"Anna Dellaria is an honest musical force that takes her fears, frustrations, and heartbreaking moments and turns them into insatiable pop anthems." -EARMILK

In 2000, More Machine Than Man exploded out of the clubs in Boston and New York, fueled by dynamic, guitar driven industrial-dance that is defined by undeniable hooks and pop sensibility.  MMTM was formed in 1998 by two musicians under the pseudonyms, Tasha Katrine and Tech (later changed to Rob Zilla).  The pair built a computer-based recording studio in Massachusetts and began writing and recording original Goth-Industrial rock material.  More Machine released their first demo, Technophile, in January 1999 and performed publicly for the first time on Halloween of the same year. 
From Gothic Beauty to Side-Line and Outburn to Terrorizer, More Machine Than Man's four albums, two EPs and countless compilations, have earned international critical acclaim from the entire gambit of this subculture.  In September 2012 they returned with the full length album, Dark Matter.  This twelve-song collection represents the most powerful and relevant songwriting of MMTM's long career.  Dark Matter is a quantum leap forward in focus, production, and the possibility of wide commercial appeal.
More Machine Than Man toured steadily from 2001-2006, including headlining appearances at Convergence and Wave Gotik Treffen in 2005.  More Machine headlined four U.S. tours as well as touring as the opener on Razed in Black's  2003 Damaged Tour and Slick Idiot's 2006 xSCREWtiating Tour.  After scorching over a hundred stages with their unique blend of sonic and visual creativity, MMTM has developed one of the most explosive live performances in the genre.  More Machine has always integrated original video content into live performances.  All of MMTM's video content was created by Tasha and Rob themselves, except during a brief collaboration from 1999-2000.

More Machine's kinetic talent has earned recording contracts in both North America with Underground Inc., and Europe with Black Flames Records.   Electrolust was released on Black Flames Records in August 2003.  The pair worked with acclaimed producer/musician En Esch (Slick Idiot, Pigface and KMFDM) on Binary Sex, which was released in North America on Underground Inc. in October 2003 and in Europe on Black Flames Records in August 2004. In September 2012, More Machine chose to independently release Dark Matter.
More Machine Than Man wrote and developed the 12 song album, Dark Matter, between 2002 and 2012, in home studios, as they relocated from Boston to Louisville and then Seattle.  More Machine recorded, produced and mixed the vast majority of this album themselves, but did collaborate again with En Esch and Romell Regulacion (Razed in Black).  En Esch produced the guitar Industrial romps Deserve and Why?, as well as  providing some vocal editing and processing on Nothing More and Stranger than Fiction.  Romell Regulacion contributed additional keyboard performances on Stranger than Fiction. 

As on earlier releases, More Machine Than Man covers a great deal of musical territory on Dark Matter.  From uptempo, dance floor scorchers like Something Good, Why?, and Inside through angry, mid tempo stomps like Last Try and Break Out, to the emotional epics Nothing More, Rotten Wine, Heaven and Hell and The Darkest Days; MMTM refuses to repeat themselves while maintaining a cohesive sonic palette.  The swing tinged Stitch incorporates Andrews Sisters style harmonies, exploding all attempts at categorization, while being the most appealing piece of song craft on Dark Matter. 

More Machine Than Man continues to avoid the trend and cliché within the Goth Industrial genre that guarantees commercial viability, but MMTM draws more directly on the strong songwriting tradition of The Cure and Depeche Mode.  The pop accessibility of MMTM songs is closely in line with crossover successes like Garbage and Nine Inch Nails.  Though More Machine incorporates strong heavy metal elements, the overall effect of Dark Matter is similar to contemporaries IAMX and Binary Park.


"...a perfect blend of seduction and destruction"...GOTHIC BEAUTY
"...breathing life into a genre these days far too heavily populated with humourless, bloodless Puppy-clones and dreary Ibiza-style dance music masquerading as Goth/EBM. Refreshingly Invigorating."...TERRORIZER
"Definitely a true leader, nothing main-stream here."...SIDE-LINE
"...the answer to every industrial fan's wet dream."...GOTHICVIXEN.NET
"...a sleek offering that will have you fighting and f#cking into tomorrow."...OUTBURN
"[MMTM's music]...can only be described as the path that modern day Electronic Industrial music has lost - It's nothing short of bloody superb!"...HARDWYRED
"MMTM are masters of electronic Chaos. Electrolust is a realm of pure sexual intensity and utter chaos."...CULTURE ASYLUM
"[Live, MMTM is] Punishing, but impressive, mixes of hard house, industrial metal and erotic disco played as a synchronized soundtrack to the multimedia."...INDYGOTH.COM

