"eXaDiCt is not just another Bass obsessed EDM House DJ, he is an experience.

He is a state of mind.

He is the gatekeeper of minds and souls to a fantastic frantic oasis that, while leaving you knackered, oddly also leaves you feeling re-invigorated.

At 6ft tall and broad-shouldered, with his trademark left dimple, a chunky ostentatious earing shining brightly, and a rugged GQ dress sense (if it's not cotton, it won't go anywhere near him) he makes an imposing figure who commands respect.

His confident persona is matched by his magician like control of anything digital. Before each set he always plays out previous track and leads the packed dance floor in a show of appreciation for the out-going DJ, before kick-starting his performance into a blaze of steadily increasing vibrations which seem to extract every quality beat of every one of eXaDiCt's tracks as he begins his show.

To watch eXaDiCt DJ is part of the whole "reason why there is life on earth" experience. Cocky? Perhaps, but definetly not arrogant, eXaDiCt is now in in the driver's seat of the minds and bodies of his audience. A very precise and confident body language gives a visually intoxicating scene of what a dancing DJ is supposed to look like.

Yet, he is not dancing; this is something far more intense and emotional. Imagine watching a porno star having hot, rough, yet passionate but dominating sex to a sexy, breathless, moaning lover which, in this case, comes in the shape of a pair of digital dj turntables breasts and a laptop face. Forceful, dominant, aggressive yet incredibly tender and caring. The audio impact allows your body to further immerse itself in the ecstasy eXaDiCt is subjecting you to; your ears alone cannot possibly absorb everything that he is throwing at you.

As for his sound, imagine every track as a partially completed work of art. Through the use of effects on the turntables, eXaDiCt adds his own colour, texture and feel as he maximises every sound of every track to create the unique eXaDiCt sound. His precision mixing at incalculable speeds is part of his show; as each track mixes in you can absolutely feel the dance-floor vibe going up a notch to keep up with the frantic and energetic DJ that has them all by the balls.

eXaDiCt's blend of vocal uplifting bouncy house and filthy dirty electro with dubstep is like him: deliciously hard yet very accessible. And when eXaDiCt makes eye contact with you, even if just for a moment, you get to experience the ultimate one of a kind sensation of him yearning for your seal of approval. In that instant you have transcended being a mere mortal member of his audience, into being part of what will most certainly be the most electrifying EDM set of the night. The sheer euphoria you feel is impossible to put into words. And then at the end, breathless, skin tingling and with a shit eating grin on your face from ear to ear, you feel as though every ounce of energy has been drained right out of you, just like those few seconds after one of the best orgasms of your whole life.

Accompanying eXaDiCt to a gig is quite an experience. He is literally mobbed upon his arrival and departure from each gig, with fans eager have their photograph taken with him. Mobile phone-cum-digital cameras are designed for such occasions as his devotees put one arm around him and pose with their hero as the other arm acts as a remote-controlled tri-pod for the self-portrait.

Noelia starts singing at the age of 7. She explores Musical Theater, Pop, Soul and Blues and enjoys these styles up to the present day.
At 18 she moves to Europe, where she studies music theory and starts singing Jazz professionally, based in Mallorca, Paris and now Berlin.
Upon rediscovering Tango, Noelia feels she is reconnecting with her roots as a native of Buenos Aires.
With a clear and rich voice, capable of expressing fine sentiment and passion as well as impeccable articulation, modulation and timing, Noelia inspires and moves her audience wherever she performs.
Since 2019 she regularly gives live performances in the major milongas and tango festivals of Berlin, collaborating closely with excellent tango pianists as well as tango orchestras, and does studio recordings.
Please contact her for bookings.

 "It's been an absolute pleasure to work with Noelia in the Berlin Community Tango Orchestra. 
Her musicianship, professionalism and enthusiasm for the music have an immediate effect on the whole ensemble.  
What a gift when a musician can spontaneously inspire her colleagues to create better music!  
We're very grateful for her generosity in supporting this project and always delighted to have the opportunity to perform together!"

Korey Ireland - Berlin Community Tango Orchestra


"Noelia is a complete singer!
Her impressive voice and thrilling capability for Interpretation moves even if the lyrics of Tango (in spanish) are not understood.
Every show she appears on is a guaranteed success!"

