original tune
I tried to orchestrate a tune I made in high school

Nokto de la Galaksia Fervojo

Gavotta flebile

Based on Kenji Miyazawa's "Night on the Galactic Railroad" It is an unfinished opera interlude that I planned a long time ago. This is the third act of the three-act prelude. The orchestration of all the preludes was unfinished, I picked up this most operaistic tune. Chorus of people heading to the Southern Cross in the final stage of the original It is an image, and various instruments alternate and proceed. The dark theme of the middle part is the story of "The passenger ship that crashed into the iceberg and sank." It was a motif. The previously announced "Nokto de la Galaksia Fervojo Interludo" The interlude that was supposed to be played in the middle of the third act after this, Tonality and motif have commonality.

Nokto de la Galaksia Fervojo  Preludo

A wind instrument that sings with simple accompaniment of rhythm and syncopation, a crescendo middle part without moving the harmony, an unexpected coda, all of which can be used only once.
This is a song that can only be done in instrumental music.
This is a tune from "Divertimento "same as "Gavotta flebile".

Cavatina

In this account, I will upload the arrangement of my favorite tunes. Ludwig van Beethoven's Bagatelles, Op. 126 had been stuck in my ears, so I arranged it in a wind instrument ensemble to calm it down. It's the first tune of a 6-piece piece, looking up at the clear sky.

Beethoven/Bagatelle Op.126 - I:Andante con moto

This is an intermediate movement of a woodwind quartet.
I am good at in Scherzo movement, here is a double beat.
The first movement "tempo di minuetto"is a sonata form,The third and final movement"Tema con variazioni" is the longest and variation.

Holtzquartett - II

Arranged with a Hoquetus-style effect in mind. Beautiful melody in the middle section, the effect of the pauses that only beethoven can create.

Beethoven/BagatelIe Op.126 - II:Allegro

Like the Invention, the piece is assembled from a single theme and its derivative elements. It is a three-part form with a bridge before and after the middle section and before the coda, but all of them are derived from the opening theme. In the main section, there is an imitation of the theme and repetition in different key. In the coda, the real form of the theme appears for a moment and then disappears.
To show about things in transition.
This is also one of the tunes in "Divertimento". This is followed by ‘Cavatina'.

Menuett II

The third tune of "Divertimento", which is a companion tune to the announcement "Menuett II". This is also a tune composed from one theme and its derivative elements. Of the basic motifs of "Divertimento", we will mainly focus on the elements of minor third sequential progression and the sequential descending of semitones. Although it is a three-part form of A-B-A', while "Menuett II" mainly imitates and repeats the subject, this is composed by a method of decomposing and developing the elements of the subject. Both A and B are each composed of three parts, and in each part, the theme is developed and the derived elements are presented. In A, the climax is built by the beginning of the subject, and in B, it is composed of the chord progression of the A subject and the semitone progression included in the sub-subject. In A', the subject presentation at the beginning is omitted in preparation for the coda. As a whole, the dark color of C-sharp minor and the repetition of the second pitch centered on the C # - D # , the fourth falling pitch and the related fifth rising pitch, etc. "A vague feeling that neither major nor minor "Is mixed. This feature will be carried over to the next tune”Intermezzo", which is a mixture of double variations and Rondo format, and will increase in complexity.

Holtzquartett - II

Toshihide Hiroki

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