i am a teen that is interested in all kinds of music. i create songs on a website called clubcreate , but i am hoping to get a real program. i would love any criticism because i want to become a serious prodoucer. my songs sometimes are in vague or very specific genres.i like electro, house, dubstep, filthy dubstep, uk hardcore, and more. PLEASE COMMENT IF YOU WANT TO DOWNLOAD!!! I WANT TO KNOW WHAT YOU THINK!!!

For all inquires: info@molecular-recordings.com


Molecular Recordings is a pioneering techno label founded by Marco Lenzi and Marco D’Arcangelo in 1994. Based in the UK, the label has established itself as a cutting-edge platform for innovative and original techno
From its early days, Molecular has been synonymous with quality underground techno music. The label has a reputation for releasing material from respected and established artists in the scene, including prominent names such as Claude Young, Jeroen Search, Oliver Ho, Mr G, and Kelly Hand. Molecular has also been instrumental in discovering and promoting new talent, with several emerging artists making their debut on the label. DJ Bone's first-ever release was on Molecular, Similarly, Inigo Kennedy, another talented producer, released his first-ever record on a label on the Molecular label. Molecular was also the first UK label to release the music of Chris Liebing, The label's support for both established and emerging artists has helped establish it as a highly influential and respected record label within the underground techno scene. Today, Molecular continues to promote new talent from the current generation of artists, including Linear System, Mal Hombre, Flaws, and Ma Haiping, among others.
Molecular means cutting-edge techno, evolving with the time, but concentrating on releasing good quality music, proud of being open to new talents and featuring some of the most innovative sounds. The label has since expanded, releasing some excellent debuts and special releases. In addition to its regular releases, the label also re launched a series called "The XX Series," which features no track names and is essentially a deeper branch of Molecular, allowing established techno names to experiment further to the forefront of Techno.
Molecular Recordings' success is in large part due to its founder's vision and passion for music. Marco Lenzi's extensive experiences in the industry and his dedication to his craft have made him a respected figure in the techno world. His ability to spot and nurture new talent, combined with his own musical output, has helped to make Molecular Recordings one of the most respected techno labels in the world.
As the years have passed, Molecular Recordings has become an established force in the techno scene, known for its commitment to quality and its innovative approach to music. The label's releases have consistently pushed the boundaries of the genre, and its reputation as a platform for cutting-edge techno continues to grow.
In recent years, Molecular has undergone a renaissance, with a renewed focus on releasing new material and reissuing classic tracks from its back catalogue. The label has been receiving major support from industry heavyweights and younger generations alike, cementing its position as a leader in the techno scene.
As the techno scene continues to evolve, Molecular Recordings remains a vital part of the landscape, providing a platform for artists to showcase their innovative sound and pushing the boundaries of what techno can be. With its rich history and exciting future, Molecular is sure to remain a force to be reckoned with in the techno world.

A few Clubs & Parties I've played at:
   -  Worldsend Hotel 
   -  Le Rox 
   -  Hardcore Protocol (Rhino Room) 
   -  Breakers 
   -  MOS 2001 Annual Tour (VIP recovery) 
   -  Synergy 
   -  Vague (recovery – St Pauls) 
   -  Club Krank 
   -  The Mars Bar (main room / kitchen bar)
                                                                                  
                                                                                       
For bookings, inquiries or copies of mixed CD’s please email: 
atrax101@hotmail.com


Hey world, Creed Of Silence here!! 
We are 3 dudes from Friuli, an area located in the north east of Italy, and we have been playing togheter for 5 years so now we decided to record our music and bring it to the world as we hope that at least some of you will enjoy our work and efforts!! 
Our genre is a little vague cause we space from various genres of metal, but mostly we could fall under the melodic-death metal, even though we have influence from prog, death and the american new-way metal (every member of the band brings his influences).
Speaking of the members of the band, here we are:
Mareritt (Luca, in the left up corner of the picture):  guitars and vocals
Max (Massimo, in the right low corner of the picture): guitars
Helvete (Lorenzo, in the left low corner of the picture): drums
At the bass guitar we currently have Bove, a friend of us who is nice enough to help us out for the live shows.
Please follow us to keep track of the new updates that will come for sure and help us reach new heights!!! =)

Vague is a collective with one ideal. A mutual fascination with how the audible can manipulate the physical. We have a simplistic view of how electronic music should be delivered and felt that should be concentrated in to a party. 

Founded by a group of like-minded 
House Music lovers, we aim to showcase the best of British (music scene, not nationality). We'd love to harp on about how we're planning to be the biggest and best party in the capital blah blah, but in truth, we're just looking to put on top, top intimate parties and evolving with you; the party people, the scene, and our own creative loves.
Our musical base centre's around quality Deep House, dubby Techno and groovy electronic sounds, served up by our residents - Archie Hamilton, Monika Ross, Salon K, Ceri and Jon &amp; Leon.
Expect headline act's to be a reflection of the scene's burgeoning quality music, and of course one's that we admire for their skill and service to the scene, past, present or future (yes, that's right...we can see in to the future).
We'll post resident and headline mixes and where possible Live mixes from the artist's. 

We're really keen on the aesthetics of a club night and the way it can also be a melting pot for artist's (across other media), so please get in touch if you're involved in photography, graphic design, video/film, production or sound engineering. we'd love to here from you whether it's just a hello or for some involvement between groups.
info@we-are-vague.com


I am a DJ at a collegeradio, situated in Lyngby, Copenhagen (http://www.xfm.dk), where i have my show called KLANGFARVE.

The genre of music on KLANGFARVE can be defined as experimental pop/electronica in the categories of post-rock, indietronica, grime, nu-dub, breakz, electro-acoustics, streetbeat, click-hop, glitch, data-rock, minimal and all other, somewhat vague and limiting definitions.

