Hello and welcome to Futuristic Music!
If you want your song to be on Futuristic Music, send me a message on soundcloud.
Accepted genres:
-Future House
-Deep House
-Electro House
-House
-Melbourne Bounce
-Bounce
-Progressive House
-Melodic House
More soon...

This is not a record label, i do not own any of the songs posted here. I just want to share the best songs that exist!

HS HOUSE MUSIC:
DIGITAL HOUSE/COMMERCIAL/PROGRESSIVE
/DEEP AND TECHNO SUB-LABEL.

For demo submissions contact us on hsbassmusic@gmail.com

HS Bass Music "Edgy, futuristic, technical, diverse" what we do is unique, as we cover several areas of music from film production to mastering to equipment modification to an array of varied styles of music. The style is ground-breaking, it has different curves, intricately slotting into all musical genres. 

PLEASE SUBMIT DEMO'S TO: 
hsbassmusic@gmail.com

Find us on UKAD/UKMD:
http://ukartsdirectory.com/hyde-studios-ltd/
http://ukmusicdirectory.com/hs-bass-music/



................"Bad as they may be, BAD STATISTICS are a fanatical bunch of drone improv rockers, veering between prog kraut minimalism and scandinavian doom (not to mention russian trancecore), framing the inimitable civil-servant-on-acid vocals of Thebis Mutante with a semi-coordinated / semi-spastic bed of repetitive riffing, pulsing texture and motoring rhythm."============================================================================================================================================================================================

......BAD STATISTICS' second album 'Lucky Town Gone' released by PSEUDOARCANA...ORDER YOUR COPY AT http://www.pseudoarcana.com/current.htm..

======================================================================================================================================================= On the follow-up to last year's debut "Static" LP ((Kr-aa-k)3), Bad Statistics have set about laying waste to the New Zealand suburban dream with this album, a much darker and heavier affair than their debut. If "Static" were to be regarded as the Mission Statement of Bad Statistics Great Annual Report in the Sky, "Lucky Town Gone" is not the Business Highlights chapter to be expected next, but a sideways lurch straight to Appendix 17: Corrupted Data. Recorded onto degraded old cassette tape, "Lucky Town Gone" is a collection of mean-spirited practice room jams that sees the core four-piece of BAD STATISTICS further embracing the stoner doom drone rock that already defined large parts of "Static". The seven tracks of "Lucky Town Gone" are again spearheaded by the abrasive, sense-eluding vocal emissions of Thebis Mutante. Critical response to Mutante’s contributions on "Static" was deeply divided, and the new album is expected to further polarise opinions. Mutante is backed by Mark Williams (Marineville, Idle Suite, Cookie Brooklyn) on guitar, Justin Barr (Raskolnikovs, Users, Wrongdoings, Delaney Ghost Orchestra) on bass, and Johannes Contag (Jay Clarkson, Cloudboy, Sleepytime) on drums and production. Torben Tilly (Minit, Organ Eye, Full Fckng Moon, The Garbage & The Flowers) was absent due to extended interhemispherical field work.

=================================================================================================================================================================================================================================

Edwin Pouncey, The Wire, April 2009, "Lucky Town Gone" review:

If the memory of hearing Pere Ubu's The Modern Dance for the first time still sends a shudder of excitement down your spine, then hearing Bad Statistics vocalist and clarinet player Thebis Mutante (the alter ego of New Zealand improvisor Jeff Henderson) try something similar on opening track “Balloon Outbreak” might have a similar epiphanic effect. In the style of David Thomas's Crocus Behemoth persona, Mutante's vocalising becomes an alien language, where words become noises and repeated sentences become operatic howls and Beefheart-style yelps. Recorded on a frazzled cassette machine, the altered rock, free-jazz sprawl and glossolalian vocal rants that rage through Lucky Town Gone are a genuine revelation.

