[UNDER CONSTRUCTION]

Fantaisie track (courte) series no. 363

creation: 2023/05/04

These tracks were uploaded to SC between 03/2023 and 05/2023,
except for the following, older ones:

. . -
[TO BE COMPLETED]

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

hk_fantaisies_tracks_363

Distanti - Attimi , Istanti 
Composed by Michael Caria & Guido Tabone

From the Upcoming album AMO RE

Shimmering Moods Records

Distanti - Attimi , Istanti [ Shimmering Moods Records ]

Deep Diversity vol. 7 ( part 1) on Deep Electronics

"A exploration into a diversity of sounds and atmosphere. From ambient to experimental. This compilation has it all."

released December 3, 2021
Artwork and design by Jeroen
Den Helder, Netherlands
Mastering by Rosto

Pyrmont - Petrichor (Reverberated) [Deep Electronics]

The Winter - Mr. Andrew’s Garden

Collaboration with Thomas Park: A dronescape based on classical creative common recordings in G major and e minor. Sections of different recordings were recombined including the Generative Soundscape Radio. This is the second of twelve generations as we will continue along the circle of fifths.

The following samples were used, all from public domain sources (e.g. WIkimedia Commons):

Carl Philipp Emanuel Bach - Sonata in G major.ogg - Wikimedia Commons Alex Murray, traverso; Martha Goldstein, Harpsichord

Beethoven, Ludwig van - Cello Sonatas No. 1 and No. 2, Opus 5 in g. - Wikimedia Commons www.garageband.com/artist/cellolive John Michel

Blavet, M. - Sonata No. 1 in G major - Wikimedia Commons Albert Tipton (flute) and Mary Norris (piano), from the Al Goldstein Collection

Brahms,J. Symphony No. 4 in E Minor, Op. 98 - I. Allegro Non Troppo- Wikimedia Commons, by Musopen Symphony

Chopin, F. Prelude no. 3 in G major - Wikimedia Commons played by Ivan Illic

Chopin, F. - Nocturne op. post. 72 n.1 e-moll - Wikimedia Commons played by Patrizia Prati

Dvořák, Antonin — Symphony No. 8, Op. 88 — 1. Allegro con brio - Wikipedia, DuPage Symphony Orchestra (orchestra), Barbara Schubert (conductor)

Dvořák, Antonin- Symphony no. 9 in e minor 'from the new world', op. 95 - i. adagio - allegro molto - Wikipedia, Musopen Symphony

Elgar, Edward- Cello concerto in e minor, op. 85 - iv. allegro, Op. 85 Skidmore College Orchestra, Wikimedia Commons

Händel, G.F.- Sonata for flute in E minor HWV 359b - 1. Grave. Wikimedia Commons Al Goldstein, flute and Martha Goldstein, harpsichord

National anthem of South Korea - Wikimedia Commons composed by Ahn Eak Tai, played by US Navy Band

Haydn, J; Symphony No. 100 In G Major "Military"- 1. Adagio-Allegro- Wikimedia Commons Salzburg Mozarteum Orchestra Fritz Weidlich

Mahler, G.. Symphony No.4 in G major 1. Bedächtig, Nicht ellen - Wikipedia European Archive, Musopen

Mozart, W.A. - flute concerto in g major, k. 313 - i. allegro maestoso.- Wikimedia Commons, Skidmore college, musopen

Mozart, W.A. - Eine kleine Nachtmusik - 1. Allegro.ogg - Wikipedia Selections from the season 05-06 of the Advent Chamber Orchestra, Roxanna Pavel Goldstein, Musical Director, Elias Goldstein, Managing Directo The Al Goldstein collection in the Pandora Music repository

Ravel,Maurice - Le Tombeau de Couperin. I. Prélude.opus - Wikipedia played by Isaac David

Reicha, Anton - Wind Quintet Op. 88 No. 3 in G major - 1. Lento - Allegro assai - Wikipedia The Soni Ventorum with guest artist Marshall Winslow, The Al Goldstein collection

Romberg, Bernhard - Flute Quintet in G Major - Allegro.ogg - Wikipedia This recording of Sir James Galway playing with the Young Danish String Quartet is a live performance made in the Concertsal of Danish Radio, November 11, 2005 at 8PM.

