HHH label is a series of releases coming from a musical research and visual residency called Hitchhiker. 
ⒽⒽⒽ residencies was created by Encastrable, a visual art duo who is part of Carpaccio team.
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The guest artist for the 4 th episode is @hadji-hajj who is a video maker and producer from Lyon. He is also the boss of Dawn records and one of the owners of the famous Schnell records .
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The 2 other tracks are from @destroyed-temple who is the Swiss knife and producer from CC crew
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The idea of HHH is simple: to invite an artist for a road trip by car, van or camping car, to produce music.
It's a great excuse to look for and create new forms with the guest artist.
Each artist is invited to make field recordings during the trip in order to compose tracks. For this one, the travel was between Le Puy de Dôme, Le Limousin and Corrèze. 
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You can also listen to the more complete experience of this road trip on @lyl_radio called "HHH drift recording"
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also in the car for visual settings Antoine Lejolivet and @chagonzalez
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we really want to say thank you for they hospitality and sharing to Gwen Bouget, Hervé Priou and Marine Froeliger <3
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visual by Florent Hadjinazarian
Encastrable project: Antoine Lejolivet & Paul Souviron
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Thanks to , La Region Grand Est, Impuls neue musik & LYL Radio for there support

Buyyy

Hajj - UNTITLED [HHH label #004]

The first full-length collaboration between Burning Pyre and Canadian Rifles, “The Snipe & The Clam” encapsulates a shared sensibility and vision. Initially seen together on the Vienna Press/Vaagner compilation “A Declaration” in 2019, which was followed up with a second piece last year on Burning Pyre’s Opal Tapes debut, “United Angels”, the two artists cultivate a unique aural world with a singular voice.

Taking a contemporary yet deeply romantic approach to ambient music, “The Snipe & The Clam” showcases a blend of luscious synth melodies and harmonics, set against a heavily organic dynamic backbone. An apt representation of both artists’ methods and modus operandi, opulent glimmering drones flow with a sense of narrative, contributing a magical watercolour-like quality to the album’s eight instrumental pieces. As if lightness met the restraint of a disciplined wrist - every sharp note a pensive flap of wings across its airy background.

“The Snipe & The Clam” often feels like an emotional exercise on the stoppage of time, gliding between loving gestures and precise crescendos, delivering both a flourish of exposition and a reflection on intimate moments. A definitive summit in each respective artists’ discographies until this point, “The Snipe & The Clam” is an elegy to tenderness and finding beauty in minute details.

A golden archway - come spring.

EN20

Recorded by Christopher Macarthur and Rui Andrade between Newcastle upon Tyne and Porto, 2020-2021

Mastered by John Hannon
Photo by Elisa Azevedo

The Snipe & The Clam

Burning Pyre & Canadian Rifles - Monza

@k_e_k_i mapped an epic journey strewn by enchanting discoveries and frightening encounters.

more infos and tracklist at www.lyl.live

Epic Saga(12/05/21) w/ keki

NIL (@mutluernil)
I can't cope with conversation right now

𓆏 TRACKLIST 𓆏

Dave Falconer- Oncoming Train(Sketch)
Hybridoa - Mossphone
Seigo Aoyama & Tonya Katkova - Nore
Hiroki Sasajima - Water drop
Julianna Bloodgood - Dia Linn, a prayer for a troubled time
Pontiac Streator - dibey sequin
experiences ltd. - metal jacket
Eartheater - Burning Feather
Stephen Cornford - Three Piece [guitar solo] (excerpt)
Ronce - Lolita(2) X the blessed kitty - edm lifestyle
Sebastiano Carghini - Emotional Part X Tom Wheatley - 'Round Trip'
Moss Covered Technology - Warm Kane
Tom Wheatley - Solo - 2nd October 2015 - Hundred Years Gallery, London 
Grouper - Alien Observer [live at Emanuel Vigeland Mausoleum October25 2009]
TENDRE AEL - witchwishes
Alexi Baris - The Languid Loon
YukoNakai - In my Landscape
dj lostboi - pet shop b

