ITALIAN VERSION
In una notte tempestosa con il rumore della pioggia che cadeva forte sulle finestre, due strani e ambigui personaggi dal nome flash e splash, decisero che per loro era giunto il momento di farsi una doccia, per questo uscirono dalla loro stanza e con pazza gioia si buttarono a dimenarsi sulla strada sotto la pioggia cadente.
Ma all'improvviso un fatto cambiò per sempre le loro vite: nel bel mezzo del loro squizzare furono colpiti entrambi da un fulmine.
I nostri poveri flash e splash restarono li sdraiati sulla strada per un tempo incosciamente lungo, ma fortunatamente erano ancora vivi ! Ma al risveglio ebbero una strana scoperta:
erano diventati due mezzi uomini e mezze scimmie .... li nascerono i Monkeynoise .
Strane creature con il talento di muovere masse a suon di ritmi musicali a volte insoliti, nulla di ordinario, ogni spettacolo ogni set non è mai uguale. 
I Monkeynoise i dj mezzi uomini e mezzi monkey.

ENGLISH VERSION
On a stormy night with the sound of rain falling hard on the windows, two strange and ambiguous characters named flash and splash, decided it was time for them to take a shower, so they went out of their room and mad with joy threw to squirm on the road in the rain falling.
But suddenly a fact forever changed their lives: in the middle of their squizzare both were struck by lightning.
Our poor flash and splash them remained lying on the road for a long time unconsciously, but fortunately they were still alive! But the awakening had a strange discovery:
had become two half men and half monkeys .... them nascerono the Monkeynoise.
Strange creatures with the talent to move masses to the sound of musical rhythms sometimes unusual, nothing ordinary, every show each set is never the same.
The Monkeynoise DJs half men and half monkey.

Acoustic Daze is known for their sing-along songs from the 60's and 70's.

Jon Daniels on lead vocals: A founding member of the band. Jonny sings with passion and style. Has been performing since high school. Heavily influenced by Bruce Springsteen and The Rolling Stones as a teenager. Pharmacist by day and rocker by night...Jon aims to please the crowd.

Howie Daniels on lead and rhythm guitar and harmonica: A founding member of the band. Howie began playing violin at the age of 6 and switched to guitar at the age of 10. A student of Folk Rock, Country Rock, R & B and Classic Rock, Howie is heavily influenced by Bob Dylan, The Grateful Dead as well as Bruce Springsteen. Has a diverse range of influences, but his eclectic style is his own.

Tom Sedota on drums: Tom began studying drums at age 15 with Lou Carto. Tom played in local bands such as Timothy, Gary G. and the Energy, Paula Graham and the Emphatics, and the John Papi Quartet. Tom is heavily influenced by Buddy Rich, Joe Morello, Levon Helm, and Steve Gad.

Jeff Chase on rhythm and lead guitar and vocals: Jeff became interested in guitar and started taking lessons at age 11. As a lead guitarist and vocalist for two bands, he played at many gigs in his hometown of Portland, Maine. He honed his harmonizing skills participating in a youth choir and eventually led the choir. Jeff has participated in a variety of rock bands throughout college and beyond. 

Jimmy Driscoll on Trumpet: Jim won 1st place in the  Carnegie-Mellon 🎺Music Awards Competition. He was 2nd chair twice in the Pittsburgh Youth Symphony in which seating is achieved by tryouts. Both of these were accomplished In high school. Also, Jim was guest soloist for the Carnegie Civic Symphony while in high school. Jim played third chair with the Carnegie Civic Symphony after college in the late 70’s - early 80’s. for a few years. Jim had his trumpet silver-plated!  Jim started playing again November 2014 after a 20 year hiatus. He joined Acoustic Daze in the fall of 2016.