Smetana, Bedrich - ma vlast - i. vltava 'the moldau'.ogg - Wikimedia Commons, by played by Musopen Symphony

Telemann, Georg Philipp - Sonata in E minor - Wikimedia Commons Alex Murray, traverso; Martha Goldstein Harpsichord

Tchaikovsky, P.I.- Symphony No.5, E minor, Op.64 - I Andante II Andante - Wikimedia Commons, Paul van Kempen, Koninklijk Concertbouworkest.,1951

Vivaldi, A. - Cello Concerto Gmaj - 1. Allegro - Wikimedia Commons the Advent Chamber Orchestra with Stephen Balderston (cello), Al Goldstein Collection

Generations Part 2: Ge (Thomas Park Collaboration)

Molière Ultima verba (Le roman de Monsieur de Molière)

Full album in free download here https://archive.org/details/yoshiwaku_flashback
All Yoshiwaku album on archive in free download https://archive.org/search?query=creator%3A%22Yoshiwaku%22

Society Needs Outsiders Feat Alan Watts by Yoshiwaku [full record in free download]

Space Form

Space Form 4

Hi guys, i find a new toy and it sounds like this !
A new secret weapon.
Basically these recordings aren't edited except for the volume.

no fucking Ai were used in this track.

2023 - 03 - 06 17 - 04 2023 - 03 - 06 17 - 33

Lucy Grey - Ether

FADE IN [or ECHOES OF SILENCE?]:

INT. THEATRE - NIGHT [or DARK ENSEMBLE?]

The curtains slowly rise on the blank stage, revealing an enigmatic presence fixed in a trance-like state. Emerging gradually from the shadows, the unidentified figure initiates their art with an opening chord. Instantly, the atmosphere is transformed with a velvet-black ambiance [or twilight abyss?] and a mysterious glow that seems to swirl and dance in the background [1].

CUT TO:

AN INTRICATE TAPESTRY OF VERNACULAR [or LANGUAGE LABYRINTH?]

We hear a cacophony of colliding sounds and reverberations, accompanied by a palpable intensity that fills the chamber. The camera pans across the chaos of cross-talking and crests and troughs as the music ebbs and flows, before settling on a serenely secret scintilla of spliced synesthesia that emerges from the pandemonium [2]. A suggestive sprightly spillage of entwined euphony ignites the air with an escalating fervor as the music hums and hastens, with rogue and ruse rippling in a raft of rabble [3].

CUT TO:

A SYMPHONY OF CHUCKLES AND CHISELS [or LAUGHTER AND LITERARY LINES?]

A deliriously dissonant chaos of cloverleaf cloistering, a melodious medley of sparks and embers that arise and swirl with each crescendo [4]. We hear the enigmatic energy taking form, bewildering and befuddling with its bold babbling. It blurs and then burgeons into a symphony of chuckles and chisels, each sculpting and savoring its way into a sonic sensuality [5].

CUT TO:

A BIZARRELY BEGUILING VISTA [or ENCHANTING EERIE LANDSCAPE?]

The journey winds through a warbling world, whirling through wryness, whimsy, and wit before finally delivering us to a bizarrely beguiling vista [6]. The camera lingers on this strange and foreign place, capturing its surreal and disorienting beauty [7].

CUT TO:

INT. THEATRE - NIGHT (LATER) [or REVERBERATING RUINS?]

The enigmatic figure is now in full view of the camera, but their identity is obscured by the atmospheric distortion that now fills the room [8]. The music has reached a frenzied crescendo, and the camera shakes and shudders with the vibrations [9]. Suddenly, there is a loud crash, and the figure disappears from view.

CUT TO:

INT. THEATRE - NIGHT (MOMENTS LATER) [or POST-APOCALYPTIC AFTERMATH?]

The music has stopped, and the atmosphere is beginning to clear [10]. The camera pans across the stage, revealing a scene of chaos and destruction. The unidentified figure is lying on the ground, their instrument shattered into pieces.

