ABOUT COSTAR

"With 'EXIT' we tried to capture the sound of classic pop tunes being played with conviction and enthusiasm, stripped down to a minimum of production to create that raw and pure sound you get in one-take recordings", says singer and guitarist Brighton.
A deep passion for music and the same eagerness to create a great sounding album brought the four Costars together. They spent last year writing and recording to put their ideas into a final product. The result has become EXIT, an album they are proud to be releasing in the near future.
Costar's debut album, 'Keep It Light' was released in 2004. The album took the band to Canada's North by North East Festival followed by gigs in New York and a tour of Norway. Keep It Light's first single 'Yeah Right' was playlisted on XFM and its quirky, low-budget, puppet-doll video was on rotation on Norways music channel ZTV. Second single 'Falling at my Feet' saw Costar achieve international recognition. 103.1 Indie FM in Los Angeles and Australia's Triple M playlisted the song as did XFM in the UK. Radio One who also played the single had the following to say:
"Costar have mastered the art of catchy pop with breathtaking ease a masterstroke of a tune replete with gorgeous dreamy melodies and irresistible hooks that manages to weave its magic in under three minutes"



Whatś been said about Costar



"Americana driven pop rock never sounded as sweet as this - taking the nervy energy of the killers, the soul searching melodies of Matthew Sweet and giving it a Wilco make-over, gorgeous, wonderful, buy this now!"
 

(Subba-cultcha.com)


"Raggedy, and with a Britpop-era-crashing-into-Strokes-debut-era guitar crispness. Certainly the swirl of the cymbals, and the wail of the guitar work on a psychedelic level as well as a Weddoes-like jangle angle. "Ashamed" is of a gentler persuasion, while "Lee" charges at the floor like a furr-ball from a feline throat."


(Vanity Project)


"The digital single from COSTAR - "Too Much Talk" (Popfiction) provides a weird combination of searching newWave pop and a strange compelling sensation that there's a little bit of The Strokes and (early) U2 in there somewhere - It's not obvious, but it's maybe just because the melodies seem to stack up so well. In essence it's an authentic, searching, rough edged jangling indie joy with an ace ending which over the course of the three tracks falls into a wonderful post c86 rumble of harmonious distortions. Could be big! MMMM"


(Manchester Music)..



"For those of you who miss the heady days of jangly indie pop crafted by such heroes as David Gedge, new single ‘This Awakening’ by Costar could be the very fix you need. The production lends the song a sound that could so easily be from 1994, even more so when the guitar solo kicks in, and yet that is in no way a bad thing. In fact the song doesn’t sound particularly dated, it’s just that there aren’t many people putting out such compelling tunes as this right now, which makes this one all the more welcome to my ears."


(Kid Vinyl)


Frozenbulb (DJ Jean).
Music Producer in Western Australia, Perth
House music (Progressive, Electro, Big room), Hiphop and Trap.
"play you like an 8 ball , hit you at an angle"

You back here rock on now one other things you know into podcast songs from on a shortened somebody man do that I mean white ball blade west coast which threats you want to keep precedent to I'm that I had it I'm and I thought maybe well it was something I did and it's on my back and look afterhours 5 and it turns out I didn’t do that I’ve been waited all missed spectacular if you mess up your stones so make sure you want this all and usually like the white ball stone a slur fourth floor who the 6,000 and now want to be doing T-Advance to take my actual dollar gauge and blade for the played going to go ahead and stick it in my go to do have a problem here I cannot yet this down low enough to get the right angle so I'm going to try to put it on this park but this actually holding very well at barely holding on there something to really focus down here just kind of guy with that okay I didn't work so well ohm couldn't get the right angle because the way the players shake you know and want to hold right.

http://www.optimalstackfacts.org/t-advance/

Discography:
2016 BALL EP (Digital)
2015 Whatever Iceland vol. 1 Compilation (CD)
2014 Svartidauði - Synthesis of Whore and Beast - AMFJ Deconstruction (MC)
2014 Lady Boy Records Compilation (MC)
2013 Höfnin Hljómar - Íslensk Raftónlist Combilation (CD)
2013 AMFJ/Auxpan Split Cassette (MC)
2011 Bæn (CD)
2010 The Modern AMFJ Compendium of New Musics for Headphone Listening
Single Series (mp3)
2009 Itemhljóð & Veinan (MC)

A one-man power-electronics/industrial noise project
from Reykjavík, Iceland. A powerful wall of sound under
heavily distorted vocals. Rhythmic, loud, and aggressive.

BIO:
After working in numerous metal and experimental projects, Aðalsteinn Jörundsson decided
in the summer of 2008 to pair a selection of his poetry with his experimental noise sounds to
create a new project, AMFJ. By the end of that year he had already made his mark on nearly
every Reykjavík venue, raising hell and wreaking havoc along the way.
AMFJ's inaugural cassette, Itemhljóð & Veinan, was released on FALK (an artist run
label/art society) in May 2009 and was produced by Jóhann Fr. Jóhannsson (7oi). The
release gained some media attention, mainly through The Reykjavík Grapevine, a local
English-language magazine, which wrote of the offering “There’s a point where art-music
becomes almost transcendentally self-indulgent and that is the point at which it also becomes
magnificent.” Florian Zhulke, a music writer for The Grapevine, also listed the cassette among
his top 5 Icelandic releases of 2009 in a year-end review.
Over the course of 2010 AMFJ sporadically released The Modern AMFJ Compendium of
New Musics for Headphone Listening Single Series, which, as the title implies, is a series
of mp3 singles that were composed to be enjoyed strictly via headphones to reach a hypnotic
state, and to modify the perception of ones surroundings by altering the listeners audio
experience. It went critically unnoticed, mainly because the tracks were released online
without promotion. Some compositions were used as building blocks for tracks on AMFJ’s
subsequent release, Bæn (2011).
Bæn is AMFJ’s most ambitious release to date. It was produced by Valdimar Jóhannsson
(Reykjavík! Nine Elevens, Lazyblood) and has received critical acclaim in media, both in
Iceland and abroad. The aim of Bæn was to execute all the usual aspects of power
electronics and noise with a new angle and different approach in its sound, feel, and visual
aesthetic, thus building upon an otherwise two-dimensional genre.
Whether fast and furious, or calm and pensive, all AMFJ shows have intensity in common.
Ranging from 25-40 minutes in length, they are filled with mesmerizing feedback loops, mixed
with loud, beat oriented playbacks, and feature heavily sound-altered vocals presented with a
powerful and often theatrical performance, leaving no one untouched.