Gaia Pisauro - Tango Teacher

The album "We All Yell" was proudly released on 23/03/2012.
This recording has been one intricately produced, full of independent sounds and flavors with compelling hook lines and surreal slow motion mortis. You’ll find a breach occurs, where you had not expected. And that, ladies and gentlemen, is ambition. Maybe even art. Great art. In any case, anything but current streamlining charged with full force.

But do not worry: "alternative mainstream" stereotypes of fragility, lo-fi aesthetics and l'art pour l'art needs met (behind which often awkwardness, helplessness and disorientation hide) "We All Yell” is an album of pure pop. And because of this, desire has become the perfect three-minute work of art so rare, a welcome exception. Giantree have, for every hit that they themselves encounter, just before the impact can still scrape an elegant, absolutely intentional, artistically necessary curve with two additional hits in store. It doesn’t end here. Melodies intertwine and find themselves meeting in the heart center of perfect harmony.

Yes, "We All Yell" has become frighteningly good. This is a debut album. The story first began in 2010. A first EP under the name Giantree had appeared. Brothers Roland and Hele Maurer found different avenues of talent in unsuspecting places. One was found through a short film project , one through applied encounters and another fellow university student. The gifts of Ada, Franziska and Konstantine allowed for the expansion of sound through added mic’s, synthesizer, bass and drums. The team was now complete.

An acoustic tour through all parts of Berlin consolidated this fresh motley crew. "Time Loops" and "Communicate" arose, first single title, including videos (and fellow actors like Sabrina Reiter and Michael Fuith). Radios jumped out immediately to the opportunity. FM4 in Vienna, Soundportal in Graz and Radio Fritz in Berlin.. These songs penetrated the FM4 charts enthusiastically reaching the top.

The lyrics are not secondary. They are answers to existential questions. They are filled with the contemplation of love, communication, death, present and future fears, misconceptions, and near wanderlust, perpetual up-and-down and necessary release.

In conclusion, the use of striking bass tones, a wall of synthesizers and an atmospheric layer; a path is laid for moveable beat and driving guitar that ends in a compliment of steady male vocals.

This is an album to lay down an absorb or fuel your movement. It perfectly aligns with the souls deepest need for a soundtrack to live, love and move.


“At the threshold between the abyss and the beginning is where Giantree’s music feels at home. Where the blackest black and a little light shake hands - that’s where their songs live. And it’s good that way.” (Alexandra Augustin FM4)

On their debut album,  Giantree dress self doubt in optimistic tunes. The comforting synthie-melancholia is a native Indie-Pop-promise which is itching to get onto the really big festival stages. (...) Fog dissolves into sunshine. A feeling of daytimelessness, as radiated by the likes of Arcade Fire or other great bands, spreads through Giantree’s debut. Despite all those sky high moments and intoxicating ring-a-ring-a-roses Giantree always dwell on self doubt and double edged memories. For wherever the californian sun shines, the shadows of the giant redwood trees fall too.” (Juliane Fischer; The Gap: Review, March 2012)

“Not long ago the combo from Vienna where nothing but a delicate plant in the FM4 soundpark – but now they feel at home at the top of our charts.” (Lina Simon; FM4: “Artist of the Week”, Interview and acoustic session, 26.3.2012)

”Whoever claims to know the Austrian music scene won’t get round this name any longer: Giantree!  Whoever wants to get the big picture needs to get hold of the debut album – now! But beware: it’s addictive!” (Anna; enemy.at. Review, 26.3.2012)


Booking/Management:

Dominik Schmidt

Emil Kralik Gasse 3/23, 1050 Vienna/Austria
Tel.:+43 (0)650 48 61 366
dominik@rolamusic.com

