“Ron G is definitely more than just a DJ, he’s also a producer, remixer and 
percussionist.”

Ron G has always been the type to move silently, and silence is golden. Not many mixtape DJs can credit themselves with setting a trend that became a permanent facet in Hip Hop & R&B Music. Throughout his nearly two-decade career, Ron’s production and mixtape outlet combined have shed light on the careers of artists like TREY SONGZ, MARY J. BLIGE, B2K, MICHAEL JACKSON, DMX,  R.KELLY, FAT JOE, J-LO, LL COOL J, NOTORIOUS B.I.G., BIG L, TUPAC SHAKUR, and DESTINY’S CHILD’S KELLY ROWLAND to name a few of the hundreds. Although not as highly publicized, Ron G’s skill and dedication stand parallel, and often surpass the most highly decorated producers in the game. Those in the know can’t deny that not only is Ron G one of the hottest DJ/Producers in existence, but also an extremely talented musician and CEO. 


THE REAL LIFE STORY OF THE UPTOWN INNOVATOR, DJ RON G 

“I GREW UP LISTENING TO MICHAEL JACKSON TRACKS, SO IT WAS AMAZING TO DO A SONG FOR HIM!” RIP MIKE

Recollecting his first listen of legendary DJ Red Alert’s 107.5 WBLS FM (N.Y.C.) mix session in 1989, the former b-boxer-turned-percussionist says, “I was fascinated by him.”  Who knew that nearly a decade later, Ron G would create the number one time slot during his own hour-long mix show on WBLS FM in New York City, as hip hop’s on-air teen prodigy, “The Youngest In Charge”. 

As a product of the Polo Grounds Housing Projects in Harlem, NY, which overlooks the infamous Rucker Park playground, Ron would spend hours reading through the pages of Right On and Word Up magazines, dreaming of one day becoming someone big in the rising world of Hip Hop. With the aid of his mother, who bought Ron his first set of DJ Equipment in the seventh grade, and the paper route money he saved to buy his first set of records, Hip Hop & R&B music would soon gain a new twist. 

After losing his mother to illness, shortly after obtaining the equipment, Ron became determined to exert his sadness into something positive. “When that happened, I stepped up everything,” Ron Recalls of his devastating loss. “I started working double hard, started making more tapes, started getting more parties, and started meeting more people. That was one of the situations that I had to get over and it was really hard, but I did it.”  

Upon introducing the world to blend mixtapes, which put R&B artists’ vocals over Hip-Hop tracks and vice versa, they became a 1991 sensation that is now a staple in hip hop music. Having developed the hottest sound on earth, and equipped with an honest approach to the business, Ron G got his first television exposure on YO! MTV RAPS with Host Fab 5 Freddy. Soon after he embraced by the many legendary artists that often camped out in his in-studio, Harlem apartment. Through his dedication, the “Youngest In Charge” eventually earned a new name, “The Mixking”.  

         One of the most memorable moments of The Mixking’s career was when he collaborated with the “King of Pop”, Michael Jackson, producing a blazing track called “One More Chance”, on Michael Jackson’s 2004 album, The Ones (Sony Columbia). “I grew up sampling Michael Jackson songs, so it was amazing to do a track for him,” says Ron. “R.I.P Michael.”

Despite experiencing the ups and downs of a young striving entrepreneur, Ron G’s career has outlived many.  As he mentioned during his week-long stay on B.E.T’s, Rap City, his consistent grind hasn’t diminished in the least. He has continued to play a role in today’s industry.  In the August 2009 edition of XXL magazine, he was recognized for his skills and talent that he brought to the industry with his Hip Hop and R&B “Blends”. Ron has a distinguished voice that he has become well known for. Also in 2009, Jim Jones & DJ Webstar selected him to do one of his famous vocal trends on their album titled Roof Top. In the movie Notorious, Ron G’s name was heard in the part of the song “Juicy” that was chosen for the actor, Jamal Woolard to rap while playing the role of Christopher Wallace. In 2010, Ron was mentioned in Jay-Z’s book, Decoded, where Jay-Z highlighted how important Ron’s mixtapes were in getting his music heard in his early career. He talked about the importance of the mixtape that Ron released titled Dead Presidents, as this was also the name of Jay-Z’s debut single from his Reasonable Doubt album.  

