micro hardcore ?  ... nano at times.  Flamboyant micro harcore, there. = ) ... it's for the magazines.

BACK AT IT AGAIN AT KRISPY KUBE

love me some warjuke.  this glazed jam is a response to my pal @mrbusy.   sending for:  @the_nyhylist, @bubblegum-octopus, @mikey-303, lets see yall juke it :D

art by @azaxxii

donuts.wav /// [warjuke] /// [free download]

Se van sus naves

swiszperdrokus trandernabble

Encroachment (sound installation)

Aspirations Of Luxury

Maskalio [part 2]

Again for challenge toward "Digital Harsh".
Gradually, I'm starting to get the sound I like.

Thank you for listening!! :-)

Made by Max8.

20211027

Notice Recordings is pleased to present the release of Portland, Oregon-based percussionist Matt Hannafin’s “John Cage: Four Realizations for Solo Percussion”, which offers attentive, probing interpretations of pieces that bookend the final thirty years of the composer’s work. Simultaneously restless and nuanced, Hannafin’s performance demonstrates Cage’s continued relevance and enduring ability to push performers beyond their performative biases and toward the unexpected.

Written with no instrumentation, “Variations II” (1961) and “Variations III” (1963) both provide toolkit-like sets of marked-up transparencies which are allowed to fall into random overlapping patterns. “c Ȼomposed Improvisation for One-Sided Drums with or without Jangles” and “One4” (both 1990) are two of only five pieces Cage wrote specifically for solo percussion, and explore Cage’s late-career interest in directed improvisation. “c Ȼomposed Improvisation” was written for percussionist Glen Velez, with whom Matt Hannafin studied just three years after the piece was created.

Commissioned by Notice Recordings, these four performances are in dialogue not only with each other but with Notice itself, which has its roots in the underground/DIY realm while also exploring contemporary/academic composition. The accessibility, inventiveness, and challenge of compositions like these make Cage a unique pivot point between these two worlds.

NTR049 - John Cage & Matt Hannafin - Sided Drums With Or Without Jangles

"Seven Stones" is based on field recordings made in several different places in Japan.
Recorded sounds merged with digital and analog synths, bringing out the musician’s perception of these sound spots, starting from the recordings and spiraling them into seven tracks.
Akin to the dry landscape of a Japanese rock garden, each of the album's tracks, although is a piece in its own right, take part in a multiform story.
Hence the name “Seven stones”.


Arts by Pietro Michi
Mastered by Pietro Michi
Biodiversità Records

03 Osaka

chances are you are already familiar with the good people over at LOA (https://soundcloud.com/leavesofabsense)
if not, then I suggest that this would be a good time to acquaint yourself with their music. 

this is a thing that started as a thing that I commented on, and which then led to them letting me have a go at it, and here we are.

swiszperdrokus trandernabble

=wEB0Ny_=E[GH7)_~~___

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Ha Kékong

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Ha Kékong

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