Song list as of 9/9/2019:
98.6
ALISON
AMIE
AND I LOVE HER
ANOTHER SATURDAY NIGHT
BABY BABY FALLIN IN LOVE
BABY BLUE
BABY I LOVE YOUR WAY
BABY I'M A WANT YOU
BACK IN THE HIGH LIFE
BAD TIME TO BE IN LOVE
BECAUSE
BEHIND BLUE EYES - mashup
BEND ME SHAPE ME
BEST OF MY LOVE
BLUE BAYOU
BOULEVARD OF BROKEN DREAMS
BRANDY
BROTHER LOUIE
BYE, BYE, LOVE
CALIFORNIA DREAMIN
CANDLE IN THE WIND
CAN'T BUY ME LOVE
CAN'T HELP FALLING IN LOVE
CARRIE ANNE
CELEBRATE
CLOSING TIME
COME MONDAY
COUNTRY ROAD
CRACKLIN' ROSIE
CRUEL TO BE KIND
CRYSTAL BLUE PERSUASION
DAISY JANE
DANCING IN THE MOONLIGHT
DANIEL
DANNY'S SONG
DAY AFTER DAY
DAYDREAM BELIEVER
DESPERADO
DIRTY WORK
DON'T CRY WOLF (Original)
DON'T DO ME LIKE THAT
DON'T LET ME DOWN 
DON'T LET THE SUN
DON'T THROW ME AWAY (Original)
DON'T WORRY BABY
DO WAH DIDDY
DOWN ON THE CORNER
DREAM
DRIFT AWAY
EIGHT DAYS A WEEK
END OF THE LINE
EVIL WOMAN 
FERRY ACROSS THE MERSEY
FIVE O'CLOCK WORLD
FOOLED AROUND AND FELL IN LOVE
FRIEND OF THE DEVIL
FROM ME TO YOU
GARDEN PARTY
GIRLS TALK
GOOD RIDDANCE (TIME OF YOUR LIFE)
GROOVIN
HAPPY TOGETHER
HAVE YOU EVER SEEN THE RAIN
HEART FULL OF SOUL
HERE COMES MY GIRL
HEY JUDE
HITCHIN' A RIDE
HOLDING BACK THE YEARS
HOMEWARD BOUND
HOOKED ON A FEELING
I AM A ROCK
I AM I SAID
I CAN HELP
I FEEL FINE
I GOT A NAME
I SAW THE LIGHT
I SECOND THAT EMOTION
I SHOULD HAVE KNOWN BETTER
I STILL HAVEN'T FOUND WHAT I'M LOOKING FOR
IF I FELL
IF YOU COULD READ MY MIND
I'LL CRY INSTEAD
I'LL GET YOU
IMAGINE
IN MY LIFE
ITCHYCOO PARK
IT AIN'T ME BABE
IT NEVER RAINS IN SOUTHERN CALIFORNIA
IT'S SO EASY
I'VE GOT TO GET A MESSAGE TO YOU
JUST A SONG BEFORE I GO
KNOCKING ON HEAVEN'S DOOR
KODACHROME
LET IT BE 
LET YOUR LOVE FLOW
LODI
LONESOME LA COWBOY
LOVE GROWS WHERE MY ROSEMARY GOES
LOVE HURTS
LOVE ME DO
LOVE ME LIKE A ROCK
LOVE THE ONE YOU'RE WITH
LOVE POTION NUMBER 9
LYIN' EYES

Masonry Records, is a humbled Record specialized Reggae/ Dancehall/Afrobeats, The Birth Of this Great Record label is to make music which inspires; the old and the young, the sick and the healthy person, the Rich and the Poor, The Strong and the weak.  We are humbled and Strong.  
 There have been arguments about our brand name but when we say Masons, we mean builder but the only difference between Masonry Records Is ; We build even when the rain is falling. 
 Enjoy these songs and let the heal you.

The Kwanzza gang are soon to come up with some lit shit 
"you know it's funny, when it rain it pours, they got money for wars,but cant feed the poor" 2Pac

HOLIDAYS FUTURISME, is the new project of singer and songwriter Claudio Valente, realized with the help producer and guitarist Simone Chivilò.
Music and lyrics by Claudio Valente, produced and realized by Simone Chivilò and Claudio Valente

HOLIDAYS FUTURISME, is the new project of Venetian singer and songwriter Claudio Valente, realized with the help producer and guitarist Simone Chivilò.

Thay already recorded 14 new songs for an album titled "Venice to Venice(foggy days and sunny nights) and we would like to get in contact with Yeproc A&R to discuss about it. A videoclip of the song Radio Silence has also been realized and it will be ready in a couple of weeks.

"Venice to Venice" has been inspired by a physical, bur also emotional trip from Venice(Italy) to Venice beach(CA), travelling from the foggy decadent European city on the lagoon to the sunny Californian shores, and the music of the album reflect these two worlds and souls, going from the tough rock wave of Radio Silence to the balladry of "Soul Singers never sleep alone" and "Better go while it's still fun" to the electronics of "Know"  and the classic solid rock of "Falling Down"

During Holidays Futurisme's  concerts take place an art performance also, "Venice to Venice"  is going to be presented in many art galleries of Venice, with the help of photographer and graphic artist Marzia Dal Gesso and her lightpainting tecnique and the videos of Valeria Cruceli.



