Manipulating Neural Circuits (Killer's In The Jungle Remix)

V1.
I've traveled life's landscape, less than thrilled with it
Never found a journey wind up worth it's trip
But then came you, and my world came undone
The way they say it will, when someone is 'that one'
And now I know with all my soul
That our two were meant to make 1 whole

Ch. 1
See, your voice
Is the sweetest melody I've ever heard
So in front of the world I'm gonna pledge love to you, girl
And call your name
It's my favorite word.

V2.
With every river of emotion, I kicked against it's flow
A cynic never finds a reason to let fate take it's hold
Still, here you stand today - facing me
A sign of everything that loving freely can bring
And undeniably it's true
That finally I know trust's strength in you

Ch. 2.
See your voice
Is the sweetest melody I've ever heard
So with it's song in my ear I wanna grow old with you, girl
And call your name
'Cause it's my favorite word.

Br.
The say that nothing ever comes true until somebody believes in it
They say a dream will never come to be until somebody sees it
But see, I'm living proof there's something to be said for divine faith
Because I've been given something that I know I could never imagine
In your grace
Whoa, yeah - and that's forever and all of time.
Said that's forever and all of time.

Ch. 3
See, your voice
It's the sweetest melody I've ever heard
So 'til death do us part I'm stickin' right here for ya, girl
Yes, I am
And still your name
Will stay my favorite word
...dream girl...



(All music & lyrics copyright Daron Anthony Randolph / SNC Music. All rights reserved.)

My Favorite Word

kotze 23 (antisemiten)

I never thought I'd say it
Like a brick through our window
That let our house start shaking

I didn't think I had it in me
To break what I've known
And let these walls be forsaken

But I'm not sure I ever knew you
Like you needed me to
But I swear I could taste it

I tried my best to ignore it
But the seed it took root
And shed the fruit that's now wasted

Why did I waste my time
Falling down hills to climb?
All who knew me saw right through me
What did I hear you say
This is a hollow play?
Not much to doubt while bleeding out

Sometimes I cannot see me
So I'll pull a sheet over
To give me some shape now

I hope I'll be able to find me
In the void it creates
There's a beauty in the breakdown

Who are you to say
I'm better off to stay
What don't kill me, might just heal me
What did I hear you say
This is a hollow play?
Not much to doubt while bleeding out

I'm holding out for hope now
That when the bottom drops out
They'll be something to catch me

But sometimes it's nice to fall
At such great heights
You can see it all completely

There's not much to doubt
While bleeding out
There's not much to doubt
While bleeding out
There's not much to doubt
While bleeding out
There's not much to doubt
While bleeding out

Bleeding Out

Dive into the Irresistible Groove of 'MACARENA' by RKMLESS! Get ready to hit the dance floor like never before, because Regroup Records is about to drop a bombshell! Straight from the heart of the Russian Federation, hailing from the vibrant city of Mamadush, comes RKMLESS with his scintillating new single - 'MACARENA.' This track is a true game-changer, blending the infectious beats of dance/pop with the electrifying energy of electro house. The result? A sonic masterpiece that'll have you moving and grooving from the very first note RKMLESS has a knack for crafting tunes that transcend borders, and 'MACARENA' is no exception. It's a testament to his ability to fuse global sounds into a seamless, irresistible rhythm that's bound to captivate audiences worldwide. Prepare to be transported to a world of pulsating basslines, euphoric synths, and a melody that'll stay with you long after the last beat drops. With 'MACARENA,' RKMLESS has created a sonic experience that's as unforgettable as it is addictive. So, whether you're a die-hard dance music aficionado or just looking for your next musical obsession, 'MACARENA' is a must-add to your playlist. Get ready to turn up the volume, because RKMLESS is about to make you move like never before. Don't miss out on this scorching hot release - mark your calendars and get ready to experience 'MACARENA' in all its glory. Trust us, this is one track you won't want to miss!

Macarena

Listen on Spotify

RKMLESS - Macarena

Prelidium Of Confidence – a cinematic composition blending piano, rich cello lines, ethereal female vocals, and ambient textures saturated with layered effects. Each sound contributes to a vast, immersive spatial atmosphere, guiding the listener through a journey of introspection, emotion, and cinematic depth. Perfect as a soundtrack for dramatic or reflective film scenes, immersive installations, or projects exploring emotional landscapes.


Agnieszka Solska - Prelidium Of Confidence

your GONNA twinkle, and that’s fine by me 🎶✨

💖💖SOMEBODY LOVES YOU💖💖

#soundcloud #love #like #comment #repost

✨TWINKLE✨

Eight Circle of Hell (the mind of the manipulator) 

(A.k.a I am Legion for we are many)

Rational Idols
And national bibles
A latch for the tied up
And cash for my soul

...

My eyes
Derive lies
From the pinkish skies
That surround the goodbyes
At the end of another night

Plenty times
I survived
Atop a hill, a light
When its time to improvise 
The summaries I surmise 

A disguise
Again... Lies
Maybe my demise
As I watch from above
Like ants, them living their lives

Perhaps I hide behind 
The scenes I analyze
What seems to comprise
A machine I can't find
Now...

...

I simulate my life
But can't read most the code
Pull the strings on all the toys
Maybe it's why I come off as cold

Once the girls and the boys
Now the women and the men
I appease them all I can
Everyone's number one fan

So where's my prize?
I played the game just as was told
To control the young in ploys
And reap the souls of the old

Swirl the tongue with a noise
Just to lie right through my teeth
Decide to slide the blame
To some name from underneath

...

They must be fascists
Thinking they can unmask this
Impeccable costume 
I spent decades perfecting





///////////2023

Eighth Circle of Hell (the mind of the manipulator) [Demo]

promise i won't die in here, because of memory

*rap*

then you faking all your love, the mistake was on me ?

*rap*

fight till i die, crashing your heart
cause evertime, every night can't stop think about you, hope karma makes you paid....
==================================
hope this song can reach 10.000 listener, and i can pay the bill for it...

if you want to donate there is a button paypal.. on my profile....
thank you who ever donate to me....
==================================
*praying to god*
i hope that your kindness make you rich even way more then you spent the money for donating me...
==================================




Far - Still Hurts| Prod By IOF |.wav

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

A Pane of Glass

Music For The Sleeping Gods

Wind of Changes (Just Feel and Observe)

I am a composer of film and ambient music. I create emotive works that blend orchestral and electronic sounds, guiding the listener through moods and imagination. My compositions have been used in theatrical performances in Olsztyn and have been recognized internationally, including reaching the semi-finals of the Apollo Global Music Awards.

Contact: 
Agnieszkasolska1@gmail.com
 https://agusiaaa57.wixsite.com/soundtrackcomposer
https://www.youtube.com/@agnieszka.solska