Currently, Ron G can be heard on his four internet radio shows that air, spinning the latest Hip Hop, R&B, and old school music. These shows are aired on  www.wutangradio.com,www.1dotfmjamz.com,www.dtfradio.com, and www.realhiphopuncut.com Also, he continues to release digitally distributed mix CDs twice a month, often hosted by today’s biggest artists and featuring the hottest signed and unsigned talent.

Not only can Ron G be heard, but he can also be seen making guest appearances at various events. Ron was selected to be a guest poker player on the televised CW11 show, Hip Hop Hold’em, where he sat alongside, radio personality Egypt Sherrod, Bre Skullark from America’s Next Top Model, Finesse Mitchell, and other entertainment industry notables. The overwhelming viewer response to the 30 minute segment prompted the network to air the show numerous times since its initial debut. 

Ron G also has a Boston, Massachusetts based R&B artist, JV Darapsinga, for who he is currently negotiating a major deal.  Meanwhile, his exceptional production craft is still in heavy use, mainly in R&B these days, where he is currently working with some of the top artists. He is also expanding his line of achievement by engaging himself in other areas of expertise and markets. Masterpiece, a popular Tokyo-based clothing line, along with other major clothing lines, have chosen Ron G to assist in their company’s marketing campaigns.  He is also sponsored by the company, Traktor Scratch, which produces professional software and systems for DJ'S and musicians.  Ron G has been quoted by some to be the “king of the cyber world”.  This is due to the heavy internet promotional team he has created and his numerous followers on today’s major social and music websites.  He has been successful in recent days, just as in his earlier days, in helping other artists become known to the world. He has even created and launched his own social website, www.mixkingentertainment.webs.com, where one can go to get the hottest music, news, trends, and other information pertaining to the music industry and beyond.

Inquiries: chris@iamguestwho.com

Canadian DJ and producer Guest Who is turning heads across the electronic music world with a sound that’s as dynamic as it is infectious. Known for his ability to seamlessly navigate between high-energy house and raw underground tech, Guest Who’s productions have landed on top-tier labels including James Hype’s Stereohype, Steve Aoki’s Dim Mak Records, Loudkult, and cutting-edge imprints like Music is Blaah! and This Ain’t Bristol.

His music has received international recognition, airing on Tiësto’s Club Life Radio and Tomorrowland One World Radio, helping to cement his presence on the global stage. With consistent support from major tastemakers, Guest Who continues to build momentum with every release.

On stage, Guest Who has opened for a stacked list of A-list talent including Chris Lake, Cloonee, James Hype, Tony Romera, San Pacho, Matroda, Chris Lorenzo, SIDEPIECE, and many more. In Canada, he’s a fixture at some of the country’s top venues including Sub Rosa, The Palace Theatre, Commonwealth, and has delivered standout performances at flagship festivals like Badlands Music Festival and Chasing Summer in Calgary.

With his growing international footprint, a steady stream of new music, and a performance style that ignites dance floors, Guest Who is quickly becoming one of Canada’s most exciting names in house music.

DJ Natural Nate® has been a top world Breakbeat DJ and Producer for Decades. DJ Natural Nate® is a part owner along with his wife Jenna Marie ( Jiggabot ), Damian Doyle and Kris Peacock with the legendary website www.the-lost-art.com. Www.the-lost-art.com started the first revolution of online DJ Video Streaming in 2009.DJ Natural Nate® and The-lost-Art.com has helped countless DJs and Producers be recocognized on a world platform. DJ Natural Nate® is in the top 50 best Breakbeat DJs in the world on multiple sites such as https://djrankings.org/, https://www.breakspoll.com/ And more. DJ Natural Nate® has 6 record releases with a company called Underground Music Xperience ( Netherlands ). DJ Natural Nate has a E.P. Release out called 'Notes To Jiggabot'. DJ Natural Nate® has top charting releases with The-Lost-Art.com, 77Deuce Rec & Ent, Fragile Recordings, Hoodwink Records, Carocell music, Supremeja Music, ONE7AUDIO
, Subbbace Records and countless other releases on multiple platforms and labels. DJ Natural Nate® is the owner of the label Bruise Your Body Breaks with Jiggabot. DJ Natural Nate® is also the world record holder for the fastest mixing DJ on vinyl with 86 mixes in an hour at 133 beats per minute ( https://recordsetter.com/.../133-BPM-Vinyl-Mixes-Hour/3106 ). DJ Natural Nate® is accredited for inventing the Taco scratch, the Bend Scratch, the lazer scratch and more. DJ Natural Nate® has been accredited in a few encyclopias online such as https://en.everybodywiki.com/DJ_Natural_Nate. DJ Natural Nate® specializes in Electro Breaks and other forms of the Breakbeat genre. DJ Natural Nate® is a turntable specialist and upholds this craft to this day. There is an incredible write up through Electric Kingdom Magazine " One person listening is better than none: https://tinyurl.com/2su25t7n


