[ˈfo͝olkrəm]

multicore™ 

bookings: tana@realsomething.com

DJ/PRODUCER
INSOMNIAC - SPACE YACHT - HOOD POLITICS - HOLY MOLÉ
Promo/Bookings: roylacroixmusic@gmail.com

Roy LaCroix, (real name Ryan Roth) hails from the suburbs of St. Louis, MO and has been making (sound) waves and poppin’ seltzer bottles since 2011. Now living in Los Angeles, CA, he has always been heavily influenced by the sounds of the 90s, most notably Hard House and Eurodance.

He has put his 90s tech-house spin on esteemed record labels including Insomniac, Space Yacht, Holy Molé, Popgang, Hood Politics, and Psycho Disco. Recently, his track, “Sweat” was placed on the Spotify “Fresh Finds” and “Fresh Finds Dance” editorial playlists with over 1.2 million combined subscribers.

His tracks have received industry support from artists such as ACRAZE, Pasquale Rotella, Don Diablo, Golf Clap, Tommie Sunshine, DJ Susan, Ardalan, Mary Droppinz, Codes, Anna Lunoe, and many more.

LaCroix is a leading host on Pioneer DJ’s North American social media channels and holds the title of Pioneer DJ’s Artist Relations and Marketing Manager. You may have even seen Roy compete in season two of the epic mini golf tournament, Holey Moley, hosted by Rob Riggle on ABC and Hulu.

With his carbonated charisma and majestically manicured mustache, Roy LaCroix continues to inspire crowds around the world.

soundcloud.com/rockbottomrecs
soundcloud.com/musicis4lovers
soundcloud.com/discoveryproject
soundcloud.com/spaceyacht
soundcloud.com/hoodpoliticsrecords
soundcloud.com/holymolemusic
soundcloud.com/popgang
soundcloud.com/goldblocrecords
soundcloud.com/psychodiscorecs
soundcloud.com/broderskab
soundcloud.com/coolcontestrecords

Also, he has a synthwave/italo 80s project: @driver405music

Rapper from Buffalo, NY. 


instagram: @twin_child

"Camp’s brief but fully formed compositions have a time-traveling effect on the listener. It becomes hard to tell if you’ve been listening for a few minutes or a few hours, so confidently and strangely do these songs inhabit their own world, separate from the three-minute pop structure and sprawling “sophisticated” art-rock template." -- Baltimore City Paper

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