Music is a way of life for A Guy Dj Seth, an individualist since childhood, when he refused to conform to how a piano should be played, he instead began a personal adventure exploring new rhythms and sounds as well as testing the often disregarded relationship between sound and body. In other words discovering and challenging the shared moods and emotions of people in a club, who are quite literally on the same frequency each time a different pulse, rhythm or tone is introduced.

Some grow up with musical aspirations from early childhood, others are thrown into it because they were destined to. Unlike many of his peers, his passion for music came much later in life. He grew up to normal parents, not musicians. He was not classically trained in music theory nor has he taken music lessons, but what he did have is a bottomless well of creativity which would come to true fruit


The talent is undeniable, for without a musical upbringing, he's managed to carve his own unique style into the ever-growing genre of Electronic Dance Music. Captivating the listener with his trademark melodramatic themes, toying with their senses almost effortlessly, his music bridges the aural with the emotional into a transcendental experience. Only but a few know how to deal with complex and emotive harmonies as skillfully as he. Entranced, the listener is engulfed into a heart-pounding experience by his unparalleled production prowess. Clear-cutting drums, devastating basslines, and powerful melodic leads, all seamlessly blended together into one. No doubt, this is what club music is all about; a synergy between the body, mind, and soul as the music resonates throughout.

A true perfectionist at heart, a trait he proudly carries on his sleeve. Every avenue he takes is paved with utmost attention to detail, Whether performing in front of crowds of 200 or 2,000, His passion for musical story telling is only realized when seen in context of an entire set.




Music has been my journey. I started my career as a Disc Jockey by assisting senior DJ’s, which is why I have a mind to understand my audience and their likes.
After being associated with the best Bangalore clubs in the last three years, I confide in my abilities to deliver a cutting edge in music and stand true to my reputed profile. High profile clientele stand testimony to my superior styles of getting a party to life. 

My skill lies in understanding my audience and getting every party to life. Organizing the party, interacting with the crowd and most importantly playing what could set the occasion in a high spirit is my forte.
Holding groove and percussion as the paramount elements within his sound, Dj SETH believes that everything in life demands a soundtrack and the way in which those soundtracks fit together can create an atmosphere that can change peoples attitudes for the better.

One day, grinding some fresh meat in a bratwurst factory, he noticed the peculiar, rhythmic sounds of the grinder as it tore through flesh. There began his obsession with techno. He tried to develop the ambiance of a butcher shop: beats that carve through the dance-floor like a cleaver through bone. Other influences include rust, sleep paralysis, and the military-industrial complex.

After touring extensively in support of their debut album “Immute: Jackals”, the Sydney-based experimental groove metal trio retreated to their Shadow Mekanik Studios for six months to carve out their stomping and screaming sophomore punch-in-the-face. Recorded, engineered and mixed again by the band’s guitarist and singer David Hart “Consume Rapture” represents a leap forward in intensity and volatility for the band’s sound. 

“When we started writing the new record we wanted to bring into focus our rhythmic strengths – writing bigger grooves, ripping out crazier time signatures and twisting bone-rattling tempo shifts to mangle song structures in the most moving and devastating way” comments Hart. “Basically we wanted to draw into sharper focus the essence of Kunvuk and the sounds we are working on.” The band, rounded out by bassist Luis Barra, guitarist Oz Slater and drummer Matt Meli, do just that on Consume Rapture creating a monster that stomps around and around in your head long after the record stops. 

The album was mastered by Alan Douches at West West Side Music (DEATH, SWANS, MASTODON, CONVERGE, BARONESS, THE DILLINGER ESCAPE PLAN, CLUTCH) in New Windsor, New York. The man responsible for bringing so many great albums to the finish line was more than happy to lend his skills to sculpting the final sound of Consume Rapture. As Hart states “Alan was an easy choice for us – we’ve admired his work for a long time so it was a dream to have him kick this record to the next level. The intensity of the songs demanded his extensive knowledge and the result is pure and dynamic aural overload.”

The nine tracks that form Consume Rapture contain the band’s most diverse material yet; demonstrating Kunvuk’s complex and contrasting sound scapes. Whether it be through hyperventilating thrash crashing into back-breaking breakdowns (“Become Monster”), agitated structures interbred with downright hostility (“Rapture Pt 1”) or colossal rhythmic structures scarred with angular discord (“Teeth Swallower”, Taped”) the album pumps and breathes in some of the most unexpected, energetic and captivating ways.