***Bruise Your Body Breaks has been around since 1998. The name Bruise Your Body Breaks came about when DJ Natural Nate® was spinning at a party. After his set, a guy came up to him and showed him a bruise that was on the left side of his back. He stated that the bass was hitting so hard that it bruised his body. So as stated, “If the dancing doesn’t bruise your body the music will!”  In 2010... BYBB Started a new chapter with THE-LOST-ART.COM. Stronger... Faster.. Smarter.. and from Mars!

Jiggabot is a Colorado Based producer and song editor that has teamed up with her husband DJ Natural Nate®. Jiggabot is a part owner along with DJ Natural Nate® and Damian Doyle with the legendary website www.the-lost-art.com. Www.the-lost-art.com started the first revolution of online DJ Video Streaming in 2010. Jiggabot has been passionate about Breakbeats and Electro Breaks for over 2 decades. Both DJ Natural Nate® and Jiggabot have 6 record releases out with a company called Underground Music Xperience ( Netherlands ). DJ Natural Nate® VS Jiggabot has top charting releases with 77Deuce Rec & Ent, Fragile Recordings and countless other releases on multiple platforms. Jiggabot is also a part owner of the label Bruise Your Body Breaks with DJ Natural Nate® ( Part Owner ). Jiggabot has been the biggest influence to all of the music and releases that have topped charted. She has driven the music produced in many different directions. From Trancy Breaks, Downtempo Breaks, Crossover Genre Breaks, Vocal Breaks, Electro breaks and more, Jiggabot has the ear and drive of one of the best Breaks producers, consultants and editors on the planet. Be sure to look for more amazing releases in the near future with Jiggabot VS DJ Natural Nate®.

Throughout film, music, and culture, there have been countless depictions of Miami, FL. Beyond those typical glossy images of South Beach, there’s a hustling heart just beneath the surface. It’s one marked by a tough tenacity, and it beats inside of North Miami Beach native Se1v1en—pronounced “Seven Eleven.” The MC isn’t from the area traditionally associated with the 305 on-screen and on record, but he represents his city proudly and offers up a fresh perspective from it.

Born to Haitian-Dominican parents shortly after their relocation stateside, he embraced his musical muse at a young age even recalling standing up and singing Toni Braxton in the middle of a pre-kindergarten class as his first “performance.” Developing a fixation, he fell in love with hip-hop, studying icons such as Snoop Dogg, Nas, and 2Pac as well as Lil Wayne. With a tough childhood that saw him homeless and struggling at points, he never lost sight of his ultimate goal. Channeling that upbringing, Se1v1en fashioned an intense sound that began to resonate locally in 2014. 

“I try to do what comes naturally,” he explains. “It’s a mixture of that Southern style, trap, East Coast hip-hop, and even a little pop, because you’ve got to have a hook.”

He artfully merges multiple styles into his vision. One minute, Se1v1en can drop “Ven Dale (feat. Yoneiry El Maestro),” a fierce flow over a reggaeton bounce, that captures a Latin spark. In the next, he might sing an impressive refrain emblematic of his range. All the while, he clings to a message of inspiration remarking, “I want to motivate people with my songs.”

