda 

https://www.mixcloud.com/Sinusoyda 

 Supportował takich znanych artystów jak:  Wilkinson, Loadstar, Drumsound & Bassline Smith + Mc Coppa,  The Qemists, Audio Black sun empire, The Upbeats, Dc  Breaks, Ed Rush, Mefjus, Maztek, Forbidden Society, Counterstrike,  Hallucinator, DJ Marky & Stamina MC, Delta Heavy, Rene Lavice, Task Horizon, Xilent, Lady Waks, Erb N Dub,  Enei, Trilo, Current Value, Machine Code, Jade, Chris Su, Symplex, Int Company, Jae Overtech, Dub Head, Brainpain i wielu innych...

Działa prężnie! Można go usłyszeć na żywo w różnych klubach, rozsianych po całej Polsce ! Liczy się dobra zabawa i dużo uśmiechu ! d^__^b

For All DJ Bookings,Remixes and general queries,Contact me via 
📧 xsilentlistener@gmail.com

🥷

Born in 1983 “Xoma Silent Listener” starts a career of musician as of the ten years age.
In 1993 he begins with drums, then he integrates the prestigious school of CIM, and won’t stop trying every kind of music through different metal bands, jazz, funk and reggae.
From 1998 to 2000 he becomes a producer, realizes some tracks and that’s from this experience he’s going to draw the desire of composing.
He becomes beat’maker and won’t stop to be active in the middle of electro music and hip-hop music. 
Since 2002 he’s decided to be devoted to the delicate art of mixing.
It’s all about eclectism: funk, rock, drum’n bass, hip-hop, rap, but he get more talent concerning electronic or fusion stuffs.

🥷

ENG:
You listen in the backstage's silence, a rough and animal breath, of a silhouette cut in some marble of which you perceive has punishment a glance under a hood.
The controller plug, the mac ignites, the war begins...
Of his past of hardcore drummer, XSL has to keep arms and head, when he does not use it to settle some accounts he puts them in the service of a powerful, raw nuclear music and sharp.
This lumberjack cuts beats and rhythms has blow of axe for controle your brain and your legs,he gets straight to heart of in an addictive way and to satisfy you he collects gigs and projects as eardrums of his public.
You will never be ready for this guy. 

FR:
Tu entend dans le silence des backstage, un souffle brutal et animal, d’une silhouette taillé dans du marbre dont tu perçois à peine un regard sous une capuche.
Le contrôleur se plug, le mac s’allume, la guerre commence…
De son passé de batteur hardcore, XSL n’a garder que les bras et la tête, quand il ne s’en sert pas pour régler quelques comptes il les met au service d’une musique puissante, brute, nucléaire et acéré.
Ce bucheron découpe les beats et les rythmes à coup de hache pour contrôler ton cerveau et tes jambes, il te touche droit au coeur de manière addictive et pour te satisfaire il collectionne les gigs et les projets comme les tympans de son public.



