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"Let Sleeping Dogs Lie Part 4" is an enchanting embodiment of the contemporary new-age genre, where serenity and introspection find harmony in the form of music. Its soulful piano passages, presented with sublime sensitivity, invite listeners into a realm of profound tranquility. The gentle melody, akin to a brook running over smooth pebbles, carries with it a sense of peaceful constancy, of calm, of accepting and reveling in the quiet rhythm of existence. The piano, at the heart of this piece, sings a narrative filled with warmth and comfort, mirroring the passive quietude of the title, evoking the reassuring images of a peaceful world at rest.

Underlying the piano, the atmospheric pads open up an expansive aural landscape. This ambient sonic texture weaves an intimate tapestry that not only complements the piano but also transcends it, creating a sound that is vast and endless, akin to the echo of distant stars or the gentle sigh of a sleeping earth. These dreamy undertones are like light brush strokes on an already mesmerizing canvas, adding depth, space, and a certain mystique. "Let Sleeping Dogs Lie Part 4" is more than just music - it's a meditative journey that offers a glimpse into the gentle, restful corners of our consciousness, a beautifully calming interlude from the chaos of daily life.

Let Sleeping Dogs Lie Part 4

Cover of the 1963 hit by Cliff Richard, wrietby Cliff and Bruce Welch. Got to number 2 in the UK chart.

Don't Talk To Him

For Shorts 54 (ambient - Ish).WAV

Lonely (Piano Mix) (Instrumental)

Elgar: Nimrod, from Enigma Variations, Op. 36 (1899)

LIRA 01 - 260823.mp3

Piano: Kawai CA79, default sound profile
Orchestra: Music Minus One

Mozart Piano Concerto 23 K.488 Mvt 2

beethoven piano sonata no.8 2nd mov

Morning Mist - classical piano and cello music

Winter Longing

Cello Music | Relaxing and Calming | Instrumental Cello

Elgar: Nimrod, from Enigma Variations, Op. 36 (1899)

Jerry Chang