Joseph Martinez AKA The Rocket Scientist
REST IN BEATS 1-8-1978 -10-15-2014
talented on so many different levels and a vast range of genres he was originally in a new wave band where he sang lead vocals and was excellent at it..one might even say he was better at it then he was at hiphop but that's bullshit he excelled at whatever he put his mind to...hiphop was easy to him..after he mastered that he dabbled in electro and 80s sounding pop 808 kicks he was my cousin I thought I was talented then smh this guy was superior at freestyles flippin samples all that people said he sounded too much like MF Doom his beats were to jDILLA now these cats were nothing to sneeze at I wish I could be compared to cats like that myself...he will live on through his music and I hope I can go through storage and find years worth of music..or talk ROCKWELL into getting that MPC poppin all the disks he has probably has the most brilliant newest flavors ive collected all these beats from cds some too damaged to play I never knew these beats would mean more to me than gold..hopefully well run across a bunch of hidden rocket beats tucked neatly away like a time capsule from 2005-2014 joe actually didn't care about any of these beats he gave em up that muthafucka make a beat like in ten minutes mang!! lol thank u those that's still checkin for josephs beats I hope he inspires you a lifetime like he did for me ...I love you cuzzin I think about you everyday I had the best times in life w you blood...you affected lots of people and pissed even more off.......u left too soon..we thought u be here forever damn...


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................"Bad as they may be, BAD STATISTICS are a fanatical bunch of drone improv rockers, veering between prog kraut minimalism and scandinavian doom (not to mention russian trancecore), framing the inimitable civil-servant-on-acid vocals of Thebis Mutante with a semi-coordinated / semi-spastic bed of repetitive riffing, pulsing texture and motoring rhythm."============================================================================================================================================================================================

......BAD STATISTICS' second album 'Lucky Town Gone' released by PSEUDOARCANA...ORDER YOUR COPY AT http://www.pseudoarcana.com/current.htm..

======================================================================================================================================================= On the follow-up to last year's debut "Static" LP ((Kr-aa-k)3), Bad Statistics have set about laying waste to the New Zealand suburban dream with this album, a much darker and heavier affair than their debut. If "Static" were to be regarded as the Mission Statement of Bad Statistics Great Annual Report in the Sky, "Lucky Town Gone" is not the Business Highlights chapter to be expected next, but a sideways lurch straight to Appendix 17: Corrupted Data. Recorded onto degraded old cassette tape, "Lucky Town Gone" is a collection of mean-spirited practice room jams that sees the core four-piece of BAD STATISTICS further embracing the stoner doom drone rock that already defined large parts of "Static". The seven tracks of "Lucky Town Gone" are again spearheaded by the abrasive, sense-eluding vocal emissions of Thebis Mutante. Critical response to Mutante’s contributions on "Static" was deeply divided, and the new album is expected to further polarise opinions. Mutante is backed by Mark Williams (Marineville, Idle Suite, Cookie Brooklyn) on guitar, Justin Barr (Raskolnikovs, Users, Wrongdoings, Delaney Ghost Orchestra) on bass, and Johannes Contag (Jay Clarkson, Cloudboy, Sleepytime) on drums and production. Torben Tilly (Minit, Organ Eye, Full Fckng Moon, The Garbage & The Flowers) was absent due to extended interhemispherical field work.

=================================================================================================================================================================================================================================

Edwin Pouncey, The Wire, April 2009, "Lucky Town Gone" review:

If the memory of hearing Pere Ubu's The Modern Dance for the first time still sends a shudder of excitement down your spine, then hearing Bad Statistics vocalist and clarinet player Thebis Mutante (the alter ego of New Zealand improvisor Jeff Henderson) try something similar on opening track “Balloon Outbreak” might have a similar epiphanic effect. In the style of David Thomas's Crocus Behemoth persona, Mutante's vocalising becomes an alien language, where words become noises and repeated sentences become operatic howls and Beefheart-style yelps. Recorded on a frazzled cassette machine, the altered rock, free-jazz sprawl and glossolalian vocal rants that rage through Lucky Town Gone are a genuine revelation.