Descrizione
HOLIDAYS FUTURISME è il nome del nuovo progetto musicale di Claudio Valente per il quale il cantante e musicista veneziano ha scritto e realizzato molte nuove canzoni, quasi tutte in lingua inglese, tornando alle sue origini più rock, che saranno pubblicate in un album intitolato “Venice to Venice…(foggy days, sunny nights)” .

Il nuovo disco è stato prodotto e arrangiato ancora una volta insieme a Simone Chivilò, per la propria label Heart Rmp, e suonato dallo stesso Claudio, chitarra e synth, Simone Chivilò, chitarre, basso e programmazioni, Virginio Bellingardo, batteria e percussioni.
Gli interventi di sax sono di Tiziano Valente.

La varietà dei pezzi riconferma l’eclettismo compositivo di Claudio che attraverso le canzoni percorre un vero e proprio viaggio, sia geografico che interiore, partendo dalla sua città d’origine, Venezia, per arrivare ad un’altra Venezia dall’altra parte del mondo, Venice Beach, California, e ritorno; un viaggio realmente avvenuto e che ha ispirato i brani che si snodano per tutto il disco variando dalle atmosfere più crepuscolari e mitteleuropee ispirate dalla laguna veneziana a quelle più rock e soleggiate nate sulla costa Californiana; ecco spiegato il titolo e la varietà degli ingredienti usati da Claudio, il quale per questo nuovo album ha scritto pezzi tirati e grintosi come non mai, anche per la natura spigolosa dei testi che sottolineano la pochezza culturale e la crisi di valori odierne attaccando con forza polemica il mondo dei mass media sempre più incapace di offrire stimoli artistici (Radio Silence), ma ha composto anche misteriose e decadenti songs dal suono morbido e suggestivo ambientate in una Venezia languida e davvero struggente (Angel); ci propone rock songs dall’andatura groovy e black che fanno balzare in piedi (Falling down) e altre decisamente baciate da un sole californiano, da spararsi a tutto volume correndo in auto o in moto con il vento nei capelli (17 miles drive); c’è spazio anche per una manciata di ballate elettro-acustiche notturne e introspettive, (“Better go while it’s still fun”, “Soul singers never sleep alone”) a volte tinte di soul (“Serenade” ) e per episodi dove elettronica e rock convivono in maniera decisamente particolare ricordando le sue origini new wave (“Know”, “Love behind the doors”).
Aprono e chiudono due strumentali ambient.

Insomma nel disco di HOLIDAYS FUTURISME c’è n’è sicuramente per palati diversi, ma con un sound generale a dare coerenza al tutto, merito della produzione lucida, moderna e spontanea di Simone Chivilò e di una consapevolezza ormai matura raggiunta da Claudio Valente che, dopo le escursioni nel pop-rock d’autore in italiano dei due precedenti album a suo nome (per i dischi in italiano precedenti vedi www.claudiovalente.com), cambia di nuovo le carte in tavola e si ripresenta con questa nuovo progetto dal respiro internazionale.

ENGLISH

HOLIDAYS FUTURISME, is the new project of singer and songwriter Claudio Valente,. realized with the help of the producer and guitarist Simone Chivilò.

Under this moniker Claudio Valente has written many new songs, in English language as he used to do at the beginning of his career, confirming his eclectic composer’s vein and decidedly going back to his rock and experimental roots, after the last two albums as Claudio Valente, where he presented himself with a pop–rock crooner elegant style singing in Italian language (see www.claudiovalente.com for info).

This first Holidays Futurisme’s album is titled “Venice to Venice (Foggy days and Sunny Nights)” and is a 17 tracks trip from Venice(Italy) where Holidays Futurisme is based to Venice Beach (CA), a journey that really took place and inspired to the author all the songs which, as a consequence, show different souls and use different styles and you can find:

the tough, hard-rock-wave verve of “Radio Silence”, which, in its lirycs, conveys a strong, bitter, criticism of nowadays poor cultural climate, as a result of the vulgarity of Radio and TV shows’ mass – culture;
the romantic and suggestive evocative sound of “Angel Danger”, born through the mists of the Venetian lagoon like the decadent, italian song “Amica Gentile, Amica Crudele” as well;
on the sunny shores of Venice Beach took life a groovy solid rock song as ”Falling Down” or the easy rocker “17 Miles Drive”, a perfect soundtrack for a ride with the wind through your hair along the coast of California;
then, there are some nocturne, introspective electro-acoustic ballads as well (“Better go while it’s still fun”, “Soul singers never sleep alone”, “Serenade”) and tracks where rock and electronics live together in an intriguing way which sometmes reminiscences the old days of European new wave (“Know”, “Love Behind the Door”, “Rain from the Sun”).
Two instrumental ambient pieces (“Intro” and “Outro”) open and close this journey from Venice to Venice (and back again ) and through the eclectical and rich musical world of Holidays Futurisme.


