Favorites for the end of 2019

December 03  2019

UNHEARD WORDS

Related tracks: Move In Dance   Lillithe & Paploviante

Friends of Wyperlist 2019 vol 1

Rock And More  2020 # 2

Soundcloud Mix V 2

Double Double

Spring Multi genre Part1

Cumbrian - 20 great tracks!

Out in the desert... Burning man ghost... Lit up in style, starting to glow


Motown Sugar Man

Artwork by me
taken in my front yard with a camera
during one of the craziest fire seasons in California history
even the sky was on fire
this is the future

Burning Daylight

We ended as lovers / Image photo by Angelight

Chord Progression  ( BPM ; 130 )
Intro ; |AM7|Bm6｜AM9| Bm7/E| |AM7|Bm6｜AM9| Em7-5･E9|
Verse ; |AM7| AM7|BmM7| BmM7|  |E69|E69|Bm7-5|Bm7-5|
             |DM7|G#7+5|AM7|C#m7-5||B9|B13 |Bm9|A9|
Chorus; |DM7|Bm9｜AM7|C#m7-5| |Bm7|E13｜AM9| C#m7/F#･A9|
              |DM7|Bm9｜AM7|C#m7-5| |Bm7|E13･E7|
              |AM7|Bm6｜AM9| Bm7-5･E9| 
Bridge; |DM7| DM7|AM9| AM9| |G#m7-5|G#m7-5| C#m9|A9|
Ending; |AM7|Bm9|AM9|Bm9|AM9…..

Music ; Tooru Kitano
Type ; Original
Release Date ; Sept. 20, 2016

Like the sea breeze of Shonan !

Digitalboyhd - Psycho ︻╦̵̵͇̿̿̿̿╤── (ಠ_ಠ)

Instrumental version of “I shot the sheriff”, the song written by Bob Marley (The Wailers).

Some days ago, Alphio (@alpha-roots) sent me the rhythm track of this song, and kindly asked me if I would jam with it. I said Yes... It's one of my all time favorite songs again.

His initial version sounded great to my ears as I instantly loved it, but when I started jamming along, I personally felt that it was a bit too slow for me to add the lead melody so on... and bass sounded a bit too low (despite that original key is Gm, it had -1 octave + 1 tone= Am) and worried that bass would sound less prominent and not audible through the speakers as compared with the other parts I’d first planned to add.
I also wanted to have a little more up-down accent patterns and accessory notes so on for the bass line (especially for the verse A) in this regard and chordal variations as well on the rhythm guitar as the original has more and a little more for own arrangement.  

So, I revised almost all parts on his initial track except the hand percussion by him [>> Details below ].

The initial track can be heard here, please check it out：
https://soundcloud.com/alpha-roots/i-drummed-the-sheriff

I apologize for I've destroyed Alphio’s minimalism...but I had much fun working with it and I would like to thank him again for his kind offer and for allowing me to arrange it freely. 

My arrangement basically followed Hiram Bullock’s cover version (Jazz Rock version with ‘Guitar vocals’) except the rhythm guitars and the ending solo sections adding some improvised phrases of mine.
Well, I could play other versions as well - original studio version, Clapton’s cover version etc -  but, since I’m not a good singer, I decided to do like this anyway. 
Hope you enjoy. Any feedback would be appreciated.

--------------
The original music was written by Bob Marley (The Wailers) for their album “Burnin” (1973)
Hiram Bullock’s version can be heard in their album “Manny's Car Wash” (1995) and in some albums of Jaco Pastorius. 
Cover picture source : http://www.pageresource.com/wallpapers/78319/bob-marley-free-music-reggae-hd-wallpaper.html
--------------
Cover :

[Initial rhythm track by Alpha-roots]
- Drums-1 / Bass Guitar-1 / Percussion / Rhythm Guitar-1

[Revision of Initial rhythm track]
- Changed the tempo (about 11% faster than the initial one).
- Shifted up the key of whole track an octave(keeping Am) and mixed it with the initial track to have a bit more treble tone of bass (it was not able to do re EQ-ing of the bass separably as I received the single mp3 mix)
- Extended each section of main theme (intro and interludes) and altered the rhythm parts of them
- Changed some rhythm patterns (altered Hi-hat patterns, etc.) especially on verse B sections.

