Whose woods are these I’ve no idea
Lost in the snow like this you must think it somewhat queer
Stopping here in the dead of night
I should know better but I’m still mystified
The heart confuses what the cold clarifies
That there’s no one, that there’s no one by my side
A cold front descending the snow piling high
I’ve no worries about it my worries behind
A walk in the Winter woods with the one I love

Lovely woods dark and deep where we’d come to know
Each other’s heart each other’s soul
All the while, all the while the falling snow
I think of you then your face brilliant and bright
Flush with the moment, flush with our lives
And a future, and a future that knows no time
A Wintertime walk under snow covered boughs
Each word that you spoke precious to me now
A walk in the Winter woods with the one I love

We’d hold on to each other tight
I’m still holding on to you tonight

There was a story  you’d tell me every now and then
About two people in love is this where that story ends
If you could tell it again
Cause I’ve gone miles and miles to find some peace
To find a place to rest, to find a place to sleep
All the while, all the while it’s surrounding me
Now I’ve done what you wanted
Ashes in snow
Got no promises left I got no place to go
A walk in the Winter woods with the one I love

Whose woods are these…

Whose Woods Are These

Out of Tune here.. so expect the unexplained 

The Music of Sound...really!!  It's all grist for the mill.  I visualize Sound/Music as colors, shapes and forms rather than notes in a scale.  I look upon each of these pieces as individual environments and/or sculptures in which to spend some time, looking round, feeling the curves, hanging out, exploring... Each composition is based on different elements, structures and rules or lack thereof.  Consequently, each is unique unto itself.  

Blissfully free of genre, everything is fair game:  beats; melodies; disquiet; washes; pulses; broken clichés and memes; subliminals; words and voices; chaos; sonorities; field recordings; indeterminacy; world music; the holy; the gutter; otherworld music; drones; synths; samples, etc. etc.  etc.  

I enjoy entering into the mitochondria of what makes a sound  that particular sound and then genetically change it into something entirely different than what it was - with just the essence lingering.  I also like to explore the "in-betweens" - spaces between beats, frequencies, timbres, spaces, tones, etc. In large part, simply, I'm curious to explore it all.  Suffice it to say, the wider your aperture the more you will hear and experience.  Et voila!

Oh!  Headphones will likely provide a more fulsome listening experience for many of the pieces.

You're thoughts/comments/feedback are very welcome.

Repost page started...
www/soundcloud.com/His_Left_Hand_Repost
Some amazing sounds and artists out there!  Respect,
you all!

All music on this site is Avant garde metal with subgenre . All music on this site was written , performed , and executed by Paul Peltzer.  Feel free to record this album from your sound processor on your PC or macintosh for use public or private respectively. There is also some music for sale. Some electronic with jazz fusion drumming . All artist proceeds go to The Salvation Army. Do something good and get some music also . The link is below. Concerning Paul's Facebook page ... You might have to go back to this page and click more than once to get to his Facebook page.

https://soundcloud.com/zaai_mizerie
https://soundcloud.com/terminateurbenelux
https://soundcloud.com/t800infiltrator
https://soundcloud.com/retroflux3
https://soundcloud.com/droidsplash
https://soundcloud.com/fourthwave
https://soundcloud.com/stakeoutmachine
https://soundcloud.com/greedychip7sid
https://soundcloud.com/thebloodrave
https://soundcloud.com/illuminatie
https://soundcloud.com/dead_machine
https://soundcloud.com/anna-roswell

🎧Electronic producer.🎹Online musician 2005🎶psychedelic tunes.🕶nostalgic influences.⚗Reason & Cubase Technician🖥PC builder 1991♠house♣rave♥electro♦techno🎐synthwave🎭remixes🎞free promo support🎟Synthfam🧥World Influencer🧲music collector🔮1982📻


I am drawn to folk, blues, soft rock, and country music, new and old. I love songs that tell a story, especially the Irish, English, and Scottish ballads of long ago because their stories are often timeless, and most everyone at any time can relate to. 
 
I also am a pastel painter and find being able to express universal emotions through my art, as well as writing lyrics and putting them to music that I can sing and play on my guitar or ukelele so rewarding and comforting.

Memories of people, places, and events throughout my life influence the songs I write.





Gregg began his music career as a drummer working the local circuit in Wilmington, Delaware.  He joined a popular local band, The Bees, which included Benny Preston (https://www.youtube.com/watch?v=epfGYLUURdQ), Bob Henegar, and Bob Carryer.  It was Bob Carryer, a graduate from the Berklee College of Music, who introduced Gregg to songwriting and collaborating in a variety of musical styles and genres. 

Gregg performed his own songs at local venues in Wilmington, Delaware using his pseudonym, Allen James.  He met veteran bass player and Blues vocalist, Jimmy Pritchard (https://jimmypritchard.com/), who at the time was organizing and managing a singer/songwriter venue at The David Finney Inn in New Castle.  Gregg became a regular at the David Finney and was invited to appear on the popular Cable TV spot, The Tim Qualls Show, where he performed his Blues/Rock song, Land of the Free.
  
Gregg’s compositions draw from many genres, including Easy Listening, Rock, Indie Rock, Jazz, Blues, and Country. His songs are fresh, visual, rythmic, emotionally gratifying, and possess a sweet sensibility that touch a spark with listeners. 

Gregg can be reached at:
greggkemske@gmail.com

Glass and concrete are so intertwined with the neural network of their inhabitants that a kind of symbiosis is obtained, reaching parasitism of one above the other. A small person has a choice: to be free or to become a link in this system, having realized this choice, the choice as such ceases to exist.

Dolbania was founded in January 2008 by two friends and a cat - lovers of good heavy music. Then a gloomy Gothic composition was recorded on the poems of I.V. Goethe on an acoustic guitar and synthesizer.
In the first year of her existence, she was in a creative search, with an admixture of depression. We searched for inspiration at abandoned industrial facilities and in listening to a huge amount of music. We fucked for a long time and a year later we finally decided on the style that you can currently hear in our songs.

* Personal Music projects:

     - Gonzo J. Francès: Alternative songs

     - Morosgovanyi: Experiments with noise and FX

     - DJ: next upcoming...


* Other bands or parallel projects in link section

Thanks for stopping by. Listenings & comments are very appreciate it.

Contact: gonzojfrances@gmail.com

Salut i soroll!

Whose Woods Are These

Paul Haas