Room Full Of Mirrors draw upon every rootsy genre they can get their grubby little mitts on, from Celtic tunes to reggae grooves, Eastern European vibes to Americana, Middle Eastern sounds to English folk music, drawing it all together with a pop sensibility and an infectious groove...

Check out the website, www.roomfull.co.uk, for info, gigs, and to purchase the double album 'Where the Hell Did That Come From' Parts 1 ands 2, should the urge take ya....

Every apartment in a big city has its own story. When it finally dawns on you that living with your peers genuinely sucks, and you’ve double-taped that last cardboard box, it’s possible that one of your roommates will say something like, “if these walls could talk…”

For TJ Train, those walls would probably say “Damn son, where’d ya find this?”

Toronto's TJ Train produces as Room 303—charmingly named after his apartment in the city, where his passion for the music and industry took its true form. His early inception in 2010 followed with a flourish of success and widespread acclaim. After signing his first record to Love Not Money Records in 2011, TJ has since dabbled with tracks on Sleazy Deep Records, Suruba Records and On the Prowl Records. Recently, he contributed vocals to the track “Every Time I See You,” a collaboration with Nathan Barato on Jamie Jones and Lee Foss’ label Hot Creations. Basically the bragging rights of all bragging rights in dance music at the moment.    

With dollops of many music genres inspiring his productions, TJ has taken a sultry and expressive deep house passion and turned it into a top-of-the-line skillset.

Hey there. I'm a guitarist/pianist/bassist double bassist/producer from London with a passion for all things jazzy. I like to incorporate it into my music all the time, and never stop talking about it. Don't hesitate to comment on my tracks, any feedback will be much appreciated :)
Keep on yazzin' in the free world,
Room 19.
Contact me at <a href="mailto:room19music@gmail.com" rel="nofollow" target="_blank">room19music@gmail.com</a>
Check out my latest soundtrack for a short film entitled "The Culture of Avarice": <a href="http://www.youtube.com/watch?v=xhHyEN5zUGA" rel="nofollow" target="_blank">http://www.youtube.com/watch?v=xhHyEN5zUGA</a>

STOP PRESS! New soundtrack for short film Flapjack! Check out video here: http://www.youtube.com/watch?v=UFnoarPV7eQ&feature=player_embedded#!

I'm working on a soundtrack for a yet-to-be-titled short film by Jamie Hillier- watch this space for more details! :D
Now taking requests for soundtracks: feel free to message me on soundcloud or email :)

Check out my new hip-hop project- if you're looking for beats to rap over, check it out! soundcloud.com/thebeatshop

Double D is an extraordinary DJ, producer, audio engineer, and radio personality based in St. Martin. Being known for his versatility and creativity, his style is truly unique within the previously mentioned disciplines.

Born Daniel A. Dormoy on St. Martin, French West Indies, Daniel grew up with the aspirations to become a musician. With a family that has a background in music, Double D was set on the right course.

His debut as a producer occurred in 2011 while messing around on FL Studio (a program used to create music), when a few friends came into the room. They heard what he was working on, complimented him on how good it sounded, urging him to finish it, and share it across the various social media outlets. So he did, and word spread like wildfire concerning his production skills. Double D is proficient in genres such as: Zouk, R&B, Hip Hop, Dancehall, EDM, Soca, Bachata, Merengue, Reggaeton, Dembow, and more. In 2012, those skills landed him a role as a co-host on The Andrew Dick Show; a popular radio show catering to the young, and the young at heart. Double D was a natural, seeing as the show highlighted his laidback, yet comedic personality.