[Addition by me]
- Drums-2 (All fills, Addition of other Cymbals, Toms, Kicks and of Snares; the later two are mainly only for the theme and for 3rd & 4th verses solo sections)
- Bass Guitar-2(Additional phrases and high notes incl. some slaps & ghost notes overdubbed onto Bass-1)
- Lead Guitar-1 (Distortion guitar with or without pedal-wah for “guitar vocals” & solos )
- Lead Guitars-2&3( Two Clean ones for the fills and for the ending solo)
- Rhythm Guitars-2&3(Chordal brushing & wah fills overdubbed onto Rhythm Guitar-1, and some phased unison phrases onto Bass Guitars)
- Piano

All of my parts were played and recorded in the studio (live, open-mic rec) except Piano.
- Guitars:  Distortion Lead >> Fender Japan Strat (w/Dimargio DP182 ), Boss CS-2, CE-1 & Jen Crybaby Wah, Marshall-JVM (Tube Distortion, Channel Delay & Reverb) ; Clean Lead, Fills & Rhythms >> Fender USA Strat ‘58 & CS Telecaster, Maxon RTC600, MXR Phase90, AD-9 & Crybaby Wah, '65 Deluxe Reverb Amp.
- Basses:  Fender USA '66 Precision-Bass , Boss CS-2, Bassman Amps .
- Drums:  Tama Acoustic Drum Kit w/Zildjian Cymbals (6-mics rec).
- Piano & Mixing: DAW

I Shot The Sheriff  (Guitar-Vocal Version) - aerogene070 w/ Alpha-roots

UNKNOWN WAVES

That's my friend, that's the one I love
I'll never see them again
Out of mind, and in time, fear seeps through
it's a funny thing, spirits fallen down the avenue,
lost my friends, lost the one I love

Shadows play with my mind, it's a funny thing
if I close my eyes long enough then I'm one of them
I could be like them any time

where the story is, I'm alone at the avenue's end
I hear the music from the streets and it's inviting

Avenue's End

Röststämmor Mats 2

Rumba vegetarian. ( 1992 ) Eddy Mango ( Eddy )

Para Lia - 'Who Gets Fooled Again'
from the  album 'Soap Bubble Dreams'
https://paralia.bandcamp.com/

words and music by René Methner, Copyright 2018
mix and production: René Methner
mastering: Thomas Heimann-Trosien, TurnstyleMastering, Berlin

the crowd is asking questions
time to feed the brains of fools
we're on the speedway of the global news
we have a serious network
we run the big machines
we keep you quiet with bread and games
it will quench the flame
isn't the weather nice today?

who gets fooled again

in the age of populism
sweeping around the globe
we are dealing with an overdose
of phrases, bubbles, airholes
advertisement and empty shells
we guarantee your comfort zone
trust us you are not alone
so better stay at home

who gets fooled again

Soap Bubble Dreams

Who Gets Fooled Again

WAVES Within WAVES

Fractals & Shreds

If You Leave

Para Lia - Hawk Hill

+ Bandcamp: https://paralia.bandcamp.com/track/hawk-hill
+ Spotify: spotify:track:1FOqWHvfn0zchqsLBQXmmB

Watch the music video on Youtube:
https://www.youtube.com/watch?v=YiplJ-eh2W8

Follow Para Lia on:
https://www.facebook.com/paraliamusic/
https://www.instagram.com/paralia.music/
https://twitter.com/para_lia_band
https://www.youtube.com/channel/UCNABsfHKaCDk28fOj91Dc1g

words and music by René Methner, Copyright 2019
mix and production: René Methner
mastering: Thomas Heimann-Trosien, TurnstyleMastering, Berlin
cover art: Phillip E. DAoust
Thank you so much Kevin (Mr. Cagey), Fady (Mr. The sporz), Tim (Three Photons) and JJ (Subject To Revision) for giving feedback to the song when the work was in progress!  

