	
With their instantly catchy songs, Amely is living proof that it only takes a second to make an impression. Despite only officially forming just over a year ago and signing to Fearless Records in spring 2010, the Orlando, FL quartet has already made an impact on the pop rock scene, gaining a rapidly-expanding following both in the U.S. and beyond.With their debut EP Hello World, the band has created the perfect introduction to their sound – melodic, infectious… and about to get fans across the world addicted.
Amely began as a studio project for lead vocalist/rhythm guitarist Petie Pizarro, who began writing songs that had so much potential, he decided to record an EP, On My Own, at Vision Sound Studios in Jacksonville, Florida, with producer Daryl Phennager (Red Jumpsuit Apparatus). Impressively, Pizarro played all the instruments on the recording, including guitar, bass, piano and synths. Bringing in Nate Parsell in to record drums, the pair completed the EP in June 2008. “For a couple of years I had been writing songs for Amely while I was with my old band,” notes Pizarro. “When we finally recorded them and got the mixes back, we knew that we had to put all of our energy into making “Amely” more than just a project.” Pizarro and Parsell set about forming a band, completing the line up with Patrick Ridgen on bass, and guitarist Brandon Walden. Amely was born.

Playing their first show in March 2009, the band quickly gained a reputation for their high-energy live shows. The band went on to play three national tours, opened for All Time Low and played the Kevin Says Stage at the Florida dates of Vans Warped Tour 2009, rounding out the year with a spot on the Unsilent Night Festival with A Day to Remember, Red Jumpsuit Apparatus, Senses Fail and Breathe Carolina. Love for the band stretched beyond the U.S. to American Samoa in the South Pacific, where the band performed in front of 8,000 people for Blue Sky’s 10 Year Bash. “It was astonishing to find people singing our songs at shows in cities that we had never even visited before. It blows us away every day.” In less than a year the band had clocked up a million plays on their MySpace page, and were named one of PureVolume’s Top 20 Unsigned bands of 2009. Ready to take things to the next level, the band kicked off their most impressive year to date by signing to Fearless Records in January 2010.

Produced by Zack Odom and Kenneth Mount (All Time Low, Mayday Parade, Cartel) and Mike Green (Paramore, Breathe Carolina), Amely's debut EP Hello World is a bouncy blend of spirited rock spiked with a healthy dose of power-pop influence. Wishing to create a sound with mass appeal, not pinned down by a single genre, the band has created eight timeless tracks in the vein ofpop-rock dynamos such as All American Rejects and Jimmy Eat World, that defiantly refuses to adhere to any age range, gender or mindset restrictions. “We want to be a mature pop/rock band with a soundthat kids can get into, but adults will also enjoy,” notes Pizarro. “The four of us have grown together so much in the past year and a half, not only personally but musically as well, and we think it truly shows in the new EP.”

Pizarro and his band mates are thrilled about the wide open future that lies in front of them. “We can't wait for people to hear the true direction of the band,and get our sound heard across the world,” notes Pizarro. “We cannot wait for people to hear our more evolved sound. This EP is something that each of us has put our heart and soul into and we are excited to meet anyone who can relate to it, because ultimately our fans are our sole inspiration for doing what we do.”

Get ready to be charmed by the sweet sounds of Amely,one of pop rock's newest and most promising acts.

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Count to Four is an aggressive pop-punk band from South Jersey /
Philadelphia in the vein of The Wonder Years. With a strong focus on musicianship, Count to Four delivers unrepetitive, complex and catchy guitar riffs. Combined with unforgettable, singalong lyrics and melodic vocals, the band creates a mature, yet altogether familiar sound to the pop-punk genre.

Check out the band's first full-length album titled "Between Two Cities"; produced/recorded at 37 Studios by Matt Dalton (I See Stars, For the Fallen Dreams, Craig Owens, Chiodos etc) You can download both of their previous EP's for FREE from http://counttofour.bandcamp.com/

Artist Note:
"Pop Punk is all about growing up, and we try to capture all the emotions, positive and negative, that go along with it. I think that's what makes it relatable...In the end, it's music, it's expression. We do this because we love it, and none of us would want to be doing anything else."
Count to Four will be releasing their first full-length album titled "Between Two Cities" this spring, 2012; produced/recorded at 37 Studios by Matt Dalton (I See Stars, For the Fallen Dreams, Craig Owens, Chiodos etc) You can purchase their current EP "Know Where You Come From" on iTunes.