Music and lyrics by Claudio Valente.
Produced and realized by Simone Chivilò and Claudio Valente;

Claudio Valente, vocals, synth and guitar,
Simone Chivilò, guitars, bass, sequences,
Virginio Bellingardo drums and percussions.
Additonal saxophones played by Tiziano Valente.

I like people with head erect, inner content, idealism in the eyes and two feet on the ground of reality.
like
people who laugh, cry, if it moves with a simple e-mail,
call, a soft song, a good movie, a good book, a gesture of
affection, a hug that I have, what I cherish.
People who love and miss Tan, who loves his friends, grow flowers, loves animals.
He admires the landscape, dust and rain.
the
people who have time to smile kindness, sow forgiveness,
tenderness distribute, share experiences and inland to
make room for emotion, by itself, the emotions that flow in the course of
Its people are! they like to do things like that, no escape from difficult commitments and unavoidable stressful for them.
people
who picked up the tab, if you understand, it is recommended, he seeks the truth and
who always wants to learn, what exactly is a son of a poor, a
illiterate.
People heart unarmed, without hatred and economic prejudices. with
much love in itself.
People who errs and recognizes that falls and
lifts, catches and assimilates shots, removal of errors and redeeming Lessons
doing their tears and suffering.
I love people like that.
EI is suspected that this kind of person who loves God too!
It is, then, as the taste for friends

if you were subscribed to me 4 years ago, i didn't delete you i deleted my entire account, twice.influenced by:Gridlock,yelworC,Mentallo&TheFixer,&#13;
Synapscape,PneumaticDetach,Converter&#13;
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2003-2004 ~ 2009-2011&#13;
untrained hobbyist musician (I use this term lightly, as I don't know music theory and never spent exorbitant amounts of money trying to learn how to use any of the software I own). I have a strict 3 hour time limit for making songs, never go beyond it and I usually end up wrapping up a song around the 2 and a half hour mark (mixing and mastering is included in this time limit). Setting limits for yourself when you're making any type of art is a really good idea because it encourages you to be creative with what you have, and learn use those limits to your advantage. plus I feel music is more evocative this way. I was reading an interview with some big name director and he felt the same way I do, that limits encourage artistic creativity.&#13;
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many more songs are available at <a href="http://versionfiv.com/exeter" rel="nofollow" target="_blank">versionfiv.com/exeter</a>.&#13;
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HISTORY:&#13;
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I began making mp3s in Fruity Loops for a few months in 2002 and 2003, uploaded them to <a href="http://www.acidplanet.com/artist.asp?AID=143006&T=6907" rel="nofollow" target="_blank">acidplanet.com</a> (they're still there). Gave up on it after finishing maybe five songs that I was happy with (and buying a novation k-station which was in "storage" by mid 2004) .From 2003 to 2008 I focused my energies on computer graphics instead, making abstract desktop images and photo manipulations (available at <a href="http://ww.versionfiv.com" rel="nofollow" target="_blank">www.versionfiv.com</a>.&#13;
 In 2008 I contributed to the HOINH compilation, a mockery/tribute of both someone named Fluid and a similar themed previous compilation. this rekindled my passion for making music, even though everything surrounding HOINH is ridiculous (we were told to make intentionally terrible songs, and it was made to mock someone who always said crazy stuff). my contribution was the first track, Total Hoinh, on the album Wyoming. &#13;
In June 2009 I decided to start making music again because I wanted to see what I would turn out.what turned out was a song called Scattered Disc, made with Fruity Loops (just FL, no external VSTs). I made 3 versions of that song, and settled on "Scattered Disc (Resonant)" which you can<a href="http://versionfiv.com/exeter" rel="nofollow" target="_blank">download here</a>. I made a dozen other songs that year and uploaded some to <a href="http://last.fm" rel="nofollow" target="_blank">last.fm</a>, soundcloud, and my website.Most of these songs were rough powernoise.I think the powernoise songs all turned out badly because I didn't have any mixing or mastering knowledge (and still don't).At the time I was focusing on building my skill at arranging tracks, more so than working on how the song sounded.Also, I had the idea that I was following "black metal" style production value.of course, this was just an excuse for laziness and poor <a href="http://skill.in" rel="nofollow" target="_blank">skill.in</a> total, 2009 turned out 8 songs (one a re-arrangement of a 2003 track made by Crush Depth called "From Rip To Shred") which I compiled with a few songs I made in 2003 and 2004 as <a href="http://www.last.fm/music/Exeter/Debris+Disk" rel="nofollow" target="_blank">Debris Disk</a>. &#13;
From fall into winter 2009-2010, I was making music nearly every week.I completed a total of 10 songs from January to November in 2010 (along with dozens of lesser quality experiments still on my hard drive).The first songs that I made in 2010 were "The 97th Step" and "The Walking Bed", both industrial powernoise. "The 97th Step" was a tribute to both the Matador military science fiction novels and Converter, because I had been listening to "Coma" frequently.After these two songs, I felt comfortable enough to start making IDM again, and I did with Desparecidos, When Will This Night End, Stopat, & Rain.Ieven mixed in some wall-of-sound noise with the IDM with Varelse which I hadn't tried since my first-ever experiment with making music, <a href="http://versionfiv.com/exeter" rel="nofollow" target="_blank">"Not Human"</a>. (I made that one in 2002 by turning loops on and off live in fruity loops, without sequencing. truly avant garde professional stuff).&#13;
During october 2010, I tried, for me, interesting and innovative, ways to record, sequence, and apply effects with the songs Crocodilian and Rain.&#13;
It's 2011 now, and I've made a couple of songs, although not as many as I'd like.Almost zero inspiration for music right now, but I might start making wallpapers again. There are maybe 5 half-finished songs on my hard drive but can't seem to find it in me to finish them.&#13;
EQUIP USED: Novation K-Station, FL Studio 9XXL Producer Edition, Native Instruments Absynth, Battery, and Reaktor, Pro53 VST, & Predator VST)&#13;
this page, made in July 2011, is the third time i've made a soundcloud page as Exeter ... I made a page in December 2009, deleted it in January 2011 cause I didn't feel very good.Then I made a new one towards the end of February, and deleted that one a few months after for similar reasons. &#13;
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There something that just can’t be replaced about being one of those poor sons of bitches down there with two tanks of kerosene strapped to your back, liquid fire pouring all over the vc, the man in the dark pyjamas a formidable opponent indeed, popping out of one of his spider holes or rice paddy there ain’t no human harder to ignite with your flame tosser than one that’s been seeping himself in that deep rice paddy wearing on of those triangular hats, like it’s supposed to keep the rain of when you're that deep in muddy, maggoty malaria ridden water you poor some bitch i’ll send you straight to hell with my hellfire, fight fire with fire look both ways when crossing the streets don't you take any wooden nickels you little vc tic