lyrics:

strolling down the street i knew so well
when i was a boy and made my way to
school

and the school was closed long time ago
because bleeding us dry nowadays seems to be
cool

we create new dead end towns

goodbye hawk hill lane
i don't miss you
goodbye hawk hill lane
don't let it get you

young people turned their backs on that one way street
and all the factories are rotten but you built a new town
hall

and the color of the town slowly turned into a grey
like the face of a forgotten but the cemetry is pretty
green

a field of broken dreams

goodbye hawk hill lane
i don't miss you
goodbye hawk hill lane
don't let it get you

goodbye hawk hill lane
i don't miss you
goodbye hawk hill lane
you know i still love you
don't let it get you

Hawk Hill

Kilomètre zéro

Caraïbes version acoustique

Kilomètre Zéro

An instrumental Cover of the song "No Woman, No Cry" (No, Woman, Nuh Cry) by Bob Marley & The Wailers, released on their album "Live!" (1975) .
Guitar solo starts at 1:54 
----latter excursus on 16 Nov. 2019-----
A full version with Vocals by Jimmy Rivas ( @j-rivas ) is out there:
>>  https://soundcloud.com/j-rivas/no-woman-dont-cry-featuring-hiroshi-kohno
Please check it out.
----------------------------------------------------
Sorry, friends for my being out of contact for a while. 
This year I've not been so productive for music so far.
I’d lost most of music data that were in the making because of the PC trouble occurred several months ago...and since then, have had too much going on to do music. I haven't recovered the DAW and so on either. It makes me less productive, too. But finally I've got some time-off and hopefully will resolve these soon.

In the meantime, I found this one from another HDD in the rubble.
So, I put it here hoping to make up the blank...

It was played and recorded (I guess about 5 years ago) just as a diversion for a change...  Besides Bob Marly’s vocals and its lyrics, I’ve loved the guitar solo of the song (since the first time I  covered this song when I was a high school student) and played it several times.  But in fact, the song has too common chord progression, and without vocals (I cannot sing well), I thought a cover wouldn't work out...so, I added the keys to compensate a little for the vocal lines. Also added the backing guitar for all sections(for which I referred to a live version released in 1980).
For the solo and the rest of parts, I referred to the original live version (Live At The Lyceum, London /1975).  

All instruments (Drums, Percussion, Bass Guitar and Guitars) were played and recorded in the studio (open-mic, live), except Keys and Choirs (which were created with Software Synth and midi-Keys). 

*The cover picture was borrowed from the liner notes of the Japanese version of the original album. Copyright of the original picture must belong to the original photographer, artist and the label.

No Woman, No Cry - Instrumental Cover (Excerpt)

ELECTRON WAVES

Para Lia - Mistakes

+Spotify: https://open.spotify.com/track/1CbyUXi84HBPSiG8UGcVs0?si=TqabsHtPRtGqfAB9uz8pHA

Follow Para Lia on:
www.facebook.com/paraliamusic/
www.instagram.com/paralia.music/
twitter.com/para_lia_band
www.youtube.com/channel/UCNABsfHKaCDk28fOj91Dc1g

words and music by René Methner, Copyright 2019
mix and production: René Methner
mastering: Thomas Heimann-Trosien, TurnstyleMastering, Berlin

'Mistakes' is nothing more or less than a simple love song. Melodic and a little bit edgy, just like Cindy and me. Alt rock meets dream pop. Thank you everyone for listening and supporting Para Lia!

lyrics:

i found you waiting in the backyard
of my selfmade house of cards
you are like the sunrise that breaks the dark

all my mistakes led me to you
we are riding with the past into something new

my broken road is filled with ghosts
and some of my steps left potholes in my soul
it's a fine line between love and pain
you're touching my mind, you keep me sane

all my mistakes led me to you
we are riding with the past into something new
it's long overdue

Free Download

Mistakes

Artwork by the wonderful Ray , www.raybilcliff.com/
All my music is design to have the EQ on Flat.
Kind regards.

Reflection

【かつて】

世界は終わりを迎えました
綺麗な花は枯れてしまいました
愛しい人達は死んでしまいました
ねえ、おやすみ、すぐに僕も行くからね

繋いだ手の温もり覚えていますか
仔猫が産まれた朝を覚えていますか
嬉しくて泣いた日を覚えていますか
ねえ、おやすみ、すぐに僕も逝くからね

僕が見てきた景色が蘇って溢れるよ
言葉にならないほど美しくて

春の風に舞う桜も
夏の澄み渡る空も
秋の夜に浮かぶ月も
冬の雪化粧の街も
春に咲き乱れる花も
夏の深緑の匂いも
秋の虫のオーケストラも
冬に吐く白い吐息も

全てはありのままで美しかったんだ
全てはありのままだから美しかったんだ
今更どうしてこんなに愛しいんだろう
失うまでどうして気付けなかったんだろう

beautiful world

命は、世界は、

美しかった世界、さようなら

かつて【End】

ELECTROSPHERE

A flight of fancy, conjuring romance.