His debut as a DJ occurred in 2013, at a local talent show called Rock Tha House, for which he won Best Amateur DJ consecutively in 2013 and 2014. The admiration and respect he earned of everyone during that competition, led him to his 1st gig a week later, and it didn’t stop there. Also in 2012 he attended the Video X Games Casual Sundays as a socialite. He eventually ended up playing there along with their resident DJ (DJ Bean), while gaining the notice of the gamers and socialites alike who frequented the event. Two weeks later, a group of guys that consisted of local entrepreneurs changed his name from Double D, to DJ Protégé. Daniel took on the name, using it along with Double D, catered to two different audiences and had their own respective following. In the years 2013 and 2014, those two names would casually conflict with each other. So eventually, DJ Protégé was dropped and Double D was made to stay. Gradually increasing his knowledge and skills in the art of DJing, mixing and blending anything from vocal stems to Zouk, Double D played at venues like: The Festival Village, Soggy Dollar Bar, Tantra, The Platinum Room, Sky Beach Lounge, 3 Amigos, and Lotus.

In 2015, his production skills led to him being contacted by Jamaican YouTube star Kevin2wokrayzee, to recreate a beat for one of his videos (which went viral). In 2016, Dee (former co-host of the Suppa Duppa Morning Show) held an online DJ competition, which Double D entered and won, earning him a guest performance at her Mardi Gras birthday bash in Tantra. You can tell that his performances are memorable, as his performance at The Video X Games back in 2012, led to him to becoming the resident DJ at the Poet’s Lounge from 2016 to 2019. In 2018, DJ Outkast held a DJ competition for a slot in his Black & White party series (which he entered and won). That performance led him to being the resident DJ of 3 Amigos’s Wild Wednesdays from 2019 to early 2020.

He states that his influences are: Timbaland, Pharrell Williams, Mannie Fresh, Noah “40” Shabib, Mr. Probz, Tito Beatz, Swanks, DJ Wilson, DJ Outkast, DJ Premier, DJ Big Boss, & DJ Puffy.
Radio Personalities: Lady Grace, Big Boi, Gee Money, and Sagan.


To learn more about Double D, follow him all over social media:

Facebook:
https://www.facebook.com/doubledsovalid

Snapchat:
https://www.snapchat.com/add/doubledsovalid

Instagram:
https://www.instagram.com/doubledsovalid

Twitter:
https://www.twitter.com/doubledsovalid

SoundCloud:
https://www.soundcloud.com/doubledsovalid

Mixcloud:
https://www.mixcloud.com/doubledsovalid

Youtube:
https://www.youtube.com/doubledsovalid

For more info, email Double D at: doubledsovalid@gmail.com

Double D
“Overdose on Different”🤞🏾✨

Listen to actors, educators and writers Toussaint and Joetta for their weekly podcast of current events, life in the audition room, and moments of double consciousness. Questioning authority (and sometimes reality)or biting tongues, the duo reports their lives as performers and how they navigate their way as artists.

Hailing from Minneapolis, MN (a city and state with some of the highest racial disparity in education and law enforcement), Double Consciousness also explores the W.E.B. DuBois concept of what it means to have a divided identity and be tried by dominant culture politics and social norms.

Double Consciousness is part of Urban Home Companion, and is published weekly on iTunes, SoundCloud, and Stitcher.

*** STOP WARS *** !!!!!! Music is Salvation.

I'm DJ, Producer & Remixer

I aka R. Double, Bass Fucker!! and Tek Base...You can play all my full releases on Spotify... 

As DJ Actually I play Comercial Remember 80's-90's-00`'s & Actual Spanish Dance on Private Partys & Local Festivals.


As Producer & Remixer...I make Megamixes for fun..

My tracks are released by labels such as... Blanco & Negro, Vendetta Records, Le Bien Et Le Mal, Acuna, Livelife,  Contraseña Records, Celebration, Comfusion, Club Traxx, Acunadeep, DJ Ibiza, Itchycoo, Dub Control and more...

Playing a wide range of sub genres, moving me always in Mainstream, Big Room, Techno Peak Time, Underground, Remember & Club Sounds.

A lot of my Releases were into the TOP 10´s Charts Beatport,  ZipDJ, masspool.mp3, Juno, DJTunes, e-music, hypeddit, Re-Ex, etc.

So... I´m very happy that the dj's are betting for me. Thanks a lot... I try every day to do better and learn from my mistakes not to disappoint.