Hey, 

	My name is Quazimodo and this music is my story. Hailing from small town New Zealand my story is much like many others but I decided to word it from anther angle.
	Life is a game we all play as a main character without acknowledging that every other person you meet is also playing their game, wether they be CEO's, Policemen, Rubbish collectors or Homeless. So I created Quazimodo as my alter ego that views life from a spectators view rather than a player, enabling me to express my views on everyday life from the   different angle. 
         This world is an amazing blue ball in the middle of no where, so remember that every person you meet is stuck on here as well and attempting to write their part in the history of the rock. Next time you get cut off by that arrogant driver, pestered by the annoying beggar or get your income tax increased by that Prime Minister try to put yourself in their game as a good guy rather than a bad one, because you never know when your stories may combine. 

- Quazimodo			


Album Image credits: Aaron Gash

All Torque Control is one of the biggest Wholesaler and Suppliers Electric Actuator , Solenoid Valve ,Butterfly Valve ,Ball Valve,Angle Seat Valve ,Limit Switch in countries of Thailand, Malaysia & Indonesia.

- Album "Dissident" - Sortie le 1er Septembre 2017
- EP "Angle Mort" avec Royal Keep, King Pooky, JahKey - Sortie Juin 2014 - http://romsa.bandcamp.com

- Clips du GROS LOUP :
https://www.youtube.com/channel/UCZqRX_CdCcY-a2hAA-Sl3dg

- CLIP Dragon Ball Z :
https://www.youtube.com/watch?v=NL4ewgNqKNA
- instrutape 2011-1013 dispo a l'écoute ici:
https://www.youtube.com/watch?v=tmqYddN01lI&list=PL2hbysboup_BGvtecHIdALdLjmaWfvmqO
- instrutape 2000-2010 dispo a l'écoute ici:
www.youtube.com/watch?v=XijILiMZYjU&list=PL2hbysboup_DCEbYdZe0rgL1nDmSqgckj

- mixtape "Epoque de Chacals" 2005
- mixtape "Trouble K" avec Dino - 2004
- mixtape "Les Réalistes" avec Galak - 1998

- Concert-15 juin 2013 : Le Bloc, Paris XIX
- Concert-17 juillet 2012 : Mug Lounge, New York
- Concert-26 juin 2012 : Roots Cafe, Brooklyn, New York
- Concert-10 juillet 2011 : Festival Des Artistes Marathon, Paris XI
- Concert-12 fevrier 2010 : Le Paquito, Paris VI
- Concert- Juin 2003 : Aghja, Ajaccio, Corse
- Concert-Mars 2004 : Palais des Congrès, Ajaccio, Corse
- Concert- Juin 2005 : Abracadabar, Paris XIX

My beat space here : http://soundcloud.com/romsabeats

Only Won brings a refreshing angle to the current music landscape. As one of the first bilingual Asian-American Hip-Hop artist (starting in '91), Only Won's witty rhymes and positive music are inspiring diverse audiences everywhere. Only Won has attracted fans and the attention of CNN and the Discovery Channel due to his clever music videos. Fans have enthusiastically embraced his personal re-imagining of the songs, "I Wanna Be an Engineer" (a parody of "Billionaire") and "Cantonese Boy," (a parody of "American Boy"). "Cantonese Boy" also featured the vocals of singer-songwriter and JCTV host, Larissa Lam.
He has shared the stage with many including T-Bone, Washington Projects, KaBUC of K2S, Minister RMB, Izreal, Maximillian, and E-DOGG Montana. He has performed at Spirit West Coast Music Festival, Knott's Berry Farm, JCTV, Green Planet Movie Awards and numerous events around the country.
Only Won was born in San Francisco and grew up in a Chinese family with humble beginnings and later moved to Sacramento. Though he played ball and hung out with different people from the streets, Only Won stayed out of trouble and was a creative honor student who played the viola in orchestra. Instead of being an "Original Gangster," he was an "Overachieving Geek" aka, the OG.
His first EP, "Glory" produced by music veteran Maximillian (JC Crew, T-Bone, Nitro Praise) released singles "Glory" and "Desperate Cry" that garnered radio airplay across the U.S. Only Won's latest full-length album on LOG Records, titled "The Lyrical Engineer," has more tracks highlighting his positive lyrical wit, depth and intelligence. For this project, Only Won joined forces with Grammy nominated producer Noel, of the pioneering Hip Hop duo, The Dynamic Twins. The new album allows Only Won's rhymes to cover a broader musical landscape that includes not only current Hip-Hop beats but also Reggae, R&B, and Gospel. This further shows that Only Won is no ordinary rapper and is not bound by stereotypes.


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