XSL PLAYED WITH: 
Lazy Rich (Big Fish Rec,Plasmapool)Xkore (Buygore)Popof(Heretikrecords,Skryptöm, Turbo, Cocoon) 
Congorock (fool's gold)Mr.Skeleton (Shake Your Ass Records)Zedd (Mau5trap,Dim Mak)Mord Fustang (Plasmapool)Zombie Kids (Subterfuge,Boxon,Kiez Beats)Blatta & Inesha (Crux,Dim Mak)Stereoliez (Crux)Q.G (Dga Fau Records)Belzebass (Wiperbeat)The Noisy Freaks (DigitHype Records & Onion Records)Neus (Fuck the sounds rec)Dead Cat Bounce (Mähtrasher Records / CRUX Records)Marco del Horno (Bullet train / rinse FM)Stinkahbaell ((Sin City, Terrorhythm, Scarlet Air) Bullwack (Shake your ass, Play me too, Onion)Scntst (Boysnoize records)Audionyte (Boysnoize records)Diesel (chronos / Circus)Mumbai Science (Lektroluv Rec)Elite Force (U&A Recordings)The zombie kids (Subterfuge,Boxon Records)The Mastertrons (DIm Mak,Crux)Twist (Rottun,Wicky Lindows,Play Me)Spankbass (peace off – Bass society)Inspector Dubplates (Inspected)
Cookie Monsta (Circus Records)Fresh foolish (Crux/Mahtrasher/Shake Your Ass)Mightyfools (Lektroluv, Potty Mouth Music)Geht's Noch? (Jack Union Records, Keatchen Records)Bobmo (institubes)Costello (DimMak/Boxon rec)Tealanb (Rewind, Beatsuckerz)Asian Trash Boy (Boxon, Plasmapool, Crux, Not4kids)Apex (Lifted Music, Hospital, Subtitle)Mikix The cat (Trouble Bass/ sound pellegrino)Minitel Rose (Futur Records)Gigi Barocco (DimMak/ Universal)Sam Tiba (club cheval)Elektrobugz (Heretik,level75)Digikid84 (youngunz)Canblaster (club cheval)Beataucue (kitsuné)

MY YOUTUBE : 
7 brand new videos clips from the 43 free download tracks packs :
https://www.youtube.com/user/xomasilentlistener/videos

Black Duck
Black Duck, the "Grown Man" aka “Black Ozzy,” Alabama bred, west coast living; distinguishing himself as a rap & metal 
artist melds the two genres into an amazing & complex tale of real life in his captivating lyrics while he sings and raps. 
Noticing he had a gift for music as a child around the age of 12, Black Duck realized he could put words together to 
rhyme in a syncopated pattern like a drum cadence. His strong deep-rooted love for music came from the many musical 
influences that surrounded him. “The people who influenced me were mainly my older brothers and sisters. I.m the 
youngest of 8 kids, so by them playing records all the time, the love of music was instilled in me early on. Later I found 
my own favorites in other genres of music and I remember my brothers would raise their brow when they would hear me 
listening to groups like Scorpion or Cinderella. I am the „Black Duck’ of the family – different and very open minded.” 
Already performing in dance contests and talent shows, his older brothers ended up forming a rap group, “Soul Rhythm 
Soldiers” and used Duck as their secret weapon who was already a freestyle assassin coming into ciphers and killing it. 
Thereafter, Black Duck joined and toured the nation as front man with the band, "5 fingers of funk." Always broadening 
his musical horizons, it would be no time before crossing over into the rock-n-roll aspect of the game, forming and 
fronting the hard rock band, "Tragic Circus" (now Iron Circus) and 
ending up fronting and becoming a part of the metal rock band "Vital 
Ash." When asked what makes him unique and set apart from the rest, he 
explains; “I have never heard music done like this, I am a street rapper, 
with all kinds of life to talk about, but I structure my songs from a white 
rocker kid point of view or a metal slayer trapped and upset in the way 
he feels his favorite music was taken and changed.” Black Duck has 
opened and performed with artist such as Joe Clair, Anthony Andersen, 
Ice Cube, Rocket Dial, Mac 10, Run DMC, Tallboy Shotgun, Too Short, 
ScarFace, Bone Thugs, Hugh Jaz Orchestry, Crazy Bone, Brotha Lynch, 
Lite Foot and Drowning Pool. Black Duck’s goal in the music industry is to play his part as a true 
member of the Hip-Hop community. He sees Rap/HipHop music in a 
state of a resistance and that the originators have an important role to 
play in setting examples for children and all music listeners alike. Black 
Duck feels it is his duty to save the music from the big corporate labels, 
some of which who water down the music and only push faulty top 40 
songs along. While they continue shoving the hollowness of the music 
down the throats of listeners, rap is in the slaughterhouse being 
butchered, so Black Duck wants to step forward to show otherwise. 
Personally, he is probably  the only black man you will find that likes to 
hike, fish, camp, climb cliffs, burn 15 foot bonfires, shoot rifles, water 
ski and snow ski. Black Duck’s motto, “This ain.t no bullshit! Get it 
how you live or just „Blow Yo Brains Out.”. Duck feels, “We all have a 
purpose in life and looking for its. bliss but until we find it we have to 
keep doing what our souls lead us to do, mine leads me to make this 
music.” Black Duck is inarguably at the top of his game preparing to deliver 
his highly anticipated senior project, "Grown & Flashy: They Call Me 
Black Ozzy” where he will give substance and supreme originality; 
feeding your ear and leaving an impact as the year of the „grown 
rapper.…his legacy will continue. 
Media contact: Dee Dee Cocheta, deedee@abc-aef.com / 404.423.5182 For more info on Black Duck: 
www.myspace.com/fallahawk | www.facebook.com/duckwilliams | www.twitter.com/blaqduck 