Florida titan and industry magnate DJ Khaled took notice in 2015 and showed support. Simultaneously, the artist joined bills alongside luminaries ranging from Waka Flocka Flame to Boosie Badazz. BMI signed him to a publishing deal as he began penning songs for other artists in the midst of prepping his summer mixtape. Se1v1en’s official debut single “MIA” properly introduces him though.

Merging a thick booming beat and his tight and tense bars, it’s as much of a love letter to his city as it is a declaration of the local hustle chanting those three letters. 

“People come all over the world to Miami,” he goes on. “I wanted to give the city a call-to-arms that allows everyone a voice. Beyond that regional meaning, it’s meant to inspire people to never give up. I came from the toughest part, and I made myself. I’m proof it’s possible no matter where you are.” 

His very moniker actually encapsulates that mindset he’s possessed since day one. “I got serious at age seven and got focused at age 11,” he declares. “Now I’m never going to stop.” 

One thing’s for sure. His city will thank him for it someday.

Raised on a farm outside of the small farming community of Okeene, Oklahoma, there wasn't much to do for a kid who would rather have been skate boarding than hunting. This was the start of Riley's dependence on music that is still going strong. From 2004 to 2010 Jantzen was the lead singer and songwriter in the indie rock band Mayola who built a large fan base in the Midwest and shared stages with the likes of Drive-By Truckers, Dirty Projectors, Man Man, Joan of Arc and many other notable bands.

Press:

Matt Carney in the Oklahoma City Gazette
December 1st, 2011

I once knew Riley Jantzen as that harsh-voiced dude from that band with the even-harsher guitar tones, Mayola. Even when he wasn’t grunting or guttural, he sounded like a mean ol’ son of a rock ’n’ roll gun.
Anybody who knows Jantzen knows that couldn’t be further from the reality, and “Feathers,” his first effort as Riley Jantzen and the Spirits, should dispel his scary-guy image for those who don’t. It’s a wonderfully intimate album lyrically, and musically enriched by his absurd skill as a player. 

He’s credited as playing all the instruments, and his handling of the standards (piano, electric and acoustic guitar, and synthesizer) both invites you in close and dazzles with his dexterity. Subtle changes in volume of his guitar help to imagine him rocking back and forth inside some little shack of a studio somewhere that suddenly doesn’t seem so far away.

He’s really set himself apart as a singular figure in the Oklahoma music scene, capable of playing backup for anybody, as well as writing his own high-caliber material. This ability, coupled with his rough-hewn domestic songwriting themes (and even his voice at times) suggests Conor Oberst, once of Bright Eyes fame. Like Oberst, Jantzen’s definitely got the credibility and songwriting chops to mount a successful solo project. And he does.

“Sunday Morning” is the centerpiece here, a tough, hopeful, five-minute hand-washing of his conflict with religion. “My family’s got religion / But I’ve got silence and a pen,” he says, completely un-guilty of how he spends his time while others go to church. It sounds like his life has slowed down considerably (“The rush destroys everything / And everyone’s always rushin’ around”), and for the better. You’d better be holding on to something when the song spikes in the middle and then stomps its way to an emotional finish. It’s a scary-good ride.

Jantzen also tackles populist themes when he stretches into folk. “Work Week” is a Woody Guthrie nod with simple, pointed criticisms like, “Sad old money machine runs very inefficiently” and truisms: “Don’t let the past make your decisions / Tradition don’t make it right.” It’s a poignant, careful update on one of the oldest, truest forms of music.
 
“Feathers” mostly hangs out in Jantzen’s traditional alt-country/folk zone, although tuned a little softer by the presence of hovering, gentle synthesizers. It’s a gem of a locally made record, the kind of music that really ought to show up in Oklahoma more often, but sadly doesn’t.  

http://www.okgazette.com/oklahoma/article-13754-riley-jantzen-and-the-spirits-%E2%80%94-feathers.html

Aziza Jalal is one of the biggest Arabic superstars today with  many massive hits and successful music videos.

Diva of Arabic Music is what Samira Said Fans like to call her. This is due to her ever changing style and image in her music and appearance. To many, this may seem like a negative thing; however, in Said’s case it is hardly so. Singer,songwriter, performer, producer, actor —is there anything Samira Said hasn’t done, and done exceedingly well? One of the most accomplished singers of the three last decade of the Arab world. 

Born in Rabat, Morroco, Samira began singing at an early age. She grew up inRabat in Morocco and was almost instantly praised for her beauty and charming personality. People knew these would carry her far, but it was only when shegrew a little older and began singing that people realized she was destined forgreat things. Her parents realized this and they began entering her in singing competitions. Always a favorite of the judges, she often won, and launched her professional singing career from this. Soon after she was the most popular singer in the country.

However, she decided to move to Egypt so she could make a major impact on the entire Arab world. Sensing her greatness, many producers took her on and she began crafting beautiful songs, and recording many Arab favorites.

Early career

Samira began singing professionally at the age of 9. Encouraged by her family,she began her career by participating in talent shows. Her first appearance ontelevision was in the show "Mawaheb".

In a short time, Samira Said, as she is known in Morocco, became one of theleading names in her home country. Her best known works include"Maghlouba" and "Wa'ady".

Said's ambitions extended beyond Morocco and following the advice of her idol and friend, Abdul Halim Hafez, she moved to Egypt to expand her career.

International career

In 1980 Said sang Morocco's first (and so far only) entry in the EurovisionSong Contest. In the early 1980s, Said recorded a song called "Al hob Elli Ana Aichah", composed by Mohamad Sultan. She went on to record with big names in the music scene in Egypt, including Baligh Hamdi, Helmi Bakr and Mohamad Al-Mouji.

The meeting with Baligh Hamdi was considerably going to enrich the directory of the Moroccan young person, by composing her songs like: "Ben leef", "Sayidati sadati", "Malich eenwan", "Akher hawa". Another meets with Mohamed Soltane by 'Hikaya' , 'Methaya li', 'Ellila dee', 'Kassidyakoulouna aanni kathiran'.

Till now she still search the big tube, she worked with Mohamed El Mougi ('Yadamiiti haddi' from the only movie of Samira Said) Khaled El Amir by 'Shoft habibi', 'Helmi Bakr' by 'Lilet el ouns', 'Ech gab li gab', 'Amrak aajib', 'Menghir sabab'.

It is Baligh Hamdi who finally composed to Samira the magnific song"Aalemnah el Hob", who she presented it counting for the festival of 'Layali' of television in Cairo, in 1983.

After this song Samira became star among the first stars in Egypt and she continued with Baligh by "Ketre el kalam" song "Asmarmalak", "Malak mosh zay aawaydak"

Later Samira worked with Gamal Salama who composed her gracious song "Algani baad youmine" with whom dominated during a very long period the Hit-Parades. The new couple does not stop there, rather they presented another song it was 'Mosh hatnazel aannak Abadan'.

After that, Samira and after these big successes had to prove nothing more inEgypt. Another challenge was outlined that the position of the great star didnot allow her to darken.

The next few years in Said’s career were exploding with success. Her popularity however, picked up as she emerged with beautiful hits like “Aiwa Bashta’lak Sa’at” (Yes, sometimes I miss you) a sultry, jazz quite cheesy but sexy track, “Oyoonak Alit” (Your eyes say so) and Al Gani Ba’dyomein (He came two days later). Samira’s ever changing style picked up new armies of listeners as she transitioned in and out of the many styles and genres out there. Gambling her music career away and outrageously experimenting in every situation possible, Samira became known for her blatant and unconcealed mentality as this was vividly seen within her music.

In 1998, we saw a lot of change for Said when she emerged with her “Al Bal” (On the mind) album. The title track, a livid, furious call to her loved one,stormed the Arab world. The dramatic and very sexy video, showed Said’s striking side. Said was dressed in a black sleeveless dress with a black shawl spontaneously fluttering across her body. With wind effects blowing her hair,fires burning everywhere and Roman style statues engulfing her, a wonderful video was created. That same album had a great bunch of hits, the philosophical, mind-numbing “Halit Malal” (Situation of Boredom) and the wetand jazzy “Beteegee witimshee.” (You come and you go.)

The next few years witnessed even more success for Said. With the Rohi (Mysoul) album, Said experimented with new producers and lyricists creating agrand album. The array of the many styles she experimented established new groundrules for the Arab song. Bringing her Moroccan influence back into perspective,the album progressed into becoming yet another hit for Said.

