Passionate, dedicated, versatile, and eager; these are just few of many words that can be used to describe up-and-coming Hip-Hop artist the Arsonist Having already had numerous singles on Indie charts as well as facebook, the Arsonist is progressively proving himself to be a force to be reckoned with. 

Joshua Dent Born  on August 8, 1985, a young Arsonist spent his childhood in a neighborhood infested with drugs and surrounded by violence, being raised by his single parent mother in the James Weldon Johnson Projects in Spanish Harlem. Despite his mother’s every attempt to keep him in the church and out of trouble the Arsonist was a disobedient young man who refused to listen. The pretentious glitz and glamour perpetuated by the face of thug life became an instant attraction for a young poor boy looking to become hood rich. Fortunately after a series of unfortunate events which included dropping out of high school, hanging with the wrong crowd and one instance in particular which nearly got him locked up for a really long time; the Arsonist had a wake-up call! Realizing that he had to get wise and become a leader instead of a follower he did what he loved to do; music! He started out brake-dancing and freestyling some rhymes on the train for a piece of change. The warm reception he gained from the people after one of his freestyles or dances put him on his grind to become one of the best lyrical artist to hail form the East Side of Harlem. 

The first and biggest event he was involved in was an unsigned tour in 2004 with some old school emcee’s named the Jungle Brothers and Black Sheep. They all went on went on a three state tour that touched base in Massachusetts, Vermont, and New Hampshire. For the Arsonist it was a great experience that taught him a lot while allowing him to have the time of his life. A few years later he started to work on his solo project. In order to get his name out there the Arsanist started signing up for local shows through out the five boroughs, battling, and participating in plenty of rap ciphers. To achieve more and broaden his fan base he has now begun to upload his own videos to YouTube and his facebook music page. 

Although the Arsonist dedicates a lot of time to his craft he also has a life outside of his music. Currently he works in construction and extraction and enjoys dancing and all sports when he has a free moment. He is also a full time father to one boy and one girl and he likes to think of himself as a family man. One of his biggest goals is to make sure that he always shows his son and daughter all of the love and affection that he can 
He is known to express in his rhymes how his children is his motivation to strive for greatness and to believe that he can do the impossible. When asked what his career goals were he states that for the short-term he would like the opportunity to go to college to get his Associates Degree in Criminal Justice while continuing to flood the streets with mix tapes; whereas long-term, he would like to eventually get two Bachelors Degree’s, one in Criminal Justice and the other in Audio Engineering; sign a major record deal and go multiplatinum while also making sure he gets reverse royalties on his contract before he sign’s. 

The Arsonist believes that a mind is a terrible thing to waste which is why he stay’s focus on the prize. Everyday he thanks God for giving him the opportunity to share his talent with the world. He has a lot to say and assures his fans that “That dedication; the passion; who I am; The Arsonist,” will clearly be heard throughout all his music.

PILGRIM was collected in the evening wane during the early 1990’s at the legendary bar Small’s K.O., a cinderblock grotto that Hollywood’s Generation X called home. This was a time of musical turmoil in Los Angeles. Punkers, Glam Rockers, and Alternative bands were slugging it out in the city’s venues, but within Small’s brick walls, all musical affiliations were abandoned. It was a special place, the best place, but the real magic occurred when the crowd had gone home.

Afterhour jams assembled every Monday night at Small’s, and if you showed up, you played. At the eye of these Category 5 jams were Jean Pellerin and Tom Stampalia. Tom, an Aussie and avid surfer, was Small’s head doorman. He played lead guitar in the grunge-band Fudge Factory, and the initial jams were his seed.

Jean Pellerin, a French-Canadian filmmaker, was living in Los Angeles and directing music videos for Metal bands like Metalica and Guns’n’Roses. He showed up one night at Small’s, parched and lugging his Dobro guitar. Tom noticed Jean’s guitar case and invited him to stay afterhours to jam with some of the other employees. Ignition.

Jim Kalin tended bar at Small’s. He wrestled varsity for Ohio State and relocated to Los Angeles to write fiction. Jim would listen to the jams while stocking beer after his shift. He shared Jean and Tom’s enthusiasm for American blues and bluegrass, country music, and The Rolling Stones, but he didn’t play an instrument. Jean and Tom offered to teach him guitar, so he took them up. It changed his life’s course. They were such proficient teachers that he went on to learn the banjo.

