Iggy E-Plasma Floor [Mutant Rebels]

An ethereal voice recalls the decline of this part of Italy where I come from. The commodification and race to the bottom of everything (especially art and music) has led to a society where good and bad are confused, where we can no longer recognize beauty. Inevitable, unstoppable decline, I think there's nothing we can do about it, but this song was born that way.
Italian 90 house style with bass and pad in the Deep88 style, magic voice by A Girl Called Romi. Arpeggios this time. 
https://deep88.bandcamp.com/track/riviera-adriatica-che-non-c-pi

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Deep88 feat A Girl Called Romi - Riviera Adriatica. Mwav

From South America Over Africa & Orient to Asia

Dreamy Afrobeat

Hollywood

I wanted to try new things. I started writing a pure electronic song but ended up with this 😉.
I don't know if my inspiration is back, but it's my fastest job 😋. I am usually very slow 🐌.

This song may not be my best but I like it. I wanted to make something lighter with some optimism but also a little melancholy.
I spent part of my childhood in the countryside. Each new day was the occasion for a new adventure.

I hope you'll like it. Thank you for listening🙏

Homeland

lnspired by @mahan-mahan and https://soundcloud.com/user-581567812
l couldn`t master it, hope you enjoy nevertheless. stay safe1
German words: THIS WORLD IS NOT REAL,

Surreal

When I
Was young
I thought
My 
Love
Could overcome
Your pain,
And maybe I could change your mind.
Not this time.

So I
Defined my worth
By how
Hard
You shoved me to the dirt,
And I
Still carry that in mind,
So I'll know better next time.

All I really wanted was your protection.
The way you beat me down was ironic perfection.

Taught me to be afraid.
Lived in fear every day.
Bet you want me to hide away,
Well I won't, I won't.

Hey man, look what you made.
Too bad you didn't get your way.
Then I wouldn't be here today
Calling, calling you out.

I've spent
My whole life
Chasing
Love
With lies,
Desperate
To fill the void you left behind.
Still I try.

Now I
Realize
That we're
The
Same, you and I.
We're both
Terrified of what's inside.
It's getting harder to hide.

We're all capable of the gravest oppression,
And 'til we can admit it, there'll be no progression.

So I self-medicate,
Isolate more every day.
Empathy gets chipped away,
'Cause I can't take it.

Hey man, look what we made,
Altars to greed and hate.
Programmed to regurgitate
And over-stimulate.

Mother we set ablaze,
Father has turned his gaze.
Now we're all fuckin' corporate slaves,
So mindless, we're digging our own graves.

From HinT - "This song had a very long gestation period. For a while we weren't sure that it would ever see the light of day. It first appeared as a live video on our Facebook page, which still remains in our video section as a demo. After a lot of procrastinating, we sent some stems to Russ, who in turn sent those pieces to D. D. Danahy. And that's when everything turned around. D. D. Danahy added synth and bass. But most importantly, he breathed new life into the song, made it a cohesive thing, and gave it a brand new heading that inspired us all, and helped us see it through to its fruition. Reinvigorated by D3's contributions, we decided to add lyrics and vocals. Russ approached bitzone on our behalf to add drums, which was an altogether excellent choice. Russ then worked tirelessly and meticulously to mix and blend every piece together into the final product. And now, finally, we're here. With our deepest thanks and gratitude to everyone involved."

From Russ - Thanks to Honor in Treason for allowing me to post this to my music profile, please support them on Bandcamp, see link. Thanks to 3D and bitzone for joining in and making something we can truly be proud of. 

Arranged Mixed and Mastered by Russ at Chaos Cookhouse Cambridge UK

The Single

Buy on Bandcamp

20/20 By Honor in Treason Feat. D. D. Danahy & bitzone

The One For Me

Sometimes I walk through my city and I see thousands of tourists who visit us generating a pleasant multicultural environment, at least for me. However this summer has been different. For months, only a few lonely couples have been seen who still want to know the city despite everything. And although things and places do not change, there is an air of melancholy and sadness, with dozens of closed typical bars and beautiful terraces that I cannot go to now.

This feeling has not produced a negative inspiration in this composition, but it has generated a different music than what he had done before.

With a Latin rhythm similar to a "bolero", this melody is developed that includes orchestral sections and percussions that decorate the theme.

Composed in July 2020

Edited in October 2020

MS2 with native instruments and KV331.

As I said before it is very different from what I usually do. I hope I don't disappoint you.

Take care.

Paco

Strange summer

A remake of an old one from the 80s, main guitars and vocs are live recording with two mics in the room, then some overdubbing. Part of our new recording sessions where we are both remaking some old songs on the new, better equipment and recording some new songs as well. We'll keep posting as we go. Morry and I are both singing on this one. Slowly working through the mixing and mastering on the Tascam DP24. Hope you enjoy these.

I’ve Been Dreaming

"A musical vision of Autumn, a time of year when change is in the air. Mellow days and vivid colours give way to darker nights, rain storms and misty mornings. As the season moves on, a hint of Winter arrives with colder nights and frosty mornings"

Description

Autumn, finds me trying to express, in music, my feelings about this season. Below is a attempt at doing this in words too. This is the second of hopefully four orchestral pieces that describe the four temperate seasons of the year.

If you want to hear other pieces from the series "The Wheel Turns" after listening to this piece, the links are here :-

soundcloud.com/mrbouzouki/sets/the-wheel-turns

The Wheel Turns Orchestral Suite - YouTube playlist.

https://www.youtube.com/playlist?list=PLQkE1sMc-t1sixu4RmJmjyFr0HF6dnUF2

---------------------------------------------------------------
Autumn
The majesty of Summer has now faded. Leaves, once so green, now a myriad of fading colours as Mother Nature withdraws her life-giving hand.

The weather is changing too. Strong winds and blustery days jostle with times of calm reflection, as you take a little wander through the woods.

The squirrels are busy, as are the birds, as some prepare for darker times whilst others set forth on their migrant flights.

For Autumn knows, whilst man often forgets, that change is in the air.

---------------------------------------------------------------
Instrumentation

Con Sordino and 8ve strings (Albion One - Spitfire)
Viola Ensemble (Chris Hein Strings)
Violin Spiccato (Albion One - Spitfire)
Low Strings Cello & Bass(Chris Hein Strings)
Pizzicato Strings (Albion One - Spitfire)
Oboes (Chris Hein Winds)
English Horn (Chris Hein Winds)
Barock Bassoon (Chris Hein Winds)
Flute (Chris Hein Winds)
French Horn (Chris Hein Brass)
Trombone (Chris Hein Brass)
Low Brass Dirt Growl (Chris Hein Brass)
Timpani Rolls and Strikes (Kontakt Factory Library)
Bass Drum (Kontakt Factory Library)
St Peter's Choir (Halion -Steinberg)
Shevannai vocal library (Eduardo Tarilonte)
Bell Tree (Flying Hands Percussion)

Variety was the key to this piece with it almost compartmentalised into different sections to reflect this changeable season.

The initial section what I call 'the walk in the woods section' depicts the fading grandeur of Autumn before moving into a time of relative calm. This is followed suddenly by a storm section featuring a vocal line as the wind, pizzicato strings as the rain and timpani and brass as the thunder. The final section is almost melancholic, reflecting the withdrawal of nature before dying down to a misty stillness with a hint of Winter just around the corner. In fact the end section features a motif from my piece Winter so it acts as a bridge to that piece.

The Wheel Turns

Autumn

Composer and Keyboardist
Spotify, Apple Music, Amazon

The One For Me

Roberto Lattanzio