.. Aquarius Records review:

...... Awesome! We'd been waiting and wanting more from New Zealand's bizarre Bad Statistics ever since we got their vinyl-only debut, Static, last year. In addition to thinking they had a really excellent band name, we loved the doomic, droning weirdness of their propulsive krauty NZ noiserock, made even weirder by the utter outsider vocal garble that arose over their ritualistic music, like spirits or specters seemingly summoned from the other side. Now, huzzah, there's this new full-length, an actual cd on the Pseudo-Arcana label, and it pretty much picks up where the LP left off! 47 and a half minutes more of mysterious musical ceremony, Bad Statistics style, on these seven tracks. Again, the vocals (produced from the throat of one Thebis Mutante) are really strange, unhinged alien hippy rant-chant, like Ya Ho Wah's Father Yod speaking in tongues, sometimes looped and layered. Together with the throbbing drum beats, distorted electronic textures from guitar and bass, and hollow horn bleat and twitter on a track or two, you have the basic tempel-vibrating template for Bad Statistics' repetitive, rumbling, mesmerizing murk. Best listened to from a yogic position of spiritual openness, legs crossed, mind clear, third eye unblinking. Though, at their loudest, most intense chugging psychrock peaks, some vigorous rocking back and forth will be called for, maybe even full-on writhing on the floor. Let's take the 13-minute title track as an example... it's moaningly eased into, the percussive plod slow and sparse, but after a short while Thebis cries out quite like Can's Damo Suzuki, and the pace picks up, cymbals crashing... before another long droning lull with whistling and mumbling drifting over the slo-mo chug of the guitars and drums... then towards the very end, the singer suddenly seems possessed, his voice dropping into a guttural exhortations, the din of the instruments rising into a psychedelic swirling howl... welcome to the reverse exorcism!! Imagine the kosmic-kraut-primitivism of early Amon Duul, Tangerine Dream, or Siloah, with Circle's Mika Ratto as voice coach, encouraging Yod x Yoko vocal vibrations. Or the linear lo-fi insanity of a secret Dead C meets Reynols monster jam, if directed towards the worship of some ancient god, recorded on cheap cassette only as an afterthought. Yeah. It's pretty much awesome..... ..

..===========================================================================================================================================....BAD STATISTICS' debut LP 'Static' (KED03, only 500 copies!) is available from K-RAA-K.....TO ORDER YOUR COPY GO TO: http://www.kraak.net/en/releases.php....

CHECK
OUT THE POLARISED REVIEWS!:

........AQUARIUS RECORDS..One of our favorite new records of late, comes to us all the way from New Zealand, but via Belgium (where their label, long time AQ faves Kraak are based). A mysterious troupe called Bad Statistics, their debut a two song vinyl only EPIC. Equal parts droney noise rock, propulsive krautrock, and even some weird sort-of-doom. Drenched in swirls of chaotic FX and a blown out in-the-red recording, that manages to be fierce and murky at the same time...Each track takes up a whole side and is given plenty of time to change shape and direction, sound and spirit, transforming gradually, but managing to remain hypnotic and blissed out. The A side, begins as a doomy plod, but with clean guitars instead of downtuned distorted ones, the drums spare, and all manner of weird demon-y vocals, a sort of post rocky crawl. Eventually, synths join the fray, and along with the drums, they lock into a looped cyclical groove, over which, still more strange vocals croon and moan. And we're talking REALLY strange, mewling moaning howling weirdness. The music sounds like some spaced out Tangerine Dream, the drums a constant pound way down in the mix, the synths pulsing and throbbing, the vocals though turn it into some damaged outsider space jam. At one point the synths drop out and the vocals go crazy, sounding like they're speaking in tongues, before the band kick back in, launching into a fierce Hawkwind style FX drenched psychrock outro that goes on forever...
The second track is even better, and one of our favorite songs of the year hands down. A gorgeously blown out dirge, the guitars so hot they crumble with every downbeat, the recording super distorted and raw, but the melody and the main riff are super gorgeous, catchy and minor key, the track relaxes briefly, spreading out into a glitchy ambient murmur, over which guitars shimmer, little bits of electronics flutter, and the bass holds it all together with a simple dreamy groove. Very krautrocky, and a bit like a more lo-fi noiserock Necks. The track shifts constantly over the next ten minutes or so, to weird doomy twang, with gorgeous majestic riffing, thick bass chords, and some shapeless falsetto vocals, then to a super distorted psychdrone freakout, replete with chiming guitar harmonics, and a pulsing throbbing rhythm buried beneath a layer of crunchy buzz, then to a sunbaked space jam, all open chords, simple drumming, more shapeless vox, and finally to a washed out krautrock dirge, peppered with bits of backwards percussion, garbled voices, reverse guitar, and jagged chunks of crumbling distortion, until the whole thing slowly burns to black... Sorry to everyone without a turntable, but this just may be the blown out space psych doom kraut jam of the year!!.. http://aquariusrecords.org/cat/experimental8.html....