In conjunction with the release of Consume Rapture, Kunvuk have announced their support for the “Save The Tasmanian Devil Program”. For the duration of the album cycle Kunvuk will donate 50% of profits made from the sale of the album to the cause to raise awareness and funds for the plight of this endangered Australian animal. “Devil Facial Tumour Disease threatens the existence of this incredible animal and we are putting our money where our mouth is to help save this most metal of all creatures. Every record you buy will not only be supporting us but supporting an Australian icon that is in danger of being wiped off the planet if we don’t act quickly.”

To spread the stomping noise of Consume Rapture Kunvuk will be taking their fierce live show to the furthest flung areas of Australia and internationally. No stranger to long jaunts across the earth, Kunvuk are sharpening their teeth in anticipation of the supporting tours for the new record. “We live for playing this music live. Many bands say that but we actually mean it. We get sick when we don’t play. We get weak when we don’t scream. A Kunvuk live show is a physical and mental exorcism. We load in, sweat, bleed, howl and then load out for the next show. We aren’t here to fix our hair and pat each other on the back. We are here to explode and that is all we are interested in.”

Some grow up with musical aspirations from early childhood, others are thrown into it because they were destined to. Unlike many of his peers, his passion for music came much later in life. He grew up to normal parents, not musicians. He was not classically trained in music theory nor has he taken music lessons, but what he did have is a bottomless well of creativity which would come to true fruition later on.

The talent is undeniable, for without a musical upbringing, he's managed to carve his own unique style into the ever-growing genre of Electronic Dance Music. Captivating the listener with his trademark melodramatic themes, toying with their senses almost effortlessly, his music bridges the aural with the emotional into a transcendental experience. Only but a few know how to deal with complex and emotive harmonies as skillfully as he. Entranced, the listener is engulfed into a heart-pounding experience by his unparalleled production prowess. Clear-cutting drums, devastating basslines, and powerful melodic leads, all seamlessly blended together into one. No doubt, this is what club music is all about; a synergy between the body, mind, and soul as the music resonates throughout.

A true perfectionist at heart, a trait he proudly carries on his sleeve. Every avenue he takes is paved with utmost attention to detail, which has not gone unnoticed by peers and fans alike. This recognition couldn't come higher than being named his favorite producer by the world's #1 DJ in DJ Mag. This search of musical perfection came to one eventual conclusion, the extension of his Arnej brand. Arnej Music the record label.

Whether performing in front of crowds of 200 or 20,000, In a remarkably short period of time he's managed to set a name for himself amongst the DJ elite. The summation of his rise came also as one of his most humbling moments, when he was nominated as the best breakthrough DJ at the 26th annual IDMAs during the Winter Music Conference. Backed up by the fact that he's the 2nd highest DJ Mag ranked Trance DJ on the Western Hemisphere, is a testament of his work ethic and devotion to his craft. His passion for musical story telling is only realized when seen in context of an entire set.

The story does not end there, but branches off in a different direction. Few know that his journey began with video game sound design 15 years ago. His first true passion, the passion for all things audio. Forged with a creative intuition also came the ability to visualize sounds to create rich and complex soundscapes, seemingly out of nothing. If he's not sculpting 1000's of unique sound effects, he's creating lush orchestrally-infused soundtracks. In his resume, 3 major titles, the latest of which, the immensely successful Heroes of Newerth.

Hello there! Thanks for visiting! My name is Joe. I'm an aspiring digital music producer, web developer, Android app developer, materials scientist/engineer, and visionary. My ultimate goal is to become an astronaut, push to establish a lunar base, go there, and finally unite the Earth as a planet, to the point that anyone in the world can connect with anyone else as long as their actions are rooted in compassion and empathy. I am a good person trying to make his way through life, but I feel the universe speaking to me right now, and I know things are about to explode. This SoundCloud is the springboard from which I will do just that.

Little more about me - I'm from the suburbs of New Jersey, a small but amazingly diverse town named Edison. I recently graduated with a master's in Micro- and Nanotechnology Enterprise from the University of Cambridge. I am a smart guy, but more importantly a good guy with good family and good friends, and music has always been a huge part of my life. I have been formally trained to play jazz piano, and I've always thought it would be amazing to merge jazz and other complex musical elements with electronic dance music, hip-hop, and all other kinds of exciting genres!