Hello. My name is Marit Larsen and I compose pop music with no rules. My everyday life revolves around making my songs. I find songs everywhere. In between two words of a conversation. Waiting for the bus. Watching myself in the mirror wearing a good dress. Reading phenomenal books. Walking up the five flights of stairs to my apartment. I've always been obsessed with music. Most of my memories, good and bad, have their own soundtrack (which is, by the way, by far the best thing about music). This is what does it for me: A song can remind you what it's like being in love. It can even make you fall in love. The right song can mend you, break your heart, and, well, change your life. I know there is a tremendously long list of songs that have changed mine. I'll probably be struggling to write change-your-life-forever-tunes the rest of my life. I play the piano, the guitar and sometimes the mandolin. When I write, I usually use them all. To me, different instruments show me different paths in lyrics and melody. It works out well. It wasn't until I was nineteen I decided to be a solo artist. A few years prior to that I was part of a duo that released records on a big American record label and travelled the world for four years. It was all absolutely overwhelming and exciting. I learned a lot. Especially this: When I was constantly travelling, going from one place to the next, talking about myself so much I almost forgot who I was talking about, always thinking about tomorrow and never today - I almost stopped writing songs. It sounds vain, but I almost lost my music. My first album "Under The Surface" was released in 2006 and my second, "The Chase", in 2008. The album "If A Song Could Get Me You" is a compilation of both these albums, made as a "Marit Larsen for dummies" sort of thing, for territories where my music is just now being released for the very first time. After all, you only have one chance to make a first impression, and I'm proud of my older songs too. I feel humble and priviliged being able to compose and perform music for a living. As long as I have stories to tell, I will keep writing, and as long as I keep writing I will continue this surreal way of life. I hope you enjoy my songs. For more information and full bio, please visit www.maritlarsen.com

Hi Everyone and welcome to my Soundcloud profile.

My name is Rafael Olyver, a Brazilian DJ based in London. Graduate at LSA - London Sound Academy, one of the most famous DJ School in UK.

In 2019 I have produced 2 Parties in London: Po$e Party at Proud City and Apocalypse After Party at Club 29 with 2 editions.

In 2021, I have performed at Pool do Dyel in Belo Horizonte/Brazil, Shock Party at Protocol, Later and 3  consecutive editions of MadMen Party at Fire London and Red Room Party at Circa Embankment.

In 2022 I had a special performance in my Birthday at Mamba Club in my hometown Uberlandia/Brazil and at Hallloween Delax by Brazility Production in London.

In 2023, I performed in the First Edition of Haus of Secrets at Fire in London. Visited Paris to perform in a BusDiscotheque and back to perform at MADMEN at LightBox London. 

In June/2024, I have been invited to perform in Antwerp/Belgium for La Essencia Party in Club Random.

I’m looking forward to share my sound and hope you all like my podcasts.

Follow me in my Social Medias:

Aziza Jalal is one of the biggest Arabic superstars today with  many massive hits and successful music videos.

Diva of Arabic Music is what Samira Said Fans like to call her. This is due to her ever changing style and image in her music and appearance. To many, this may seem like a negative thing; however, in Said’s case it is hardly so. Singer,songwriter, performer, producer, actor —is there anything Samira Said hasn’t done, and done exceedingly well? One of the most accomplished singers of the three last decade of the Arab world. 

Born in Rabat, Morroco, Samira began singing at an early age. She grew up inRabat in Morocco and was almost instantly praised for her beauty and charming personality. People knew these would carry her far, but it was only when shegrew a little older and began singing that people realized she was destined forgreat things. Her parents realized this and they began entering her in singing competitions. Always a favorite of the judges, she often won, and launched her professional singing career from this. Soon after she was the most popular singer in the country.

However, she decided to move to Egypt so she could make a major impact on the entire Arab world. Sensing her greatness, many producers took her on and she began crafting beautiful songs, and recording many Arab favorites.

Early career

Samira began singing professionally at the age of 9. Encouraged by her family,she began her career by participating in talent shows. Her first appearance ontelevision was in the show "Mawaheb".

In a short time, Samira Said, as she is known in Morocco, became one of theleading names in her home country. Her best known works include"Maghlouba" and "Wa'ady".

Said's ambitions extended beyond Morocco and following the advice of her idol and friend, Abdul Halim Hafez, she moved to Egypt to expand her career.