Songbird RubyGold is probably the number one reason for you losing your moral boundaries on the dance floor and partying until sunrise in the last five years.
Born Carla Mariza Claasen, the songtress is half Portuguese and half Coloured. She was raised by her maternal grandmother and her stage name is an homage to her late mother.

"My mom passed away when I was six. She had been my pillar. When she passed away, she took a part of me with her. To remember her she had left me a ring that was gold and had rubies on it. So I named myself in remembrance of my mom and the ring," RubyGold recalls.

RubyGold rose to fame among house music lovers first with the 2010 Monotone hit Invitation to Dance and then the 2011 Revolution banger Teka Munike.

Renowned for her silky afro, raspy pipes and sultry Portuguese lyricism, RubyGold jokingly mentions that for a song with such a strong female empowerment message about inner strength, people seem to mainly act ratchet every time Teka Munike comes up. Who can blame them with such a whining up-tempo beat backing-up RubyGold's sassy proclamation?

"Teka Munike means 'give and take'. And I'm speaking about the dance [laughs]. It's a female empowering anthem. But because it's in Portuguese, for some reason people seem to want to 'lahlumlenze' every time the song drops," RubyGold quips.

 "In a nutshell, in today's world men often feel entitled to a woman when she is looking gorgeous and all of a sudden he seem to want to grab her and take her home by force. The song is taking a stance against that. How is she going to learn self respect, if you are disrespecting her? You can appreciate her beauty without getting aggressive."

Trance Jazz
What makes RubyGold such a precious gem is that she has coined a whole genre to best suit her unique sound. She has dubbed it Trance Jazz – blending all the genre she has delved into throughout her underground tenure. Fans will have a full taste of her Trance Jazz sound when she at last releases her debut album later in the year. She teases that she will be singing mostly in English on the record to best connect with her fan-base. The first single from the forthcoming album is In The City, a colourful pop thrust celebrating the beauty of the City of Johannesburg.

 "My sound is a fusion of a lot of genres coming together as one. Jazz, House, Hip Hip, Disco and all of them fused into one. It's called Trance Jazz. It's a sound that I created because coming from an underground point of music I felt like that was more who I am. I was able to sing in a way that played with my voice. It sounded peculiar. That always makes you go 'is that a bird? Is that a voice?'," RubyGold explains.

 "I felt like that element had to be taken into the commercial side of thing, I felt like there was a beauty that was being missed by the commercial side. So I took all those sounds that everyone know and I made them into one. I called it Trance Jazz because it makes you drift into a dreamy feeling."

ref: SOWETAN - http://www.sowetanlive.co.za/entertainment/2016/05/16/rubygold-plans-to-shake-up-sa-music-with-her-unique-sound1

Based in west midlands U.K
17

All tracks are made by me
More To Come.....
if you want to use one of my beats message me

