ORIGINAL(yanagamiyuki様):
https://soundcloud.com/yanagamiyuki/yanagamiyuki-cyber-kawaii-kunai-girl?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
https://www.youtube.com/watch?v=IyRc2zWFmj4&t=12s

yanagamiyuki - Cyber Kawaii Kunai Girl (milkeystain Bootleg)

【アイマスREMIX】メルヘンデビュー！ -HAPPY USAMIMIX-

https://youtu.be/CZwBC1vwDl8?si=dfnWmOcLCeXXpdtT

free download:
https://drive.google.com/file/d/1WClnBYbsSHkY-9tCnI8FbxzVMD4_BRtK/view?usp=sharing

水葬(SEE Remix)

たびのまえ、たびのあと（GLITCH BRAEK EDIT）

「K.AND HIS BIKE」のレコーディングの際、曲作りが酷く行き詰まったため気分転換にスーパーに行ったところ、疲れ果てた顔で饅頭を眺める原に荒井が突然「まーちゃん（原の愛称）、これ買ってブン投げねえ？」と提案した。原は「コイツも限界だな…」と思ったが、結局二人で饅頭を買い地面に思いきり叩きつけた。すると、てっきり潰れて飛び散るかと思われた饅頭は「ぽすっ」と鈍くバウンドした。それを見た瞬間に曲がひらめいた、という意味不明なエピソードを原がDVD「Eric the Fool Recognized His Bike Quakes」で語っている。

まーちゃん！はーい！何が好き？坂本真綾よりもあ・な・た

原曲も冒頭のドラムがまあまあ割れてて好きです

Yeah！めっちゃホリデイ(Lantora Remix)

Nine to Nowhere

apology-not-found.mp3

TRACK 16: I'll Give you a RACE RECORD

This track captures the moment when Black sound stopped being hidden and started being documented on our own terms. Race Records were more than vinyl, they were resistance, preservation, and proof of existence. This is the sound played behind closed doors, passed hand to hand, pressed without permission. Raw drums, blues soaked melodies, and Afro rooted rhythms collide as culture refuses to be erased.

From back rooms to phonographs, this track honors the voices they tried to bury and the music they could never steal.

—

OBÁ MYSTIK  
BOOK III: LIBERATION ROAD  
THE SOUND THEY TRIED TO STEAL

A sonic journey tracing the Great Migration, the rise of Harlem, and the birth of cultural power through rhythm, memory, and movement.

Released via Respawn Detroit Records  
Album drops Christmas Day  
Streaming everywhere

まーちゃん！はーい！何が好き？坂本真綾よりもあ・な・た

ニンジャハムスター