superb guitar sounds at the beginning …and the arrangement will be more quiet beautiful classical… and your vocals fantastic as always. What a voice!😍

Wow! what a beautiful song! with Japanesque atmosphere!

A beautiful evocative track, and just gorgeous vocals …

This is so wonderfully composed and performed… Many thanks to both of you for this stunningly beautiful creation…

Shock the Algorithm

rock
https://soundcloud.app.goo.gl/5ETZ9
Torculus audio
https://soundcloud.com/user-371074730
Lyrics
You have existed in this world (Tú has existido en este mundo)
You got used to its colours (Tú te habituaste a sus colores)
Still, I beg you (Con todo, te pido)
to look solely at me. (Que me mires solo a mí)

I feel you saw me as a blue man (Siento que me veías como a un melancólico hombre)
reduced to his weepy lament (Reducido a su lloroso lamento)
with heavy tears, with heavy tears. (Con pesadas lágrimas)

Give me a  black paper (Dame un papel negro)
and you'll be immersed in my whiteness (Y te encontrarás inmersa en mi blancura)
because I am a paperman, (pues soy un hombre de papel)
a paperman. (un hombre de papel)

Look through me and tell me now (Mira a través de mí y dime ahora)
"I'm not inside you!". ("No estoy dentro de ti!")

'Cause I'm the fog (Porque soy la niebla)
the yellow fog (La niebla amarilla)
and you passed away. (Y tú expiraste)

In this  tiny planet, (En este diminuto planeta)
your mind was linked with mine. (tu mente estaba unida a la mía)
Now I look inside you (Ahora miro en tu interior)
to find a void. (para encontrar un vacío)

The purpleness of your soul extincts, (Tu purpúrea alma se extingue)
disappears slowly in the fog (Desaparece lentamente en la niebla)
with no tears, with no tears. (Sin ninguna lágrima, sin ninguna lágrima)

Give me a  black paper
and you'll be immersed in my whiteness
because I'm a paperman now
a paperman.

Look through me and tell me again: (Mira a través de mí y dime de nuevo)
"I'm not inside you!".

'Cause I am the fog
the yellow fog
that regains this world (Que reconquista este mundo)

I´m a yellow fog- remasterizado por Torculus Audio

(Written by Terry Reeves)
Terry Reeves: Vocals
Hans Albers: All instruments, Arrangement & production

From the age of 15 when I first stepped into the world of employment I was told it would be a major advantage to get a job that lasted through to the State retirement age of 65. At the time I'll admit it was not something I took at all seriously.  When you’re that age, the last thing on your mind is bloody retirement.   

However, by the time I reached my early 50’s and had been diagnosed with multiple sclerosis, my mind became a little more concentrated on reaching what might now  conceivably prove to be an eminently missable target.  In the interim, the UK government decided that, given the population was living considerably longer than it once had, they would incrementally be raising the retirement age, meaning that mine now became 66. 

Our dear old Nan was a dedicated Bingo player and knew that number callers used particular phrases for certain numbers, one of the best known being 66, known as  ‘Clickety Click’.  So reaching pensionable age became inextricably linked to Bingo, hence the title and subject matter of this song.   

The number one - ‘Kelly’s Eye’ - seemed a good place to start and having done some fascinating research, I worked my way through the Bingo calls, choosing the ones whose scansion worked best, until I reached the magic ‘Clickety Click'.  

As the chorus explains, there were no guarantees I’d actually get there, it was just a target.  But I did get there and this song celebrates the fact.  

The song ends with the traditional exclamation of the player who has won the game, being either ‘House!’ or ‘Bingo!’.  When I was recording the vocals, my constant and beautiful companion Marvin (it is he who is pictured in the cover art) reacted to my shouts with a loud bark, perfectly in time, so we decided to keep it in.  Marv is with me at 99% of the recordings and enjoys being involved when the opportunity presents.

As always, huge thanks to the wonderful Hans Albers for another brilliant backing track which is, as I think you’ll agree, perfect for the song.  That man is a genius.
Thanks so much for listening.   (Terry Reeves)


It all started with Ned Kelly’s eye (1)
A cup of tea (3) to stop going dry
Tom Mix (6) wearing hat, riding fast
Monkey’s cousin (12) hanging, trying to last
Key of the door (21), two little ducks (22)
Paid half a crown (26), keep up the luck
In a state (28), rise and shine (29) but alive
One dirty knee (33) to help jump and jive (35)