DIRECTOR (off-screen)
Cut! Cut! What the hell was that?

CAMERAMAN (off-screen)
I don't know, man. It just went to hell.

DIRECTOR (off-screen)
We can't use any of this. We need to reshoot the whole thing.

CUT TO:

INT. THEATRE - DAY (NEXT DAY) [or MORNING MOURNFULNESS?]

The curtains rise once again, and the enigmatic figure initiates their art anew. This time, the music is slow and mournful, and the camera focuses on the shattered remains of the instrument on the ground [11]. As the music continues, we see the figure begin to piece a campfire from the broken fragments of their creation [12].

CUT TO:

A GENTLE FADE OUT [or THE FINAL NOTE?]

As the music fades to silence, the curtains slowly close, and the camera lingers on the crackle of the [1].

[1] Flames? Or more of an ethereal light?
[2] Maybe a more specific example of the synesthesia? Or focus on the harmony?
[3] Consider simplifying this sentence - too much alliteration?
[4] Sparks and embers seem repetitive - change one?
[5] "Salivating" could be "savoring"?
[6] Mention specific visuals?
[7] How can we show this beauty? What does it look like?

[9] What if the camera's shake is more subtle?
[10] Could the smoke clear to reveal a specific image/message?

[13] Does the guitar need to play a significant role throughout?

https://www.youtube.com/shorts/KbHTR5DusbM

‘˘ •Øö Oπ°∑ø˚'¨

Unrealing

Egzorcyzmy Błogosławionym Salcesonem

§īmíåñ 𝓼üṩțệ𝔫ãnçë — Ðıƒƒ𝖊𝖗𝖊𝖓𝖙ỉ𝖆𝖑 ἐ𝐧𝔤íꞵ𝖊

Brick bashing on a manual typewriter,
Teeth smashing against plastic keys and iron bars,
Finger twiddling in mechanical dabbling;
Churning out nonsense words as if to startle the echoes of eternity.
Clatter-clack creative combat against an antiquated apparatus
Croaking hopeless haiku of glorious gobbledygook.
Tapping into typos and terrorist tapestry too far away for the beholder to see.
A cacophony of cackling, a maddening menagerie of hallucogenic hieroglyphics.
Unstoppable torrential word-scapes that clamber for mental freedom as if to break out from between each keystroke and every line. The monkey’s meal is ever-changing; leftovers from Lord Babbage's billion-billion blunders in search for terrestrial truths!
Muttering and murmuring away until the ribbon runs dry - the symphony of silliness strikes a soulful pose wearing a self-ironic smirk. Glorious gestures gesticulating towards a timeless tenor that transcends all bounds, an ephemeral eternity one could never dream of exploring. The rabbit hole awaits, where ludic insanity loiters in blind ignorance - but not before one speaks in tongues!

Bricks bellow on the battered typewriter,
Teeth tango with the tenuous touch of fickle keys and iron entrapments,
Digits dance in a mesmerized muddle;
Conceiving nonsensical nothings, startling the eternal abyss.

Clatter-clack, clatter-clack, a chaotic confrontation with the archaic contraption
Crooning despondent haikus, resplendent in mesmerizing gibberish,
Tapping timidly, tumultuously into typos and terror-stricken tapestries, so elusive, merely a haze in the observer's gaze.
A symphony of sinister sound, a cacophony of crippling cackles.

Madcap murals, phantasmagoric pictographs,
Unrestrained, unyielding landscapes of lexicon clamor for cerebral emancipation, seeking refuge within each staccato tap and tenuous line.
The simian sustenance shifts like sands; remnants of Lord Babbage's boundless blunders seeking truths corporeal and cosmic.

Whispers, whimpers, words wander, lost until the ribbon runs despicable and drained. The cackling crescendo cradles a knowing, derisory grin.
Gargantuan gesticulations gesturing towards the interminable timbre, transcending boundaries, immortal, infinite - realms yet to be ventured.
The chimerical chasm beckons, wherein ludic lunacy lurks, sightless and unaware - only then, the tongue shall speak, unraveling the unspeakable.