International career

In 1980 Said sang Morocco's first (and so far only) entry in the EurovisionSong Contest. In the early 1980s, Said recorded a song called "Al hob Elli Ana Aichah", composed by Mohamad Sultan. She went on to record with big names in the music scene in Egypt, including Baligh Hamdi, Helmi Bakr and Mohamad Al-Mouji.

The meeting with Baligh Hamdi was considerably going to enrich the directory of the Moroccan young person, by composing her songs like: "Ben leef", "Sayidati sadati", "Malich eenwan", "Akher hawa". Another meets with Mohamed Soltane by 'Hikaya' , 'Methaya li', 'Ellila dee', 'Kassidyakoulouna aanni kathiran'.

Till now she still search the big tube, she worked with Mohamed El Mougi ('Yadamiiti haddi' from the only movie of Samira Said) Khaled El Amir by 'Shoft habibi', 'Helmi Bakr' by 'Lilet el ouns', 'Ech gab li gab', 'Amrak aajib', 'Menghir sabab'.

It is Baligh Hamdi who finally composed to Samira the magnific song"Aalemnah el Hob", who she presented it counting for the festival of 'Layali' of television in Cairo, in 1983.

After this song Samira became star among the first stars in Egypt and she continued with Baligh by "Ketre el kalam" song "Asmarmalak", "Malak mosh zay aawaydak"

Later Samira worked with Gamal Salama who composed her gracious song "Algani baad youmine" with whom dominated during a very long period the Hit-Parades. The new couple does not stop there, rather they presented another song it was 'Mosh hatnazel aannak Abadan'.

After that, Samira and after these big successes had to prove nothing more inEgypt. Another challenge was outlined that the position of the great star didnot allow her to darken.

The next few years in Said’s career were exploding with success. Her popularity however, picked up as she emerged with beautiful hits like “Aiwa Bashta’lak Sa’at” (Yes, sometimes I miss you) a sultry, jazz quite cheesy but sexy track, “Oyoonak Alit” (Your eyes say so) and Al Gani Ba’dyomein (He came two days later). Samira’s ever changing style picked up new armies of listeners as she transitioned in and out of the many styles and genres out there. Gambling her music career away and outrageously experimenting in every situation possible, Samira became known for her blatant and unconcealed mentality as this was vividly seen within her music.

In 1998, we saw a lot of change for Said when she emerged with her “Al Bal” (On the mind) album. The title track, a livid, furious call to her loved one,stormed the Arab world. The dramatic and very sexy video, showed Said’s striking side. Said was dressed in a black sleeveless dress with a black shawl spontaneously fluttering across her body. With wind effects blowing her hair,fires burning everywhere and Roman style statues engulfing her, a wonderful video was created. That same album had a great bunch of hits, the philosophical, mind-numbing “Halit Malal” (Situation of Boredom) and the wetand jazzy “Beteegee witimshee.” (You come and you go.)

The next few years witnessed even more success for Said. With the Rohi (Mysoul) album, Said experimented with new producers and lyricists creating agrand album. The array of the many styles she experimented established new groundrules for the Arab song. Bringing her Moroccan influence back into perspective,the album progressed into becoming yet another hit for Said.

In 2000, we witnessed the release of “Lailah Habeebee,” (One night, my love) the title track of the album, won the best video award in the Arab world for 2001. The video which cost significantly more than your average Arab music video, showed Said in a state of depression and anxiety. With the pathetic fallacies being anything but pathetic Said showed her dramatic side. Rainpouring in and out of every possible place, wine glasses breaking at Victorian style settings, the video was remarkable! The album had one of the most beautiful ballads ever sung by Said, “Te’dar Te’oli” (Can you tell me?) moresaucy jazzy influences with “Malee,” (What’s it got to do with me?) grooving tracks like “Moshta’alak” (I miss you) and of course, not leaving anything behind, Samira had the enticing “Beyban Alaya” (It shows on me) a traditional Arab track, longer than the typical pop song, with recurring, mind boggling lyrics. “Lailah Habeebee” was definitely a winner!