In 2000, we witnessed the release of “Lailah Habeebee,” (One night, my love) the title track of the album, won the best video award in the Arab world for 2001. The video which cost significantly more than your average Arab music video, showed Said in a state of depression and anxiety. With the pathetic fallacies being anything but pathetic Said showed her dramatic side. Rainpouring in and out of every possible place, wine glasses breaking at Victorian style settings, the video was remarkable! The album had one of the most beautiful ballads ever sung by Said, “Te’dar Te’oli” (Can you tell me?) moresaucy jazzy influences with “Malee,” (What’s it got to do with me?) grooving tracks like “Moshta’alak” (I miss you) and of course, not leaving anything behind, Samira had the enticing “Beyban Alaya” (It shows on me) a traditional Arab track, longer than the typical pop song, with recurring, mind boggling lyrics. “Lailah Habeebee” was definitely a winner!

2002 came along and many, who have never heard of Samira Said before, had suddenly heard of her. “Youm Wara Youm” (Day after Day) is not necessarily her finest work to date, but definitely her greatest achievement. She had achieved what I’d like to call partial international stardom. With the two international awards, Said has definitely, with no doubt, set new standards for herself. Manywill argue that “Yom wara Yom” is not a work of art, but merely a commercially driven album. To an extent there is a lot of truth in that statement, for “Yom wara Yom” was released by “Alam El Phan” a record company famous for creating the best selling albums. It would be wrong to say that it was just the music that created such success. “Yom wara Yom” was very cleverly crafted, in every possible way. The album had the great collaboration with Cheb Mami. Marketing wise, the album had premieres in Virgin mega stores in Dubai and Beirut. The album cover itself was pretty catchy and the video of “Yom wara Yom” need less to say was spell bounding, raising controversy across the Arab world, revealing Said’s sexy and wild side.

In 2004 Samira's new album is out and this album was a success too, with the singles 'Aweeny Beek' wich video is shooted at Barcelona (Spain) and 'Makhalas'. A promotional Concert for this Album promotion took place at Cairo in2005 will Samira sang too Youm Wara Youm.

In summer 2005 Samira rekindled an old flame between her and her Tunisian fans during her performance at the Carthage festival, she sang a collection of songs in different dialects varying from Moroccan to Egyptian, Lebanese, and even western.

In 2006, she again struck gold with "Kolena Enssan" (We are all humans), a new song for Africa Cup of the Nations which she sings in French,English, and Arabic. "Kolena Enssan" debuted at the opening of theC.A.N. in Cairo.

In 2008 Samira Said (Saeed) reinvented herself once more as a disco-diva for the release of her tenth album Ayaam Hayati "Days of my life". The album not only spawned several hits (most notably "Already - Awam Kida","Hob Mayouss Minoh - Hopless Love" and "Nefssi Atkalem - I WishI Can Talk", but also sparked a renewal of interest in disco among main stream music fans. It also won the MEMAwards for Best Singer and best Album of the year. Samira's Thirty-Three studio album, Days of my life (200 [8)] , sold almost 600,000 copies in its debut week, easily topping the charts.

The latest video clip by mega star Samira Said for the song “Hob Mayoos Minoh”(Hopeless Love) from her last album was directed by Hadi Al Basjori and the story of the clip is about a girl in her car while it isdrowning in the sea. As hersoul rises up to the sky she accuses her lover of betraying her and tells the story of their failed relationship

In 2009, The 6th Arab Radio and Television ART Festival announced winners for the 2008 round in music, as voted to in a record pan-Arab survey that covered Arabs at home and in exile, in all spanning 60 million voters. Samira Said gotan honorary award for her comeback after a 3 year hiatus, through her latest album, Ayaam Hayati Days of My Life, for which she was awarded a Distinguished Creativity Prize.

Also, Samira Said won the Murex d'Or award for best female artist in North Africa/ the Middle East.