FOXY DIGITALIS.. This record is not as much bad as it is just terrible… Sorry, but this shouldn’t have been pressed. The band clearly has spent a good deal of time listening to some good music and probably pride themselves on as much, but the clear desire to emulate Finland’s inimitable Circle above having some krautrock/Hawkiwnd leanings is all too apparent and makes their music that much more unoriginal. As musicians, the band isn’t so bad and if they keep going I wouldn’t be surprised if they eventually found their own thing and started producing some exciting music… the potential is there… however, the vocals are just awful; uncalled for to say the least. An attempted weirdness that just doesn’t make it. Sometimes experimental means finding out what works and what doesn’t. To be fair, the b-side is far better and has a few golden moments, but I wouldn’t recommend wading through the swamp of bad taste to find those moments. Not to sound harsh, but honestly, this record would be better served if it were shelved, and the band would do better to go back to the rehearsal space and rework their sound a bit. Hopefully they’ll come back out though, because I genuinely believe there’s something worth salvaging, just not this effort... 1/10 -- Todd Brooks (29 January, 2008)....

DUSTED MAGAZINE.. Sidelong psych/Kraut/groove explorations from this mostly tasteful avant-jam sesh quintet out of Wellington, New Zealand. I’ve given this one multiple listens and there’s parts of it I keep coming back to in awe, namely when the finally hit the stride 2/3rds of the way through “If I Were a Pint of Milk,” a 22 minute colossus of slow-burn fuckery that gives way to a crashing, crushing beat, a manipulated reanimation of said beat on top of itself, and layers of bass, synths, and sax that aim right towards the sun. Make no mistake: despite the label affiliation, this is rock music, and it rocks pretty goddamn hard at that. I could really, really do without the mongoloid vocals of Thebis Mutante flittering all around this otherwise godly heap; his presence brings only distraction and annoyance to what might otherwise be a Kiwi space rock take on Endless Boogie’s endless boogie. Rein this guy in and you might have something. Side B’s medley ebbs and flows a bit in a more erratic fashion, but the peaks are still there, and give notice of some unreal, glowing, enormous promise for future outings. Edition of 500 copies, and taken in its most direct chunks, as killer a time as you’re gonna find in this realm as of late... Doug Mosurock, Dusted Magazine, Vol 4, No. 1.. http://www.dustedmagazine.com/features/708..

For Management /Remixes / Productions - 
CCMM management@dirty-dutch.com 


For North and South American Bookings - WME 
JZ@wmeentertainment.com

For all other territories contact IMD 
rachel@imd.dj 

except

For French Bookings contact ENJOY
charlotte@enjoybookings.com 

Label
Dirty Dutch Records 
info@dirty-dutch.com

___________________________________________________________________________________________________________________________________

Chuckie’s leading mixing skills and distinctive productions not only show an indispensable complement to the Dutch dance industry, the international dance-scene has also been giving him a warm welcome. Driven by ambition, enthusiasm and pure passion for music, his characteristic set makes the crowd go wild and his many productions reflect his true visionary in his craft works. Nowadays, Chuckie still continues to surprise the crowd with his mind-blowing style and his story is yet to continue…