Artist Note:
"Pop Punk is all about growing up," says singer Mike Hayden, "and we try to capture all the emotions, positive and negative, that go along with it. I think that's what makes it relatable...In the end, it's music, it's expression. We do this because we love it, and none of us would want to be doing anything else."

My Music Biography


My interest started when my brother and I wrote a song, called a thousand stars in the sky
and someone got access to it because he recorded it on Santa Monica Pier  at a record booth
Actually It was when my father used to sing  us four boys to sleep, He had beautiful tanner voice.
	Then I was married for six years and it ended with my wife's suicide and propelled me into my music career.
I got a job at a place called (The Great American Food & Beverage Co. ). Where I worked as a singing waiter, This place was magical, I loved the place. But I left the Great American in 1979 and went in search of myself, seems I couldn't separate the myself and the entertainer. But I found that they were the same.
Then I went to Marysville, Cal. And started to learn about Gold mining and singing for campers at a place called Fiddle Creek campground and played at a bar in Downieville called,  The Saint Charles Place. This lasted for about five years and I got married to my second wife who became pregnant against what the doctors had told her because God willed it, I prayed for an offspring and had a little girl after a 18 months, we got a divorce and I be came a mom and a dad.
I went to work as a carpenter and hurt my back and moved to Reno, Nevada. To go to school as a slot tech mechanic. While I was there I got a job as a DJ and skate guard and that lasted for six months.
Then I moved back to southern Cal. In Riverside and started surfing again I would sing and play for my friends at County-line/Neptune's Net and party's in the Malibu hills.
In September 1993 I got cancer and was treated and the treatment was successful, and was back surfing in six months, on weekends. I met Kathy and we became one at a ceremony conducted by my best friend Jack Shepard and witnessed by Randy Burg. For the first eight years Kathy was addicted to many things and I prayed for her she was rehabilitated.  And we both read the Bible cover to cover four years ago . Then we started going to Harvest at the 7th day service with pastor Steve Wilburn then left to his own church in West Los Angeles .
And then we were searching for a new church. That's when my sister Barb Davis recommended the Vision Plus Church to us, where my nice was playing music one Sunday.
I played one of my original songs and was introduced to Dan Shimanek and became part of the worship team, and Kathy and I feed the homeless with Big Jim and Wayne and I sing them     tunes of pop, folk, rock, and gospel. 

I  no longer sing worship for the Vision Plus Church.

The Chocolate Horse
http://www.thechocolatehorse.com

The Midwestern six-piece is comprised of Jason Snell (vocals, guitar, banjo), Andrew Higley (keyboards, horns, bowed saw, vibraphone), Paul Brumm (acoustic bass, vocals), Johnny Ruzsa (alto flute, ocarina, percussion), Dave Cahill (drums), and new addition Sharon Udoh (keyboards, backup vocals).

Jason Snell began The Chocolate Horse as a modest side-project in the summer of 2005.  It was a happily self-indulgent project, centered on writing simple, slightly romantic 2-minute one-liners with an old guitar and a worn-in banjo, recorded on a deteriorating 4-track recording device in which only two tracks worked.  Realizing the project’s potential and imagining a bigger, more vibrant sound Snell invited good friends and fellow musicians Andrew Higley (French horn, saw and bow, trumpet, piano, fun machine), and Paul Brumm (upright bass, vocals) to join in.  The result was a whirlwind of experimentation and the birth of the hauntingly melodic, yet- non-traditional edge that is The Chocolate Horse.

The trio’s energy paid off and in 2007 the band released their first full-length vinyl album, Patience Works! (STA-001) under what was to become the band's own Stable Records. The project that had started out like a shot in the night continued over the next two years in the same passion - driven vein. Playing one show after another The Chocolate Horse performed their way through Ohio, Northern Kentucky, Tennessee and Illinois, and was asked to play at the South by Southwest (SXSW) festival in Austin, Texas in 2008. As the band grew in momentum, confidence, and popularity they picked up invaluable new members and instruments along the way, each shaping and molding The Chocolate Horse into a elegant amalgamation of sound. In 2009 The Chocolate Horse is Jason Snell, Andrew Higley, Paul Brumm, Johnny Ruzsa (Alto flute, Ocarina, percussion), Dave Cahill (drums), and newest addition Sharon Udoh (keys, vocals).  

Creativity is what The Horse thrives on and the 2009 year has been no exception. On October 16th the band officially made their house a home with the release of their second full-length vinyl album + digital download entitled We Don't Stand on Ceremony. In addition to recording in the Stable Records Studio, the 6-piece put time in at John Curley's (Afghan Whigs) Ultrasuede Studios, as well as at Manimal Studio with Tobe Donohue (Animal Crackers).  Moonlighting on the record are Jim Feist (Tabla) and Tobe Donohue of Animal Crackers (drums). This hodgepodge of  widespread collaboration resulted in a sophisticated, focused, and distinctive sound that is nothing if not impressively dynamic. We Don't Stand on Ceremony's mature clarity is audible, from the expressive yet cryptic lyrics to the clean layering of various instrumental sounds, crowned by the unexpected yet pure noise of a beat machine.

In an electrifying Tom Waits meets the Flaming Lips moment, this newest musical brainchild kicks off with the surprisingly perfect short-circuit induced burning of the band's Fun Machine organ within the song "Your Daughter." From the poignant "Spent Time Underground" to the upbeat, flute-graced "Open Up to Hide" The Chocolate Horse has created an album and a sound that seems to subtly breathe, channeling multiple sides of human emotion all the while being incredibly easy on the ears.  

Even as the 2009 year ends out The Chocolate Horse's creative spirit has yet to slow down, and they are planning to begin recording again in February 2010. If this drive is indicative of anything it is that the Midwestern 6 piece knows and loves the value of creative work.If The Chocolate Horse's last two albums and past 5 years are indicative of anything, it is that they will continue producing their growing signature brand of musical language, carving out a edgy niche for themselves and their awesomely unorthodox body of musical individuality.


They run. They fall. They rise. Surviving like the lions in the jungle, artists struggle to get their share in a place where the survivors are the ones who love what they do. Caio Saad, Bruno Pereira and Dan Pereira (ex members of local acts such as Os Thompsons , Atrial and Good Intentions, to name a few)  decided to give another shot after years of dedication in the so called scene and a recent mass evasion (in which all the three of them left) of their old band.

Taking over the bass, Caio Saad decided then to call Arthur Rezende, a temporarily retired drummer which had the same vein the band decided to explore, a more punk rock, full of heart and passion , kinda lost and put aside by most of the bands nowadays. Once in the studio, humming amps and all the best intentions stated to sound like lions roaring for their preys.

Running Like Lions is a mix of a friendship built in the stages and studios and nothing more than heart-written songs of the most pure , mature hardcore , punk rock, lost, but never forgotten and yet to be brought back by this 100% focused 4-piece gang.

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FOR DEMO REQUEST CONTACT: faca_nqn14@hotmail.com if you are interested in my tracks. Or Instagram to: lezcanoproducer.dj

Bio Lezcano: 

Lezcano produces and composes with the same passion and dedication, in this sense, the balance of the final result of his music is clear: between what he creates and how he expresses it, there is a remarkable balance. He is addicted to the progressive, but his vital restlessness for the melodies leads him to compose far from the clichés of the genre. He is a son of the most traditional German techno, but with the vein crossed by the Latin American sound, Lezcano thinks of his music as if each track were a fusion film. Cool by age and youth, mature by influences, its sound is not tied to a trend.

Lezcano produce y compone con la misma pasión y dedicación, en este sentido, la balanza del resultado final de su música es clara: entre lo que crea y cómo lo expresa hay un equilibrio notable. Es adicto al progressive, pero su vital inquietud por las melodías lo lleva a componer lejos de los clichés del género. Es un hijo del más tradicional techno alemán, pero con la vena atravesada del sonido latinoamericano, Lezcano piensa su música como si cada track fuera un film de fusión. Fresco por edad y juventud, maduro por influencias, su sonido no está atado a una tendencia.

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