V.A.  COMPILATIONS:
Well,  I gets more than 180 appearances on the popular V. A. Compilations of the Underground Scene on labels from UK, Germany, Italy, Belgium, Japan, Brazil, Miami, Detroit and more. ..On labels as Blanco y Negro Music, Le Bien et Le Mal, U.M.A. Music Awards, LW Recordings, Cloud 9, Scarecrow, Celebration..

So... I´m very happy that the labels are betting for me. Thanks a lot...

As DJ..
  Since 1993 I has made my sets & Resident for the best Local & International Clubs .. Pacha, Barraca ,Animas Puerto, Banana's, Gabanna, Subterrani, etc. 

And many major outdoor festivals....


💖 THANKS 4 UR PLAYS, REPOSTS, FAVS & COMMENTS. THANKS 4 FOLLOW ME.  PLAY, DANCE, DOWNLOAD, RE-DANCE IT...ENJOY!! God is Music, Music is Love  😉

                                                         CONTACT

* Send Private Here on SC for: Licenses / Remix / Promos / Booking

* Singers / Vocalists always are wellcome. 

* For Remix collaborations I'm mainly interested in Original or licensed vocal tracks (As you can see in my Music), but I don't rule out anything if it is a good track. 

* Send me your mail for my list "Promo VIP Radio & DJ's".

CLAIM: The Profile Logo "DJ Raul Sete" have Copyright. (You can't use under no circumstances )

DOUBLE IMPACT is a duo of DJs formed by Thiago Becker and Avinho Apollinario.

In October 2012, the duo founded the project, due to affinity and tuning of musical styles from both DJs Known in soteropolitanas nights, the duo invests in tracks with enough energy, creating a different atmosphere every gig. The strolling the design aspects of House Music (Electro House, Progressive House, Big Room House).

Follow us on our new instagram:

http://instagram.com/_doubleimpact

Double Face Brazil 

DJ/Produtor musical brasileiro de música eletrônica. Seu estilo passa pelo Progressive House, House Tribal, EDM e Big Room dando origem ao seu sub-gênero musical; no qual define por nome de Big Groove.
-
DJ/Producer Brazilian of electronic music. His style passes through Progressive House, House Tribal, EDM and Big Room giving rise to his musical subgenre; Big Groove.

DJ . REMIXER . MUSIC PRODUCER | SINCE 2008
Contacts, Infor, Others: doublefacemusicbr@gmail.com

M Double A Productions
mdoubleaproductions@ymail.com

SERVICE DESCRIPTION...

M Double A Productions: Servicing Chicago and surrounding areas with over 13yrs of professional experience our production company offers industry standard production services at affordable pricing. Contact M Double A Productions via email (mdoubleaproductions@ymail.com) for Audio Recording, Editing, Mixing, Mastering, Beat Production, Song Composition & Arranging, etc...

BEAT PRODUCTION: 
(Beats, Instrumentals, Backing Tracks, Sound Design, Foley, Etc...) 

Leasing Rights - M Double A Productions gives rights to use the beat through contractual agreement, but M Double A Productions still own the beat and can resell it as many times as we wish. 

Note: This process is more useful for Demos, Mixtapes, and EP/LP albums that plan to sell less than 2,500 copies.  

Exclusive Rights - Exclusive rights means M Double A Productions is transferring full ownership of the beat to the client/buyer. They then own the copyrights and may do what they please with the beat because it is now theirs. M Double A Productions may not reuse or resale the beat without written consent. Prices vary drastically from producer to producer. 

Note: M Double A Productions takes "Exclusive Rights" sells very seriously. We only consider and/or recommend this option for clients of more advanced projects or artists of more advanced careers. (i.e. Major artists/Major label artists, Independent artists averaging over 2,500 units sold, Sound Design for film/tv/commercial, etc...)    

RECORDING:
M Double A Productions can accommodate just about any style of audio/music. We work with many artists of various genres, and many creative’s in between. We are one of the best knowledgeable production houses in Chicago, and we’ll work to make sure your project is of quality industry standard.