I can't cope with conversation right now

NIL - I can't cope with conversation right now

TRACKLISTING / LINER NOTES:
https://www.self-titledmag.com/bela-mix-feature/

NE340: bela

Episode #5 of my monthly @internetpublicradio with my great guest @dvvdvv from germany <3

dvdv :
dvdv - 00042 strut 
BLCKCSTLS - Hospitalized in Paris
Edyth - Lateshift 
Poly Armour - UMEUS 
Symbion Project - Soft Tempest
Edyth - Come Save Me (unreleased)
Edyth - Rocket Scientist (unreleased)
Edyth - Data Hall 
dvdv - 00046 forgive 
BLCKCSTLS - Constant Closure 

Fanny :
- KORELESS - White Picket Fence
- Chance - Babamın Korunması
- Oravin - Jubilation
- Shingeki no Kyojin - attack音D
- S280F - owls sing for the birth of Lilith
- TIBSLC - Aliénation Pours Forth
- John Beltran - I Can Chase You Forever
- Peter Rehberg - Boxes & Angels
- Claire Rousay - peak chroma

Internet Public Radio 5.08.21 | Année Zéro w/ dvdv & Fanny

Myxomy - Myxomy (SUB042)

Stream & download: https://myxomy.bandcamp.com/album/myxomy

Artistic collaborations don't have to be exhaustive, competitive or combative. And for Berlin-based producers James Ginzburg and Ziúr, their work together as myxomy has been almost effortless. Both artists bring with them a deep history of recording in vastly different circumstances: Ginzburg has worked on bass music, folk, experimental techno (as half of Emptyset) and experimental drone, while Ziúr played in a number of bands before settling into her current explorative electronic mode. So when they started working together in 2020, it was their respective backgrounds that provided the touch-paper for an explosive artistic head-to-head.

Ginzburg instigated the process by sending Ziúr beats he'd made in Bristol in a former life, and Ziúr, fresh from finishing her PAN-released third solo album "Antifate", set about sculpting them into completely new forms. In response, Ziúr dispatched vignettes to Ginzburg and he did the same. As they exchanged ideas back and forth and lapsed into absurdity, the songs followed suit, evolving from raw concepts and loops into proper songs as both Ziúr and Ginzburg traded melodies, lyrics and production tricks. The duo's fragmented sketches and scribbles took on new life, channeled, refined and re-invigorated as they developed into anxious, hybridized pop jewels.

Their surprising stylistic choice is revealed immediately on opening track 'Sloppy Attempt', a fractured mood stabilizer that dissociates from Bristolian trip-hop into glossy android pop. Ziúr's singing voice carries the track into a sonic black hole, mutated into an alien gurgle as she gently coos the prophetic words, "a sloppy attempt won't cut it, no no." And as Ginzburg takes the reins on 'A little opaque', singing over Ziúr's twisted neon electronics, it's clear that both artists have pushed each other outside of their comfort zones, providing the reassurance and comfort necessary to evolve.

On 'In and Until', they find an exact median between their two most recent albums. Twanging hurdy-gurdy sounds remind of Ginzburg's 'crystallise, a frozen eye', compelled forward by brittle foley percussion we last heard on "Antifate". A scalding industrial boil of deranged synthesizer squeals and rolling drums parts like the Red Sea on 'Toxin Out', cooling to a crust for Ziúr's half-sung words to echo overhead. "Burn the bridges it's a choice, eat the rich, and throw up on the fuckbois."

"Myxomy" isn't an overtly political album, but driven by a desire to create and a shared philosophical space, Ziúr and Ginzburg are naturally outspoken. Their vision of pop is twisted through history and floated on frustration, growth and constant reinvention. It's a unique mix of polar elements - light and dark, noise and silence, joy and melancholy - that centers itself on one important theme: together, we're far more powerful than we ever could be alone. 
credits

releases November 12, 2021

All tracks written and produced by Ziúr and James Ginzburg
Album art by Stefan Fähler
Design by Philip Marshall
Artist photo by Kasia Zacharko
Mastered by Joker
Published by Multiverse Media Publishing © & ℗ Subtext / Multiverse LTD 2021
license

http://subtextrecordings.net/

Myxomy

Vinyl & digital

Myxomy - A Little Opaque

reverse and reverbsed divas

Evil Medvěd is a Prague-based, Glasgow-born live act (self-identifying as "they/them") who began producing and playing live in 2018. Since then, they have gone on to play live alongside Sapphire Slows, MYHSA and grime producer, A.G. Working with modular, sampling, live re-sampling and have been building messy, turbulent energy into their live sets. In Scotland, they were part of the queer activist DJ duo VAJ.Power, who ran clubnights ‘FUSE’ which aimed to make bass music & 140 genres more accessible for all. 