© 2019 roger hooper music

Cloud

Darling

Buy on Bandcamp

Please welcome to join Syntaleta community on www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

Show your support

Taken To Heaven

Thank you for listening!
A new collaboration with another great SoundCloud Artist.
It has been a pleasure to collaborate with the very talented singer Aida Deturck 
Check out the great work of Aida; https://soundcloud.com/aidadeturck
Lyrics and vocals: Aida Deturck
Video Clip: https://www.youtube.com/watch?v=Gp_cwdi1ewQ&feature=em-lsp
Lyrics:
Once upon a time she was right there
(Nobody knows)
and her whole life was just sit and wait 
“I want to be free”, “I want to be me”
And she sang in a tower all alone
[CHORUS]
Wake, Wake up
you have all the power in your hands
and she got, and she got what she always deserved 
-
Many years ago, she broke her own chains
(A Brand-New Day) 
Lost and lonely against all she knew 
“I want to be free”,“I want to be me”,“I will be brave”
And she escape from the tower by herself
[CHORUS]
Wake, Wake up
you have all the power in your hands
and she got, and she got what she always deserved
-
[BRIDGE]
She changed her path searching for a new life
What will you do?
Wait 
[CHORUS]
wake up
realizing her own power
and she got, and she got all that she always deserved   
Wait for me I’m coming
Everything looks beautiful through a castle window…

The Tower (Feat. Aida Deturck)

ONCE UPON A TIME...(SALVADOR NAVARRA)

Composed & produced by: 
Chivicke HomeStudio/2016
Image: Eric Waugh (Pinterest)

Uuhyeah  (Big Band)

Y de un tiro. Rodolfo López Rojas

Davee - Lost In The Forest ✶Free Download✶

Loosely inspired by Gloria Gaynor's 'I Will Survive' :)))
Beats courtesy of Krolbeats (looperman)

Mutant Disco Survival

ELECTRON  FLOW

That Magic (When You're Near)

That Magic

Only Blooms Once A Year

Electronic music just for fun

Watchmen By Alan Moore And Dave Gibbons

42nd Street: Womens breasts draped across every billboard, every display, littering the sidewalk. Was offered Swedish love and French love...but not American love. American love; like Coke in green glass bottles...they don't make it anymore. Thought about Moloch's story on way to cemetery. Could all be lies. Could all be part of a revenge scheme, planned during his decade behind bars. But if true, then what? Puzzling reference to an island. Also to Dr. Manhattan. Might he be at risk in some way? So many questions. Never mind. Answers soon. Nothing is insoluble. Nothing is hopeless. Not while there's life. In the cemetery, all the white crosses stood in rows, neat chalk marks on a giant scoreboard. Paid last respects quietly, without fuss. Edward Morgan Blake. Born in 1924. Forty-five years a comedian. Died 1985, buried in the rain. Is that what happens to us? A life of conflict with no time for friends...so that when it's done, only our enemies leave roses. Violent lives, ending violently. Dollar Bill , The Silhouette, Captain Metropolis...we never die in bed. Not allowed. Something in our personalities, perhaps? Some animal urge to fight and struggle, making us what we are? Unimportant. We do what we have to do. Blake understood. Treated it like a joke, but he understood. He saw the cracks in society, saw the little men in masks trying to hold it together...he saw the true face of the twentieth century and chose to become a reflection of it, a parody of it. No one else saw the joke. That's why he was lonely. Heard joke once: Man goes into doctor. Says he's depressed. Says life seems harsh and cruel. Says he feels all alone in a threatening world where what lies ahead is vague and uncertain. Doctor says "Treatmen is simple. Great clown Pagliacci is in town tonight. Go and see him. That should pick you up." Man bursts into tears. Says "But, Doctor...I am Pagliacci." Good joke. Everybody laugh. Roll on snare drum. Curtains."
—October 16th, 1985 entry of Rorschach's journal

Ozymandias asks Dr. Manhattan in the final chapter " I did the right thing, didn't I? It all worked out in the end." To which he reaffirms " In the end?" " Nothing ends Adrian, nothing ever ends."