Do you know I still making music via: @castionmusic ?
@castionmusic Follow me! :D

#PeaceOut is OUT NOW on Future House Cloud. 
Stream/ download here: https://fhc.fanlink.to/peaceout

- Contact / Bookings:  rob@21mgmt.com

- Drop your demo: jasongewaltofficial@hotmail.com

- Do you want to get your track featured at Gewalt Weekly Feature? Send your track: demogewalt_wf@hotmail.com



Jason Gewalt, born in Canary Islands, Spain as Antonio Castrillo Cabrera, started making music at the age of 14. It didn’t take long after that before he started investing his time in electronic music production as a fan and as an artist.

In 2016, Jason scored his first hit with his release on NoCopyrightSounds in collaboration with Uplink called "Euphoria", which did over 2 million plays on Youtube in the first months alone. He didn’t stop there however, with all of his succeeding releases like his remixes of “Cold Water”, “24K Magic”, "No Promises" his original song “Wanderlust", "Where It Hurts" and "Done With You" with Assix all reaching thousand of plays on network plataforms like Youtube, Soundcloud and Spotify.

Late 2017, Jason’s first official release “Knockdown” on Revealed Recordings and "Euphoria" on NoCopyrightSounds hit all stores, immediately charting at both Soundcloud and Spotify and getting the supports from big artists like Alan Walker, Hardwell and Paris & Simo on big music festivals like Tomorrowland, Ultra Music Festival and Balaton Sound.

These days Jason Gewalt has been shaking up the industry releasing new songs of variety EDM styles, including Big Room House, Future Pop and Future Bass. In total Jason Gewalt reached over 5 million streams on Spotify already, and he's just getting started.

Tech Alchemist.  Psychonaut.
Mediums through sound, vibration, and digital arts.  

Layered generative and codebased alike.
Sound Engineering in queue.  2025

Cypher Angel/Demon

With a profound love and passion for deep house sounds, and due to an increasing stream of high calibre deep house demos simply landing on his doorstep, Alexander Fog established a sister label for TMR in 2011: Darkstar. Whereas TMR carries uplifting tech and tech house tunes, Darkstar is an outlet - as the name of the label indicates - for the darker side of techno and moody deep house where quality prevails over quantity; a characteristic trade mark which Alexander Fog is synonym for and grew accustomed to.   

The newly established Darkstar lab rapidly resulted in developing upcoming talents such as Gabryel Casse, Lenny Soprano, Groovesend and Rob Small amongst others, who constantly deliver Darkstar prime cuts next to the occasional Alexander Fog tune. 

In October 2011, the two labels joined in one steaming hot showcase during the Amsterdam Dance Event where both TMR and Darkstar presented Alexander’s musical vision to both clubbers as well as the international music industry, in association with 7 Stars Music.  


Main accounts: 
https://soundcloud.com/castionmusic
https://soundcloud.com/jason-gewalt

#Feelings is OUT NOW on Swalt Recordings. 
Stream/ download here: bit.ly/2IGvw5g

- Contact / Bookings: rob@21mgmt.com

- Send your Demos: jasongewaltofficial@hotmail.com

"Circumstances EP" is out now on SOLA.
Stream / Download: 

https://solarecords.lnk.to/Circumstances

Signed at: Toolroom / SOLA / CUFF / Solotoko / Glasgow Underground / La Pera / Insomniac / 303Lovers / Clarisse

☛ MGMT // BOOKINGS CONTACT: 
castionofficial@gmail.com

☛ DEMO / PROMO:
castionpromo@gmail.com
-----------------------------------------

~Feeling the groove everywhere I go~

Castion, born in Tenerife, Spain. His adventure began at an early age, when he decided to fully commit to his musical career. At just 14 years old, he started producing his own music, and over the years has built a catalog of more than 80 original tracks, remixes, and edits.

Throughout his career, Castion has released music on renowned international labels such as Insomniac, Toolroom, Spinnin’, Sola, CUFF, Glasgow Underground, La Pera and Universal Music, positioning himself as a solid and respected name within the global electronic music scene.

As a DJ, he has performed both nationally and internationally in cities like Ibiza, Rome, Brno, Bratislava, Luxembourg, Amsterdam, Madrid, Alicante, Valencia, and Tenerife, among many others, sharing the stage with artists such as Chelina Manuhutu, Viviana Casanova, Cristian Lazic, Acraze, Benny Benassi, and more.