2002 came along and many, who have never heard of Samira Said before, had suddenly heard of her. “Youm Wara Youm” (Day after Day) is not necessarily her finest work to date, but definitely her greatest achievement. She had achieved what I’d like to call partial international stardom. With the two international awards, Said has definitely, with no doubt, set new standards for herself. Manywill argue that “Yom wara Yom” is not a work of art, but merely a commercially driven album. To an extent there is a lot of truth in that statement, for “Yom wara Yom” was released by “Alam El Phan” a record company famous for creating the best selling albums. It would be wrong to say that it was just the music that created such success. “Yom wara Yom” was very cleverly crafted, in every possible way. The album had the great collaboration with Cheb Mami. Marketing wise, the album had premieres in Virgin mega stores in Dubai and Beirut. The album cover itself was pretty catchy and the video of “Yom wara Yom” need less to say was spell bounding, raising controversy across the Arab world, revealing Said’s sexy and wild side.

In 2004 Samira's new album is out and this album was a success too, with the singles 'Aweeny Beek' wich video is shooted at Barcelona (Spain) and 'Makhalas'. A promotional Concert for this Album promotion took place at Cairo in2005 will Samira sang too Youm Wara Youm.

In summer 2005 Samira rekindled an old flame between her and her Tunisian fans during her performance at the Carthage festival, she sang a collection of songs in different dialects varying from Moroccan to Egyptian, Lebanese, and even western.

In 2006, she again struck gold with "Kolena Enssan" (We are all humans), a new song for Africa Cup of the Nations which she sings in French,English, and Arabic. "Kolena Enssan" debuted at the opening of theC.A.N. in Cairo.

In 2008 Samira Said (Saeed) reinvented herself once more as a disco-diva for the release of her tenth album Ayaam Hayati "Days of my life". The album not only spawned several hits (most notably "Already - Awam Kida","Hob Mayouss Minoh - Hopless Love" and "Nefssi Atkalem - I WishI Can Talk", but also sparked a renewal of interest in disco among main stream music fans. It also won the MEMAwards for Best Singer and best Album of the year. Samira's Thirty-Three studio album, Days of my life (200 [8)] , sold almost 600,000 copies in its debut week, easily topping the charts.

The latest video clip by mega star Samira Said for the song “Hob Mayoos Minoh”(Hopeless Love) from her last album was directed by Hadi Al Basjori and the story of the clip is about a girl in her car while it isdrowning in the sea. As hersoul rises up to the sky she accuses her lover of betraying her and tells the story of their failed relationship

In 2009, The 6th Arab Radio and Television ART Festival announced winners for the 2008 round in music, as voted to in a record pan-Arab survey that covered Arabs at home and in exile, in all spanning 60 million voters. Samira Said gotan honorary award for her comeback after a 3 year hiatus, through her latest album, Ayaam Hayati Days of My Life, for which she was awarded a Distinguished Creativity Prize.

Also, Samira Said won the Murex d'Or award for best female artist in North Africa/ the Middle East.


Style

Samira Said has achieved an unusual longevity in the Arabic world, frequentlyadopting new stylistic influences, such as Tarab, Raï and Jazz. She has workedwith a variety of young talents, producing a series of albums including"Inssani", "Khaifa", "Ashka", "EntaHabibi", "Kul Dee Eshaat", "Al Bal", "Rohy","You Wara Youm" and her latest album, "Aweeni Beek" whichwent on to sell more than 25,600,000 copies.

Solo artist Samira Saïd reinvented the very basis of the contemporary Arabic song medium, paving the way for music video just over 20 years ago. Since her one-woman revolution, composers have morphed classical 20-to-30-minute songformats into short, camera-ready forms, and she has been *the* term of reference for an entire generation in the performing arts throughout the Arab world. She is often imitated but impossible to duplicate. Flamboyant yet discreet, Samira is an awe-inspiring creator whose passion gives new meaning tothe word charity. As an example for all -- don't just stand there, do something-- she gives intelligently, discreetly and powerfully, even when the world hasn't yet realized it needs to wake up. Courage, strength and conviction areher middle names -- she always ends up standing up for what is right, whetheror not it's fashionable or popular, destroying taboos and launching AIDS awareness in the Arab world, as well as rallying other European and African stars to the urgent need to aid earthquake victims across North Africa. As abeacon of tolerance, she has spearheaded mega concerts to draw people together after the riots in immigrant suburbs across France, and to bring about solidarity between all religions, whether performing at the Vatican (Diva SamiraSaid was the only Arabic artist to perform in front of the former Pope JohnPaul II), or taking the show on the road where other stars dare not go,bringing her joie de vivre live to people in Gaza. Not just another star in the sky looking pretty, but a voice for humanity.