It's so incredible to see this actually happening with some of my favorite new artists, influences, and role models - Madeon, Porter Robinson, Zedd, Seven Lions, Savant, Arty, Mat Zo, MiTiS, Coyote Kisses, Virtual Riot, Mord Fustang, NetSky, and so many more. And it's unbelievably encouraging to see that they all started out with pretty much the same equipment I did - a computer, a keyboard, some speakers, a basic digital audio workstation, and a whole lot of determination.
 
I know that I can produce music in the same league. All I need to do is learn to use a few more tools - Sylenth1, AutoTune, some other awesome VSTs, and a some general digital music production tricks. Oh, and perhaps one good production keyboard, an expansive, high quality soundfont library, a Novation Launchpad, and a good mixer. I am so fortunate that one of my closest friends (an amazingly selfless, kind-hearted person) owns a Launchpad and a good mixer, and is willing to let me get my hands on them! I am in the process of acquiring these tools to exponentially expand my production ability, and I'm hoping that some of the artists I admire will see this page, see a little bit of themselves in me, and give me some tips! My dream is know what it feels like be onstage and make thousands of people truly enjoy their lives for one night. And then go to the moon, of course.

Of course, I believe this entire movement that's happening, all the way to humanity achieving Tier 1 Civilization status, was set in motion by Daft Punk. With the release of the Discovery album and Interstella 5555, they were among the first artists to generate truly universal, international appeal. That's why we love them so much, Madeon. They are the catalyst that set in motion a chain of events that will finally unite the Earth within our lifetimes. You and I are a part of that chain of events, too, as are all the other artists I mentioned, along with all the amazing people I've come to meet during my time on the Earth who consistently root their actions in compassion, empathy, mindfulness, and faith in a better tomorrow. This is The Art of Power (fantastic book by the way), and now we must utilize it to come together to unite the world. And I truly believe that anything we set our hearts and minds towards, as long as we have the the right motivations, is possible. Let's carve a way there together. We can collectively accomplish all the dreams we never thought were possible. It's going to happen.

In the meantime, enjoy listening to some of my work! My tools of production started with an ancient Roland digital piano with 16-track recording, and has progressed to the FL Studio DAW. I want to learn many more tools, like Cubase, Ableton, and some awesome VSTs. I'm going to need some advice from those in the know!

Thank you so much for reading this and understanding who I am, who I want to be, and what I want to accomplish. I hope you are enthused about the future after reading this; I know I am after writing it. I can't wait to see what amazing things the future will bring! Take my hand and join me on an adventure :)

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Corrupt Illusionist is the brain child of MOHIT JAIN, a Delhi based musician who has been at the forefront of both rock & psychedelic trance music scene for the past 15 years. 

Mohit’s journey started out listening to new metal music with his major influences coming from bands like Mudvayne, Deftones , korn, slipknot etc. He started his musical journey as a drummer against his parent’s will but perseverance paid off when he was gifted a drum kit for his 15th birthday. Since then he has played as a drummer &a vocalist for many bands including Half Way Through,1833AD, Zealotry. His journey was embarked towards more heavy sounds, so he turned to incorporating electronic music with the sublime melodies, crisp guitar riffs and soundscaped drum patterns .

Mohit started DJ’ing as a hobby continuously using various softwares and learning their uses and tricks for developing his own unique sound and music style. He started playing for his friends at house parties and other small gatherings as he was always interested in sharing new sounds & music. As the days passed by, he came in contact with other psychedelic trance music produces.He got to know and learn more about electronic music and thus could carve out the sounds that he was the most enthusiastic about. 

He define his genre of music as “corrupt and twisted”. He has been responsible for dance floor stomp massacres across various venues in Delhi and NCR. He has had the pleasure for opening for various world renown artist like Highstyle, Whiptonge, Arjuna, Antagon, Junx Punx,  Hyperactive 25, Wario, Fobi, kabayun, kindzadza, fungus funk, drip drop, zaiklophobia, komfuzius, gaspard, sesto sento,  wishi, hyperactive 25, daash, azax syndrome, virtual light, guisseppe, confo, atriohm, archaic, megalopsy, kashyyk, frantic noise, arcek, spiral etc.  
His music boast of complex geometrical arrangements of the beats and intelligent use of multiple samples overlapping with each other so as to deliver mind bending chaotic music resulting in major stomps by the dance floor Hooligans.

You can find Corrupt Illusionist'S music on all major platforms like spotify, bandcamp, youtube, etc.
For bookings: corruptillusionist@gmail.com

MUSIC IS LIFE.

Music for thinkers.
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