Decisions

The Habit Machine

Creeping In (feat. Scarlett)

Already Lost

Nationalize

The Bad Side of the World
(c) J. Murdock McInnes Vasey


[intro]

[instrumental]

[verse]
This is the bad side of the world
Where you never can grow old
When you cannot pull your weight
You are left out in the cold

You learn to fear the stick
For a moment hesitate
You will feel a nice sharp kick
and they'll take away your plate

You better keep on moving quick
and you can't ever get sick
Can't miss a day and not show up
If you  do, your time is up

your time is up

[chorus]
You need to make your masters happy
They want service, make it snappy
You need to do it with a smile
And keep their toilets clean
You only have one purpose
To service the machine

[instrumental]

[verse]


[chorus]
You need to make your masters happy
They want service, make it snappy
You need to do it with a smile
And keep their toilets clean
You only have one purpose
To service the machine

[2:15][instrumental]

[verse]
This is the bad side of the world
The streets ain't lined with gold
The pavement's always wet
And you always feel the cold

You can't afford to pay the rent
In one day your money's spent
You beg for food and one more hit
Just one more until you quit

The police are on their way
They plan to take you all away
They'll want to lock you up
If you run, your time is up

your time is up

[chorus]
You need to make your masters happy
They want service, make it snappy
You need to do it with a smile
And keep their toilets clean
You only have one purpose
To service the machine

[outro]

Arrangement:
Kick off with raw, fuzz-laden guitars and heavily distorted power chords, backed by dynamic, punchy drums and a gritty, driving bassline. Verse sections lean louder with strong clear, spoken-style vocals and minimalist instrumentation, exploding to full, aggressive intensity in the chorus. End with a noisy outro, layers of feedback and loose, unpolished playing.

The Bad Side of the World

Some battles don’t leave bruises — they live under your skin. The War I Keep is about fighting the parts of yourself no one else can see. It’s the sound of sleepless nights, silent prayers, and the weight of holding it all together when everything inside you is coming undone.

The War I Keep

A darker version than the first Silksong Rage!

Silksong Rage Again!

Ohxalá is the musical project of a Portuguese duo: Maria & Luís. Maria works as a printing technician in a photo lab and Luís works as a website programmer moreover both devote much of their non-working hours to music and photography. From this dedicated and parallel passion started the will to make it alive somehow and, consequently,it had been growing faster particularly since the recent adventure of the duo in Germany in 2016. Such a journey is the starting point of this plot. On his return to the Portuguese lands, eager for information; an effervescent and inspiring will to investigate and absorb settled in the duo. They are in need of a call to go through other times, other peoples; which have completely overwhelmed them.

The name Ohxalá comes from the Arabic expression “ 'in sha' allh ”, whose meaning is “God willing”, which is used as interjection to express the desire for something to happen. Nevertheless, it is also a reference to the father Oxalá, orixa associated with the creation of the world and of the humankind. Maria and Luís make distinguished use of African-born religions' "imaginarium" as a basis for inspiration in the elements of their music. This connection and rescue came to light their debut EP: "O Futuro do Passado EP" (“The Future of the Past”). The work alludes to the importance of the historical preservation of the rituals, songs, traditions and customs of the ancient peoples. Music that's transcendental, music for your mind, body and heart.

The EP includes four tracks. “Ossaim” is an encounter with the God of the forests and the flowers. In this piece of jungle-sound the duo invites us to embark in the woods, the ritual has begun. In the sequence appears “Sarvará”, an edit of a track of the very-very Brazilian ProjetoMujique; of this bridge Brazil-Portugal appears this second track, an electronic ode to Oxalá. “Ovoavoa” is an invitation to the liberation and celebration of life and love. An invitation to smile and dance freely. “Urubu Violeta” finishes the thematic clipping. It is a “musical illustration” of an original poem by actor Rui Queirós de Matos aka Spike that gives voice to the more futuristic composition of the EP. With an organic feel that is the result of an exciting layering, the Portuguese newcomers deliver a cosmic, fresh, unique and emotionally rich production of intentions.