Rorschach’s Diary

Depeche Mode has always been one of my favorite Electronic Music bands of the 1980s. This song is definitely an “upper” for me along with “Safety Dance” by fellow Montrealers Men Without Hats. Get on your dancing shoes and enjoy this blast from the past.


JJ (Johnny) Vienneau:
Drums
Keyboard
Bass
Lead & Rhythm Guitars
Peter Wheeler:
Vocals
Produced by; JJ Vienneau & Peter Wheeler
Recorded at: Rawkin' Productions - Montreal

Buy on iTunes Store

Never Let Me Down Again - Cover

We wish all of you a Happy Hollidays and Merry Christmas!
Move In Dance  
Vocals :https://www.ghosthack.de
Backing Track: https://soundcloud.com/paploviante-and-friends/in-the-beginning-open-collab
Cover: Emerson Lake & Palmer- From the beginning
Sax: Mark Douthit
Trumpet: Don Clark 
Lillithe:   Arrangement  and Production

Move In Dance   Lillithe & Paploviante

Je vous propose d'écouter ma huitième composition « Le Futur » de mon album « Le Temps ».

J'espère qu'elle vous plaira ! Je posterai ma prochaine composition de cet album dans 15 jours :) 

Je vous souhaite une agréable écoute et je vous remercie de prendre « le temps » d'écouter mes musiques :) 

Je vous souhaite à tous de merveilleuses fêtes de fin d'année et Joyeux Noël à tous, mes amis 🎄🌟☃️ 

Je vous remercie pour tout votre soutien durant cette année ! Cela représente tellement pour moi   💝❤️
      
« Le Futur »  huitième composition de l'album «  Le Temps » composée, arrangée et produite par Nathalie ITTA ( 2019)  Copyright, Tous droits réservés 

Photos  : Pixabay : https://pixabay.com/en/


I propose you to listen to my eighth composition « Le Futur » from my album “ Le Temps “.
I hope you'll like it ! 

I wish you all a wonderful holiday season and Merry Christmas to all, my friends 🎄🌟☃️

Thank you for all your support during this year ! It means a lot to me 💝❤️

«Le Futur », the eighth composition of the album «  Le Temps » composed, arranged and produced buy Nathalie ITTA ( 2019) Copyright, All right reserved

Photos : Pixabay : https://pixabay.com/en/

Support my creations on uTip : https://utip.io/compopiano

Do not hesitate to support me by likes, comments, share my music and suscribed on my Youtube channel, I will be very pleased:-)
https://www.youtube.com/channel/UC4nq...

Don’t forget to press the bell beside the "subscriber" icon to receive my real-time notifications of my next compositions :-)

You can download my albums or unit titles from my Wiseband store:

 https://www.wiseband.com/yo/shop.php?...

If you wish to make a donation to support my musical creations you can click on this link: 

https://fr.tipeee.com/compo-piano 

You can follow me on Soudcloud: https://soundcloud.com/nathalie-itta

You can Support my COMPO PIANO page on facebook :  https://www.facebook.com/nathalie.Itt...

Subscribe to my Newsletter on my blog to receive by email all my compositions once a week: www.compopiano.com

Le Temps

Le Futur - Album Le Temps

réalisation de ce morceaux en vidéo  realization of this pieces in video

https://www.youtube.com/watch?v=ZZ3iZCY0xKs

Improvisation Reggae

In a free spirit

01 - Soundiron - Voice of Wind - Adey FX - Regret & Remember
02 - Soundiron - Voices of Rapture - Bass Ambience Ethernience
03 - SA - WE - A Simple Start
04 - SA - PS - Tubular Bells
05 - SA - PS - Nuna
06 - SA - OACE - Chamber Grid
07 - Heavyocity - Ascend modern Grand - Soft Improviser

Voice For The New Year

Shadows are with the light

JUPITER FALL 
Release date: 18 January 2020
Production and Mix: Lillithe
Free download

JUPITER FALL

Jump out of the forehead

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman