Took twenty-eight years of blood pumpin' through me to get to this evening with you 🖤

CATCH THE WAVE
Promoting NEW and UPCOMING artist. 
Serious inquiries only EMAIL: keplerheights@icloud.com

This is high dynamic range music. Just raise the volume knob, you will be surprised...

Flaub, composer, performer and visual artist mainly orientated to avant-garde, experimental and ambient music.

With the aim of compiling sonic substance and creating new devices from old industrial machines and recycled scrap, I spent several years living into an abandoned factory reconditioned as a sound laboratory. Besides those post-industrial quests I use to travel around the world documenting sonic and visual material. Combining all that stuff with the research of new synthesis methods, this music not only describes pictures, it will transport you to a sort of surreal and Sci-Fi scenarios, images that are quite difficult to define.

Fernando Laub (Argentina, Austria)

Since 2007, Mouchee Deeki has issued a series of bold, forthright and highly individual discs that showcase his versatility, thematic flair and charismatic style. The first release, "Bidness," was an eight-song vehicle that alternated between party tunes, autobiographical entries, and topical/political commentary. The cut "Lean the Seat Back" (both single and radio versions) exhibits his penchant for humorous asides and colorful presentation, while "Nightmares" dips into the surreal and supernatural, "Shame" is one of his earliest and strongest socio-political pieces and the duo of "Come Here" and "Git Some" highlight the party/flashy aspects of his personality.

But growth is paramount to any artists' evolution, and Deeki showed plenty of it with the 2010 release "Fa True." The number of tracks doubled to 16, he's joined by skilled partners Rashad The Poet, Aphropik, Ink Diva, Iyen Frierson, Miz Tiff E., and D. Carmouche, and he shows heightened flamboyance as a producer, writer and performer. Aided by his cousin 7Tre, this disc offers something for everyone. Those who prefer celebratory or competitive banter will enjoy cuts like "Bartender," "Jungle Funk," :Shake Dat Leg,"  or the opener "Fa Time."

However, Deeki's immersion into topical and conscious material continues with other magnificent cuts that examine in stark terms hard-edged and complex themes. "DWB" tells an all too familiar story about the perils of being behind the wheel as a Black person when the cops approach." Strugglin" with lyen Frierson," "Black Men S.o.L.," and "What's the Problem with Rashad The Poet," and "My Brother's Keeper," with Mz. Tiff E., show Deeki's willingness to engage and interact with collaborative, like-minded performers. The same is true of "The Storm" featuring Ink Diva.

Those two productions set the table for the best Deeki effort yet, the new release "The Compound Effect," which drops in November. These are 14 lean, smart and topflight cuts that again display a diverse,  profound performer. There are certainly cuts aimed at the Afrocentric bunch such as "Jim Crow Back" featuring Mz Tiff E," "Me For DWB," "Meditation Revelation" and "The Upside." But he also has words of wisdom regarding contemporary artists in "Rappers Out Here," and testimony as to his ongoing desires and feelings in "Love Me Hate Me," "My Money Makes Money," "Still Hungry," "Outta My Mind" and "On My Relations Ship."

Progressive, thoughtful and individualistic voices never have it easy in a world that seems to place more value on conformity and performers who embrace it. But that doesn't bother or scare Mouchee Deeki. He says bring it on, because that's what he's doing, with messages that stamp him as a singular and gifted artist unwilling to worry about what the crowd's doing, ready to establish his own direction, and present it to audiences. These qualities separate those with passion and talent from those who prefer to imitate and follow. Mouchee Deeki's a leader, and someone who will definitely be heard from for years to come.

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