One of the highlights of his career includes a collaboration with techno icon Nicole Moudaber, which was premiered together at Hi Ibiza and received international press support from Mixmag Worldwide, marking a key milestone in his artistic journey.

In addition, Castion hosts a monthly radio show titled “Swing Mode Radio” on Ibiza Global Radio, one of the most influential electronic music radio stations in the world, where he showcases his sound and connects with a global audience.

His productions have received consistent support from some of the most influential DJs worldwide, including Paco Osuna, Marco Carola, Jamie Jones, The Martinez Brothers, Solardo, Cloonee, Joseph Capriati, Nic Fanciulli, Claptone, among many others.

Today, Castion is fully focused on an underground Tech House sound, without losing the emotional essence and personal character that define his music.

Rob Zicaro is a songwriter from Worcester Massachusetts. As a songwriter Rob’s catchy hooks and melodies, along with solid rhythm sections and professional productions, make it easy to get into his radio ready songs and writing style. Influenced by Pop, Rock, R&B, and Country Pop, Rob’s melodies along with his lyrics tell stories that can easily become your personal soundtrack and play list. Currently Rob is pursuing artists, publishers, and music industry professionals who are in need of songs with hit potential, as well as building a fanbase for his original songs through his web site Robzmusic.com.  Feel free to visit his site to listen, comment, and join Rob's mailing list to get one of his songs for free. You can also stream his songs on your favorite streaming platforms such as Itunes, Amazon, Google Play, Grove, Spotify and more.

Beginning in 1963, The Sonics created an uncompromising, overdriven brand of rock 'n' roll whose musical and emotional intensity had no precedent at the time, and has yet to be bested in the years since.  Driven by Gerry Roslie's fearsome, bloodcurdling howl, Larry Parypa's pummeling, distortion-heavy guitar work and Rob Lind's greasy, squalling sax, the Tacoma, Washington-bred combo delivered a brutal, propulsive sound and a swaggering, primal attitude to match.  By taking rock 'n' roll to the edge, the Sonics helped to lay the groundwork for punk, garage and heavy metal, decades before those genres existed.  

The Sonics became regional stars throughout the Pacific Northwest, where their over-the-top performances made them a consistently in-demand live act.  But their assaultive approach proved a bit too extreme for national mainstream exposure at the time.  The original Sonics splintered in 1967, but the band's influence and mystique continued to grow steadily in the ensuing decades, as their vintage work was rediscovered by succeeding generations of fans and musicians.  Meanwhile, such Sonics standards as "Psycho," "The Witch," "Strychnine" and "Have Love, Will Travel" continued to turn up in film soundtracks, TV commercials and the set lists of the countless Sonics-loving bands who emulated—but never duplicated—the band's sound.

As The Sonics' posthumous profile grew, the band members stubbornly resisted a steady stream of lucrative offers to perform reunion shows.  Instead, they maintained that the Sonics would only reform when they felt that they could equal their original onstage energy level, and when they could record new material that would equal the intensity of the old stuff.  

The Sonics finally ended their four-decade hiatus in November 2007, with a pair of rapturously received shows in New York.  Although the band had intended those shows to be a one-time-only event, word of the performances quickly circulated amongst Sonics fans, resulting in performance offers from around the world, and turning the temporary reunion into a permanent one.  Since then, The Sonics have performed for rabid crowds across the United States as well as England, Spain, Belgium, Sweden and Norway.  They headlined a sold-out concert at Seattle's Paramount Theatre, where they had performed their last show back in the day, and at the SXSW music-industry conference in Austin, Texas, and the NXNE festival in Toronto.  

Having reconquered the live stage and built a new, multi-generational fan base, the reactivated Sonics have set their sights back on the recording medium, enlisting noted producer Jim Diamond (White Stripes, Dirtbombs) to record THIS IS THE SONICS —the Sonics' first album of new material in nearly half a century—at Diamond's Detroit studio Ghetto Recorders.  

The 12-song set finds The Sonics channeling their original savage, primal essence on such new originals as "Chaos," "Sugaree," "Bad Betty" and "I Got Your Number," while continuing their tradition of audacious cover material with raucous reworkings of Ray Charles' "I Don't Need No Doctor," Bo Diddley's "You Can't Judge A Book by the Cover," the Kinks' "The Hard Way," Hank Ballard's "Look At Little Sister" and the rousing Motown nugget "Leaving Here."

THIS IS THE SONICS shows the Sonics' original sound and swagger to be fully intact, and ready for 2015.

Esmé Phillis is following