Insanité

Gelatino Gino & jj jack - Ginotristé

Dans la forêt

Episodio 6: Hoy en Antimateria Sonora Radio a través de @uabcradio escucharemos un set por @benfika & @noirkata grabado en un Sunday Ambience 🌱☀️

UABC Radio: Benfika & Noir Kata

release on 16 September 2022 : https://wabi-sabi-tapes.bandcamp.com/album/visage-zyg-ne
@roxanem-tayer

Roxane Métayer is a French sound and visual artist now living in Brussels. She composes with the violin, primary wind instruments (ocarina and various flutes), archaic percussion and field recordings, fragmenting and reassembling them with synthetic effects. Nature becomes the backdrop of these wild soundscapes, populated by a phantasmagorical bestiary and an exuberant flora.

Artwork by Coline Llobet
Mastering by Adrien Lambert

Roxane Métayer - Sur Les Ailes, Huit Tâches

B3 - La Villa

@silica-gel-do-not-eat

https://noumenalloom.bandcamp.com/album/wooden-shoe

Wooden Shoe Out 12.15.22

Wooden Shoe is a playful concoction that warps folk song elements into kaleidoscopic new forms. The album spins like a cart wheel, traversing a richly varied sonic terrain, moving both forwards and backwards in time. The sounds are ancient yet futuristic….wurlitzer organ, mandolin and autoharp combine with bent circuits and digital artifacts in a song cycle that progresses like a hauntological play. On this their second album, Silica Gel deepen their exploration of art song by using elements of clapping games, round songs, hockets, vaudeville and folk balladry to fill out a thoroughly hand crafted songbook. The enchanting voices of Laura and Lauren weave harmonies around the listener like the dreamy revolution of a glowing carousel. The song Coming Age sums up this effect perfectly with a circular melody that could go on forever as if bound for the stars…a hymn embodying the infinite dream of a better future.

Wooden Shoe

Prisms of Knowing

Silica Gel - Prisms Of Knowing

𝕒𝕚𝕘𝕦𝕖 𝕞𝕠𝕣𝕥𝕖
𝖕𝖔𝖙 𝖕𝖔𝖚𝖗𝖗𝖎 mix pour la Fabrique Pola, septembre 2022

Bill Nelson - Villefranche Interior
Pierre Dutour - Deer Forest
Régis Turner - On se reverra tous en Italie
Giáng Ngọc - Hãy Đến Với Em
Zenit - Waitin
Thee Dian - Insanity
Lala &ce - Gargamel
Andrew Weatherall - Blue Bullet
Ecco the dolphin - Undercaves Level
Musique Chienne - Balle Rebondissante
Ambra Orfei - Love Me Too
Claudette & Ti Pierre - Zanmi Camarade
Tommy Moisi - Passe à autre chose
Céline Dion - Je sais pas
TG Gondard - Anderlecht
Bryan Dalmini - Can you tell me ?
Moyen Age - Contente de ne plus croire en l’astrologie
Pudding Club & Musique Chienne - Summer Music Festival
Nico - Wrap your troubles in dreams
Harari - I’m waiting
Kina Tomoko - Ink
Le Diable Dégoutant - La Fille Brulée
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𝕒𝕚𝕘𝕦𝕖 𝕞𝕠𝕣𝕥𝕖 - 𝖕𝖔𝖙 𝖕𝖔𝖚𝖗𝖗𝖎 𝖒𝖎𝖝 - 09/2022

music to walk my dinosaur

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

'A Seagull's Hymn'
Electric guitar - Felix-Florian Tödtloff
Drums – Will Ballantyne
Bass – KIM KHAN
Chains & vocals – Ican Harem

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

TRANCE BAND - A Seagull's Hymn

a wide assortmernt of instruments used here...cigarbox guitar, acoustic baglama, kopuz, sanxian, kkwaenggwaeri [percussion] mbira...plus nylon string guitar and a variety of samples

Dans la forêt

Gaston Pelouse 2

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