Chuckie: The Beginning

Born and raised in Paramaribo, Clyde Narain devoted himself completely to music and had played many records from a young age. He started out by deejaying at friend-related events, but would soon be known for hyping up many clubs and events as deejay “Chuckie”. He successfully proved his skills to be true and his innovative and energetic mixing skills are still making him one of the most popular artists of the moment. Crossing various genres, Chuckie has put his stamp upon the music industry and he still grows into a high mark in the international dancescene

Chuckie: The Music v House with lots of climaxes, various elements of surprise-effects and explosive beats. Chuckie has been described as the “The King of Mixing” many times and his unique style pumps up the crowd easily. A large amount of events and clubs have been welcoming his performances and Chuckie’s characteristic deep housesets are becoming more and more popular by a diverse global audience. Being the musical all rounder he is, his producerskills are well-respected and his recent "Toys are nuts" (with Gregor Salto) and "Guess What" (with Hardwell) are currently still climbing high on the charts. Check out the player for the latest releases such as "Let the bass kick", "Any noise", "Rides" and "Pong to this".

Chuckie: The Gigs

Nowadays, Chuckie hosts many residencies, for example at Blacklist and of-course at his own event: "Dirty Dutch". As being Dirty Dutch’s legendary figurehead, and because all editions would always fully sold out, Chuckie still successfully presents his own Dirty Dutch area at the Dutch festival Mysteryland. In August 2006 he released a limited edition of his "Dirty Dutch Propaganda" Album, in collaboration with EMI Music Canada, and due to huge success the second part was soon released in November 2006. Meanwhile, Chuckie has been the headliner in almost every Dutch credible event, such as: "Luxurush", "T-Dansant", "Indian Summer Festival", "Loveland Festival", "Heineken Fast Forward Parade", "Mysteryland", and , last but not least, in 2008 he’d been performing at Sensation White! In addition to his many gigs in the Netherlands, Chuckie also travels with great regularity to clubs in countries such as England, Germany, Greece, Switzerland, France, The Canary Islands, Curacao, Morocco, Turkey, Suriname, Portugal and Spain. In the summer of 2008, Chuckie was a personally invited by David Guetta for his event at Pacha in Ibiza. "I discovered this Dutch DJ in Amsterdam. He is mixing the hip-hop vibe with house Music like no one else!" said David Guetta.

Chuckie: The Success

Chuckie has been awarded several times for his work and received his first Award for "Best Urban DJ" in 2004. Nearly after a year, he prolonged this title and won the "Best Club DJ Award". In 2006 he was nominated by the Dutch TMF Awards, along with Tiësto, Armin van Buuren and G Spotts, for the title "Best Dance". In addition to his busy career, Chuckie also spent time on charity and is the ambassador of UNICEF Den Haag, the integration plan "&" and the Red Cross initiative "B the change". For “B the Change”, Chuckie produced a single, inspired by quotes from world leaders like Mahatma Gandhi, Nelson Mandela and the Dalai Lama.

Chuckie: The Story Continues

Already being able to look back on a glorious career, Chuckie remains driven by his future plans. His experiences and memories are indelible and stimulate his drive to climb the ladder on an international base. As being a successful DJ, whose mixing-skills in the Netherlands is perhaps unparalleled, Clyde Narain alias Chuckie is devoted to conquer the world with his characteristic style! Ambitious, fanatical and with lots of potential: Chuckie is ready to rock worldwide so keep a close eye on him!

Repo - David
Daedalus - Jon
Current - Josh
Apollo - Vaughn

Futuristic People are here
to Rock the House.