Sixty six not to preconceive
Sixty six, a target to achieve

Half way to laugh, more than eleven (37)
As life begins (40), time for fun (41) isn’t heaven
Up to tricks (46) towards four dozen (48)
Five-0, Five-0, it’s off to work (50) with percussion
Danny la Rue (52), a man at the door (54)
The snakes are alive (55) but don’t wriggle more
Shotts bus (56) to Scotland, check the sign
Variety of Heinz (57) to the Brighton Line (59)

Sixty six not to preconceive
Sixty six a target to achieve

A baker’s bun (61) all tickety boo (62)
Tickle me (63), almost retired (64) laughing too
Retirement age(65), it should have been fun
Clickety click (66), getting paid
Take the money and run  
Route 66, nearly there
Clickety click, the sound of my wheelchair

CLICKETY CLICK - CRIPPLE CLUB & HANS ALBERS

“There's no point having wishes if you don't at least try to do them”

Wish

This music was first uploaded 2 months ago. Sophie has been working on it since then have better fluidity and expression. Yesterday, 11-19-23, we recorded it again. I decided to exchange the files. If you heard it before there is  remarkable difference. I am proud of her.

Song for Johanna was written by Franz Gordan. Sophie is a student of mine, age 14, who I have been teaching for 4.5 years. There is a playlist with her name that has various pieces she has played or worked on with me since she was 9.

Learning to play the piano is more than learning to play the right note at the right time. A beginner doesn't have enough control over their hands to be able to affect how the note is played - how the keys are touched, and the sound blended. Can the emotion be felt? The player has to know the language of music so well that they don't have to think about the notes being played, and can separate themselves to  listen to the music they are playing. 

Unfortunately, most piano teachers can't teach this because they can't get beyond teaching songs in piano method books - They can only teach what they were taught. I have heard many parents tell me they took lessons when they were young, and when I ask if they are still playing, the answer is almost always, "No". They forgot whatever they had memorized so long ago and they never learned how to create music, so it is all moot. It is like learning another language. You can memorize a phrase but you don't understand how the words in the phrase work together. You can't have a conversation in that language let alone show emotion. Music is a conversation.

I have been teaching for more than 50 years and have had hundreds of students. Most don't last long enough to get to the point I am with Sophie - and hopefully I will have a few more years with her before she goes out in the world. But what she is learning she won't forget. Memorizing music is a small portion of what we do. There is so much more to learning how to play music on any instrument than learning how to play what someone else wrote. 

Listen to her playlist and hear her growth. Song for Johanna is the beginning of her next phase of learning. Her lessons are 2-3 hours. She couldn't learn enough in one hour to play with this much maturity. She is such a joy to teach.

Song forJohanna Played by Sophie (revision)

Taken from the upcoming STA debut album "Rock and Roll Kills" (2024)
Youtube link: https://youtu.be/1drueM8F0Hc

lyrics:
butterfingers
---------------

I heard this story a long time ago
i heard it before, and now i am long gone

I faced my demons and now i'm back strong
not headstrong, at some point i was wrong

butterfingers, we lost control
we slipped away and run away

i cross my fingers, we won't mess it up 
again this time, i hope you'll be fine

you were so sloppy and gave it up
i hope you remember, that i was your crutch

next thing you know, was to lose control
and now you crawl, to save your soul
----------------------------------------------------------
(c)&(p), all rights reserved, STA 2023.

Rock and Roll Kills

butterfingers

Instrumental: DAN-DT @dan-t-3 
Vocals and lyrics: DelhyA
Art credit: DAN-DT

Échos d’ Automne 

Si l’automne vient surprendre les amants que juillet a laissés « naufragés »
C est le temps des regrets, le temps dépassé: celui de tout donner, il faut abandonner.

(All summer can bring may just leave in autumn with a breeze)

Le temps d’une larme,le temps d’un regard, il est déjà trop tard…
Le temps des silences, de l’indifférence, puis de l’évidence que le “doré” vire au noir…
C’est le mois des “mais”, le mois des “mais “, plus de mois de mai…du mois d’aimer!

Le temps de l’automne, le temps où tout détonne, le temps désormais se conjugue au passé
Le temps des tourmentes, le temps de ne plus prétendre,
Le temps le temps qui court et qui s arrête et puis…
Le temps,qui s en va, qui s en va, qui s en va, tout se fane!

Le temps de t’attendre, le temps de se comprendre, le temps d’apprendre, le temps dépassé, le temps des regrets, de tout donner!


Echos of Autumn 

If autumn comes to surprise lovers that July left "shipwrecked"
It is the time of regrets, the time exceeded: that of giving everything, we must give up.

