-------------------------------------------------------------
André ♛VERSATILE♛™ Hunter
D-lux Music Group/D-lux Entertainment/D-lux Grafix Group (Music.Media.Design)

Skype: ThisIsVersatile or DluxCEO

http://instagram.com/ThisIsVersatile
http://twitter.com/ThisIsVersatile
http://myspace.com/ThisIsVersatile
http://facebook.com/ThisIsVersatile
http://soundcloud.com/ThisIsVersatile
http://reverbnation.com/ThisIsVersatile
http://ThisIsVersatile.bandcamp.com
E-mail: ThisIsVersatile@gmail.com

WEAREOFF. Bleakness. Desire. Remoteness. Ecstasy. Defeat. Elation. Hope. The absurdities of modern and postmodern life. Dark synth textures remeniscent of 80s New Wave mated with guitar hooks you'll never forget. Pumping basslines to move your feet and thrill your heart. Melodies to enchant and confound. From yesterday toward the future. 

THE ROYAL CROWN MIXTAPES DMV'S BEST ARTIST, NOTHING LESS THAN THE TITLE CLAIMS OF FAME. THIS IS D.C MARYLAND VIRGINIAS TOP RAPPERS AND PRODUCERS BATTLING IT OUT FOR THE CROWN,THE NUMBER ARTIST OF IT ALL. SUPPORTED BY THE COMPETITION THIS ARRANGEMENT OF MUSIC HAS BEEN SELECTED BY DMV'S TOP DJ'S ASWELL. THE FIRST OF A MIXTAPE SERIES WE HOPE TO THRILL THE WORLD AND FILL THE SHOWS OF OUR FATHER MIXTAPE 'DJ DRAMAS GANSTA GRILLS, DJ KHALED WE TH BEST" LADIES AND GENTLEMEN, HUMBLY THE ROYAL CROWN

Throughout my early period of discovering disco music
it was always a thrill for me to hear a redit or remix of 
a piece of music that I was familiar with. 

It was a necessity for the underground feel of a disco hit that it contain the elements which dancers and deejays were accustomed to, and so desired.

With today's dance music it is typical to have 4 to 5 varied mixes to suit different club environments. Most of these customized mixes conform a song with new sound. At times a song may be unrecognizable within 2 mixes.

I have taken several classics and rare selections to reedit and create what I call "ReStructure Mixes" - some are pieces of the original and others are edited remixes. Most of these cuts I have used the original LP or 12" mix - straying from another engineers remix. This is to maintain my own sound with the original recording.

I hope you will enjoy them - please let me know by sending me an email at restructuremix@cox.net or let me know if there are any classics you would like me to perform a "ReStructure Mix" on!

Glenn Rivera


Coffee              Oct  2022
It’s been a long time since I put out an Album! Thankfully I have been kept very  busy in music , staying passionate about writing and co-writing with other artists, gigging and having fun along the way.
I never really dreamed of putting out another L.P. ….but…I recorded 7 songs which I thought would be acoustic Demo’s.
I recorded with my friend and maestro Ian Matchet and even after the  first day I thought they sounded better than I had hoped for …..so a seed was planted. I called my friends Karen Henderson and Lorraine Handling to see if they would help. With Lorraine’s wonderful vocals and top class violin from Karen , Ian’s great playing on different instruments and mixing skills…. I now have a 7 tack album called ‘Coffee’ available now for download on all major platforms .

My friend Colin Hyslop filmed the videos for the title track ‘Coffee’ and ‘Modern Day Jane Eyre ‘ co-written with Callum Johnston, the latter  feat Lyndsey Kate Smith…. …..again we had so much  fun…it was amazing..We shot the ‘live’ footage part of the videos in ‘The Smoking Goat’ Ayr and I recruited my friends Darren Kelly and Brian Fleming to join us in’ the band’ along with Ian Matchett  in  front of  an enthusiastic audience of invited friends and family. 
I was also want to Thank  ‘The Ottoman Coffeehouse’ Glasgow  for allowing us to shoot some scenes from the ‘Coffee’ video.

