Synthesizers and pianos by DD, March 2021
Photo by DD, Greece 2020


For this challenge:
Step 1: You’re going to record a time capsule, something for yourself to listen to in the future. The default time is five years. You can, however, set the time for however long (or short) you like.
Step 2: Record that track and post it online.
@disquiet

Remember This (disquiet0481)

Easily glows
and easily goes
a firefly

haiku by Chine http://www.writersinkyoto.com/2017/10/2578/

picture by Christopher Le https://unsplash.com/@chrislevn07

For more information visit http://www.naviarrecords.com/about/naviar-haiku

flag howl

halF gloW [naviarhaiku377]

Oriel

Writing in a more vaguely jazz-ish style, also inspired by some instrumental rock music, in B phrygian mode (with some appearances of other keys). The second half is better/more interesting I think. Hope you enjoy!

Nine and a Half Songs for New Haven

19 6 2

Full Album Free/Name Your Price On Bandcamp Here -

https://aumegaproject.bandcamp.com/album/nightmare-city

Aumega Larry&Creature Artists Profile Here -

https://www.aumegaproject.com/artists/larry-creature

(C) Larry 2019

Melted

From the Bandcamp release Bosrand: https://martinhoogeboom.bandcamp.com/album/bosrand
Featuring Paul Mimlitsch (https://soundcloud.com/r369improv) on bass clarinet.
Mastered by Marlon Wolterink/White Noise Studio
Part of De Dissonante Weg, a series of ongoing studio and live gui-tronic improvisations.
A Martin Hoogeboom Project (DS1240/2020)

Bosrand

Bosrand (I)

There is a beautiful trapeze artist woman. She is climbing the infinite staircase.

She grips the wood that the ropes grab.

Reflect, dismiss the thoughts and jump into the void.

They pick her up, shake her, make her go round and round, but there is always someone to pick her up.

The beautiful dancer is left alone coming and going, preparing the large number.

Silence becomes a rampage, and she, the queen, flies and flies and flies.

Like someone who returns from a trip, shoots the public a loving smile and 3 kisses.

AUTOMATIC WRITING I

tank drum,guitar,and voice

je suis entrain de mourir,
ce n'est pas grave
c'est même normal
pour ce voyage expérimental
qu'est la vie
le seul moment,
le moment présent
l'unique instant du temps
tout meurt instantanément

l'instant du temps,le moment présent

Innominate

Claudio Ferrari: electronic devices - percussions - swivel chair - plastic bag - vocal intrusions.
Alessandro Bona: flute - bamboo flutes (G; B) - electronic devices - synthesizers - percussions - ethnic whistle - bottle - bunch of keys.

Redevelopment

https://soundcloud.com/ilaria_boffa/ilaria-boffa-crazy-compass-geography-of-translations

In support of the "Translations" album by @Ilaria_Boffa:  https://soundcloud.com/ilaria_boffa/sets/translations
On @Meticulous-Midgets label: http://stopcran.ru/news/2020-11-20-272

A year ago, we recorded our first joint track with Ilaria (https://soundcloud.com/crazycompass/ilaria-boffa-foreign), and then we agreed that we would do another one later in which each of us will read own poem in native language. Everything coincided. "We translated our voices into exact references and wording. Now, hear." 

CRAZY COMPASS: Padua, Italy - Moscow, Russia (november 2020)
https://crazycompass.bandcamp.com/track/geography-of-translations-ilaria-boffa-crazy-compass

Poem in Italian: Ilaria Boffa @Ilaria_Boffa
Poem in Russian, field recording & photo (poplars & wind): Nata Boundariver @CrazyCompass
Music: Sergey Kobzev @Assembly-of-Honey

---

TRADUZIONI (Ilaria Boffa)

Una precisa geografia di pioppi bianchi
frassini e aceri circonda quest’area fluviale.
Narrazione di fruscii, conversazioni rumorose.
Traduzioni. Ciò che sentiamo e il linguaggio
udibile implicano indagini
sui modi di ascolto dell’altro.
In dubbio l’affettività, il riverbero degli oggetti
che scontra soggetti oltre noi.
Dentro quei metri cubi di suolo e aria
il suono prende spazio, costruisce e colpisce.
Neuro-trasforma e impatta la plasticità
delle cose.
Abbiamo tradotto le nostre voci in
riferimenti e formulazioni. Ora, ascoltami.

TRANSLATIONS 

A clear geography of silver poplars
ashes and maples surrounds this fluvial area.
A narrative of rustles, chatting loudly.
Translations. What we hear and the language
that makes it audible imply investigations
on others’ listening modes.
We question affectivity, objects’ reverbs
crashing into beings beyond us.
Inside those cubic metres of soil and air
noise spacialises, builds and hits.
It neuroshapes and impacts the plasticity
of things.
We translated our voices into exact
references and wording. Now, hear.

---

ГЕОГРАФИЯ (Nata Boundariver)

На свете так много мест, куда я не смогу попасть.
Попасть бы хотя бы туда, где я есть.
Почти нигде и почти никогда.
Забытое слово я.

GEOGRAPHY 

There are so many places in the world where I cannot get.
Get at least where I am.
Almost nowhere and almost never.
Forgotten word I'm.

full

Geography of Translations (Ilaria Boffa & Crazy Compass)

Cover picture reference:
https://www.sovrapposizioni.com/blog/sul-materialismo-trascendentale-intervista-ad-adrian-johnston-parte-i.

Profile picture reference:
https://www.facebook.com/IMaestriDelSocialismo/posts/783527791849174/.

Redevelopment

Dia.Mat