Xxxtentacion, Lil Uzi Vert, Kodak Black, Lil Pump, Tay K, Bodak Yellow, Migos, Bad Bunny, 21 Savage, Gummo, Lil Peep, PnB Rock Future, NBA YoungBoy, Ozuna, Logic, Lil Yachty, Russ, Trippie Redd, Post Malone, Drake, Nav, Gucci Gang, Kooda, Roll In Peace 
Chance The Rapper, Young Thug, A Boogie, Travis Scott, Kevin Gates, Rockstar, Famous Dex, Ski Mask The Slump God

Lark carve a grimy, gritty groove, the atmosphere chilled, the mood cracked. 
A blend of heavy basslines, raucous sounds and turbulent lyricism, paint a volatile picture of the landscape the band inhabits.
Lark is an independent London based band founded by Karl Bielik, a nonconformist and often idiosyncratic songwriter, frontman and artist. 
Romantic, dissonant, feverish and alive, Lark is an unsound sound. 

Lark have been remixed by Andrew Weatherall, Brendan Lynch, The Bees, Erol Alkan and Green Gartside.  

Selected Press
Uncut - ‘The wonky unsettling world it creates is very much Bielik's own’
Mojo - 'A dark subcurrent of industrial noise runs under raspy vocals punctuated by driving basslines that fuel this idiosyncratic album'
Q - ‘Verbal darts over brutal guitar shards and cheap synthetic beats’
The Quietus - ‘That rare breed of band that creates and inhibits an environment entirely of their own making’
Louder than War - 'One of the albums of the year... one of the most exciting albums around'
Rough Trade - ‘Fantastic, sounds like a drunken, dense and dark take on a stooges riff mixed with the repetition of The Fall’
Loud and Quiet - ‘Jerky beats, repetition, strangely cryptic lyrics, wiry guitars and manic psycho-bluesy vocals’
Vive le Rock - 'Swathe upon swathe of FX-laden sonic attack, as Bielik tears out his tortured soul'
Time Out - ‘Another dose of uber-anxious lurching and lo-fi post punk’
Metro - 'The menace lurking just beneath the surface is as contemporary as it is compellingly groovy.'
Norman Records - 'Between the ramshackle party punk of The Cramps and the more eccentric skronk of Beefheart'
Gigslutz - 'An ode to the dysfunctional; brimming with guilty, gritty, passive aggressive tracks.'
Penny Black Music - 'Bielik's songs are gorgeous... funny? No. Worth the agony, most certainly, yes.'
Whisperin' & Hollerin' - ‘Lark carve a grimy, gritty groove... the atmosphere is vaguely chilling, the mood cracked’
Clash - ‘breaks boundaries and connects the dots… rich in invention and fresh ideas’
Artrocker - ‘Full of Magnetic Fields style charm’
Joyzine - ‘Explores the depths of the human condition’
Punk Online - 'It's what makes punk music what it is and Lark are just another dimension’
Music Emissions - ’Stunning in its range of ideas and raw poetic power’
Americana - ‘Rawness, urgency and a sense of claustrophobia by the truckload’
Foxy Digitalis - ‘The vocal tirade is what makes this whole thing’
Alternative Ulster - ‘A sonic masterpiece of instantly recognisable singularity’
Big Distraction - ’A Grimy dark rock 'n' roll beast of a record... ideas simply buzz out of the speakers’
Blaue-rosen - ‘a sonic space which is enveloped in a dark, static melancholy’

My dad, Chet Van Lannen played  clarinet for a while in a little group named Matskie’s Men About Town. They played every other Sunday on the Bandstand at Bay Beach Amusement park. He brung me with too, and when the band would take a break to go catch a beer or something they would let me fool around with the organ just to keep me from bein’ a pest. One day dey came back an I’m sitting there playing the Whiffenpoof  song like nobody’s business, from that day on I was hooked. 

Once they seen I was serious, they sent me to my Aunt Verna. Verna had one of them pump organs. It wasn’t much to listen to, sounded like a camel giving birth to an elephant, but it was a good starter.  It had a pump that you pumped with your right foot while you played.  By the time I was fourteen I had a right thigh muscle the size of a Pulaski ham. 

