This is a synthwave track that was essentially written to be used as a backing track for guitar players or other instruments. Terms of service are included with each purchase. 

Tonally, this song is for the most part a “textbook” and rather simple synthwave track that borrows a few elements from progressive house, such as the drop, the buildup, 4-8 bar repetitions with layering, uplifting impact fxs, etc.

Nostalgia Overload

Static Vale
An amalgamation of various styles — primarily EDM-based music.

Collabs:
Email scenicscribe62@gmail.com with 2–3 of your best tracks and your EPK.
Please avoid DMing collab or service pitches on SoundCloud — email keeps everything organized and ensures I can review your material properly.

Approvals:
I accept or decline based on fit, chemistry, current project/album direction, and schedule.
If I pass, it isn’t personal — it just means I may not have the capacity at the moment.

Boundaries:
I don’t share release timelines or details about my creative workflow — those are trade secrets while I build this project.
For updates or hints, follow my socials.

If you’re pitching a collaboration or service, please provide clear examples of your work and prior success stories. I don’t invest time or resources into vague “ideas” without a tangible plan or proof of concept.

Important:
There are too many scams and low-effort pitches circulating, so I’m careful with my time and commitments. Please respect that this project operates on the principles of professionalism and mutual benefit. Also, my own policies mirror those of platforms I participate in, including SoundCloud's terms of service. If it doesn't fly on this platform, then it doesn't fly with me, for both legal and ethical reasons. 

Thank you for understanding — I look forward to connecting with serious, dedicated creators.

Captain we can not make it to Ceti Alpha 5

Virus B is the musical project of Virginie Borriazzi, a composer and a guitarist interested in manipulating the sound. She attempts to create an unlimited universe...

Many of the tracks here were produced using Reaper software. Vocals were recorded with a condenser microphone, and guitars were recorded directly into a sound card with amp emulations. All other sounds were created using virtual synthesizers or real-world sounds that were then processed.

For the past few months, no software has been used in the creative process. Everything is done with two samplers that have sequencers, a groovebox, a digital recorder and sometimes a drum machine. A computer is only used for the final step of production : mastering.