Awards

The Diva Samira Said won more than 40 AWARDS around the Arab World and other.In 2003, the Diva Samira Said won a World Music Award and a BBC award for thebest artist in the Middle East with her album 'Youm Wara Youm' (the title trackof which is a duet with Cheb Mami)

Samira Said's fan base increases with every new album. Her concerts are constantly fully booked, sometimes with so many people that it exceeds the capacity of the stage at which she is performing.

Discography

1. El hob elli ana a'aycheh (1980)

2. Bitaqat hob (1980)

3. Ben Lif (1981)

4. Hikaya (1982)

5. Allemnah el Hob (1983)

6. Ketr al Kalam (1983)

7. Methaya'li (1984)

8. Lilet el Ouns (1984)

9. Ya Damaiti Haddi (1984)

10. Ehki ya Shehrazade (1985)

11. Youm akablak Fih (1985)

12. Ech gab li gab (1985)

13. Amrak ajib en (1986)

14. Ana walla anta (1989)

15. Moch hatnazel a'anak (1986)

16. Sibak (1986)

17. Ya ebn al halel (1987)

18. Ghariba (198 [8)]

19. Sibni louahdi (198 [8)]

20. Ensani (1989)

21. Ba'adin neta'ateb (1990)

22. Choft el amar (1991)

23. Hannitlak (1992)

24. Khayfa (1992)

25. a'ach'a (1993)

26. Enta habibi (1995)

27. Kolli de echa3at (1996)

28. a'al bal (199 [8)]

29. Rouhi (1999)

30. Laila habibi (2001)

31. Youm Wara Youm (2002)

32. Awweeni Beek (2004)

33. Kolena Enssan (We are all humans) (2006) - single

34. El Hayate We Essalam (Life & Peace) (200 [8)] - single

35. Ayaam Hayati (Days of my life) (200 [8)]

36. Be W1nner - Samira Said featuring Fnaïre (2010) - single

37. Min Tourabak - From Your Dust(2010)- single

38. Lahetini El dounya - Life Got in the Way(2010) - single

39. Yarab Ana Gitlak - Back to God(2010) -single

40. Khalouh - Let Him Be (2010) - single

Samira Said needs no intro for sure! Samira Said is one of the biggest Arabic superstars today with a repertoire that exceeds many albums and many massive hits and successful video clips.samira Said will back with her upcoming eagerly awaited killer album and it will be her huge comeback from the Arabic Music Queen The Diva Samira Said.

© 2012 . SamiraSaidMedia. All rights reserved.
Redistribution of all proprietary text, audio, music and other media materials prohibited without prior, express written permission of copyright holder.

The Devious Means’ stage presence is dynamic and unrelentingly personable. Add in the fact that they make music that’s both sharply conscious and that you can – at some points simply must – move to, and you get a potent mixture.

Though you’d be hard-pressed to ﬁnd another indie-rock sound they’re holistically comparable to, their songs bring forth elements from across the spectrum. A thrashingly upbeat...sound melding into contemplative indie-rock that preserves an engaging beat even during more ostensibly low-key moments.

Their look is a nod to times gone by: three-piece suits, ties, slicked back hair, while Rachel dons a black shift dress with a white petal collar. Their dapper aesthetic is a delightful contrast to their raucous sound. 

Calvary is an eclectic bunch of Christian people who don’t all think the same thoughts, or dress the same way, or vote for the same candidates, or even believe all the same things about the mystery of God and what it means to be human. But we believe we need each other because of our differences, not in spite of them. So, whoever you are, wherever you come from, whatever joys or burdens you carry, you are welcome at Calvary Episcopal Church.