Style

Samira Said has achieved an unusual longevity in the Arabic world, frequentlyadopting new stylistic influences, such as Tarab, Raï and Jazz. She has workedwith a variety of young talents, producing a series of albums including"Inssani", "Khaifa", "Ashka", "EntaHabibi", "Kul Dee Eshaat", "Al Bal", "Rohy","You Wara Youm" and her latest album, "Aweeni Beek" whichwent on to sell more than 25,600,000 copies.

Solo artist Samira Saïd reinvented the very basis of the contemporary Arabic song medium, paving the way for music video just over 20 years ago. Since her one-woman revolution, composers have morphed classical 20-to-30-minute songformats into short, camera-ready forms, and she has been *the* term of reference for an entire generation in the performing arts throughout the Arab world. She is often imitated but impossible to duplicate. Flamboyant yet discreet, Samira is an awe-inspiring creator whose passion gives new meaning tothe word charity. As an example for all -- don't just stand there, do something-- she gives intelligently, discreetly and powerfully, even when the world hasn't yet realized it needs to wake up. Courage, strength and conviction areher middle names -- she always ends up standing up for what is right, whetheror not it's fashionable or popular, destroying taboos and launching AIDS awareness in the Arab world, as well as rallying other European and African stars to the urgent need to aid earthquake victims across North Africa. As abeacon of tolerance, she has spearheaded mega concerts to draw people together after the riots in immigrant suburbs across France, and to bring about solidarity between all religions, whether performing at the Vatican (Diva SamiraSaid was the only Arabic artist to perform in front of the former Pope JohnPaul II), or taking the show on the road where other stars dare not go,bringing her joie de vivre live to people in Gaza. Not just another star in the sky looking pretty, but a voice for humanity.



Awards

The Diva Samira Said won more than 40 AWARDS around the Arab World and other.In 2003, the Diva Samira Said won a World Music Award and a BBC award for thebest artist in the Middle East with her album 'Youm Wara Youm' (the title trackof which is a duet with Cheb Mami)

Samira Said's fan base increases with every new album. Her concerts are constantly fully booked, sometimes with so many people that it exceeds the capacity of the stage at which she is performing.

Discography

1. El hob elli ana a'aycheh (1980)

2. Bitaqat hob (1980)

3. Ben Lif (1981)

4. Hikaya (1982)

5. Allemnah el Hob (1983)

6. Ketr al Kalam (1983)

7. Methaya'li (1984)

8. Lilet el Ouns (1984)

9. Ya Damaiti Haddi (1984)

10. Ehki ya Shehrazade (1985)

11. Youm akablak Fih (1985)

12. Ech gab li gab (1985)

13. Amrak ajib en (1986)

14. Ana walla anta (1989)

15. Moch hatnazel a'anak (1986)

16. Sibak (1986)

17. Ya ebn al halel (1987)

18. Ghariba (198 [8)]

19. Sibni louahdi (198 [8)]

20. Ensani (1989)

21. Ba'adin neta'ateb (1990)

22. Choft el amar (1991)

23. Hannitlak (1992)

24. Khayfa (1992)

25. a'ach'a (1993)

26. Enta habibi (1995)

27. Kolli de echa3at (1996)

28. a'al bal (199 [8)]

29. Rouhi (1999)

30. Laila habibi (2001)

31. Youm Wara Youm (2002)

32. Awweeni Beek (2004)

33. Kolena Enssan (We are all humans) (2006) - single

34. El Hayate We Essalam (Life & Peace) (200 [8)] - single

35. Ayaam Hayati (Days of my life) (200 [8)]

36. Be W1nner - Samira Said featuring Fnaïre (2010) - single

37. Min Tourabak - From Your Dust(2010)- single

38. Lahetini El dounya - Life Got in the Way(2010) - single

39. Yarab Ana Gitlak - Back to God(2010) -single

40. Khalouh - Let Him Be (2010) - single

Samira Said needs no intro for sure! Samira Said is one of the biggest Arabic superstars today with a repertoire that exceeds many albums and many massive hits and successful video clips.samira Said will back with her upcoming eagerly awaited killer album and it will be her huge comeback from the Arabic Music Queen The Diva Samira Said.

© 2012 . SamiraSaidMedia. All rights reserved.
Redistribution of all proprietary text, audio, music and other media materials prohibited without prior, express written permission of copyright holder.

