ensemble neo celebrated 17 years at the forefront for contemporary chamber music in 2023. The internationally acclaimed ensemble has since the start aimed to be a distinctive voice on the Swedish contemporary music scene. Today the ensemble is the only one of its kind in Sweden, being charged with promoting contemporary art music on a national basis. ensemble neo continuously commissions new works and collaborates with both younger and more established composers, nationally as well as internationally and has premiered over 400 works. ensemble neo performs contemporary music at the highest international level, in a manner which is both exciting and which reaches out to newcomers as well as to experienced listeners. The ensemble has quickly become an essential force in Swedish music life, always stirring and challenging.

Composer. Writer. Photographer. Former conductor & founder of the ASKO ensemble.

On a bike/ski/hike trek of the Pacific Northwest studying native plants & climate breakdown 🌲 from sagebrush sea to whitebark pine. Composing off-grid the whole way.

#Sun2Sound 🌕 on Bluesky

THINKING LIKE A STONEPINE, a soundpoem manifesto https://vimeo.com/844665859

“LOVE & WATER, three thought poems w/ coda, PHAROS for small orchestra, “Nightwind”” https://vimeo.com/847079690 

CURRENTLY on mt bike/ski/climbing trek through Pacific Northwest, working on a photobook about WHITEBARK PINE COLLAPSE and CLIMATE CRISIS. BASES in the WALLOWAS | AMSTERDAM | ALPS. 

WEEKLY photo/poetry updates at www.picture-poems.com & THE CIRCLE IN THE SQUARE new music, poetry & dance performance project at www.cs-music.com

ALWAYS ON THE LOOKOUT for progressive, tech-savy, instrumental virtuosi interested in dialogue & collaborative undertakings.

CONTACT cliff@picture-opoems.com
Or on SKYPE or FACETIME @cliffcrego

MUSIC? The one thing humans do,
that makes the rest of nature jealous.

Robert Ek has, as a clarinetist, specialised in contemporary music as a chamber musician and soloist. With great curiosity and dedication, he works together with composers to develop the repertoire for his instrument. He has recorded around 20 records and premiered a large number of works as soloist and chamber musician.

Since 2007 he is a member of the acclaimed ensemble Norrbotten NEO, the country's only ensemble with a national mission to work with contemporary music. Norrbotten NEO premieres a number of works by Swedish and international composers every year. In 2012, the ensemble received fst’s. interpretation award for their work with contemporary music.

Robert has performed and collaborated with musicians, composers and conductors from different parts of the world. He likes to work in the border country between arts and has worked closely not only with composers but also with writers, choreographers and filmmakers. Robert has toured Europe, North America, Asia and Australia and played at festivals such as Warsaw autumn, Huddersfield Contemporary Music Festival, June in Buffalo, Faithful (Berlin), ISCM world music days in Stockholm and Tallinn, Musica Viva (Lisbon), Beijing Contemporary Music Festival.

In recent years, his work on developing the repertoire has focused on live electronics and developing the clarinet as an augmented instrument. Robert is also a PhD candidate at LTU since 2019. At the core of this doctoral project lies the iterative process where new electro-acoustic instrumental systems are designed and then used and tested in collaborative processes and in artistic practice. This oscillation is well described by Per Anders Nilsson (2011) as “design time” and “play time”. Where “design time deals with conception, representation, and articulation of ideas and knowledge outside time ... and play time deals with embodied knowledge, bodily activity, and interaction in real time” (Nilsson, 2011). Adding to this framework is the reflective process of observing and analysing how the systems behave and interact with the performer. Performing with these systems requires a close relationship and intimate understanding of the system and the relationship between body and technology. This embodied knowledge that artistic research strives for is a felt knowledge.

Composer, pianist, blues harmonica blower, occasional conductor. Member of Ars Nova Ensemble Malmö and Hertzbreakerz. Composition studies in Malmö, Bologna, Graz. Stage works, orchestral, chamber pieces, solos. 

▪️◾️◼️Debut release ▲Corporeal EP▲ out now Punch Up Records◼️◾️▪️ https://aqaxa.bandcamp.com/follow_me

As a composer and organist, I present my latest works and improvisations here. Enjoy!

Sigurður Árni Jónsson is an Icelandic composer and conductor based in Sweden. 

www.sigurdurarnijonsson.com

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