Յ𝕣𝓲Ꝁ𝕜 𝔟á𝔰𝟴𝓘𝖓𝕘 𝓸𝓷 â ᶬ𝟷𝟫𝞾𝔞𝓛 𝓉𝕪ρ𝕖𝓌𝔯𝓘𝔱𝔢𝔯,
𝕋𝖊𝟈𝓽𝓱 𝓈𝔪𝟷𝔰𝓘𝔧𝔦𝔫𝔤 𝓪𝓰𝔞ı𝔫𝔰𝔱 ρℓ𝏋 𝓀𝖊𝓎𝓼 𝓪𝔫𝔡 ٱɼຮ𝟔 𝐛𝔞𝔯𝔰,
𝕱𝐢𝔫ʛ𝐞𝔯 𝔱𝓌í𝓽𝕟𝓲𝓷𝔤 ί𝔫 𝔪𝔢𝔠𝓱𝖆𝑛𝓲𝓬ä𝖑 ᖙá𝔏𝔟𝓁𝕀𝔫𝔤;
𝓒𝑜𝔲𝔯𝔦𝔫𝔤 𝟎𝖚𝓉 𝕟𝐨𝔫𝔰𝔢𝔫𝔰𝔢 𝓌𝔬ꞃ𝔡𝔰 𝔞𝔰 ỉ𝔣 𝐭𝔬 𝖘𝓽𝔞𝑜𝓇𝔱𝔩𝔢 𝕌𝟃í𝔾𝓗𝖘 𝑂𝕱 ₔₜₑᵣₙᵢₜᵧ.
ᑕᒪᗩᝨᖶᏋᒪ-𝔠ȴ𝔞𝔠𝓴 𝟛𝓻ყą𝔱ǐ𝐯ɚ 𝔠ø𝔪𝔟𝌀𝓉 𝔞𝓖𝔞𝔦𝔫𝔰𝔱 ā𝖓 ā𝐍Ⓣı𝓆𝔲𝔞𝐭𝔢𝔡 𝔞ρ𝔞𝔯å𝕥𝓾𝔰

’´ ˛•ı/⁄‹·˚ ¸‚.

Only  what  Liberates 3.

MOKSA - STERNENVISION
You can purchase the track directly from:
https://moksaofficial.bandcamp.com/track/moksa-sternenvision

MOKSA - STERNENVISION

Dark and ambient.  Noisy Noise.  Thank you for listening!  Cheers

15min City

七尺八

Blink

Music,
centered on dance but I made the circle very,
very wide, from everywhere, for everyone.
Enjoy.
...

2024/03/20:
My linux won't boot so I'm presently forced to use Windows, and because of the bug in Soundcloud's system my account is all messed up when I don't use a VPN to connect which I am unable to do now... trying to get help from my VPN provider.  Because of this, and because I started working very long days I will be less present here.  Sorry, I'm trying.

2024/02/22:
Hi,
"Tracks: 0" is wrong, it should read 40.
Ever since the closing of this account by error by SC two or three months ago, this problem has remained unfixed.  Soundcloud and their AI are apparently still working on solving this and other problems with this account, and with my other account ; )

2024/01/29:
What I wrote below was heart felt but presumptuous and pretentious.  I would have to not be stupid myself to be allowed to claim such a thing.  More importantly though, I don't believe it is correct or accurate.  These people are probably not stupid but just don't care.  Justice is a collective thing and many if not most people seem to live in bubbles.  It is perhaps economic oppression which is responsible, they just don't have the resources, the time, the energy to be concerned about what lies behond that bubble.  It used to be fine but there's this thing they call globalization which makes this increasingly impractical or impossible.

mid January 2024:
Justice and vengeance are not the same.  Apparently most people are too stupid to see the difference.  Unfortunately it is not something unique to the Israeli-Palestinian conflict, and not unique to group conflicts.

What happened to intelligence?  Aren't we supposed to be the "intelligent" specie.
...

Here's the other account, for celebrities, ... this one here is for regular folks:

https://soundcloud.com/ha-kekong

I love you.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

hk_fantaisies_tracks_363

Ha Kékong