“O Futuro do Passado” is a vivid introduction to the thematic clipping explored by Maria and Luís. With a down tempo ethnic's scene still embryonic Portugal seems to contribute strongly to the artistic extrapolation of the duo. An infinity of perspectives and colours, together with a powerful groove feeling make this project a unique sound experience. With the incessant search for ways of expressing themselves through popular music, Ohxalá delivers in such a different way a sound package that make us reflect on the past and look to the future without fear.

Ohxalá:
Facebook: https://www.facebook.com/ohxala/
Soundcloud: https://soundcloud.com/ohxala

Credits:
Art: Helder Dias.
Master: Andreh Torres @ RD Studio, Brazil.
Voice: Track 04 - Rui Queirós de Matos.
Contains samples of the work of documentarist Ricardo Esposito.

Special Thanks:
To Vitor Aguiar our Olorum, one of the promoters of this project and creator of the beautiful Ohxalá logo. To Project Mujique, Rui Queirós de Matos aka Spike. Helder Dias by the cover art. To Casa Caos, Tropical Twista and all those who have supported and influenced our music. "Bem hajam, Axé!"

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Ohxalá feat. Spike — Urubu Violeta

Ordinary Girl

GOT NO SOUL
(LYRICS)

SO DID YOU THINK YOU’D LIVE FOREVER
LIKE THE BLUE UP IN THE SKY
DID YOU THINK YOU’D FIND A TREASURE
AND YOU’D NEVER HAVE TO DIE
AND SO WHAT IF YOU LIVED FOREVER
AND YOU NEVER HAD TO TRY
AND WHAT IF LIFE DIDN’T MATTER
LIKE THE TEAR DROPS IN YOUR EYE

CHORUS:
BABY NOW I DON’T KNOW
BUT I’VE BEEN TOLD
LIFE GETS HARD AND LIFE GETS OLD
WELL I DON’T KNOW BUT I’VE BEEN TOLD
YOU GOT NO LIFE THEN YOU GOT NO SOUL

SO DID YOU THINK LOVE LASTED FOREVER
LIKE THE MOON LIT SUMMER NIGHTS
IN THE BACK OF MY CAMARO
YOUR STRINGS CAME DOWN REAL NICE
AND SO WHAT IF LOVE LASTED FOREVER
AND YOU NEVER HAD TO CRY
AND WHAT IF LOVE DIDN’T MATTER
LIKE THE TEAR DROPS IN YOUR EYES

CHORUS:
BABY NOW
I DON’T KNOW BUT I’VE BEEN TOLD
LOVE GETS HOT THEN LOVE GETS COLD
WELL I DON’T KNOW BUT I’VE BEEN TOLD
YOU GOT NO LOVE 
THEN YOU GOT NO SOUL (three more times)

GUITAR SOLO:

CHORUS:
BABY NOW I DON’T KNOW 
BUT I’VE BEEN TOLD LIFE GETS HARD
AND LOVE GETS COLD
WELL I DON’T KNOW BUT I’VE BEEN TOLD
YOU GOT NO LIFE THEN YOU GOT NO SOUL (three more times)

Is Anybody out There?

You've Got No Soul

Formed by the guitarist and songwriter, who boasts over 20 years of playing and writing, Wandering With is an infectious band blending the best of modern metal, electronic, and pop music. Known for their dynamic and genre-defying sound, the band features a lineup of the finest musicians in the industry, creating a rich tapestry of sonic brilliance.

At the heart of their unique sound are two distinctive vocalists: the incredible female vocalist who brings pop-inspired tracks to life with her captivating voice, and the powerful male singer from Italy, whose commanding presence fronts the heavier, guitar-driven anthems. This dual vocal approach allows Wandering With to explore a wide musical spectrum, delivering both hard-hitting metal and infectious pop melodies with equal prowess.

Creeping In (feat. Scarlett)

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