 I am excited that a few of my friends performed  ’cover’ versions of some songs from the album. Colin Hyslop filmed  them and Brian Kyles edited the footage from the beautiful ‘McIntyre  Barberista’ in Prestwick so I have plenty of promotion material . Ellie Anderson, Rona Bryden , Colin Hyslop and Debbie Campbell all were magnificent and brought some of their own Uniqueness to the songs .Jamie Clark   Filmed his own brilliant version of ‘Swimming in regrets’.. Catch them all on Youtube . My good  friend Darren Kelly #withintheblacklights shot the great artwork and promo pics. Thanks to Peter Anderson for putting my ‘Coffee’ page together on my website and my nephew Rishaad Moudden for making the tracks  available for download.
I hope you love all this news  , download, stream   and enjoy the videos…catch me along the way somewhere and thanks again so much to everyone who made it all happen…..I am in awe of you all xx

25th Nov will be the ‘Launch/Party Night’ with my friends/artists performing…I can now confirm the amazing line up of musicians and singers…check this out…!! Ian Matchett/Lorraine Handling/Karen Henderson/ Gary MacDonald/Grant Spence/ Darren Kelly/ Debbie Campbell/Ellie Anderson/ Rona Bryden/ Colin Hyslop/Shayla Belle Bletsoe/ Kayla Hunter-Ryah Henderson/….put it in your diary… Venue ….Gro Coffee Ayr 8pm xx   DO NOT MISS IT!! Thanks    xxx

Scott Nicol 2022  www.scottnicol.us   www.youtube.com/scottnicoltv 

Coffee 
Swimming in regrets 
Modern day Jane Eyre 
13 tears 
Only so many summers
Battleground 
Lonely 

 https://emubands.ffm.to/coffee 

www.scottnicol.us/coffee   
Scott Nicol Music ..Possibility Screams Gro Coffee Ayr 2022
So much happening at #PossibilityScreams #ScottNicolMusic but I wanted just to say we had two fantastic gigs at GRO Coffee  Ayr….May and June of This year. 
These were  kind of showcase events for up and coming ‘artists’ and also artists that I invited to play. The staff and management at Gro could not be more generous and accommodating..
Just want to Honour all the players …Debbie Campbell ..Mithian Perry.. Ava Gemmell…Georgia Patterson…Kayla Hunter…Lorraine Handling…Elissa Poli..Shayla Belle Bletsoe…Ryah Henderson and Emily and Gemma Duffy….They were all brilliant and at different stages in their artistic development..some as young as 9/10yrs….I want to give people the chance to play in front of an encouraging audience. They were superb and thanks to everyone who came and supported. 
Thanks to Darren Kelly and Gary MacDonald who were my wee backing band….and thanks To my friend Alister Dickson for his brilliant photography…..till next time……
Scott xx    2022Possibility Screams       Beautiful inside and out 

Feb 19th 2022                The Coo Shed Ayr 


Well what can I say? What a night!!....Saturday 19th Feb at The Coo Shed Ayr was just wonderful. This Gig for the amazing Charity ‘Beautiful inside and out’ was an  emotional rollercoaster. The seven acts who performed were just incredible. Let me first thank Alison Kerr and her fantastic staff who served us impeccably on the night and her great generosity.
The event was filmed by Colin Hyslop Photography with his most glamourous assistant Rhona Allanach, and there will be an edited version available on Youtube/Social media soon.

M. Lockwood Porter's Communion in the Ashes is a rallying cry for the hopeless and heartbroken, its lyrics set to a soundtrack of anthemic heartland rock & roll. This is a record that addresses our modern-day social problems from a perspective of hope, encouraging those who listen to focus on activism and community-building rather than despair. Along the way, Porter delivers some of the most engaging, electrifying songs of his career, rooting these melodic calls-to-action in the stomp and epic swagger of a five-piece road band. 

