Official account for Danilo Plessow
DJ / Producer / Labelowner 

Bookings: Bruno@circuit-online.de

sounds like a good time since 2017 / 000-919999-KETTY

Music Submissions via TrackStack > https://www.tstack.app/clippart

(please no afro-house)

enq? clippart001@gmail.com

https://fanlink.tv/clippartslgt

MOYN Festival
21.08. - 24.08.2025

Alternative Raketenbasen und Freiräume zum gestalten von neuen Lebensentwürfen und Wirklichkeiten sind selten und werden dringender benötigt denn je. 

Wir stehen weiter für den Erhalt von Subkultur ein. Gemeinsam. Mit euch.

It is not a Festival, its a Process. Ganz prozessorientiert treffen wir uns im kommenden Jahr zum 7. Mal. Selbstverständlich gehen wir ganz systematisch vor und planen unplanbares, verlassen erneut die ausgetretenden Pfade, fischen in den Tiefen des Unbekannten und testen die Grenzen unserer Wahrnehmungen. 

Voller Kundensupport mit Hot-Lines und Teambuilding im Escape Room der besonderen Art. Willkommen zum Spiel der Gegensätze, dem Ort nostalgischer Euphorie, großspuriger Bescheidenheit und tiefgründiger Einfachheit. 


www.moynfestival.de

electronic live act ▪️ jonas & marius

booking worldwide: 
isabel@stilvortalent.de


get in touch:
booking@polaroit.de

hello everybody, one thing as information:
I DON'T ANSWER MAILS HERE!! 
It's too much, sorry, if you have music to share with me please write me:
solomundemo@diynamic.com
solomunpromo@diynamic.com
Thanks
Solomun


Isaiah Rashad doesn’t look back. Instead, he never stops moving forward. That’s why the internet has tried so hard to keep up since the Chattanooga, TN-born and Los Angeles-based artist emerged in 2012. After one seismic appearance after another throughout 2013, he formally introduced himself with 2014’s Cilvia Demo. XXL named him among its prestigious “Freshman Class,” while the project earned a rare score of 8.2 from Pitchfork. Just two years later, his full-length debut, The Sun’s Tirade, bowed in the Top 20 of the Billboard Top 200 and closed out 2016 on over a dozen year-end lists, including UPROXX, L.A. Weekly, Inverse, Stereogum, Pop Matters, Pigeons & Planes, Pitchfork, and more. In between sold out shows coast-to-coast and racking up nearly 500 million total streams, he quietly stared down his demons out of the spotlight. By the time he dove back into music, life had changed. The process switched up, so he realigned and linked up with new collaborators such as Kenny Beats. Ready to break a five-year creative silence, he returns with his second full-length album The House Is Burning[Top Dawg Entertainment], including the single “Lay Wit Ya” [feat. Duke Deuce]. While the house is burning, Isaiah’s running forward at full steam once again. Try to catch up.

send beats to : itslacasa@gmail.com

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