The secret and intimate gatherings soon attracted celebrity guests looking for a place to prolong their parties and play with fellow musicians. A special knock on the backdoor got you in, and the single rule was acoustic instruments only.

Famous attendees included Harry Dean Stanton, Ryan Adams, Flea, Bob Forrest, White Zombie’s Sean Yseult, and the late great Jeffrey Lee Pierce. The attraction was that the Small’s jam was one of the few places where the blues and folk music were being played in Los Angeles, and it was the only location to do it afterhours. This appealed to musicians who were chained to contemporary rock’n’roll. They all took part in what eventually became PILGRIM.

After Small’s closed in 1999, Tom and Jim moved on to manage Dominick’s, a restaurant in Beverly Hills. The afterhour jams continued with Jean, but these were no longer open parties. A small and select group of outsiders was invited occasionally, and the favorite was Hole’s Eric Erlandson. The boys grew into a tight ensemble and began playing shows. Various names were tried until Jim asked Jean what his surname meant. Pellerin translated in English to PILGRIM.

Jim eventually met and married Heidi Huber, a real-life farm girl from Central Illinois. Her family raised horses and corn, and one of her best childhood memories was listening to 8-track tapes of Dolly, Willie, and Tom T. Hall. Her marriage vows to Jim included an agreement to sing as a member of PILGRIM.

PILGRIM has played just about every local club and venue in Los Angeles with guest drummers, bass players, fiddlers, and guitarists. Jean took a time-out along the way and moved back to Montreal. He was in Cambodia for a stint on a goodwill mission where he helped build an orphanage. Jean and his slide guitar have recently returned to Los Angeles as permanent residents and members of PILGRIM. The band was back on track.

PILGRIM has performed at festivals in Canada, and they opened on the main stage during The Festival du Blues de Tremblant for Keb’ Mo’. But it’s the parking lot barbecues and late night bar jams that still thrill PILGRIM most. Check out their YouTube posts. PILGRIM is the living link to the rollicking, huffing jalopy sound of country and blues that today’s Americana movement was founded on.

www.roygbiv.xyz
I toss sounds to the pallino.
Or toss the pallino to the sound.
A place in time, a moment in space.

Born in the city of Istanbul, Fatih Evranos started his music career in 1997 at HI-Fi Club, Bakirkoy. Short after, he met with electronic music, and in 1999, became the resident DJ at Zeus, Gayrettepe. At the time, he also became involved with production alongside with DJ Jann. Later, Fatih played together with DJ Utku Sonmez. In 2006, he had to give a short brake to his career in order to do military service, but with his return to Istanbul, he became a demanded name again in the electronic music scene of Istanbul. His usual styles are deep, deep tech, tech house and progressive, and currently meets the electronic music lovers with deep and tech house sounds.

Alux Kan ha nacido en la ciudad de Buenos Aires, Argentina. Desde ese entonces nunca descanso sus oídos y siempre se mantuvo a la vanguardia de la buena música como si fuera una adicción.Con influencias de todo tipo y tras concurrir varios años a la escena electrónica loca decide quedarse, casarse y familiarizase con la cultura y sonidos del Psytrance. Desde ese entonces su sueño fue producir y encontrar sus propios viajes para así poder generar la energía que emana y transmitirla.
He aquí parte de este sueño, ya es realidad y va de la mano de Burning Trip Records para jamás parar.
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Alux Kan was born in Buenos Aires, Argentina. Since then his ears never took a brake and he always kept himself sorrounded by the vanguard of music as if it were an addiction. Influenced by all kinds of music and after following for several years the crazy electronic scene he decided to stay, get married and become part of the Psytrance sounds and family. From that time his dream has been to produce and follow his own journies in order to transmit his own energy to the world.
Here is part of his dream, that it is already true and goes hand in hand with Burning Trip Records, to never stop.


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Duo Percussion is a professional percussion pairing known for their eclectic and high-energy performances. Using traditional and non-traditional percussion instruments including marimba, vibraphone, drum set and brake drums, they present diverse programs of classical, contemporary and Canadian music. Founded by Brennan Connolly and Dave Robilliard, Duo Percussion is dedicated to expanding the percussion duo repertoire and attracting new audiences. Having commissioned a number of works by Canadian composers, they are committed to musical excellence and have a passion for fostering creativity.

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