Terre sous tension

Cyclone

Rock song written, performed and produced by Sean Ferree

The Learning Curve

****

That was five catastrophes ago...

I'm here, but I haven't returned...

But...
We'll have something to remember...
..

How you pulled yourself together – and not me...
That's how it should be.
Let's say...

Now we won't have two Junes...
and you'll get a tan...

in the bright sun without me...

And we covered all of Lviv with the past...

across...

and the stars shone during the day...

But you didn't believe...

You painted me as strange...

These pieces of paper – tear them out – I'll have to...
Crossing them out won't be enough...

In vain did I see myself in you...
You renounced without denying.

You said you'd let me go, but you didn't promise you wouldn't be there...
like an inevitable evil.

And I'm here, but I haven't returned.

I bow to those who know how things should be...

And you – forward, forward, forward.

The one and only...

And we will have something to remember...

****
это было пять катастроф назад..

я здесь но не вернулась..

но.
нам
будет что вспомнить..
..

как ты взял себя в руки - а не меня..
так надо.
допустим ..


теперь у нас  не будет два июня
и ты загоришь
на ярком солнце  уже без меня..


и нами весь Львов исчерчен прошлым
вдоль вдоль вдоль..

и звёзды светили днём..
но ты не верил..


смешно рисовал меня
эти листы - вырвать -надо
вычеркнуть будет мало ..


зря .
видела в тебе себя..
ты отрёкся не отрицая

сказал что отпустил
но не обещал
что не будешь  рядом ..
как
необходимое зло..

и

я здесь но не вернулась

приклоняюсь пред теми кто знает -
как надо...

а ты иди иди - иди

иди-нственный ...

и нам будет что вспомнить

иди ..

Anegada

Mark says - 
In the 5 years I have been working with Rod, I have been encouraged to reach as far as my experience allows me to, with complete support at all times. So far we have completed 11 songs and have experimented with several others that made for a great learning curve for me, with several more at other stages of development... Watch this space, however as we are methodical and patient, therefore it may take some time to get them off the ground.

The subject matter of this song may be based on a different scenario but it is also a token of my gratitude to my inspirational collaborator and friend Rod, who has given me much confidence to rise to the ambition of his musical creativity and meticulous arrangements. Thank you all for giving this song your time.

Rod says - 
This song was conceived a long time ago to be sung in Spanish, but Mark did a magnificent adaptation with his English lyrics, and the meaning is 100% faithful to the original spirit, even though he hadn't heard the original song in Spanish. Technically, there are three voices together, consolidating a multi-vocal performance. The synth sounds emulate my old analog and FM synths, and the guitars were routed through an old console to achieve the vintage sound I was looking for.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix - @rplanes
Me - Vocals and lyrics
Image by Douglas Corrance

Thank You (Rodolfo Planes/Mark J Bennett)

I would like to tell you just how grateful I am,
And also how important you’ve been here in my life.
I know I don’t need to draw you a diagram,
Thank you for being there all this time as my wife.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
 
No need to show me all of your gratitude,
I already know how much you show that you care,
When you were prepared to move to my latitude,
Then I was convinced I was ready to share,
My life with you whatever it threw at the both of us.
I know that it’s true, no matter what you care to say.
I’ll always need to express all of my thanks to you 
This will always be true on that I swear.
 
I would like to tell you just how grateful I am,
And also how important you’ve been in, in my life.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
Then I was sure that I was ready to share,
My whole life with you, whatever that meant for the both of us.
I know that it’s true, whatever you say.

This song on Continental Collision's own cloud - https://soundcloud.com/user-517923604/thank-you

Also available on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Thank You - Continental Collision (Rodolfo Planes & Mark J Bennett) on Spotify

Ta 25ième heure, l'heure à laquelle tu décides de vivre ta passion.Lorsque l'on fait une activité qu'on aime le temps est toujours trop court et jamais assez long.

Your 25th hour, the time at which you decide to live your passion. When doing an activity that we like, the time is always too short and never long enough.

Ta 25e heure

Tu l'imagines
Mais tu plies l'échine… toujours!

Cet espoir de bonheur
Te reviens à chaque heure… à chaque heure.

(Mais tu te dis…)
Souvent trop longues
Jamais trop courtes
Peu importe elles s'écoulent

Tu rêves de cet instant
Pour traverser ces moments… plus librement.
Toutes ces journées à labourer
Pour construire ce paradis… tant souhaité.

(Mais tu te dis…)
Souvent trop longues
Jamais trop courtes
Peu importe elles s'écoulent s’écoulent s’écouleeeeent

Jamais trop longues
Souvent trop courtes
L'important c'est que tu t'écoutes
Voilà l'instant
Ici le moment
C’est l’heure
De ta 25e heure

Solo

Celle qui t'appartient
La réalisation de ton destin
L'instant de bonheur
Ta passion à toutes heures… à toutes heures

(Mais tu te dis…)
Jamais trop longues
Souvent trop courtes
L’important c’est que tu y touches
Le temps présent
Le temps constant
Voilà l'instant
Ici le moment
C’est l’heure
De ta 25e heure


Ta 25ième heure

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Selmer Alto Saxophone solo. Fender Rhodes Electric Piano solo. Hammond B3 Electric Organ solo. Acoustic Stand-up Bass. Hammond B3 Electric Organ Rhythm with Bass Peddles. Acoustic Drum kit Full set. Percussion Nature sounds Crickets, Birds Chirping. 22" Zildjian Ride & Crash Cymbals.