Ema Shah is Kuwaiti, born on June 7, 1981, Virgo. She is an anthropologist, a modernist, an actress, both on theatre and in cinema, a singer, musician, composer, as well as a guitar and piano player; she’s also a marionettist, a dancer, a song and theatre writer, and a theatre producer. As a singer and musician, her work is in Classic and Pop. In theatre, her themes are: musicals, absurdity, surrealism, Dadaism, symbolism, fantasy, expressionist dancing, masks, and realism.
 She used to skim through the books with passion, looking at their pictures, and learned to read in no time when she was 4. She often visited her disabled grandmother, and her grandfather who played number games with her.
people against other people, I have let go of my humanistic dress, congratulations for your humanism.” Later, she became more interested in animals, and wrote articles and research papers like “Controlling information”, “Circuit of damage, research into a mental damage”, “Parallels and Creatures in the Coordinates of Time” about Stephen Hawking’s documentary, “Divine Fingerprint and the Coordinates of Time” about the programs “The secret Life of Chaos” and “God, the Universe, and beyond”, “History of Art Anthropology”, “The secret Book”, and “The Sorvisim Animal”. In arts, Ema takes pleasure in deconstructing texts, mixing sentences, music, songs, dances, images, and cinema, and smashing them all together. The artist Jassem Nabhan and the writer Layla Othman even told her, after “Advanced Sorvisim” had been presented on stage: “when you were on stage, we said we would love to open Ema’s brain and see what’s in there, in that other dimension.” The Egyptian artist Ahmed Budir stood from his seat, while attending her theatre show “Debate between Night and Day” in 2007, applauding loudly, and said: “this is a comprehensive artist”. The journalist Abdelmohsen Al-Shamri described Ema as a dreamy anxious personality, always researching, and a special kind of actress. Writer Fatima Al-Safar predicted that Ema would create a new school of art in music and song, and writer Layla Othman said in a press conference that Ema was a crazy actress, after “The Poet and the old Woman” had been performed on stage. Journalist Al-Qas Cherif Saleh, on the other hand, has been for years a patient follower of her news throughout her career, and said about her preparation and production of the Anthropology musical show “We can’t write on a black sheet”, that it represented a call to questioning, nourishing the feeling of astonishment and wonderment, creating a better world, and building bridges of love between all humans, despite the dry, stodgy, and scientific trait of 
the title of the group itself, Anthropology, the search into ethnic, cultural, artistic, and creative History of mankind, where the universe as a whole becomes a theatre stage recounting the great story of humans. Al-Shahed newspaper said that she had tendencies to strangeness, solitude, and genius. In Ema’s media interviews and meetings, she always mentions her grandfather who inspired her so much in her life, and her caring mother who used to tell her a bedtime story every night when she was little. She thanks her father, the librarian, and all scientists and geniuses because they were the ones who gave her the foundations, and helped create her personality, and at every meeting she mentions Beethoven, Einstein, and their fathers and grandchildren. She wrote in one of her publications by the band Anthropology, about the Sorvisim animal: life does not joke; it is very serious; do you think you left the jungle, people? You’re still in the jungle, playing; the animals, more clever and intelligent have driven you out.


Imagine Missy Elliott and Uncle Luke had a baby and the proud godparents are Da Brat and Chris Brown!  Welcome to the Hip Hop/R&B/EDM eargasms served by NATTY NAT® Da Rawest Female N Da Durty South! With a goal of becoming a household name, NATTY is grinding her music to the top while shattering conventional thoughts of what hip hop has to look like. The hip hop artist's beginnings as a drummer became the precursor to the infectious beats that are heard in her hit singles today. Her self-proclaimed moniker is backed by a hypnotic flow and sharp lyrical wit. This college-educated semi-truck driver is focused and determined to have her music heard all over the world. Always the consummate go-getter, this superstar is the epitome of professionalism, humility and persistence. Eliciting praise from across the industry, even members of rival rap camps MMG and G-Unit, as well as Violator and Def Jam, have found common ground on the entertainer's talent. While being lauded as a talented and energetic lyricist, major labels in the industry have expressed that she should be a game-changer in a dress. As that idea became more evident, NATTY NAT® decided to remain an independent artist who is swervin' in her own lane.

Vijaya Parveen is following