Biography.

Hailing from the streets of Flatbush, Brooklyn, Young Dre is an aspiring rapper whose about to break through the clutter of obnoxiously flossy MCs. Drawing inspiration from rap legends like 2pac, Notorious B.I.G and LL Cool J, Young Dre made a name for himself by sticking to his raw street style and spitfire delivery. Dre's musical gifts first became apparent at the tender age of 5 years old, when his mom Gillian would have him recite lyrics from her favorite songs. She didn't know at the time that his innocent impersonations would soon flourish to produce an immense gift.

During the hip-hop golden age, as rap groups like Wu-Tang Clan, Criss-Cross and A Tribe Called Quest permeated mainstream culture, Young Dre became dedicated to his craft. In 1993, Young Dre met his childhood friend and future partner in crime Dominick Phillips aka Dom P. From there, the two formed the group Goodfella Movement. Musically, the duo made magic together. They transformed the struggles and stresses of growing up in Flatbush into raw, honest lyrics.

At 17, Dom P was arrested on drug charges and sentenced to a year in prison. At that time, Dre packed up and moved to Kentucky to regroup and escape the city life for a while. Their time apart helped them both evolve lyrically and hone in on their talents. Building the beats, lyrics, and melodies all from the ground up, Goodfella movement captured their own unique sound and in 2007 joined forces again - this time synching up with a neighborhood friend and 3rd member of the Goodfella Movement, Fusha.

If you're keen on rap lyrics that boast about Betley's, Rolexes, and making it rain, the Goodfella Movement isn't for you. "What inspires the Goodfellas to write music is the day to day struggles of life that everybody can relate too," says Young Dre. "We all go through it; fat, small, big, tall, sick, poor, rich, pretty, ugly. We all are human and that's what inspires me".


Agatha Errol is following