Dance Of Sun And Rain (mastered)

“Gratitude unlocks the fullness of life. It turns what we have into enough, and more.”

NB4X~Appreciation

Unedited raw mix from the Bandlab !… goes to show what a superb producer Stephen (Tex Mex Shaman) is!  Check out the official on my K2 and the Three page! 

Cast of Characters:
One Man Verity Show-- @one-man-verity-show – Scotty -- guitar
mistermark-- @user-432503709 -- Mark – percussion and triangle 
cgmaness-- @user-419254289-15129531 – Chris – guitar
TexMex Shaman–@texmex-shaman –Stephen– guitar, production, and mix
J.J. Terrell–@j-j-terrell –electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- five string fretless bass, seed idea
Composition-- The Eclectic Collective

This song started with Josh coming up with a bassline and the arrangement. He started it as a project for the Eclectic Collective, so they were all immediately involved. Ken first laid down his rock solid groove of a drum beat to complete the rhythm section. Scotty was first after that, adding some melodic/rhythmic guitar magic to the mix. Stephen then blew the doors off of it when he added his melodic, dirty guitar to it. JJ was up next with his funky electric piano to fill it in. Chris then came in and added the trippy, swirling, psychedelic guitars. Mark also came along towards the end and added some really cool, but subtle percussion, and if you listen for it, a triangle in there, too.
  Of course every good song needs a good producer. Stephen was able to wrangle this into a good mix, thankfully. He also very cleverly came up with and added the psychedelic break in there between the first and second verses. Chris also added some really cool vocals to that part, too.
  This one was a lot of fun to make, and was our second song with Scotty, with whom we really enjoy making music. Josh named it such because he wanted the spirit of welcoming lots of musicians to come through. We hope you enjoy listening to this song as much as we

Come On In (raw mix)-Eclectic Collective

Quantum loop

vidya: https://www.youtube.com/watch?v=uQ5uX4p2GWc

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony on the end vocals
TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals

This song began with John, who is a verifiable expert in all things Jimmy Page, asking Josh and the Eclectic Collective if they'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!

  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. Josh came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and Josh polished it off with some background vocals at the end. 

  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 

  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy

  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole - (Eclectic Collective) w/ John Anthony

I would like to thank everyone who listened to this track and wish them well !
Your wonderful view of the world can be your ideal space. It exists in the number of all people. Whatever you want, your wish will come true! Take time for your soul to be at peace. There is no need to rush, put yourself in your comfortable space and focus only on what you enjoy. It's a wonderful, personal time for you!

Beautiful World

You Can Call Me Crazy,But It's Now Or Never..

Artwork by Charlie B

Powerless over this disease
Can’t breathe, can’t see..down on my knees
Paradise so far, so far it seems
When will you come to save me 
Pills only thing, making me sleep 
Lost inside this concrete dream 
Paralyzed, nothing left it seems 
Fucking love I need 
Fucking sex please feed
Rainbow sky with the weeping willow breeze
Flying against the wind the tall trees breathe
Left to the right march on zombies 
This beauty outside ain’t meant for me
Sit and stare thinking about the screams 
Though the night is quiet the mine wakes consciously
The hearse is here with the preacher MD
telling me what I need, what I need to succeed 
Shackled up ain’t the way to be
Keep the demons out of my company
Fast asleep. 


Left with nerve damage in my right hand, good thing I play with my toes🌞

Şhackled Ųp

Double Dare

01 - SA - WE - Grit Bursts
02 - SA - LABS - Modular Pianos - Granular Piano

Unfinished

ITS 1917 IN SURREY AND

 FROM THE MOUNTAIN TOPS TO THE LOWLAND SEAS NEW LINES ARE DRAWN IN CASUALTIES

It’s been nice but I can not stay
I’ve seen what the papers say
Reminds me of what Iago said
And part of it stuck in my head
Hey slacker some men in khaki cry
It’s the green eyed monsters call to die
But it mocks the meat on which it feeds 
As the more it takes the more it needs

And at Madame Lind’s the lights are on
The clink of Glass and pianola song 
I can still hear as I reach my door 
Where a letter looms on the hallway floor

Now I was nearly forty one
when I appealed for my exemption 
For domestic hardship would ensue 
If I should limp round the colours too
Cause rheumatic fever did for me
When I was young my stick you see
So to aid the prosecution of the war 
In a civil role I’d help much more

And mechanically it carries on 
The ticking clock goes on and on 
Below the mantle piece supine on my knees
The fires lit with obituaries 

And like the steam from the six forty six
I was compelled into a new office
Where the letters swam in elusive shoals
I cast my net of coherent wholes
And the thief of time had been and gone
when the knot i tied it came undone
And that’s when I began to roam 
Beneath starlight and hedgerow 
I made my home

And I woke with the feathered songsters song 
And in my bones I felt the sunlight shone
Touched by the beauty of life and its brevity 
From small mindedness momentarily 

I took my, I took my, I took my , I took my      leave

Clink of Glass (Acoustic)

i just love the creativity,its so rewarding in its self, myself being a work in progress/ I also consider my music to be the same...Love & ☮️ peace

You Can Call Me Crazy,But It's Now Or Never..

N.R.G. New Rock Gods