Fictionkin is a project's debut EP that reflects morphing and proteus sound of Evil Medvěd's live sets. With constant emphasis on airy space and delicate ecosystem of individual tracks it evolves from UK bass music roots to progressive hybrid-club sound-tests. The unique and promising EP is accompanied by the tough selection of remixes by producers from Evil M's home scene (Glasgow's KLEFT and Manuka) and from contemporary Prague club crews (Hyaen and Ancestral Vision).
credits
released November 15, 2019 

Recorded and mixed by Evil Medvěd 
Mastered by Roland Nagy (Fausto Mercier) 

Cover by Dzurillah

Evil Medvěd - Whale Song

* Announcing CANVAS007 *

Lugh - Re Munus (LP)

Format: Digital/Vinyl
Cat.No: CANVAS007
Release Date: 23rd of October 2020

Vinyl and Digital pre-order:
canvas-index.bandcamp.com/album/re-munus

‘
There is grief, exultation and relief inherent in belonging to community. Re Munus reflects on the tone of deep gravity with which the re munisation of the de munised is unravelling. The generations which dismantled their social contract, achieved immunity, revoked solidarity.

Severe circumstances foment collectivity, suffering and empathy, interrupting the ethereal dream of social weightlessness. Re Munus sketches sensations and observations during a time of reorientation, rediscovery of lived sensibility on a relational scale. An encounter with sensations which we had said defined us—the tangibility of which we had forgotten, believed to be confined to the past. There is tension between the physical withdrawal and lived intensity which permeates these works.
’ Lugh

Personal drift. There is a multitude of presences guiding you through this record as a listener, not without their own doubts as to where they are leading you. A murky social space. Time-compressed club experiences within layered acoustic dimensions; consolidated, captured and played back into the same space. I am sitting in several rooms simultaneously. Death metal screams in an Animal Crossing world modelled on our own.

The choral rush of ‘Million Dollar Cowboy’ from Lugh’s Hélico EP (2018) re-appears again in ‘Braises’ and ‘Free Fall’, deeper and re-figured. Sometimes the record also haunts itself—each element heard having been through a process so long and many-staged, it’s as though it has already lived.

These compositions hold within them a flawed attempt to communicate on every level. The desire of language as expressed through music—towards shared meaning. Paradoxically voiced and voiceless, it denies textual, verbal description, instead crying out through the cracks in forming its own liquid tongue. Clone choirs simultaneously rehearse in an open space below. A slow walk through this spectacle. It’s an anguished record as much as it is at times tranquil. The movement between voices detached and embodied becomes playful—often warping them far beyond recognisability.

Beautiful artefacts. Stomach churns in the face of a burnt-out horizon. Cantering & sneezing. Air is driven into the corners and creases of a gold-plated, reverberant structure. The neural network claps to keep itself in time. Gutter Synthesis organ lament; tears of the duffing oscillators. There are moments on this release when tensely divergent fragments are barely held together. The prominent human voice mixing with the heavily re-sampled voice—it’s an incredible lift. Superimposed night and day. Sonic creatures living within the material, sharing time and space. Tenderness and together-ness.

Michael Speers and Olan Monk

Music by Lugh O'Neill

Vocals on ‘Vertiginous Leap’ and 'Free Fall' performed by Marie Requa Gailey

Artwork, graphic and product designed by Zuzana Pabisova

Mastered by Ali Najafi

Underwater recordings from Zuzana Pabisova's underwater sports camera feature on 'El Rocio'

The ‘Gutter Synth’ designed by Tom Mudd features on 'Americans', 'Irony, Chastity, Obedience' and 'Index Veri'

@lu_gh

www.c-a-n-v-a-s.com

reverse and reverbsed divas

Bertram K. Bak

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