Composer and producer of music for TV, video-games and commercials. Co-founder and creative director at Tone Keep, an agency specialized in audio branding and bespoke music productions for advertising campaigns. 

I was given the gift to write music from God and I want to give him praise for that and be thankful for it. He's my inspiration and motivation to touch people with my music. Every success I have is brought to me by his grace. 

www.petterisainio.com
www.tonekeepmusic.com

BROTALITY is band formed by 2 brothers and a friend based on faith, love & heavy music!!! We embrace the brutality of being counter-culture in today's society.

A film music composer and guitarist born in Helsinki.Peter started to compose music in mid 90´s with tracker softwares. In 2006 he was introduced to East West libraries. Roe specializes in Dramatic and Electronic music with genuine cinematic flair. From intense edge-of-your-seat cues to the beautifully stoic emotional tracks, he writes in a wide range of styles and a dozen genres, including action, suspense, adventure, fantasy, and drama. Peter's epic orchestral works add pure excitement and drama to trailers, films and commercials alike.

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

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Welcome to my site! Please enjoy your stay! See what people are saying about Seycara Orchestral: 

http://www.seycara.com/productions

Seycara Orchestral is the music company founded by composer Yuang Chen. All tracks posted on this site are under international copyright for Yuang Chen.

Please contact Yuang Chen at info@seycara.com for cooperation opportunities, as well as sheet music. All non commercial projects with Seycara Orchestral are free of charge.

Cover design by: Sairento Boken - https://www.facebook.com/SairentoBoken/

Israeli-born composer/conductor Udi Harpaz started his Hollywood career orchestrating & arranging for popular TV shows such as "Little House on the Prairie", "Fame", "Cheers" and "Knight Rider", just to name a few.
In 1984 Udi was chosen to compose the music for the popular TV series "Airwolf" (CBS). Since then, Udi has been composing for numerous TV shows & movies including "Shell Game" (CBS), "Annihilator" (NBC), "Shadow of Obsession" (NBC), "Uncle Tom's Cabin" (Showtime) "Tim Conway-Funny America" (NBC) & many more.
Udi has composed for many animated TV shows such as "Digimon Digital Monster" (Fox), "Centurions" (syndicated), "Mr. T" (NBC), "Beany & Cecil" (NBC) & "Space Cats" (NBC).
In addition to his vast television work, Udi has composed the scores for numerous theatrical feature films including Hollywood Shuffle (Samuel Goldwyn), Running Scared (MGM), Ninja III (MGM), Naked Target (Frade) and The Whoopee Boys (Paramount)
Since 1992, Udi has been dividing his time between Los Angeles and Israel where he has recorded his symphonic scores for movies including Casper: A Spirited Beginning (Fox), Casper Meets Wendy (Fox) and Digimon: The Movie (Fox), among others.
For the past 8 years Udi has been working extensively for the music giant BMG (recently acquired by Universal Music Publishing), composing/conducting & producing over 30 symphonic CDs. This music has been featured on numerous TV shows including "Dancing with the Stars" (ABC), "America's Got Talent" (NBC), "Oprah" (syndicated), "The Tonight Show with Jay Leno" (NBC), and "Inside the NFL" (HBO) among others.
Udi has also been involved as a composer and music director on a numerous stage shows, among them: "Night of the Sultans", "Masada", "Fantazi", "Glow", "Ali Baba & the 40 Thieves", "Aladdin", "Sisters Rosenzweig", and " Women Talk Women". On the dance show "Night of the Sultans", Udi had the opportunity to collaborate with Turkish musicians and record the music in Istanbul. On the musical drama "Masada", Udi traveled to Russia to conduct the Moscow Symphony Orchestra in a ten-day recording session. A year later Udi music directed and conducted "Masada" in a gala performance at the Schubert Theater in Los Angeles.

4-time Emmy® nominee, Gyom's eclectic music has been used in blockbuster movies, TV shows and commercials around the world.  Performed, tracked and mixed at M-Rose Productions Studios (link below)

Doomful Void
Dark orchestra, Location: Finland
https://mentalflamethrower.bandcamp.com/

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