EDITING:
Wherever your project is now, we can help bring it to the next level. We offer vocal tuning, drum alignment/drum pocketing, drum sample replacement, trimming and clearing dead space, and a variety of ways to help clean up audio and organize your recording sessions.

MIXING:
Mixing starts after the recording process and sometimes includes the editing process, although editing can be a completely different process depending on the demands of the project. If your music was recorded with us, then you have nothing more to be prepared for other than bringing your, or your producer's artistic vision for how you would like your final mix to sound beyond our engineer's interpretation. 

If you are bringing a session that was prepared at another studio, then we do have some tips to make sure we don’t have any problems.
TIPS:
- We run Pro-Tools 8 and there are multiple ways to transfer earlier or later version pro-tools sessions. 
- Make sure when you are copying your session to a DVD or External Hard Drive you include the Audio Files folder and any other folders that your session may be pulling information from. 
- If you are running any other audio program please consolidate each track into its own audio file so that each audio file starts at the beginning of the session. With those files we can import your music into our computer. 
- A lot of times artists will obtain tracks from producers and record their own vocals on top of it. For the best possible mix-down from us, please try to get the tracked out version of song. This means that each instrument or part of an instrument has its own audio file (or track in a recording program such as Pro-Tools). Drums will usually be split up by Kick, Snare, Toms, Hi-Hat, Cymbals, Room Mics, Shakers, Bongos, and any other various types of percussive instruments that would be too long to list here. Guitars, Bass, Piano should also all have their own tracks. If you are given a song that is just one track (a single stereo file) this will not be sufficient for mixing, unless you are just doing a mix-tape project.

After the session is imported and pulled up into our computer each instrument might go under compression, gating, equalization, and various effects to make it sit in the mix properly. It will only take a couple hours at the most to get a general mix pulled up and then the creative mixing and editing process comes into account where the mix will be adjusted and tightened up for the final product before mastering. Mixing can create some pretty amazing results if done properly!

MASTERING:
Mastering is essentially the process of applying the proper and necessary techniques to a final mix in order to better prepare the audio for the final production. This process includes creating a master CD for a duplication or replication facility, which will finalize the project in a sellable form. Digital Services uses a combination of digital, analog equipment, and/or software to process your audio into an industry standard commercial format. To ensure project compatibility. 

We have noticed a trend in some of the problems that come to us in all types of sessions and in the interest of saving time for our clients and our engineers, which ultimately in the end saves our clients money, please read our tips on audio preparation for mastering.

TIPS:
- Often clients that send us files over the internet will only send a compressed version of the songs (mp3, wmv, and other streaming audio formats). These formats are not accepted by us and are very discouraged as they will not benefit nearly as well as full quality formats would from mastering. These formats lose a lot of quality and cannot store all the information that a song requires to properly reproduce the original recording. If your file is only 3-10 megabytes big or only takes a minute to send to us, it is probably the wrong file type. We recommend exporting your final mixes as broadcast wave file formats in 24 bit depths and 48 khz sample rates or 16 bit and 24 khz at the least. 
- The other big problem we run into with a lot of sessions is the use of compression, hard limiting, and other mastering effects on the stereo bus/master fader in a final mix. When you are doing your final mix down, please take off all plug-ins on the stereo bus/master fader and don’t worry about the song not being as loud or as bright as another song you hear on a CD or Radio. It is our job to make your song that loud and bright, but we cannot do that if it has already been done to a certain point. Those mastering plug-ins can deteriorate the music and cause it to clip if used improperly. Certain elements of the music can also be lost if those plug-ins are used. We recommend keeping the peak levels of your mix at -3db at the most.

The mastering process is an art form like all other music elements however doesn't take nearly as long. The first song can take anywhere from one to two hours depending on the length and complexity of potential problems in the mix, then after that the session usually progresses pretty quickly. We can normally finish 2-3 songs in up to 3 hour!

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