I played birthday parties and family gatherings mostly. One spring we had Father Ollmann, from St. Bernard’s parish, over for Sunday brunch, and he suggested I play for the Easter services. 
I played everyday after school learning all the standards. “Holy, Holy, Holy,” “Peace in Heaven,” “Easter Parade’’ and a spiritual called. “Hey Lazarus You Can Get Up Now.” When Easter came I was as nervous as a lawn chair at a fat farm, but I got through it okay and got some applause. 

In the 50’s I moved down to Milwaukee, I started out playing the churches again, but I was getting restless and plus the pay aint all that good, so I started looking for other work. The first place I worked was the Roll’a’Bowl on Fifth. I drove by there a couple summers ago but there aint nothing there no more. That winter they opened up a indoors ice-skating rink too, down by the Mayfair. You could skate all day for a dime, fifteen cents if you had to rent skates. 
It was a couple a years later that they started putting out them new electric organs. The two big ones on the market where the Hammond, and the Whirlitzers. Them organs were fancy, but they didn’t play themselfs , and so every November they hired somebody to demonstrate all the features. Mostly what you did was just play all day and switch it back an forth between the different instruments so that folks could get a feel for it. Make it look easy, even though it isn’t! But which I made look like it was. 

About my forth day of showing off, I keep seeing the same young gal showing up to hear me play. She was a cute in her black and white saddles, and Saint Mathew’s school uniform, and right away I knew I had to know her better. One day while the boss was away I asked her if she wanted to sit down and try it for herself. 
Now, one thing I have to make clear is this was against the first rule of floor demonstrations. And they were very strict about it too; never let the customer touch your organ. If they touch it, the boss always said, they’d find out how hard it actually was, and then they wouldn’t want one for themselves. Even though I caught holy heck from the manager, it was a good thing I talked to her and found out her name that day, because she turned out to be my wife, Mrs. Evelyn Van Lannen. 

In the insinuating years following, I made a pretty good living playing weddings and wakes, brat fests and Brewer’s games, but the lifestyle of a professional musician, aint never easy, and there was a couple of three nights there were I didn’t come home till sometimes 11:30. 1976 was a particularly crazy year what with the bicentennial and all, and Evelyn suggested that maybe it was time to settle down some, so that fall we packed up the family and moved up to Lena.

There was a supper club in Lena called the Asp-Inn, where you could get a prime rib special for $6.95. It came with salad and bread bar, your choice of potato, and a cup of instant homemade French onion soup. The owner of the place, Less Vanness, played the synthesizer, which was really just an organ but with more buttons, but it also had its own drum setting, so you could play waltz or salsa, even disco if you wanted. 
Lucky for me, one winter Less drove his Ski-doo through the ice, up on Kelly Lake, he didn’t die or nothing, but his fingers got pretty frostbit, and whenever he played people said it sounded like a gorilla wearing work gloves. 
Finally he just quit altogether an asked me if Ev’ would mind me playing a couple nights a week. I said I could talk her into it which I was pretty sure I could do, since they stopped serving at 9:30. 
Over the next twelve years I played darn near every supper club in Northern and Central Wisconsin. But as any musician can tell you times change, and the restaurant business switched over to Muzak, which pretty much put yours truly out of business. 
But a while I was playing for Ev’s bridge club and they said that I aught to record an album of this before I can’t anymore. Which I took to mean before I kick the bucket or what not. And I thought, darn it, they’re right, this is a dying art form, and I need to save it for prosperity. 

So I rented a recording studio and made “Elmer Vanlannen’s Dinner For Two”. The studio technician loved it. His exact words were, “I can’t believe you did this.” Which is pretty much the reaction I’ve been getting from everyone who listens to it. 
So mix a couple of Black Russains, have some onion sticks and cheese spread, then sit back and relax, your dinners will be out shortly.

Elmer Vanlannen. 


Darby Kasey is following