Contact Info:
<a href="mailto:Futuristic.people@yahoo.com" rel="nofollow" target="_blank">Futuristic.people@yahoo.com</a>

A trinity of urban iron rogues causing apocalyptic havoc onstage at a megalopolis near you. Combining extreme fanatical verbal carnage with searing flesh guitar riffs backed by tribal rhythms only the deepest darkest parts of the amazon could dredge up. Not since the Stalinist purges has there been this much bloody attrocities for mass consumption 

If there has ever been henchmen for the Ancient of Days then these guys are it. Bashing your little silly philosophical skulls with Metal that is scary enough to make Satan take a huge shit. 

Get your Pentagrams of toilet paper ready to join the frenzied onlsaught against Antichrist and his pigs. 

Jesus freaks have never been this cool. Kicking pagan ass, drowning them in a valley of their own blood and sending hordes of vultures to pick the remaining flesh of Antichrist and celebrate the great feast of slaughter prepared for the Lord of Hosts. Now that's some Sonic slaughter that I like to call call Thermonuclear Igneous Rock! 

LNigMatic resides in Babylon. LNigMatic is the wrath of God upon the face of the Earth. LNigMatic is His vengeance and have been set loose to strike terror into the hearts of those who are in revolt. LNigMatic calls for the downfall of every nation. LNigMatic wants you to be free. Free from the tyranny of this nation that terrorizes the world. Do not receive the mark! Woe, for Babylon the great has fallen! 


35 yr old Townsville Resident,been here most of my life.Not paradise as some people call it,but its not that bad except no decent dance club/events,that might change soon.Fanatical about dance music.Has DJ'ed since 1992 and gone with the flow of genres as the scene changes.Never jumped on  a bandwagon cos its cool,have been lucky that my music has gone down well over the years.Has played and is playing..Italian rave,old skool breakbeat,happyhard,hardcore,hardtrance,hardstyle(lots of hard in there),Nu skool breaks,Uplifting Trance,Scouse HouseFunky House,U.S House,Tribal,Disco house,pretty much all except Electro,even into prog now.Have been main support for SASH,Warp Bro,Rennie PIlgrim,Klaus Hill,BLIM,Pee Wee Ferris(3 times)Jumpin Jack,Paul Holden(twice),Thief,Jen-e,Angus(3 Times)(Legend,R.I.P)Mattkitshon,Q45,Kid Kenobi,Mark Dynamics(3 times)John Course,Grant Smiley,Edwin,Ken Jenson i think thats all.

In 1998, songwriting & production duo Emily Haines & Jimmy Shaw formed what would become Metric and left Toronto for NYC in search of like-minded artists. In 2001/2002, they were joined by drummer Joules Scott Key & bassist Joshua Winstead, and found themselves at the center of the city’s burgeoning alt-rock scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol and more. Unlike their peers, Metric resisted major label offers, releasing albums that pushed boundaries on their own terms.

Metric’s relentless pursuit of timeless songwriting and fiercely independent ethos have cemented their place as one of the most essential and ahead-of-the-curve bands of the last two decades. By constantly upping themselves across nine unpredictable and adventurous studio albums, the trailblazing Toronto outfit founded by Emily Haines & Jimmy Shaw is proof that you can amass an untouchable catalog without signing to a major label or changing your lineup. Their latest LP, Formentera II, out October 13 via their label MMI & Thirty Tigers, is a testament to their singular purpose. It stands among their best and most genre-defying work and closes the 18-song cycle started by 2022’s critically acclaimed Formentera

'King' has a sound that is as vast and diverse as their members. Combining New Age Country, Australian HipHop and everything in between, they push the sounds and feelings of a Town sitting on the fence of city and country.
This mixed bag of artists range from the experienced and big hearted, to the fanatical and academically recognised; throw in a storytelling hip hop enthusiast and fronted by an incredibly driven but self-confessed-musical-dunce...mix it all together, and amongst all the noise you will find: KING.

With the release of their debut EP (recorded by Mark Myers of ‘Starry Field’ and more notably ‘The Middle East’) they unashamedly produce the untold story and resonances of a region relatively unheard of.

Lavern Queen is following