I also prefer to surprise people both with musicmix but also within the musical vibes, by remixing the music by adding glitches/adding vocal snippets, make extended versions and so forth, and in the show fx. throw fx. Arvo Pärt or Scott Walker in the mix as well.

In the history of Klangfarve there has been interviews with
• Caribou (around the start breaking my heart-era)
• Four Tet (around Rounds)
• Christian Fennesz
• Lars Hornveth of Jaga Jazzist
• Rumpistol (rump recordings)
• Einóma (vertical form)
• Efterklang (rumraket, 4AD)
• The Books (tomlab)
• Band Ane (jenka music)

I would like to present electronic music in the genres above, so please send me your tracks, or links, and I would gladly play them in the show.
Listen on line at;
XFM.dk


This whole thing started out as a project for our final year of secondary school. We spent over five months rehearsing, recording, mixing, mastering and designing this EP called "The Sound of Doom to Come". We take great pride in the fact that we did everything by ourselves. It didn't come easy: a good amount of money was spent on recording equipment and software, the artist we had commissioned for the artwork dropped us at the last minute, more money was taken out of our pockets when we realized we had to get CDs printed... And that's without taking account of arguments between band members, problems with shitty school computers which completely altered our original plans and other unexpected events that got in the way. Time was slipping away, we thought we could never do it, but here we are. 

When we had this idea in late 2017, the concept was totally different. We were going to cover four songs from four different artists. We all threw in some suggestions, each more different than the last: everything from blink-182 to Rammstein, to Avenged Sevenfold and ZZ Top. It had no real direction whatsoever, but one thing was crystal clear: there HAD to be at least one Ghost song. Ghost was the only band we all agreed on. We eventually said: "Fuck it, let's cover a bunch of Ghost-related tunes." And that is exactly what "The Sound of Doom to Come" is. 

The EP kicks off with the fantastic Subvision song "Room 611" from their 2006 album "So Far So Noir". We chose this one because nobody had ever covered it, it is relatively unknown to the general public and let's face it: this song is just a fucking banger. End of the story.

"Ritual" is next on the menu. Taken from Ghost's 2010 debut "Opus Eponymous", this is the only song that we kept from the initial batch. It's got everything we like about rock n' roll: guitar, bass, drums and badass vocals. Add this up to a sinister organ and a satanic prayer, and you have the recipe for a 21st century classic.

Side 2 opens up with an acoustic rendition of Ghost's "Jigolo Har Megiddo" off of 2013's "Infestissumam". We wanted a change in dynamics, and there is no better way to do so than to strip down a tune to acoustic guitars and quiet percussions. Devilishly sexual and funny.

We decided to end the EP with "Sway", originally performed by MCC [Magna Carta Cartel], a demo that was finally finished and released on "The Demon King" EP in 2017. This composition has so many layers and details, it was impossible to replicate it, but we tried our best. This is the one that made us look at each other and say: "What the fuck did we get ourselves into?". But it felt like the right thing to do. We wanted to close the door on this project and our years of secondary school with this song. The chilling final solo encompasses everything: nostalgia, inspiration and hope for the future. The vague lyrics leave room for interpretation, and we hope you can relate to it in some way.

If you like "The Sound of Doom to Come", thank you for listening. If not, we don't fucking care.

Credits

Jean-Simon Larouche: all guitars on "Ritual" and "Jigolo Har Megiddo" / acoustic guitar on "Sway" / programming on "Room 611" and "Sway" / count off on "Jigolo Har Megiddo"

Jeremie Tremblay: drums & percussions / bass / all guitars on "Room 611" / electric guitar on "Sway" / lead vocals on "Sway" / additional vocals on "Ritual" / programming on "Room 611" / art direction and design

Mattys Gervais: lead vocals

Thank you

Jeremie: my parents along with the rest of my family, my friends, Matt's father for spending his hard-earned money on recording equipment, Tobias Forge, Todd Sucherman and Tom DeLonge for inspiring me everyday.

Mattys: my parents.

Jean-Simon: my parents and my friends.

Please note: we're very well aware that we don't own any of these songs. Don't come after us, we're not making any profit off of this.

No longer a show, I'm afraid, but please checkout content on WVCW.org!

Galactic Overdrive showcases various electronic artists, typically from the house, vaporwave, trip hop, future funk, or chillwave genres, as vague as those can be. If it’s got a funky riff, interesting beat, good use of sampling or just a pleasant ambient feel, don’t be surprised if it gets played on air! Being the host’s personal playlist, anything goes as long as it’s spacey, “retro,” or fun.

PSYCHEDELEPHANT is this thing. Described by many, understood by few, appreciated by a few more than that, we are Janksters of mantras, intonations, and groove identification. Sounds a bit like acid jazz..or space-rock..or psychedelic folk dub..I'm not sure really. I don't even fully comprehend it. It is about as vague as that other thing and it has this aura of mystique about it. ..but it's tons of fun!
Nominated for a Fort Worth Weekly Music Award in 2012 for Best Experimental/Avant-Garde Act and heroes of many a house party, PSYCHEDELEPHANT (pronounced psycho-deli-fans) is an indie two-ish piece band having relied only on their wits and imaginations (and computers) to handle all of their own recording needs, concept art, promotion/marketing, community collaboration, and development in the most psychedelic manner imaginable.
There are build-ups and drops. There is looping with a pinch of modulation. There will be people grooving. It is highly improvisational in its structure. It is for the betterment of bandkind. We just want to make people all happy and tripped out with our music. We hope you dig it. Please drop us a line..don't be shy! Find us on Facebook for quirky news and show updates.

Jefferson Evette is following