A recurring process with shifting sound sources and modest production.

And sometimes recordings of songs/improvisations by Anna.

Camilo Mendez is a composer of acoustic concert music. He conceives his works as compositional cycles; series of pieces orbiting around the same musical ideas but written for different instrumental combinations. He completed a Doctorate and a Master’s in advanced composition at the Royal College of Music in London. He has also studied with Rebecca Saunders and Pierluigi Billone. In 2017, Mendez was appointed as the Rieman and Baketel Fellow for Music at the Radcliffe Institute for Advanced Study at Harvard University. He is currently Associate Professor of the Academy of Music at HKBU.

His music has been performed by ensembles and soloists who specialize in contemporary concert music and has been featured in such international festivals as Festival Internacional Cervantino, the International Summer Course for New Music Darmstadt, June in Buffalo, Klasik Keyifler, the Mallorca Saxophone Festival, and Next Generation Donaueschingen.

Mendez has been awarded the Colombian National Prize in Composition, Colombia’s highest honor for music composition on two occasions, in 2023 and 2009. In 2021, his work Disappeared Quipu[s] received the first prize in the UiTM String Quartet International Composition Competition. 

He has held residencies and fellowships at the Banff Centre for Arts and Creativity, Willapa Bay AiR, the Bogliasco Foundation, Ensemble Recherche and the Goethe-Institut, the Virginia Centre for the Creative Arts, and MacDowell Foundation.

Composer / Performer / Saxophonist / Educator / Friend  - Let's make some noise together - NYC.

The one they call Snuppeluppen. Norwegian Keyboardist, composer and synth programmer. My long list of inspiration are people like Keith Emerson, Kit Watkins, Maurice Ravel, Allan Holdsworth, Gentle Giant, Magma, Bartok, Stravinsky, John Mclaughlin, Chick Corea, Jan Johansson, Joe Zawinul, Jannick Top, John Coltrane, Rom Di prisco, Robert John Godfrey, Børge Olsen, Art Tatum,weidorje, Patrick Gauthier, Mccoy Tyner, Alexander Schriabin, Jean Jacques Perrey, Bernt Andre Moen, Jaco Pastorius, Eddie jobson, Lightning bolt etc.

Canadian early music ensemble. Julie Ryning (voice) and Katelyn Clark (clavisimbalum & portative organ).

Charlie Usher (BE/UK) is a composer living in Brussels, working with heart-on-sleeve cultural samples, rotary and handmade speaker installations, live instruments, and horizontal
time structures. 

His works have been performed and installed at Beursschouwburg Brussels, Lincoln Center
NYC, South Bank Centre London, Oscillation/Q-02 Brussels, MaerzMusik/Haus der Berliner
Festspiele, ImPulsTanz/Kasino am Schwarzenbergplatz Vienna, International Film Festival Rotterdam,
Galerie DuflonRacz Brussels, STUK Leuven, and toured multiple times in the US and UK with multiple BBC radio broadcasts.

Founder and former director of Dedans / dehors, a regular series of experimental music in Paris.

Principal studies with David Horne at the RNCM, Manchester,
then mentorship with Antoine Beuger, Tom Johnson and Howard Skempton.

Residencies and workshops with
Xavier Le Roy (In Vivo Dance) (2016),
Hanna Hartman, Festival Sirga - Musiques de Recerca, Flix, Catalonia (2016)
the Banff Centre for the Arts, Canada (2011),
Q-02, workspace for experimental music and sound art, Brussels,
and the Soundings Festival at the Austrian Cultural Forum (2013).

Anna Pidgorna (b. 1985) is a composer and media artist who combines her interests in sonic objects, visual art and writing to create works that are dramatic and picturesque. She works in both the acoustic and electronic realms, and is quickly rising on the contemporary music scene. Her mini-opera for voice and electronics, "Mirror, mirror," was premiered by Janice Jackson at Halifax's Oscillations Festival in February 2012. "Light-play through curtain holes" for solo accordion was recently included in ISCM Canadian Section's official submission to World New Music Days 2013. Pidgorna was born in Ukraine and is heavily influenced by her heritage. Ukrainian folk themes appear as bird song in her first orchestral work, "Tintamarre," and form the backbone of her second chamber opera, "On the Eve of Ivan Kupalo." Ms. Pidgorna completed her undergraduate studies at Mount Allison University in Sackville, New Brunswick in 2007 and is pursuing a master’s degree at the University of Calgary. This year she will be participating in a prestigious workshop with Kaija Saariaho and Anssi Karttunen at Carnegie Hall, and the National Art Centre's Composers Program in Ottawa. Days.

musician working with historical keyboard repertoire and experimental sound. performs on harpsichord, organetto, and pianoforte.

Followers of duo corvi