.. Aquarius Records review:

...... Awesome! We'd been waiting and wanting more from New Zealand's bizarre Bad Statistics ever since we got their vinyl-only debut, Static, last year. In addition to thinking they had a really excellent band name, we loved the doomic, droning weirdness of their propulsive krauty NZ noiserock, made even weirder by the utter outsider vocal garble that arose over their ritualistic music, like spirits or specters seemingly summoned from the other side. Now, huzzah, there's this new full-length, an actual cd on the Pseudo-Arcana label, and it pretty much picks up where the LP left off! 47 and a half minutes more of mysterious musical ceremony, Bad Statistics style, on these seven tracks. Again, the vocals (produced from the throat of one Thebis Mutante) are really strange, unhinged alien hippy rant-chant, like Ya Ho Wah's Father Yod speaking in tongues, sometimes looped and layered. Together with the throbbing drum beats, distorted electronic textures from guitar and bass, and hollow horn bleat and twitter on a track or two, you have the basic tempel-vibrating template for Bad Statistics' repetitive, rumbling, mesmerizing murk. Best listened to from a yogic position of spiritual openness, legs crossed, mind clear, third eye unblinking. Though, at their loudest, most intense chugging psychrock peaks, some vigorous rocking back and forth will be called for, maybe even full-on writhing on the floor. Let's take the 13-minute title track as an example... it's moaningly eased into, the percussive plod slow and sparse, but after a short while Thebis cries out quite like Can's Damo Suzuki, and the pace picks up, cymbals crashing... before another long droning lull with whistling and mumbling drifting over the slo-mo chug of the guitars and drums... then towards the very end, the singer suddenly seems possessed, his voice dropping into a guttural exhortations, the din of the instruments rising into a psychedelic swirling howl... welcome to the reverse exorcism!! Imagine the kosmic-kraut-primitivism of early Amon Duul, Tangerine Dream, or Siloah, with Circle's Mika Ratto as voice coach, encouraging Yod x Yoko vocal vibrations. Or the linear lo-fi insanity of a secret Dead C meets Reynols monster jam, if directed towards the worship of some ancient god, recorded on cheap cassette only as an afterthought. Yeah. It's pretty much awesome..... ..

..===========================================================================================================================================....BAD STATISTICS' debut LP 'Static' (KED03, only 500 copies!) is available from K-RAA-K.....TO ORDER YOUR COPY GO TO: http://www.kraak.net/en/releases.php....

CHECK
OUT THE POLARISED REVIEWS!:

........AQUARIUS RECORDS..One of our favorite new records of late, comes to us all the way from New Zealand, but via Belgium (where their label, long time AQ faves Kraak are based). A mysterious troupe called Bad Statistics, their debut a two song vinyl only EPIC. Equal parts droney noise rock, propulsive krautrock, and even some weird sort-of-doom. Drenched in swirls of chaotic FX and a blown out in-the-red recording, that manages to be fierce and murky at the same time...Each track takes up a whole side and is given plenty of time to change shape and direction, sound and spirit, transforming gradually, but managing to remain hypnotic and blissed out. The A side, begins as a doomy plod, but with clean guitars instead of downtuned distorted ones, the drums spare, and all manner of weird demon-y vocals, a sort of post rocky crawl. Eventually, synths join the fray, and along with the drums, they lock into a looped cyclical groove, over which, still more strange vocals croon and moan. And we're talking REALLY strange, mewling moaning howling weirdness. The music sounds like some spaced out Tangerine Dream, the drums a constant pound way down in the mix, the synths pulsing and throbbing, the vocals though turn it into some damaged outsider space jam. At one point the synths drop out and the vocals go crazy, sounding like they're speaking in tongues, before the band kick back in, launching into a fierce Hawkwind style FX drenched psychrock outro that goes on forever...
The second track is even better, and one of our favorite songs of the year hands down. A gorgeously blown out dirge, the guitars so hot they crumble with every downbeat, the recording super distorted and raw, but the melody and the main riff are super gorgeous, catchy and minor key, the track relaxes briefly, spreading out into a glitchy ambient murmur, over which guitars shimmer, little bits of electronics flutter, and the bass holds it all together with a simple dreamy groove. Very krautrocky, and a bit like a more lo-fi noiserock Necks. The track shifts constantly over the next ten minutes or so, to weird doomy twang, with gorgeous majestic riffing, thick bass chords, and some shapeless falsetto vocals, then to a super distorted psychdrone freakout, replete with chiming guitar harmonics, and a pulsing throbbing rhythm buried beneath a layer of crunchy buzz, then to a sunbaked space jam, all open chords, simple drumming, more shapeless vox, and finally to a washed out krautrock dirge, peppered with bits of backwards percussion, garbled voices, reverse guitar, and jagged chunks of crumbling distortion, until the whole thing slowly burns to black... Sorry to everyone without a turntable, but this just may be the blown out space psych doom kraut jam of the year!!.. http://aquariusrecords.org/cat/experimental8.html....

