Before the Storm

Mixagem downtempo do beat "aquecimento ha-ya" 
com colagem de sample do documentário "Estamira".
Experimento feito em Janeiro de 2022 - Lubraxx - Cafofus Records

Reaproveita

All I ever wanted.
=========================
Rekha Iyern (Voice)
Manu (Delaflor) guitar riff
Midisound (Drums, bass, guitar, and synths).

Concept created in late 2022

When I heard Rekha years ago, I couldn't stop thinking about how I could adapt a song to her voice.

Thanks to Delaflor, who had already collaborated with her, she was able to contact me and offer me a song. After several weeks of work, Manu added an excellent guitar riff that partially camouflaged my horrible synth guitar.

thanks to my two traveling companions on this occasion for their patience and dedication.

Listen to ReKha and Delaflor's music at these two links.


https://soundcloud.com/rekha-iyern-fe

https://soundcloud.com/mercer-goldengalls


34 tracks MS2 and forum Xewton
3 Track Audiokit
4 tracks Sunrizer synth.
Software Music Studio 2
Hardware. iPad
Mix by Delaflor


Thank you everybody

All I ever wanted (Rekha Iyern [Fe], Delaflor & Midisound)

Dungeon Synth on Nexus 7 tablet
https://open.spotify.com/track/79x1ZccM4QOs2K4Y64f4Cy?si=23fb9bec9f144833

Nordic Winter

This was my third time working with the Eclectic Collective on a track. Unlike the other couple of times that were based around ideas that I came up with, this time I was just along for the ride! I was happy that Ken reached out and invited me, figuring I could help add some 80s style synth nostalgia to this fun piece. 

Cast of characters:
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums, acoustic guitar, song and vocal melody composition
Joseph Shenton -- @joseph-shenton -- lyrics
Gaz Brownie — @user-755327533 — Gaz — vocals, vocal harmonies, and lyrics
one man verity show – @one-man-verity-show – Scotty – electric guitar intro
TexMex Shaman–@texmex-shaman –Stephen– Les Paul Custom electric guitar, mix, production, and mastering
Llanpsych–@llanpsych –Tez– Epiphone Les Paul electric guitar
Tea R. Sea @tea_are_sea -- Terry – low synthesizer
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Fender Precision bass and high synthesizer

This song began a few months ago as an idea Ken had to make the quintessential Gen X song. He structured the chords, beat to appeal to anyone of a certain age group, of which most of the folks in the band are a part. He even played wrote it on his acoustic guitar and came up with the vocal melody, which Gaz put a shine on for the final version. Once he had the form of the song down, he tapped the incredibly talented Joseph Shenton to write the lyrics. Gaz not only superbly sung four part harmonies for this, but the came up with the lyrics for the break parts, too. 

When he first envisioned it, Ken thought it would be fun to invite as many musicians as we could onto it. However, for whatever reason, it stalled out and sat untouched for a couple months, with just Stephen's foundational guitar, Scotty's thrilling guitar intro, Terry's lush, low end synth, and Josh's bass to hold it down. Then, Ken had the great idea to invite Gaz to sing it for us. His awesome vocal track inspired us to heat up the kiln again, and put some real effort into bringing it to life. On that note, Josh redid his bass part to match Ken's rocking drums, as well as added the high, melodic synth you hear throughout. Tez came in last with the fiery guitar fills and solo, which you can hear throughout, as well. 

Once it was all in the bag, we tapped Stephen to produce and mix it, which he did in his always pro manner. 

This is the first collab Eclectic Collective has done with Gaz, but we all hope it won't be the last. He is one of the finest singers on the Cloud, and we're honored that he would sprinkle his magic on this song with us. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Joseph Stenton:

Where were you on those days gone by
Were you out by the tracks where the lone train whistle cries
Or kicking up rocks on those dusty roads of dirt
Or skating on streets paved with gold
Or wrestling upon the grass beneath endless sky

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
Were you tugging at the stars too
In an attempt to release their light
Bonded by hours
To a brotherhood we believed would never die

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
From within this dull petrification of time
Comes a crystalline memory
Of those long lost moments, now born free 
Of come what might, come what might be

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
With a tape in the walkman
Playing the soundtrack of passing time
To these moments of our lives
That once burned bright but never died

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Generation X - with Eclectic Collective ft. Gaz Brownie

Composed in honor of Scotland, fantastic country and people.

27 Doors opening

SteadFast

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Alto Saxophone solo. Flute solo. Fender Electric Bass.Roland Synthesizer Bass. Fender Rhodes Electric Piano
(right). Fender Rhodes Electric Piano Rhythm (Left) Baritone Electric Guitar Rhythm. Drums Acoustic Full drum kit set. Percussion Shimmer Chimes tree, 22" Zildjian Crash & Ride Cymbals.

Cannery Row

Firefly


Link to the usual pictures and sounds combo space - https://youtu.be/hi3shfq1pfc

Original artwork by EL-HO
Lyrics
Well when…
yesterday’s deaths are tomorrow’s lack of news
the headlines read a tragedy of a rich man’s point of view
while all around we struggle as their fight goes on and out
we’re just candles in a monsoon and a lightning strike in drought
We feed monsters in our heads
We beat monsters under our bed 
We need monsters to aim our guns
We feel monsters to regret what’s done
Yeah we are monsters

With every breath a fresh chance a new time to be awake
but we’d rather hate our enemies than befriend a fool who’s fake
with every shot not taken that’s saved up ‘til the end
dying in our apathy in our wake we’ll still pretend
that every day’s a new day another chance to be alive
instead we choose the monsters feed them demon’s ‘til they thrive
We feed monsters in our heads
We beat monsters under our beds
We need monsters to aim our guns
We feel monsters to regret  
Do you regret what’s done
Monsters…just monsters 
We’re monsters of monsters and monsters
Monsters…just monsters 
We’re just monsters of monsters and monsters
Monsters…just monsters
We’re all monsters of monsters and monsters
Monsters…just monsters
They’re all monsters of new old monsters
We’ll all monsters and monsters and monsters
All monsters of monsters their monsters
All monsters of monsters they’re monsters
We’re all monsters of their old monsters
Monsters of their old monsters
They’re monsters
Same old monsters


Feeding Monsters

Athens Hijacker

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Selmer Alto Saxophone solo. Flute solo. Steinway & Sons Acoustic Piano Rhythm. Hammond B3 Electric Organ Rhythm. Fender Electric Bass. Roland Synthesizer Bass. Drums Acoustic full kit set. Percussion Congas, Bongos, Cowbell, Tambourine. Zildjian 22 Ride & Crash Cymbals.

Still Kickin'

Your Turn

Your turn

Greetings.. Thanks for listening..Born in Holland, came to the US when I was 10 years old.. I've Been playing, composing, writing, arranging, recording, mixing, mastering, engineering, producing music of all genres..Playing electric guitar, Slide, Dobro, Nylon Guitar, Bass, Accordion, Flute, Keyboards, Piano, Organ, Synthesizer, Vibraphone, Harmonica, Drums & Percussion since I was 10 years old, self taught.. many different styles and genres to choose from. These songs are the representation of a lifetime's work! 
Superior recordings.. using the best Microphones, Neuman U-87's, Dynamic Microphones, Ribbon Mics, Shure SM-57 & SM-58, and a variety of dynamic and condenser microphones used in these recordings with today's latest software, Pro-Tools, Mastering Labs,  Reaper, Audacity and various hardware and software products from Germany, Australia, France, and various places from all over the globe. 48 Channel Mixing console, Various outboard effect units...Thank you for listening!

Firefly

Frans Beelaard