как же ты такая классная!?

Nicebeatzprod. – Люблю

Nicebeatzprod. - Люблю

Alarm - The new single from Anne-Marie.
❤ on HypeM: http://bit.ly/20famJE

Out now on:
iTunes: http://smarturl.it/iAlarm
Spotify: http://smarturl.it/sAlarm
Apple Music: http://smarturl.it/amAlarm

http://www.facebook.com/iamannemarie
http://twitter.com/AnneMarieIAm
https://instagram.com/annemarieiam
Subscribe to Anne-Marie's YouTube channel: http://bit.ly/1FciNcA

Alarm

Kisses Back

Nimino
https://soundcloud.com/niminomusic
https://www.facebook.com/niminomusic
https://www.instagram.com/niminowayjose/

Artwork By 邦乔彦
http://www.pixiv.net/member_illust.php?mode=medium&illust_id=43279238
http://www.pixiv.net/member.php?id=10746425

Sheepy on Spotify!
http://bit.ly/MrSuicideSheepSpotify

Download

Nimino - Hug Me Shy

Listening History Homage

This task is about emphasising certain frequencies, particularly 40 Hz (pelvis), 800 Hz (torso), 1000 Hz (throat), 5000 Hz (forehead) and 10,000+Hz (above head). I emphasised 40 Hz in bass, 800 Hz in drums, 1000 Hz in voice, 5000 in flute and 10.000 Hz in bells.

This task helped me to understand that every instrument has a certain frequency range and that there is a conventional approach to it. Before that, I used to simply experiment with the EQ settings without thinking how it affects the sound. I used to just open the ‘Analyzer’ in EQ window (Logic) and look for the certain frequencies that are needed to be either cut or boosted according to the sound that every manipulation was producing.

Moreover, I investigated that using these zones help to create a fuller and a more diverse sound because they really do stimulate the certain parts of our body described above. When I added bells at the end, for example, the whole composition became more interesting and exciting. The result was so fascinating and inspirational that it changed the way I used to compose music, influencing me to start using this approach in my further compositions as well

Little Bird (listening body piece)

First of all, as usual, I started with writing lyrics. After finishing writing song, I tried to create an arrangement that would fit the song’s aesthetic. Then, using, the ‘latch’ mode in Logic, I changed the parameters almost on every track while playing it (e.g. live). This included processing such as EQ, distortion, pitch shifting, panning, volume, compression, creative gating, reverb, delay, chorus and flange effects and else ( the parameters of these were also changing ‘live’). This arrangement took a great amount of time and effort because, as I investigated, when you change a single setting, it may significantly effect the whole mix, leading to the dissonance.

Я буду (Live Electronics)

Kristina CMT

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Kristina CMT

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