“Dreamy, visionary, cutting edge.”  Holly Hopple, Herndon Festival

“A few can carry us beyond….by indenting our souls, effecting change in the soul whereby the mood is retained and perhaps never lost…your music has the power to do just this! You have given a ‘storehouse’ for our spirit’s garden. Places in greatest need of nourishment are thereby fulfilled.” Vincent Tripi, haiku poet

“While the voice gives "Talon of the Blackwater" its beauty, her writing is what gives it depth.”     Donnie Moorhouse, The Republican

“We LOVE your music.” Kelley & Cyrus, Yurt Radio, Hampshire College

“Siersema brings the power of her crystalline voice and compositional skills to bear on her third release…understated accompaniments are at times brilliant…Siersema takes the traditional spiritual ‘Wade in the Water’ and makes it her own with a ghostly arrangement reminiscent of Daniel Lanois’s work…the excellent 14-minute ‘Along the Fenway’ features cellist Eugene Friesen and is strikingly beautiful.” Progression, The Quarterly Journal of Progressive Music

"Laura's poems lend a riveting, personal touch to the record, and at times cut so deep the hair on the listener’s skin goes on end.”  Josh Shear, Reminder Publications

“Her voice beckons mercilessly to the physical world like the bodiless spirit that haunts the mansion on a faraway hill.  Wanderers beware…”  Independent Songwriter Magazine Pick of the Month

“Experimental, serene and surreal…” Sarah Craig, Caffe Lena

“Siersema has power in her words…Some of the songs begin with her reading poetry, and let me tell you, I could sit enraptured listening to a full album of her simply doing this…it sets up the tunes in a fashion that I’ve never quite experienced before. ”  Mish Mash Indie Music Reviews

“Folk fans should take note, as well as those that like classical music, and Tori Amos.”           Suzie Siegel, Tampa Tribune

“She sings like an angel.”  Gary Lee, Mt. Wachusett Folk Cafe

“A touch Celtic, a touch New Age, she is uncategorizable, a passion rare in folk music today.”  John Henry, WCUW, Worcester

“Laura is an acoustic craftsman, a wordsmith…with the soul and lyrics of a true poet…” Indie-Music Reviews

“STUNNING!!!”  David Weide, KUNV, Las Vegas

“…they should make movies out of music like this.”  Holbrook, Jamaica Plain Arts News

My current project:  "Aberfan (7 pianos, voice and tools of rescue)"  https://laurasiersema.com

This page lists some of electronic dance music compositions written by an electronic dance music producer from San Francisco, California whose name is MEGADANCE. Please visit MEGADANCE's official website for complete tracklist. Free high quality streaming is available on all platforms as well as mobile devices right from the music page of MEGADANCE's website. Website is optimized for mobile devices.

https://www.MegadanceRecords.com

What is 7minutes.net?
7minutes.net is a blog, cov­er­ing a range of top­ics about people and com­munity, and largely from a Christian world view.

7minutes is divided into three areas:

The 7minute Blog is about life; how we see each other and com­mu­nic­ate, how we behave, on our own and in com­munity. It’s about social trends. It’s not psy­cho­logy or anthro­po­logy since those things are best left to experts. It’s just based on obser­va­tion, exper­i­ence, and word of mouth.

The 7minute Audio is based on Christian truths, and is in audio format because these are mostly taken from local radio broad­casts I have made with RefreshFM over the past 3 years or so. As a Christian pod­cast it tries to deal with mat­ters of faith, eth­ics, and scrip­ture (the Bible).

The third area, the 7minute Stumble con­tains pieces from other web­sites, acknow­ledging their sources of course. These are well writ­ten art­icles and blogs deal­ing with sim­ilar sub­ject mat­ter, and which pass the “7minutes test”… life and truth in bite-sized chunks.

7minutes.net is short.

The over­rid­ing aim behind 7minutes is to give you the vis­itor some­thing to think about, some­thing to chal­lenge, maybe amuse, refresh, or inspire, but to do this in a few minutes, bite-sized chunks. Everything on this site is designed to be read or listened to in a few minutes; on aver­age, 7.

Goldie Roslyn is following