(All summer can bring may just leave in autumn with a breeze)

The time of a tear, the time of a look, it's already too late
The time of silences, indifference, then evidence that gold turns dark
It is the month of "buts", the month of "buts", no more months of May... the month of love!

The time of autumn, the time when everything stands out, time is now combined with the past
The time of torments, the time to no longer pretend,
Time the time that runs and stops and then
Time, who goes, who goes, who goes, everything fades!

The time to wait, the time to understand each other, the time to learn, the time exceeded, the time of regrets, to give everything....

Échos d’ Automne (with DAN-DT)

Had a little dry spell, hopefully it's over now. In the span of 24 hours I have alternated between hating and loving this track about 400 times...

If you need a helping hand
Someone who understands
Don’t shed a tear, I’m right here

If you need a dollar bill
Or have a little time to kill
Baby you know I will
I’m right here

When you’re down and blue
And you need two big strong arms to pull you through
Hold on tight, that’s what i’ll do

These are more than just words I say
I’m here for you night and day
Have no fear I'm right here

When the road is long
And you need someone to beside you, I’ll come along
Anywhere with you, is the place where I belong

These are more than just words I say
I’m here for you every day
Have no fear I'm right here
Have no fear I'm right here
Let me make this clear

I'm Right Here

Recording sessions from 06/04/2024 - 13/04/2024.

*** MOOG - Microfreak - Guitare - Spark

What humans of our century are sorely lacking is the mental capacity for reflection, which has become very rare!
Think before you act, because afterwards, it will be too late once the dice are thrown... victory as well as defeat, with tears and gnashing of teeth...
“It is better to think before acting than to regret after having acted” Democritus

Ce qui manque cruellement aux humains de notre siècle, c'est la capacité mentale de la réflexion qui est devenue très rare !
Réfléchir avant d'agir, car après, il sera trop tard une fois les dès lancés... la victoire comme la défaite, avec des pleurs et des grincements de dents...
"Mieux vaut réfléchir avant d'agir que regretter après avoir agi" Démocrite
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Cover Art - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________

Reflection

Five  All In One

Hallo zusammen.... Mein zweites Stück mit einem KI-generierten Video, das ihr auf meinem You Tube Kanal und bei Schallwende sehen könnt. Die Links sind auf dieser Seite. Ich würde mich freuen, wenn ihr euch mal das Video ansehen würdet. Aber jetzt wünsche ich Ihnen gute Unterhaltung mit Metropolitan.
Viele Grüße Jürgen

Hello everyone.... My second piece with an AI-generated video, which you can see on my You Tube channel and at Schallwende. The links are on this page. I would be delighted if you could find your way there. But now I wish you good entertainment with Metropolitan.
Best regards Jürgen

Tillmann - 2025 - Phase X - 06 - Metropolitan

Jar Of Jarre 15

Under The Sky * Instrumental

🔥 Embers of the Forgotten 🔥

In a world long silenced by war and whispered legacy, "Embers of the Forgotten" breathes myth back into memory. This dark fantasy concept album fuses cinematic folk, ritual ambient, and gothic symphonics into a sweeping saga of fading oaths, hollow thrones, and ancestral rage. Each track unfolds like a lost chapter, steeped in chantwork, spectral strings, and cavernous echoes.

Through its haunting soundscapes and lyrical incantations, the album traverses forgotten battlegrounds, broken bloodlines, and cosmic trials. It beckons listeners to confront the remnants of power—who deserves to wield it, and what sacrifices remain in the ash.

🔗 Themes woven throughout:

The decay of dynasties

Memory as ritual

Fire as rebirth and judgment

The duality of silence vs legacy

The gods we shape through grief

This album doesn’t ask to be heard—it demands witness.

The Wind of the Vow

I woke from sleep in a cold hard sweat
She was standing by my bed
You know where I am if you need me,she said
Her touch was as cold as the dead

A scream arose in my throat
Yet was stifled and undeclared
Do I dream or wake as I sit on the bed?
Am I ready or unprepared?

The telephone rang,time to arise
Appointments need to be kept
Eight hours in bed and my body still said
It feels like I haven't slept


When I cut you down from the dance of life
You felt chilled right through
I knew from that moment on
You had killed me too

She said,all you see
Is not what you see
You must leave it all behind
The cloak and the veil of everyday life
Is only in your mind

Voodoo Blooz

01 - Spitfire Audio - Albion 2 - Loegria - String Ensemble
02 - Native Instruments - Noire Pure

Swish Of Piano

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

French singer- covers and original songs 
Thanks for listening!

Échos d’ Automne (with DAN-DT)

DelhyA

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