FOXY DIGITALIS.. This record is not as much bad as it is just terrible… Sorry, but this shouldn’t have been pressed. The band clearly has spent a good deal of time listening to some good music and probably pride themselves on as much, but the clear desire to emulate Finland’s inimitable Circle above having some krautrock/Hawkiwnd leanings is all too apparent and makes their music that much more unoriginal. As musicians, the band isn’t so bad and if they keep going I wouldn’t be surprised if they eventually found their own thing and started producing some exciting music… the potential is there… however, the vocals are just awful; uncalled for to say the least. An attempted weirdness that just doesn’t make it. Sometimes experimental means finding out what works and what doesn’t. To be fair, the b-side is far better and has a few golden moments, but I wouldn’t recommend wading through the swamp of bad taste to find those moments. Not to sound harsh, but honestly, this record would be better served if it were shelved, and the band would do better to go back to the rehearsal space and rework their sound a bit. Hopefully they’ll come back out though, because I genuinely believe there’s something worth salvaging, just not this effort... 1/10 -- Todd Brooks (29 January, 2008)....

DUSTED MAGAZINE.. Sidelong psych/Kraut/groove explorations from this mostly tasteful avant-jam sesh quintet out of Wellington, New Zealand. I’ve given this one multiple listens and there’s parts of it I keep coming back to in awe, namely when the finally hit the stride 2/3rds of the way through “If I Were a Pint of Milk,” a 22 minute colossus of slow-burn fuckery that gives way to a crashing, crushing beat, a manipulated reanimation of said beat on top of itself, and layers of bass, synths, and sax that aim right towards the sun. Make no mistake: despite the label affiliation, this is rock music, and it rocks pretty goddamn hard at that. I could really, really do without the mongoloid vocals of Thebis Mutante flittering all around this otherwise godly heap; his presence brings only distraction and annoyance to what might otherwise be a Kiwi space rock take on Endless Boogie’s endless boogie. Rein this guy in and you might have something. Side B’s medley ebbs and flows a bit in a more erratic fashion, but the peaks are still there, and give notice of some unreal, glowing, enormous promise for future outings. Edition of 500 copies, and taken in its most direct chunks, as killer a time as you’re gonna find in this realm as of late... Doug Mosurock, Dusted Magazine, Vol 4, No. 1.. http://www.dustedmagazine.com/features/708..

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Fantastic Basement Renovation Concepts

1. House Fitness center

Why pay all that cash for a fitness center subscription then have to await tools, manage unclean showers, and drive all the way there when you can merely walk down stairs and train whenever of day or night?

Lots of homes are now including residence gym locations featured as well as have come to be a large selling point. So, if you plan on selling at some factor, this is a big plus.Your basement is on a concrete flooring, so a few rubber mats make the perfect floor that will certainly not be damaged by the occasional dropped weight. A little investment in tools and you have the excellent exercise area.

2. New Kitchen area

Including a new kitchen will include a lot of worth to your house. As well as, if you already have a tiny cooking area in your major home, including a secondly can really liberate a lot of room. This is specifically real if you have an active, congested kitchen area or you require additional space for making the big dishes on the holidays.

And also, given that your basement is wide open, you could make the new cooking area as huge as you would like.

3. Game room of the Children

Tired of the youngsters toys being strewn across the house? Want to reclaim your living-room?

Including a play area in the basement is a fantastic suggestion. A little storage for playthings, a soft flooring and also they are good to go to play the day away. Plus, since it is the basement, you will certainly not need to worry as much regarding things like your good furnishings getting damaged.

4. Bed rooms.

Running out of space in your house? Need additional storage or a location for visitors to sleep? Want to include a rentable room?

Including bed rooms to the basement is the method to go.

As long as you are adding in (or already have) egress windows, there is no factor that you can not have rooms in your basement. Add some lights since basements have the tendency to be darker than your main residence. Also, see to it the cellar is evaluated for mold prior to resting down there.

5. Entertainment Center.

Cinema Tv, a few sofas, some audio speakers ... that's all it takes to quickly turn your basement right into a stunning space dedicated for enjoyment. See motion pictures, sporting activities, play your songs ... and it's an excellent area to hang with the friends and family.

Advantages of Remodeling Your Basement.

1. Rises Living Space.

Living room, specifically in smaller sized, older homes, can be priceless. In cities, space is at a costs, but also in the suburbs and in the nation, living space can be tough to come by, specifically in herdsman design residences.

When you renovate your basement, you provide on your own a complete floor on your home. You could add spaces like a brand-new living room, kitchen area, residence health club or office, amusement area or "Guy Cave," living or dining rooms. Actually, anything you can have upstairs, you could place in the cellar. If you have children, this can be massive ... imagine having a big room for them to play and also not have to have actually playthings strewn about your primary house.

2. Renovated Basements Add Worth.

As a result of the increase in living location as well as the increase in the storage space area, this job includes a lot of value to your residence. Homes with basements that are finished cost even more and sell for more money compared to those who do not.

3. You Can Generate Income From Your Basement.

Among the biggest benefits to home owners in both the city as well as the suburbs is that their finished basement could conveniently be rented for as high as seventy-six percent of the home loan price!

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