Cannery Row

Sounds of Summer

Waiting is the second successful collaboration between UK composer, musician and producer, Noobly, and singer/songwriter, Todd J McLean. Waiting offers a glimpse inside the mind of a daily commuter who has developed feelings for a fellow train rider, but he just hasn't got up the nerve to make the first move (yet). Waiting is an unabashedly fun rocker, so enjoy!

Music and production by Noobly https://soundcloud.com/noobly-1?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Lyrics and Vocals by Todd J McLean
Cover Art by Todd J McLean (Castle Keep, mixed media)

Waiting

Morning again, you hop on the train
Workday begins, more of the same
Look my way, catch me staring
Flash me a smile, scope what I’m wearing
But I don’t have the courage, to talk to you
Do you have a boyfriend? Wish I knew
Got no game, I’m frozen stiff
Waiting for love - opportunity missed

Do you even see me (I’m here waiting for you)
Standing in the corner (I’m here waiting for you)
Can’t stop dreaming (I’m here waiting for you)
Need to make it happen
Waiting in love with you
Waiting in love with you
Waiting in love with you
Waiting in love with you

That older man who drops you off each day
Prolly your daddy, I like to say
And that tiny handprint on the back of your coat
tells me that maybe me you gotta little kid at home
Outside chance that someone just like you
Is free as bird and might want me too
I wait on this train, day after day
With love in my heart and nothing to say

Repeat Chorus

Waiting

from the EP "Funny Days" by Imre Lodbrog et Sa Petite Amie
available on
open.spotify.com/intl-fr/album/10…3Ds20LZwmXCscjae
music.apple.com/us/album/funny-days-ep/1822802207
www.youtube.com/channel/UCm8WMUk78ieCvdKBsnjLuVg
recorded in Area 52 Studio, Saugerties New York
Steve Rust on Bass, Harvey Sorgen on Drums, Imre L. Vocals, Guitars, Hammond organ


TIMOTHY LEARY  LONG TIME
YOU AND I NO SEE
FROM THE OUTSIDE LOOKING IN
SHINE ON CRAZY STRAWBERRY
BLURRY IS THE OPEN SEA
CLOSE YOUR EYES AND YOU WILL SEE

EMOTION IN MOTION
THAT’S THE WAY TO FUNCTION
COOLNESS IN A POTION
SPIRITUAL ACTION
TUNE IN TURN ON DROP OUT

TIMOTHY DEARIE OH BABY
IT IS CLEAR TO SEE
FROM THE INSIDE LOOKING OUT
A HORSEMAN WITH NO HORSE
A HORSE WITH NO NAME
LEARN TO BE AND NOT TO BE

EMOTION IN MOTION
CAN YOU FEEL THE SUCCION
CHOCOLATE EXPLOSION
MARTIAN REVELATION
TUNE ON TURN OUT DROP IN

TIMOTHY LEARY (Lyrics + notes)

And now for something completely different...I had a lot of fun working on this track with the very talented JIM WEBCAMPRO https://soundcloud.com/jim-webcampro?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

With A Doctor's Note

Those kind men from across the sea
Really care about your family
Sent their bombs to you and me
To blow our town to smithereens

Tech bros to billionaires
Convincing us that they really care
While we’re all living on a partial share
No worries, they’ve got cash to spare

Bomb Baker
Life Taker
Hate Raker
Resort Maker
x2

Hide behind those values you tote
Make the world eat your smoke
Breaching all those laws you wrote
You’re excused, with a Doctor’s note

That nice king from over there
Let’s us know that life ain’t fair
Never to rise above our station
‘Cause we weren’t born in favoured nation

Another bully says might ain’t right
While devising new ways to smite
Media sayin’ all the wrong things
The feckless queue to kiss the ring
Media sayin’ all the wrong things
If there’s a God, he’s got justice to bring

Bomb Baker
Life Taker
Hate Raker
Resort Maker
x2

Hide behind those values you tote
Make the world eat your smoke
Breaching all those laws you wrote
You’re excused, with a Doctor’s note

Music & Production: Jim Webcampro https://soundcloud.com/jim-webcampro?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Lyrics and Vocals:  Todd J McLean
Cover Art: Doctor Pepper (Mixed Media)


With A Doctor's Note

Non Mi Piace Più

Will I be lucky enough to get a publishing deal with BMG?

My name is Davide, born in 1978.

I started studying classical music at 10, graduated in theory and solfeggio, then moved on to explore other musical worlds.

I began composing as a teenager using Protracker on the legendary Amiga 600hd.

Since then, i've never stopped.


I write mostly instrumental music ( from intimate piano sketches to progressive synth tracks ) oftend with dark harmonies and cinematic moods.


I've balanced creative work with side jobs, always chasing the dream of living off my music.

Now, with over 80 original tracks ready, i'm seeking a collaboration with music publishers and sync professionals.

Non Mi Piace Più

Bislo