With Communion In The Ashes, Porter crystallizes a sound that is uniquely his own: one that gatecrashes the borders between indie rock & roll, singer/songwriter folk, and Americana. Written alone on the acoustic guitar and recorded with Porter's band during a collaborative, five-day studio session in Chico, CA, the album champions togetherness as an antidote to the immense problems we face as a society. On the kinetic title track, a kick drum bangs out a steady pulse while Porter unveils his game plan: "When the bridges are all burned, let's congregate the masses, let's hold a new communion in the ashes." The song doesn't turn a blind eye to the desperation of today's world; instead, it builds something new from the rubble, transforming desolation into hope. A similar feeling imbues the piano-propelled "I Will Do No More A-Prayin’," a secular hymn that nods to Porter's childhood days in the Southern Baptist church. If "I Will Do No More A-Prayin’" evokes the solemnity of Sunday morning, though, the bulk of Communion in the Ashes rustles up the thrill of Saturday night. There are furiously strummed power chords, pounding percussion, vocal harmonies, and 80s-inspired synthesizers, shot through with a voice that's urgent, compelling, and quick to incite. These are songs about revolution and rebuilding, and Porter sings them accordingly, his voice echoing and rattling its way between the electric guitars and upright piano.

Given the album's communal emphasis, it's appropriate that Communion in the Ashes is also Porter's most collaborative release. All five band members contributed to the arrangement process, with drummer Peter Labberton pulling triple-duty as the album's engineer and mixer. The band worked swiftly, foregoing rehearsal in favor of instinctual performances and quick studio decisions. "Get Back to the Wild," the one song not recorded live, gave the band a chance to experiment, building a two-bar drum and piano loop into a spiritually-minded song that examines the distance between human nature and human society. Porter and company looked to their own influences for cues, too, with Communion's touchstones running the gamut from Leonard Cohen’s inventive songwriting and Tom Petty's concise melodies to Wilco's experimentation and War on Drugs' gorgeously textured tones. Even so, this is the most distinctive release in M. Lockwood Porter's catalog — an album that both nods to the past and pushes forward to the future, thanks in part to a full-band attack that lends fire, ferocity, and grit to the tracklist. 

Throughout Communion In The Ashes, Porter’s electrifying “dystopian gospel band” explores how frightening our world can be. The record’s enthralling cover art — designed by William Schaff, known for his longtime association with Songs: Ohia's Jason Molina — shines a light on that horrifying present, depicting a man (A preacher? An organizer? A demagogue?) addressing a crowd from the foreground of a burning, decaying city. With its Springsteen-sized catharsis, though, Communion in the Ashes offers listeners something new: a soundtrack with which to rise up, rebuild, and renew. Call it protest music if you'd like. Call it a political album if you must. Whatever the description, Communion in the Ashes packs the strongest punch of Porter's career, capturing not just one man's reaction to the present day, but an entire community's opportunity to better their own tomorrows.

If you don't know me, here's something:
I spend my life trying to create pieces that evoke the emotions I've experienced while listening to or watching some great stuff out there. It helps me forget how short life is. If you ever get into this mood, this feeling where nothing around you seems to make sense, find a passion and people to share it with. That's the best feeling ever.

Welcome! here is some electronica for fun, really though, I deeply hope that guitars and flutes don't become a thing of the past. The LIVE sound is what gives me a thrill, it takes a whole band backing a lead flute, it rarely happens.

"Polka Projects is a combination of circumstances.
It is a heritage, a son, a thrill, a commitment, an identity, an image, is music.
A gift we would like to give to our children, the result of love of art.
For music.
It is so full of hope, with quality commitment. 
Image identity based but above all based on MUSIC. 
It is a net label committed to its public.
Sound quality and a monthly reference with the cost of 1euro.
For this purpose we build a webpage as the backbone of Polka Project.


http://www.polka.es

Polka is also a tool, a means.
A way to define ourselves. It is a part of us.
And we want to share it with you all.
But also we want you to participate with us.
Polka is no sense without you".

Taryn Weston is following